Too much rock for just one hand \mm/
typed for your pleasure on 17 February 2008, at 6.52 pmSdtrk: ‘Jacqueline’ by Franz Ferdinand
As my friend goshou has been a rabid fanatic of the Guitar hero series ever since its inception, it naturally stood to reason that he would pick up the rhythm game phenomenon known as Rock Band up for his XSLAB 360 upon its release. Shortly after he did so, Zip Gun grabbed a copy as well for his PS3. So usually, our Saturday get-togethers are finished off with a hearty hour or two of banding rocks together.
Our group’s name is ‘AH SALOPE GET OFF ME!!’, the name stemming from a long-standing in-joke within our group of mates*, but usually we rock out on Free Mode, as neither SafeT or I have the game, so we can’t practise our chops at home. We’re prone to switch up instruments, but usually ZG plays guitar or sings, goshou mans guitar or drums, SafeT can be found either singing, drumming, or ah, guitarring, and I usually pick drums or bass, or vocals if it’s one of the songs by the Ramones. Like most of the other bands on the rock server, we’re pretty average; however, it must be said that we’re shockingly good at Bon Jovi’s ‘Wanted Dead or Alive’. We can’t explain it.
The game’s opened my ears to a bunch of songs that I’ve always heard of, but never actually heard, like Foreigner’s ‘Juke box hero’, or ‘Paranoid’ by Black sabbath, or Deep purple’s ‘Highway star’, which for some bizarre reason I actually like. Maybe it’s due to its association with the ‘Diamond is unbreakable‘ story arc of the manga series JoJo’s Bizarre Adventure.
So I was just thinking recently: you know what song is begging to be added to the already-lengthy Rock Band playlist? ‘Sister Ray’, by the Velvet underground.
There would be a big brawl over which take to use. Of course everybody would opt for the takes where they sounded best. It was a tremendous hassle, so on ‘Sister Ray’ which we knew was going to be a major effort we stared at each other and said, ‘This is going to be one take. So whatever you want to do, you better do it now.’
And that explains what is going on in the mix. There is a musical struggle — everyone’s trying to do what he wants to do every second, and nobody’s backing off. I think it’s great the way the organ comes in [John] Cale starts to try and play a solo. He’s totally buried and there’s a sort of surge and then he’s pulling out all the stops until he just rises out of the pack. He was able to get louder than Lou [Reed] and I were. The drums are almost totally drowned out.— Sterling Morrison, from ‘Up-tight: the Velvet Underground story’
Yeaaah, all seventeen sarky chaotic seedy whirlwind minutes of Sister Ray. And here you thought ‘…and Justice for All’ was an endurance test. Pfft, lightweight
*Do you want to know? Do you really want to know? Click on the comments for additional unneccesary exposition
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