Any Synthetiks-related news, Davecat? (November 2014): Part II

typed for your pleasure on 21 November 2014, at 8.39 pm

Sdtrk: ‘Friendlies / Pamela + GG’ by US girls

Bit of a delay on this one (‘the Devil, you say’), as I was led to believe that Orient industry were going to be releasing new pics of their Ya su ra gi and Real Love Doll Ange models to their site on the 7th of this month, but they didn’t, damn them. They’ve got a Christmas campaign going instead, so if you don’t mind somewhat hefty import prices, now would probably be a good time for you to make your move.
I can, however, point out that late last month, they released a version of their CandyGirl line called Party Doll; its two models are Tomoko and Saori. What’s so unique about the Party Doll, you ask? Well, I’ve linked to a video below that encapsulates what they do, and I should point out that you really don’t want to watch it while at work. Unless you own the company!


click the image to open the video

For those of you who are hamstrung by NSFW issues, the Party Doll is a make of CandyGirl who, when you squeeze her right breast, dispenses beverages from her left nipple. That’s right. As you’ll note, the Tomoko-type is more of a traditional Japanese lass, as she wears a kimono, has hanafuda cards on her table, and dispenses sake, whereas her more Western-styled sister Saori is dressed as an employee at the Bunny Club, with her poker deck and wine glasses at the ready. Both lasses have cupboards beneath their tables, where you can store up to 900 ml of sake, or a 700 ml bottle of wine. A hose attaches to the opened bottle, and an electric pump keeps the bevvies flowing up through the hose and out of her nipple. To stop the pump, just stop squeezing her breast. I said ‘stop squeezing’. Jesus, man, have you no self-control?
Both versions of Party Doll have joints in their necks and arms, which would be their only articulation, so they’re less like Dolls, and more like the dispensers in the Korova Milkbar from ‘A clockwork orange’. Would I want one? I’m not so sure. For one, they do take up quite a bit of space — there are worse things to occupy one’s home, but still. Also, again, they’re more soft statues than Dolls, so while they excel at being conversation pieces, sculptures, and bevvy dispensers, you couldn’t have a relationship with them. Also, the fact that they run ¥1.6 million JPY (that’s about $17,300 USD) is the exact opposite of enticing. However, should I fall into money — literally fall into money, like sacks of cash with dollar signs screenprinted on them — I’ll buy a Tomoko-chan to keep me company in my home office…

+ Polymerisian entrepreneur, telly show actress, and pinup model Tasha James, who, as you’ll know, got her humble start in a little studio in southern California, has embarked on a new method to grant herself more exposure. She’s releasing a series of photobooks, expertly photographed by Paul Gorman, and they’re pretty fab. Currently she’s got ‘Dark & Moody’, ‘Candle Light’, and ‘Bedroom Lies & Pillow Talk’ on offer, and she’s just released her latest one, ‘Kink’, which looks to be properly pervy.

Each book is available in three formats: the 8×10 hardcover for $50, the 5×7 softcover for $30, and just $10 gets you the 3.5×2.75-sized minibook. If you like, you can have Tasha make an autograph out to you before she ships it out as well at no charge. As all of us here are very keen on her work, both as a Synthetiks advocate and a sexbomb, we’ve ordered a copy of ‘Kink’. We’ve already bought a copy of ‘Dark & Moody’, and it’s one of the neatest things we own.

Why not show your support for ravishing artists who just happen to be Polymerisian, and order one of Tasha’s photobooks? It’s the sort of book that would also look brilliant on your coffee table! Fact.

+ WOOP WOOP WOOP NEW 4WOODS HEAD ALERT
While I was busy assembling this post, they’d announced the debut of yet another attractive head for sale! Ladies and gelatin, please welcome Sonia.


Some people like dimples, others prefer seam lines

The Sonia head can only be used with the A.I.Doll Allure bodies, which is quite alright. There’s, ah, not much else to add to this bit of information, but really, what more needs to be said?


Lips ahoy

+ It should come as no surprise to anyone that I’m keen on the work and philosophy of Hiroshi Ishiguro, roboticist genius who developed the Actroid series of Gynoids. Really, if you’ve not seen his name mentioned anywhere on this blog, you’re apparently reading another blog entirely. As Ishiguro-san is always doing things to bring artificial humans into the mainstream, something like this is both unsurprising, and really unique:

Meet the robot actor starring in a play inspired by Kafka
by Leslie Katz | October 22, 2014 9:43 AM PDT

In Franz Kafka’s novella “The Metamorphosis,” Gregor Samsa famously wakes to discover he’s been transformed into a giant insect. In a decidedly modern theatrical take on the surreal story, Samsa wakes to find he’s a robot. A gangly, metallic, white-faced robot.

And who better to play Samsa-as-android in the new Japanese-French production than an actual bot? That robot, stage newcomer Repliee S1, stars in “La Metamorphose Version Androide,” which played in Yokohama, Japan, earlier this month and will run at the Autumn Festival in Normandy, France, in November.

“One morning in the near future, Gregor Samsa wakes up as an android,” reads a description of the play. “Gregor’s father (Jerome Kircher), his mother (Irene Jacob) and younger sister (Laetitia Spigarelli), after a period of doubt and caution, will strain to tame their fears and questions facing the new state of Gregor.”

