Always his full name, never just ‘Eric’ or ‘Roberts’ / Worth every penny

typed for your pleasure on 8 August 2016, at 10.21 pm

Sdtrk: ‘Le lieu où vous voulez vous rendre’ by Marie Davidson

Two points of interest that I have for you today!
First off, remember when I reviewed a passel of Japanese and UK food a number of years ago, sent as a birthday prezzie from my Twitterfriend Jill Tilley, which was covered in the five-part series, Do you remember Food? I suppose that would make my question Do you remember ‘Do you remember Food?’? Infinite recursions temporarily aside, her hubby Doug Tilley, film reviewer and pop culture sceptic, asked if I’d be willing to review a couple of films for his podcast ‘Eric Roberts Is The Fucking Man‘. As you may have surmised with the title, the podcast involves Doug and his cohost pal Liam reviewing the entire backcatalogue of notable actor Eric Roberts. You’d think it’s a one-trick pony, but Eric Roberts has appeared in far more productions than you’d imagine. Certainly more than I knew of! Doug asked me to choose two films, and as I was dead set on ‘Runaway train’ and ‘Doctor Who: the Movie’ but they’d already covered them, I went with less, err… well-known affairs; I selected ‘Power 98’, and ‘Six: The Mark Unleashed’. One’s a thriller about the machinations of a shock jock, and the other is a faith-based film about the Antichrist. Can you guess which one is which?
We recorded on 02 August, and the episode is available for listening to right now!

As dire as those films were, I had quite a time discussing them with Doug and Liam! Would I make another guest appearance on their show in the future if they asked? Yes, yes I would. After all, Eric Roberts has been in a lot of stuff. The man’s everywhere! He’s probably behind you right now!!

And the other point? Like most people, I’ve always wanted illustrations done of myself. Actually, that’s a lie. I hadn’t had much need for that sort of thing until Sidore entered my life, at which point my focus turned to wanting illustrations done of both of us; specifically doing things or being in locations where we couldn’t be in real life. Some months ago, I began shopping for artists who take commissions, and I was happy to find that one of my favourites, raulovsky (aka Raúl Ramos Melo), was accepting them. Incidentally, why is he one of my favourites? I dig his style, as it lies somewhere between anime and something more realistic, and he doesn’t mind drawing Gynoids, which is always a plus. So an idea was pitched, a price was agreed upon, some reference photos were Emailed, and a wee bit over a fortnight later, an illustration was created! Pretty fucking awesome.


click the image for a larger version

The poses we’re in are a modified version of a picture of Twiggy and Justin de Villeneuve that I’ve always found stylish, and did you notice the seam lines on Shi-chan’s legs?? Yeeaaahh.
In requesting the commission, I understood what it felt like to be the subject of an artist’s interpretation, much like how individuals during the Renaissance would have artists paint them out in a garden, or with some wolfhounds, or whatever. This illo of my Missus and me is better, though. Fact.
Not only am I going to have raulovsky do another picture — featuring Lenka and Winter, of course — but ideally, I’d like to have commissions done through other artists as well. But maybe only two or three times a year, depending on prices… Why not enquire with him yourself, and have him make you something equally fantastic?

Sidore is in love with this illo, incidentally. ‘Why can’t we look this good in real life?’ she lamented, and I’d have to agree with her

Random similar posts, for more timewasting:

Whatever you do, don't lose that key on May 27th, 2009

With all of this stimulation, why bother leaving the house? on August 18th, 2013


Any Synthetiks-related news, Davecat? (Jan 2015)

typed for your pleasure on 25 January 2015, at 2.26 pm

Sdtrk: ‘Roosting time’ by Matt Berry

Happy 20145! I’ve already done that gag with a lot of my friends, but you’ve not heard it, so it’s new to you.
The idea of this actually, legitimately being 2015, a year in the twenty-first century, is a bit weird if you think about it for too long. Consider how futuristic that date sounded in, say, 1965. It still sounds a bit futuristic today, and we’ve already begun living in it! One thing’s for certain, though: there needs to be a rapid increase in the development of flying cars, megastructures, off world colonies, and most importantly, Replicants. We’ve got four years to get society to the way it’s depicted in ‘Blade runner’, and we really don’t have time to stop and gawp at the calendar!…