While some futurists would no doubt view the chance to experience life as a robot as a welcome adventure, Kafka’s 1915 “The Metaphorphosis” tackles deep questions about identity, human connection and otherness.

“When people see a robot, like in an exhibition, you can tell people are not moved by it,” Japanese playwright and director Oriza Hirata says in the Agence France-Presse video. “I wanted to create a situation in which a robot could move an audience, and that’s how we came up with the idea of this project.”
the entire article is here

Apparently, this forward-thinking take on Kafka’s classic is one in a series of various plays that comprise director Oriza’s ‘Robot Theater Project’. You undoubtedly remember when Actroid-F took to the stage in 2010 for the play ‘Sayounara’? That was part of the project. The theatre company is called Seinendan, and, according to their website, last year they’d also done a version of Chekhov’s ‘Three sisters’, starring Actroid-F and two other non-humanoid robots. Very nice, and I definitely appreciate the fact that Oriza and Ishiguro sought to draw parallels between the transformation of Gregor Samsa into an insect who thinks and behaves like a human, and him changing into a machine who thinks and behaves like a human, but when can we expect ‘The Importance of Being Earnest’?
I’d just like to add this bit from here, that explains the goal of the Robot Theatre Project:

The Robot Theater Project was founded 5 years ago at Osaka University with the goal of displaying robot prototypes in a creative theatrical context. The expositions in which scientists participate in order to technologically compete with one another; do not solicit an emotional response from the public, even if they often are in admiration. Touching people emotionally with robots will offer a lot of fundamental research towards a future coexistence with robots, where one would not feel uncomfortable or anxious in their presence. (emphasis mine)

+ Titman, the titular Torontonian totally turning out terrific… christ. This is why I don’t usually do alliteration. It’s either difficult to construct, or it sounds entirely forced, or both. Anyway, Titman, head of Maidlee Doll, has taken a new approach with the affictitious ladies he creates, starting with their name. From now on, he’ll be selling Maid-Fong Dolls, and even better than that, they’ll be made from silicone, not latex. Huzzah!


‘I was told this dirndl qualifies me for Austrian citizenship’

Now, the company offers two versions of the previous head — one version has a dreamy half-awake expression — and the body features new joints at the knuckles, arms, knees, waist, hip and neck, movable eyes, and a handy neckbolt for suspension purposes. Maid-Fong is 5’2″, 82 lbs, has measurements of B:36DD / W:25 / H:38, and wears a US sz 5.5 – 6 shoe. And like many of the company’s contemporaries, they’re using platinum-based silicone, so that means more durability.


What is it with gingers and leopard print?

Leaving out prices for options, such as choice of entries, you can purchase your own Maid-Fong for only $3500 CAD, which is a rather nice price for an entry-level silicone companion. Be sure to pop round to the official site; there’s pics and videos available there, too.

+ For the longest time, Sidore and I had said that we were going to start watching Äkta människor, the Swedish telly show that centres round the premise of humanoid robots, or ‘Hubots’, and how various people interact with them. We’ve had the first two series from 2012 and 2013 sitting on our hard drive, waiting to be viewed, but much like about a hundred other programmes and films we want/need to see, we weren’t setting the time aside to sit down and actually watch it. All that’s changed, however! The Missus and I tore through our DVD copy of the first series, and found it to be extraordinary; it’s the sort of show that American telly would either never come up with on its own, or it would be something that an American telly producer would attempt to adapt for the domestic market, and water it down in the process. If you’re keen on the idea of Synthetik humans, or if you like good storytelling, or are partial to expert direction, are interested in the topic of roboethics, or all of the above, you definitely need to see this show.


Any faster and their eyelids will melt

But what lit a fire under our collective arses and made us start off to begin with? A Twitter account by the name of Cyborg vs Robot began following me; their bio reads ‘Christa Couture and Five Seventeen recap the Swedish TV series Real Humans (Äkta människor) and other robotic depictions’. Five, the male robot, and Christa, the female cyborg, discuss what their findings and reactions were for each episode of Äkta människor — they’ve just released a podcast covering the last episode of season one — they also touch upon other Synthetiks-related short films and shows. In their first episode, Five and Christa cover the first episode of Small wonder, reminding me how bizarre and abysmal a programme it is. Despite that, they manage to dig up some interesting tidbits: for example, I didn’t know that Small wonder was created by Howard Leeds, who was the same bloke who developed a much better telly show having to do with an artificial human several years earlier — My living Doll, starring Julie Newmar, from 1964.
Overall, the Cyborg vs Robot podcast is a low-key, laidback affair with two neat hosts, covering topics that will pique the interests of discriminating readers such as yourself. Yourselves. Etc.

+ Finally, you may recall that back in July, I’d tried to get some information out about A-Lab’s Gynoid inaccurately named Android Asuna, but there wasn’t a lot in English, or even in Japanese, for me to pass along. Well, thankfully that’s changed! Our Asuna made her debut at the recent Tokyo Genius Expo, and despite the fact that there were other robots, as well as all manner of art, music, and design exhibits on display, she kinda stole the show by nature of her verisimillitude. She also seems a bit sassy. As she’s styled to have the appearance of a fifteen year old, I guess that’s par for the course.

Like many modern Gynoids, she’s driven by what A-Lab refer to as an APDS (Air Perfomaer [sic] Drive System), which seems to be their proprietary pneumatic system. She also features silicone skin, which is to be expected.
I may have stretched the truth a wee bit: there’s not a tremendous amount of info available as yet: A-Lab’s website doesn’t have an English page, and translating through Chrome basically garnered the info you’ve just read. But the site says it will have a gallery soon, and Asuna seems to have her own blog on it as well. Not a lot of entries to date, as she’s been undoubtedly too busy with this Tokyo Genius Expo to update it, but my favourite entry on 20 June starts with ‘As usual, I am a not speak can not move, and when I was spacing out standing in the corner, and I have been surrounded by the customer after the talk show.’ Yeah, I think we’ve all been there at some point, Asuna-chan.
In lieu of more information, which I’m sure is forthcoming, I shall end this post with a couple of photos.

…there’s not a lot of photos of Android Asuna available. *throws up hands*

So there you are! If I’d have planned things out better, this month’s post would’ve been in three parts, as this part’s larger than I thought it would be. Shall we call it ‘making up for lost time’, then? Yes. Let’s do that

Random similar posts, for more timewasting:

Why would we even leave the apartment? on October 10th, 2009

Machine intelligence, machine sexiness on September 25th, 2009


Any Synthetiks-related news, Davecat? (November 2014): Part I

typed for your pleasure on 4 November 2014, at 10.39 pm

Sdtrk: ‘Providence’ by Black to comm

This time, I offer no apologies for the lack of news about Dolls and Gynoids for last month, as there wasn’t a lot on offer. But just within the past fortnight and a half, quite a bit of news has materialised! Which is good! *rubs hands together*

+ The first Gynoid in media that I can distinctly recall falling in love with would be Cherry 2000, expertly portrayed by Pamela Gidley. Cherry made first place in my top ten sexiest Gynoids list, as you’ll recall. Maybe I should make an updated version of that post one of these days… But moreso than any other actress, Pamela’s role as a pleasant and accomodating affictitious lover opened my eyes to the possibilities of ‘the Synthetik option’. So that was me, back then. Perhaps if I’d have been old enough to have watched ‘My living Doll‘ upon its initial airing back in 1964, it would’ve been Julie Newmar as AF-709 Rhoda that would’ve sparked (pun somewhat intended) my desire. But I’d like to think that back in Germany in 1927, at least a handful of individuals were considering their own artificial lover thanks to Maria, the sinister-but-curvaceous Gynoid from Fritz Lang’s masterpiece, ‘Metropolis’.

What we have here is the end result of the Canadian art group Kropserkel Inc. and WSM Art Management of Germany, who have created a life-sized restoration of Maria, as the original prop/armour is understood to have been destroyed during a fire on the film’s set in 1926. What’s really fascinating is that Kropserkel Inc weren’t just winging it with attempting to reproduce the design; the ‘WSM’ in WSM Art Management stands for Walter Schulze-Mittendorff, the original designer and sculptor of Maria under the auspices of Fritz Lang. So essentially, Kropserkel Inc made their replica by using the plans and notes of the original from 1925.


Brigitte Helm not included

Their goal is to exhibit the finished piece at various events and film festivals, as well as produce additional replicas. If your pockets are overflowing with cash, you can purchase a 1:1 scale display figure for only $8500 USD. Now pause so you can wipe off the beverage you just spritzed onto your monitor.
Still, Kropserkel Inc are bringing an iconic character back into the present with their efforts! Only really, Maria never went away. In fact, with the current rate of robotic progress, she’s probably closer now than ever… Learn more about the Maria project here: http://www.kropserkel.com/robot.html

+ Abyss creations have released another new face for their RealDoll 2 line. This comely lass is known as Olivia, but once she’s yours, you can name her whatever you like. Like Olivier, I dunno. Maybe you’ll wanna run your choices by her.


‘Yeah, sorry; “Bolivia” isn’t an option, either’

The first configuration listed on Abyss’ website has the face combined with the RealDoll 2 Body A, but you’ll be able to combine her with other body types as well. Very nice!

+ Only three days before my birthday this month, the First International Congress on Love and Sex with Robots will be taking place! Will I be in attendance for it, to perhaps speak with and shake the hand of David Levy himself, amongst other committee members? Well, it’s in Madeira, Portugal. I mean, Jesus, people; you might as well hold it on the Moon.

Within the fields of Human-Computer Interaction and Human-Robot Interaction, the past few years have witnessed a strong upsurge of interest in the more personal aspects of human relationships with these artificial partners. This upsurge has not only been apparent amongst the general public, as evidenced by an increase in coverage in the print media, TV documentaries and feature films, but also within the academic community.

Congress sessions are planned on the following topics, inter alia:

• Robot Emotions
• Humanoid Robots
• Clone Robots
• Entertainment Robots
• Robot Personalities
• Teledildonics
• Intelligent electronic sex hardware
• Gender Approaches
• Affective Approaches
• Psychological Approaches
• Sociological Approaches
• Roboethics
• Philosophical Approaches

No, there’d be absolutely no reason for me to be there at all. None whatsoever. Now I wonder what could be causing my eye to be twitching all of a sudden?