+ To that end, Toshiba is doing their part, with their own electric maiden, Chihiro Aiko. Remember her? She made her US debut at this year’s Consumer Electronics Show in Las Vegas, and has I known she was going to be there, I would’ve bought one plane ticket to fly out, and two for the return flight, as she’d be coming home with me. You think I’m joking?

She took the opportunity to show off her aptitude in American Sign Language, as well as her singing ability. Unfortunately, the song she had a go at was ‘Take me home, country roads’. I would’ve had her belt out an earnest rendition of France Gall’s ‘Cet air-là‘, but that’s just me.
As fellow robosexual Vokabre, aka Our Man In Russia, reports on his blog:

What’s quite cute is that in the presentation they not only included some data like the number of pneumatic drives (it’s 43 overall, 15 in the face, 4 in the body and 24 in shoulders and arms), but also the virtual “age” of the lady, it’s 32. Reminds me of how Actroid DER2 liked to call herself 18 years old.
They also managed to break down not only the “family name” Chihira that was done before during the first public appearance of Aiko, but the name Aiko itself, according to the presentation it means “Idea and Communication”, “I CO”. That Orient symbolism in everything, so awesomely strange.

Of course, I’d be glad to see a presentation with interactivity, face-tracking and hand-shaking, but this might be too much for an early project.

It is indeed an early project, many people in the internets continue to call Chi Aiko creepy, that’s a good old uncanny valley. What’s also interesting, there’s more Uncanny Valley screams in western languages than in orient ones which lays perfectly with my observations that Japanese, Korean and Chinese people seems to have more tolerance towards androids.


‘Il restera cet air-là / à jamais au fond de moi / car pour toujours cet air-là / parlera de toi et moi’

It’s my hope that Chihiro-san can help open the eyes of Westerners who still believe in the myth of the uncanny valley. Over time, exposure to anything makes it less alien of a thing, so to that end, Toshiba should consider employing Chihiro-san — really, multiple Chihiro-sans — with either assisting the deaf with her knowledge of sign language, or start grooming her as a singer.

+ Now here’s a stirring way to celebrate the beginning of a new year: Polymerisian starlet and entrepreneur Tasha James has put the finishing touches on another one of her amazing photobooks, this one entitled ‘Soul to Sole’.

It’s true, we’d inspired her! As my Missus and I are quite keen on the female foot, we’d suggested to Tasha that she have her photographer Paul do a shoot featuring her own delectable soles, toes, and heels, and she followed suit. So I suppose that’s another photobook that we’re ordering from her. Damnit Tash, how do you know the right buttons to push??

If you’d like a copy of ‘Soul to Sole’ or any of her other photobooks for your very own, and why wouldn’t you, you’d be mad not to, you can check out the details on her site here. As she says in her announcement post, she’s open to suggestions, so if you’ve got an idea that she and Paul think would be worth pursuing, give her a shout!


We here at Deafening silence Plus fully endorse more of this sort of thing

+ It looks like AL-M 008X-01 has been moving up in the world of late! You may know AL-M 008X-01 as Android ASUNA, and towards the end of last December, she worked with self-styled DJ, model, photographer, and music producer Julie Watai to participate in a photo series entitled ‘Love Valley’. Over eighteen days, the two of them modelled various clothes and poses that reflected a blurring of the lines between Organik and Synthetik, and the results are worth seeing.