+ Patrick Wise made a delightful announcement regarding his beautiful Private Island Beauties, which will follow after this related picture of an improved Doll bum that he’s made:


Like grabbing a sexy… loaf of… bread. I got nothin’. Which should be obvious

We have a wonderful new softness to our dolls! The tush is now nearly as soft as the tata’s!! Actually, the whole body has a fantastic new softness. Squeezable and extra fun for play. We are not charging any extra for this upgrade. We are sure that it will add considerably to your enjoyment of your doll. This way, you have the lasting quality of platinum silicone… with the softness you have been hoping for!!

The photo above should be proof enough, but you can also find video evidence on the Private Island Beauties website that shows how the new silicone formula being used makes for a Doll you can really sink your hands into. I suppose this is what the Germans mean with the term Gummipuppen?

As shown above, the studio have also released the all-new Mina head, suitable for use with all three PIB bodies. This head is classifed as ‘Oral’, which is a capability that will allow you to store a couple of spare AA batteries in her mouth, for emergencies. Or perhaps marbles, if you have some really valuable aggies you want to hide away. Whatever you may decide to slide into her mouth — USB sticks, LEGO minifigs, &c. — I’m sure you’ll agree Mina is a fine addition to the Private Island Beauty head collection!

+ Do you recall back round 2005, when we had an endless stream of Gynoids making their debuts? The first version of Actroid, Repliee Q1, Repliee Q1Expo, all the affictitious lasses that appeared at the Aichi Robot Expo, the first Actroid DER… good times. Revolutionary times! Now it seems that nine years later, we’re getting another wave of new Gynoids coming down the pike. Otonaroid and Kodomoroid, Tuma Urman and Alisa Zelenogradova from Russia, Geminoid-F, Android Asuna, and joining them, Chihiro Aiko, manufactured by the world-famous company, Toshiba.

This comely young artificial lady, who made her own stunning debut at CEATEC 2014 — Japan’s version of the Consumer Electronics Show — is powered by an air servo system and an air compressor, and like her artificial sisters, has realistic silicone skin. She sports 43 actuators, including 15 in her head for facial expression and head movement. Combining those, she’s able to use (Japanese) sign language in a reasonably fluid manner, and will be programmed with English Sign Language relatively soon. Like most current-day artificial humans, she’s being groomed for developmental use as either a greeter or a staffer for businesses, or to interact with the hard of hearing or the elderly. Their goal is for both the physical technology and her software to be up to par enough so that she can be employed at the 2020 Tokyo Olympics.


They couldn’t have put, say, a prop computer on her desk or something?

Regarding that white barrier/bumrest thing behind our Chihiro, fellow robosexual Vokabre says on his blog, ‘This stand is not only serves as an actual stand, but also as as a way to hide piping to the compressor and cables to the internal hardware. To compare, standing Actroids rely on the special “stage” that has hardware and a compressor hidden inside. Compressor and the main computer for Chi Aiko are either stand somewhere on the side of the robot, or are hidden behind a banner.’ Well, we all need support sometimes in our lives.

Personally, I think it’s fantastic that a major electronics firm such as Toshiba is producing a Gynoid like Chihiro; my hope is that other major companies will see the success that Toshiba will have with her, and get into the robotics industry themselves as competitors. And everybody wins!
Hitoshi Tokuda, manager of the company’s marketing group in the new business development division, has been quoted as saying, ‘We wanted to develop a sign-language robot because it’s challenging technologically, requiring speed and precision movements… [A robot like Chihiro] needs a humanlike appearance and expression because a C-3PO appearance wouldn’t work.’ Which is what I’ve been saying for years.
Curiously enough, despite that video being Toshiba’s official release, it doesn’t show her speaking, so have a look at this one:

Of course, if you didn’t have all that ambient CEATEC noise going on in the background, one might’ve been able to hear her better, but you get the idea. Looking forward to discovering more about Ms Chihiro Aiko in the near future!

That’s it for this half; before the second part is published, there will be a brief intermission while I drink several draughts of Gatorade and furiously finish typing that post up

Random similar posts, for more timewasting:

The Synthetik news just keeps on comin' on December 26th, 2009

Buy a tiny Gynoid, watch a Doll on telly on November 13th, 2012


Easier than moving actual Synthetiks around, that’s for sure / Toot toot

typed for your pleasure on 7 October 2014, at 10.10 pm

Sdtrk: ‘Past majesty’ by Demdike stare

People love that 2048! Well, I’m assuming that people love 2048. Then again, I normally assume people even know what I’m on about, and if they don’t, that’s par for the course…
2048 is a game I just recently discovered that involves sliding tiles, each of which is numbered sequentially starting from 2. Using your arrow keys, you match up the tiles until you have gained satisfaction, or run out of moves. I’m led to believe that 2048 is based off the iOS game 1024. In any case, both of them involve math, so I can’t be bothered.
Internet online website usvsth3m, a spinoff of the amusing b3ta.com, developed a version of 2048 which uses picture tiles instead on numerical ones, for those of us who equate the use of numbers to witchcraft. The game is Flash-based, so you can make your own version! And so I have, and it’s exactly what you’d expect.


So which one of them is Ann B. Davis?

Click here for non-stop image-related excitement: 2048: Super Synthetik Girls Edition by Davecat. Why not play a couple of rounds while awaiting your bus, your date, or the grave??
As it uses the guest Gravatars on this blog, it just reminds me that a lot of those are old pics, and I really could stand to make some new ones. But that reeks of effort!

In other, more horn-trumpeting news, back in February, I was contacted by Dr Bertalan Meskó, medical doctor and medical futurist, concerning getting my thoughts on how humanoid robots will effect social change. He’d fired a few questions at me, and my responses ended up in his latest book, ‘The Guide to the Future of Medicine: Technology AND The Human Touch’. I’m really glad he’d asked! Apart from robots, his book also spans emerging trends such as stem cells, cryonics, prosthetic limbs, and more as well — in short, the future of medicine. You can order a physical copy for yourself, or a digimal version for your hoity-toity Kindle, here on Amazon.

And this very week-end, the Missus, our mistress, our flatmate, and I will have another film crew observing us in our natural habitat. This film crew is headed by another doctor, one who paints in her spare time, and she wants to get my insights as far as how recent technological advances are influencing our relationships and interactions. As she doesn’t seem like a pop psychologist — ‘Dr’ Phil, I’m squinting in your general direction — I’m looking forward to speaking about how being an iDollator has changed my life for the better, and how having a Gynoid, an Android, or a Doll as a partner can do the same for thousands of individuals. Also, it’s a much nicer change of having a camera crew come round when it’s not boiling Summertime, but then, everything’s better when it’s not boiling Summertime. Fact.

O, and expect a couple of new Synthetiks-related news posts relatively soon, as just recently, there’s been a handful of noteworthy things worth writing notes posts about

Random similar posts, for more timewasting:

Third place is -- you're fired on January 14th, 2005

It's funny cos it's true on November 1st, 2005


A cruise, improved

typed for your pleasure on 17 August 2014, at 7.52 pm

Sdtrk: ‘Island of birds’ by Sven Libaek

As periodic readers of ‘Shouting etc etc’ are already aware, there’s not a single thing that I like about the annual Woodward Dream cruise. I’ve mentioned why before, so I’ll not go on about it again if you’re a new visitor; you are welcome. One of the main issues that I have with it, apart from the fact that the event hampers the mobility of local non-participants, or the lack of logic of taking part in such an event when regular petrol is hovering just under $4 a gallon, is that the cars are large, ungainly, and mostly unsightly. Sorry, klassic kruisers, your cars are simply too goddamned big. The only exception to that aesthetic choice would be the 1970 Plymouth Superbird, as it is so comically overproportioned it’s awesome. And classic hearses; you can’t go wrong with those, either.

In making my way down Woodward earlier last week on the way home, I’d seen the safety orange advisory signs bolted to normal traffic signs, reminding people that the week-end of the 16th would be taken over by the Nightmare cruise. What if, I thought to myself, what if all those giant landboats were replaced with smart little classic foreign autos instead? Well, for one, I’d be out on the sidewalk every year, taking footage of the endless stream of European and Japanese cars. Cars such as


the Alpine A110


the Citroën 2CV


the BMW Isetta


the Jaguar E-type


the Toyota Sports 800


the Messerschmitt KR200


the Studebaker Avanti (yes, I’m well aware this is an American vehicle, but it gets a pass)


and the Subaru 360, amongst others. And although I’d fully expect to see both the modern and classic versions of the Fiat 500, the MINI, and the Volkswagen Beetle is that those selections are pretty much a given.
And since ‘classic’ is a loose descriptor, I’d get some automobiles from the glorious Eighties in there as well.


the Citroën Karin Concept, from 1980


the Renault Fuego (I have a soft spot for these, as it was the third car my parents ever had)


the Toyota TAC3 Concept, which looks an awful lot like the Livecougar, the jeep from Chojuu sentai Liveman


and you can’t properly represent the Eighties without some DeLoreans in there. And I’ve noticed that two of the four cars I’d just listed never made it into production. Huh.

This new, more Continental/Japanese-flavoured Cruise would also have allowances for relatively modern cars with retro styling, such as the Nissan Pao, the Nissan Figaro, or the Mazda Autozam AZ-1. In a lot of ways, modern cars with classic appearances combine the best of both worlds: they don’t have the generically bland ‘style’ of contemporary vehicles, but they possess features that older cars didn’t have, such as power steering and air conditioning.

Micro- to mid-sized cars are fantastic! They take up very little space, and more importantly, they don’t scream to the world that you’re making up for some other, more personal, shortcomings! And really, I’m not what you would describe as a ‘car guy’. Meaning, I don’t give a toss about torque, or horsepower, or technical details such as that. I like the cars that I like due almost strictly to their aesthetics.
There’s a whole bunch of cars I’d not mentioned, as I didn’t want this post to be as long as the cruise it would describe. But would you have a make and/or model of car you’d like to see in the improved Dream cruise? Why not mention it in the comments below?

Random similar posts, for more timewasting:

This was the Future, Vol.35 on August 16th, 2007

Looking backwards is looking forwards on February 23rd, 2013


Any Synthetiks-related news, Davecat? (July 2014): Part II

typed for your pleasure on 30 July 2014, at 12.02 am

Sdtrk: ‘Casualty ward’ by Kline Coma Xero

More news about Dolls and Gynoids? Well, yes.