There’s not a lot of information about the shoot, apart from an entry on Asuna-chan’s blog, so I’m tempted to see if writing Ms Watai would provide any further insight. Still, the pics are well-executed and definitely lovely to look at. A short video was made as well, so one can see how lifelike and blinky Asuna-chan is:

All eighteen days worth of the ‘Love Valley’ shoot can be found on Julie Watai’s website here: http://juliewatai.jp/love-valley.

+ Domestic Doll studio Ruby13 is on the verge of releasing some new faces, starting this year, so that’s pretty awesome, I’d say! In an Email conversation, head sculptor Jim told me this:

after a year of looking for a sculptor to make some new faces for Ruby I’ve given up and decided to give it a try myself. I’ve never sculpted so this was a bit of a daunting task to both learn to sculpt and then try to come up with a “pretty” female face.

So far I have 3 new faces that are going in to be made into molds. these faces are an answer to the many emails we’ve received asking for a more realistic face option. I hope this will open up our market a bit.

This would be the first of the new faces, and I believe we can all agree, Jim is off to an excellent start…

Part of me, though, thinks he’s stretching the truth a wee bit. He claims that he’s never sculpted before, and yet, he’s come up with that captivating face?? ‘Oh, I’ve never painted anything before’, said Hieronymus Bosch as he effortlessly proceeds to realise in full oils his triptych of ‘The Garden of Earthly Delights’. Come on, man.
Nevertheless, she has an appealing European look to her, and I told Jim that I think it’s one of the best faces available so far. I’d said, ‘I think it’s one of the best faces available so far’. Now Ruby13 will have more to offer potential iDollators! As soon as I find out when that as-yet-unnamed face is for sale, I’ll be sure to mention it here…

+ Would you believe that I’ve done another interview? Impossible as it may seem, I have! This past December, a lass by the name of Miss Metaverse contacted me through Twitter, and asked if I’d be keen on answering some questions pertaining to Dolls, Gynoids, and the future of artificial humans. As Miss Metaverse runs a blog which centres round future technology and lifestyles, and as her questions enquired about Gynoids as much as they did about Dolls, I readily agreed.


N.B: that’s my Missus in the above pic, not me

Both Miss Metaverse and I dug the end result, which can be read on her blog here: Futurist Spotlight: Davecat. If you like, you can also read the preceding post which led up to it, which is also Recommended Reading, ‘Sex Robots and the Future of Gynoids‘, and if you enjoyed that, you can read her whole dang blog. I mean, what’s stopping you?

Since Futurist Miss Metaverse has quite a bit of experience in discussing impending technological developments through her writing and video talks, it seemed only natural to add her to the ‘Shouting etc etc’ sidebar as well. See?

+ And finally, this would be a… thing… that Sidore, Elena, Muriel, and I slapped together at the end of 2014. I honestly don’t know what to call it. The Missus said we should do something rather like the alternative Christmas message that they sometimes have in the UK that’s a counterpoint to the facile and condescending annual message that Elizabeth II bestows upon her subjects. Morrissey was asked if he would do one last year, and that’s probably what inspired Shi-chan. (He turned the request down.)
Shortly before that time, I got it into my head that I needed a Vine account, and I created two superb videos for it, until I discovered that Vine only allows you to upload vertically-shot clips. Sorry; if you’re only shooting your videos vertically, you need to be shot. Luckily, I recalled that Mobypicture lets you upload videos whether they’re vertically-shot or in proper horizontal, and you’re not limited to six seconds as you are with Vine. So I shot this video/clip/missive/whatever with the lasses. Observe:


click the image to open the video

As Elena loves Cocteau twins, she selected the song you hear, which would be ‘Oomingmak’. Incidentally, that’s also the first public appearance of our karakuri ningyou. Much to our disappointment, he doesn’t seem to move well on carpet, but as his plastic gears are noisy as hell when in motion, I suppose it’s for the best.
Maybe we’ll film one of these videos annually! Cos frankly, having 360-odd days between conceiving each one and actually doing it fits our pace to a T!