+ As you’ll recall, I’d begun Part I of this post with a video of a Gynoid named Asuna, and how it’s nigh-impossible to find info on her in English or Japanese. As she seemed to be rather well-made — fluid movement, realistic appearance — I believe she would’ve gotten more media exposure were it not for two reasons. One, it’s nigh-impossible to to find info on her in English or Japanese, and Two, she made her debut only a couple of days prior to these two Gynoids, who had much more exposure in the media. You might’ve seen them yourself; here’s Otonaroid and Kodomoroid:

Created by godlike robotics genius Hiroshi Ishiguro, which should go without saying, Otonaroid (‘otona’ being Japanese for ‘middle-aged woman’) and Kodomoroid (‘Kodomo’ meaning ‘child’) are permanent staffers at Miraikan, the National Museum of Emerging Science and Innovation, in Odaiba, Tokyo. And no, I’m not just being my usual self when I say they’re staffers; the two aren’t a temporary exhibit, unlike the way other locations have treated other Gynoids. Further proof: Otona-san has her very own calling card. And yes, I’d Emailed her. (Her PR people replied instead… boooo.)

They’re similarly-built, in that they use servos for movement of their faces, heads, and arms, but each one is a bit different. Otona-san is a telepresence robot, meaning that she’s controlled remotely via a human operator, who can also speak through her using a microphone. It’s a bit odd, however, as Otona-san doesn’t really have a voice of her own; meaning that if a bloke operates her, you’d hear his voice out of her mouth. Which is disconcerting, and, let’s face it, a boner-killer.
Kodomo-chan’s job is that of a newscaster, if you can dig that. Every day, she’ll read the day’s news in her own voice, as well as various tweets, from her own rather ‘THX 1138′-esque viewing room. Going by some of the clipped syllables as heard in the video above, she’s probably utilising the popular Vocaloid speech synthesis programme, or something like it. Both Gynoids are also working in the context of gathering data on human interaction for Prof. Ishiguro’s studies.


It would seem that Otona-san also likes the music of Damon Albarn, former lead vocalist of Blur, as he performed some songs from his latest solo release, Everyday robots, at Miraikan for her and a small audience of fifty, on 25 July.

During the show, Otonaroid® moved her body in time with Albarn’s performance. She hummed along to the lyrics, and her expressions seemed to change when the melody would take a sad turn or during up-tempo parts of the songs. After finishing all of his songs, Albarn approached his special Otonaroid® guest and bowed to her while looking her in the eyes. Otonaroid® seemed very happy and bowed in return.
the entire article is here

This leads me to believe that, when Otona-san was younger, she more than likely preferred Blur to Oasis! As any sensible person would.

+ If I told you that 4woods have been busy this year, would you really be surprised? Next to Orient industry, they are the Doll studio equivalent of the Hardest Working Man In Show Business. Which I suppose makes Orient industry Soul Brother Number 1, maybe? But before I try to awkwardly shoehorn another analogy of Doll manufacturers to James Brown — even though I know that’s why everyone visits ‘Shouting etc etc’ — do take a look at their latest sexy miss, Mitsuki.


‘Ugh, Febreeze isn’t cutting it. I’m definitely gonna need bleach for this’

Mitsuki — and for naptime, there’s Sleeping Mitsuki — would be 4woods’ newest newest heads, made specifically for their newest newest body series, A.I.Doll Allure. Here’s the summary from the site itself:

AIdoll Allure is designed to have beautiful large yet natural ideal breasts. For those who like breasts, it is 4woods’ signature model.

“Breasts” are the area that is touched most in doll’s body. This is an attractive spot any man feel most feminine in female body. We created AIdoll Allure to satisfy men’s instinct in terms of “large breasts”. They offer perfect shape, size, gap in between and naturalness. The model achieved ultimate feel and durability by applying our technology.

We put together these features and released the highest end model “AIdoll Allure” our 6th body model.

Personally, I like the quotes around ‘breasts’. But it’s not as if their assessment is wrong! 4woods also mention that they’ve put a bit more work into the detail on her muscle tone, nerves, veins, and bones. That’s what I like — looks Organik, but is still quite Synthetik. I approve!
As I’d mentioned, the Mitsuki and Sleeping Mitsuki heads only fit the Allure body. However, if Mitsu-chan fails to appeal to your aesthetic sense, you can purchase a Sarina head for it, or a Yu-ki head, or Lilica, Hatsuki, or Elina. In fact, if you were to click on any of those named just mentioned, you’d see how those heads look on the new Allure body, with a series of brand-new photosets.


Left, Elina and her near-illegible shirt; right, Lilica is questioning the camera angle

And for those of you in the States who were dithering about purchasing an A.I.Doll, but were loath to deal with import tax, dig this: 4woods USA. They have an office in California now, baby!! Now, you no longer have to worry about customs duty fees or identification clearance, and your lass will ship from the manufacturer in Japan, to the 4woods USA office in San Diego, where she’ll arrive at your home via UPS.
I see that twinkle in your eyes, and it’s rightly deserved.

+ Last month, a site called The Daily Dot published an article by Greg Stevens entitled ‘Would you have sex with a robot?‘ No guesses as to why I’ve linked to it.

Much of the allure (and difficulty) of sexual encounters lies in the tension between seeing the other person as a sentient subject with his or her own desires, on the one hand, and seeing that person as nothing more than an object of our own desires, on the other.

Philosopher Martin Buber wrote, in his book Ich und Du (usually translated as “I and Thou”), that there are two essential ways that we can relate to the world around us: there is the I-it relationship, where we interact with things in our environment as mere objects, and there is the I-thou relationship, where we feel an empathic connection or bond with whatever or whoever we are engaging.

What determines whether we are engaging in an I-it or I-thou relationship isn’t just a matter of whether we talking about a relationship with a rock or a person. It has to do with the attitude that we take and the way we feel about our connection to the “other.” When you approach your partner purely as an object of lust, a physical thing that you can use to satisfy your desires, then you are engaging in an I-it relationship with your partner.

What makes robots different from sex toys, and for some people what makes them creepier, is that robots trigger us to make the opposite kind of psychological flip-flop: like a mirror-image of classic sexual objectification, robotic sexual partners encourage us to look at mere inanimate objects as sentient, conscious, willful, and desirous.

It isn’t as tough as you might think. The more traits any object has in common with humans, the more likely we are to assume that the object has feelings, has desires, and even has an independent free will. This phenomenon, studied by psychologists as anthropomorphism, is deep-seated and driven by the most basic mechanisms in our brain. We can’t help it: give something a voice, a face, and make it move like a human being, and we will make all kinds of assumptions about its thoughts, feelings, and intentions.

In fact we do this with people, as well, especially during sex. All sexual encounters (and all romantic relationships, for that matter), involve a certain amount of fantasy. The image you have in your head of the person you are involved with is always a grab bag of your own projections, assumptions, desires, and expectations, alongside (hopefully) some of traits that genuinely belong to the person in question.

With just the right robotic companion, you would likely act no differently than you already do with your human partners during sex, responding to them with a complexity of desires.
the entire article is here

From what I’ve personally encountered, a large part of what non-iDollators aren’t keen on is the fact that many of us treat our Dolls as partners, not merely things. That’s due to our imaginations filling in the blanks, of course, but it’s difficult to say if the general populace will feel the same way when humanoid robots can respond to Organik interaction, in a way that seems spontaneous. Will they still use the tired complaint that interacting with an artificial person isn’t as good as someone ‘real’ then?
While they’re busy pondering that, however, those of us who are attracted to the so-called Unheimlich will be quite satisfied with what our affictitious partners can do for us, as well as what we can do for them…

+ Phoenix studios, where the world’s Boy Toy Dolls originate from, have come out with a brand-new silicone lass in their Celestial series, which is fab news. Meet Sky! She comes in two configurations: the peachy Caucasian Sky, and the mocha version known as Dark Sky, which is a name I thought rather amusing.


But do they know they’re twins? Someone should tell them

As she’s another entry in their ‘Celestial Bodies’ series, Sky is 4’10”, less than 60 lbs, has measurements of B:32 / W:22 / H:32, and wears a US sz 5 shoe. Not only that, but she also sports eyes that open and close as well. Not bad, Phoenix studios! *thumbs up*

+ I’d mentioned R Stevens’ Diesel Sweeties in the previous part; he also does double duty (sounds disgusting) making teh funies on a site called Medium. Not surprisingly, this one caught my eye, as A Valid Point Is Made. Click the pic for the whole thing:

+ And for those of you who unfortunately missed Amber Hawk Swanson‘s engaging Sidore Mark II / Heather > LOLITA performance back in December 2013, and are curious as to what watching the entire 70 hours performance would entail, this potted version should give you an idea of what you’re in store for:

The super-condensed version is fab and all, but if you have the time to spare, you should check out the whole thing (in parts) on Amber’s official Vimeo channel. For one, the 10min video doesn’t get into the expansive and insightful conversations she had with me, fellow iDollator Jesse1965, and a couple of activists for marine mammal life, as well as fellow iDollator Mahtek phoning in and reading the eulogy he’d written for Phoebe Mk I. And there’s always me racing my way through Nabokov’s Lolita. Besides, if you had time to watch Warhol’s 1967 film ‘****’ (clocking in at twenty five hours), then you’ve got time to watch Sidore Mark II / Heather > LOLITA. Plus, Amber’s work has more Synthetiks in it! Synthetiks make everything better. Fact

UPDATE (12 AUG 2014): Speaking, as we were, about Gynoid Android Asuna, alert reader Ron has uncovered a couple of videos and extreme closeup pics of our mysterious silicone lady, which you can check out here

Random similar posts, for more timewasting:

Any Synthetiks-related news, Davecat? (Jul 2008) on July 2nd, 2008

Any Synthetiks-related news, Davecat? (Jan 2012) on January 25th, 2012


Any Synthetiks-related news, Davecat? (July 2014): Part I

typed for your pleasure on 23 July 2014, at 12.03 am

Sdtrk: ‘The outside’ by Martial Canterel

Happy 23rd! See, this is what happens when you procrastinate. I blame Twitter. I blame myself! I blame BLAME!, the dystopian cyberpunk manga by Tsutomu Nihei. Apparently the title is pronounced ‘blam’, so I blame that, too. Or perhaps I blam it. Nevertheless, there’s a metric ton of things to cover, so let’s proceed!…