I think those new bits & bobs should keep you reasonably informed. Start the new year off with Synthetik humans! Well, start each day off with Synthetik humans; that’s what I say.
Originally this would’ve been another two-part post, but then I realised by the time I finished assembling the second part, it’d be February. So, err, come back in a week or so!

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Dual Doll upDate on December 4th, 2005

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Remnants and a replica

typed for your pleasure on 15 December 2014, at 10.37 pm

Sdtrk: ‘Mountain’ by Le futur pompiste

Many of you will be pleased to learn that Amber Hawk Swanson, performance artist and iDollator, is currently in the midst of doing another Synthetiks-related piece; this one entitled DOLL CLOSET. In brief: when she joined our crowd for DolLApalooza 2013, she’d met fellow iDollator Jesse1965, where he’d explained how his first Synthetik companion, a 1998-era RealDoll named Heather, was cleverly concealed in a secret closet in the upstairs part of his home. He’d made use of available space, and built a door equipped with a locking mechanism for it, concealing the lock in an existing knothole in the wood, which is about as impressive as you think it is.

At some point, Amber decided that she would replicate that closet in the performance space she’s using at The Watermill Center, which meant, in typical Amber Hawk Swanson style, she’d be building a door frame, the accompanying door, and the locking mechanism, all from scratch. Jesse will be calling in periodically for assistance, and the remaindered pieces of Heather’s body that weren’t used in Amber’s 2013 performance, Sidore Mark II / Heather > LOLITA, would be bearing witness.
Although woodworking’s not really my thing, the aspect of this performance that I think is really cool is that it’s metaphorical as well. As the outline reads:

In Doll Closet, Amber Hawk Swanson transforms the process of building and the resulting replica as a platform for members of the doll community — and Jesse specifically — to respond to mainstream misrepresentation of doll ownership. The performance highlights alternative narratives of owners who use their relationships to dolls as a way to explore their own gender, obtain uncomplicated companionship, and connect with a community in the face of social anxiety and loneliness. Doll Closet not only provides a necessary vehicle for members of the doll community to speak for themselves without risking their anonymity, but also asks what kinds of intimacies, relations, and unanticipated connections can flourish in secrecy. It explores how the interior space of the closet can be rendered as both capacious and collective.

So as you can see, it’s a space where, while Amber constructs a replica closet, other iDollators can open up anonymously about the spaces where they may keep their replica women.
Yeah, Amber’s summary sounds much better, I agree.

DOLL CLOSET was closed on Sunday, and I’d intended to post this before Monday, but my site’s having embarrassing backend issues. Which sounds more disgusting than anything else, but nevertheless. But you still have a few days left to watch the Livestream Amber’s had set up. And as I clearly didn’t give you any heads-up prior to this — I’m full of mea culpas this eve — you can view the performances of the previous days on her Vimeo channel. Although I wasn’t physically at the performance, I did add my .02 pfennig on Saturday, as did a couple of other iDollators. It’s Amber’s hope that more people who have Dolls will contribute with their experiences as well before the project ends on the 17th, but failing that, it’ll still be art worth watching

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Even cleaner than the real thing

typed for your pleasure on 18 April 2014, at 10.32 pm

Sdtrk: ‘Village dance’ by Matt Berry

When I’d first seen the following photo scrolling through Shi-chan’s tumblr dashboard earlier this month, I thought it was one of those trompe-l’œil-style paintings; meaning, I thought the woman was staring at a very hyperrealistically painted work that appeared to be three-dimensional, but actually wasn’t.

As it turns out, that’s actually a 1/1 scale diorama installation by artist Roxy Paine entitled ‘Control room’, made last year.