+ We’re starting off this half with a Synthetik lass from Japan, with the name of Android Asuna. I’m going to gloss over the fact that she really should be namedGynoid Asuna’, as perhaps her creator was going for an alliterative thing, but I digress.
At any rate, I know virtually nothing about her, apart from the fact that the company that made her is named A-lab, and Google is loath to give up any further secrets. So until we hunt down some more substantial information, let’s watch her in action over and over:

+ Curiously enough, had things not gone all pear-shaped last September, I would’ve attended this year’s DolLApalooza. I blame being on the dole for nearly half a year. But Abyss creations, makers of the RealDoll, debuted a new face for the RealDoll 2 line by the name of Natalie. Is her appearance up to the same standards as all the other faces that Abyss creations make? I think so, and I think you’ll agree with me.


Yes, Natalie’s eyes can see into your soul. Which is no excuse for you to stare at her chest

That face will fit a Body D, which is the one with the impressive bustline and the superior posterior commonly associated with the Brooklyn-type, so that might be a combination you want to look into.

+ While Orient industry’s Ya su ra gi line of CandyGirls brings bold new meaning to the term heart-stoppingly attractive, remember that their Real Love Doll Ange line is still nothing to sneeze at, either. At it happens, there are two new heads available for the Ange series, in the form of Riri and Tomomi.


Above, Riri, regretting once again that her air conditioning is still out; below, Tomomi, showing off her minimalist room decor

ORIENT INDUSTRY: they’ve been making Synthetik women since the late Seventies, so they totally know the score.

+ What have Anatomical Doll been up to recently? Well, quite a lot. So much, in fact, that as of May, they’ve placed a freeze on receiving any new orders until further notice (more than likely Autumn 2014). Here’s Oleg, explaining why via an Email he’d sent me:

We have taken many orders from all world and now temporarily have stopped till the autumn reception of new orders.

We need time to execute the accepted orders. Also time is necessary for full reconstruction of our dolls.

How we begin, you see. A new head ” the girl without a name “, ” older face “, Sleeping Oksana ” – three new heads for one and a half month.

Still, plus to these to three, in work now eight new heads. Natalia will be the ninth head. Total – twelve nevest [sic] face.

Also all bodies will be replaced with more realistic.

So basically, not only is the company playing catch-up with existing orders, Oleg is also planning to replace Anatomical Doll’s four body types with more realistic ones, as well as refining the new heads that he’s recently created. What do those heads look like, you ask? Funny you should ask!

On the left would be ‘The Girl Without A Name’, and on the right is ‘Older Face’. As you can tell, Oleg’s not come up with official names for them yet. I’m fairly certain most of us can think of one for the first one, and it’d probably be the same name. At least one Older Face head has been sold to date, though, and it’s with Everhard; his version’s named Varvara, and is quite a pleasant lass to be around, it seems.
Sleeping Oksana would of course be the closed-eyes version of the Oksana head:

Another selling point is that her throat has a nearly 8in (20cm) depth, and Oleg says that the head has a way of creating artificial saliva to prevent damage to her teeth when she’s busy… providing service. I’m not sure how that’ll be accomplished exactly, but that’s just one more attribute to look forward to!
So if you’re keen on purchasing an Anatomical Doll, you’ll have a bit of a wait, but I’m certain it’ll be worth it. As soon as they open their doors for orders again, you’ll be able to read about it here, of course…

+ Internet webcomic cartoonist Mr R Stevens, the man behind Diesel Sweeties, has gotten a couple of mentions round here previously. Mainly as his jib is laser-cut! (Sounds pervy.) Click the image for the full comic:

+ And to close this segment, there’s this amusing and relevant DirecTV advert. I like how she’s like a sexy Muffin the Mule.

The only question I have would be: how did she manage to get that robe off, without it interfering with her wires? For that matter, how did she get it on? So unrealistic. She’s still cute, though, so we’ll give it a pass… Still not buying DirecTV, though.

Right; that’s half of all the new bits and bobs you need to know about. Fortunately, next part comes next week, as I’ve already written it! Mainly so I can get back to Bioshock: Burial at sea. Those Splicers aren’t going to shoot themselves, y’know! Unless I use Possession on them, that is

Random similar posts, for more timewasting:

Speak of the sexpot on January 4th, 2006

So many models to choose from on June 11th, 2008


for しどれーちゃん

typed for your pleasure on 18 July 2014, at 6.45 am

Sdtrk: ‘Lovecats’ by the Cure

私の最愛の妻しどれーに –

私の空に最も明るく、最も華麗な星に常に残る。 それを忘れてはいけない、なぜなら私が持つことができる最良パートナーである。

一緒にあることは私達のもっとたくさんのすばらしい年にここにある! 私は、しどれーちゃん愛する。

Random similar posts, for more timewasting:

for しどれーちゃん on July 18th, 2010

Any Synthetiks-related news, Davecat? (Dec 2009) on December 18th, 2009


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