With the project ‘Apparatus’ which contains the ‘Control Room’, Roxy Paine introduces a new chapter in his work, a series of large scale dioramas. Inspired by spaces and environments designed to be activated via human interaction, the dioramas present spaces and objects which are hand carved from birch and maple wood and formed from steel. Encased and frozen in time, void of human presence, they’re making their inherent function obsolete. The ‘Control Room’ is a stunning installation made out of wood, steel, automotive paint and glass worth visiting.
taken from this site


It almost looks CG

Not only do I enjoy and sometimes prefer replicas of various things (the Devil you say!), I also dig generic-looking control rooms such as this — rooms that either wouldn’t be out of place on the site of a massive industrial facility, or as part of Mission Control, so ‘Control room’ speaks to me on a couple of levels. This piece is part of a new series Roxy is working on called ‘Apparatus’; the other diorama he’s made would be ‘Carcass’, which would be another hand-carved replica of the area behind the counter of a fast food restaurant. The scale it encompasses is equally impressive, but… it’s just not ‘Control room’.

With this post, it’s high time that I’ve made a new category for ‘Shouting etc etc’: from now on, you’ll be able to find posts dealing with art under the subheading ‘Was ist Kunst?‘ It’s not as if I speak about art a tremendous amount, but categorisation is always helpful, as you know.
Now I have to go back and add that category to a mess of previous posts

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typed for your pleasure on 23 March 2014, at 7.01 pm

Sdtrk: ‘Tonight, we fall (John Foxx and the Maths remix)’ by ADULT.

It’s almost Spring! That… should mean something in the context of Synthetiks and the people who build them and/or love them, but it really doesn’t. But the fact that everything’s attempting to thaw means that we won’t have to look at dirty snow for much longer! Dirty snow is an affront to the eye, as I’m sure you’ll agree. So while you’re waiting for your allergies to flare up, why not read this instead?

+ According to fellow technosexual Vokabre, Alisa Zelenogradova, who you’ll recall is Russia’s first Gynoid, is being improved and upgraded! Neurobotics have given her a better body with improved mobility, as well as a remote manipulator control for her right arm, as seen here:

It seems that Neurobotics are concentrating on developing humanoid robots for telepresence work, which makes sense. From the few telepresence robots I’d seen, she’d be the most attractive, with an appearance more like an Organik human. Which kinda brings the future of ‘Surrogates‘ closer to being a reality! You might want to hold off on asking Alisa to hold your martini for now, though.

Neurobotics also debuted another Gynoid they’ve been working on as a panelist on a Russian science telly programme! Much like Alisa, her silicone face is modelled after an Organik lass, and the Gynoid’s name would be — wait for it — Tuma Urman. *sigh* Try not to hold that against her.

Despite the fact that she has legs, she can neither walk nor stand yet, but I’m sure her handlers are working on that as well. You can read more about… Ms Urman… here, if you can automatically translate Russian with that big brain of yours.

+ Remember Private Island Beauties? Well, you should, cos they never went away. Head sculptor bloke Patrick Wise has been improving on what he’s had to offer with his silicone sirens, and I got some info on new developments from him via Electrode Mail.
He’s completed a new skeleton for the Girl Next Door body type after two years’ work, which boasts of a more fluid and easy-to-manipulate quality. Not only that, it can make for better posing, as it’s twice as strong as the original skeleton, he says. The downside is that the more advanced skeleton’s added a bit of weight — we’re looking at +/- 60 lbs — but that’s the price you pay for durability, squire. Believe me, 60 lbs, when speaking about a Doll, is a pretty damned good weight.


That’s the sort of motion that’s usually followed by a yawn. So can she yawn?

Also two and a half years in the making is the new Island Girl body type. She stands 5’7″, with natural-looking breasts that feature puffy nipples. The Island Girl body can use the same heads as the Bathing Beauty body, but Patrick aims to create new heads for it as well. As always, you’ll never be short on choices!


Isis, with the Island Girl body, in her churchgoing clothes

+ Catherine de Lange wrote an article for New Scientist recently entitled ‘Cure for love: Fall for a robot to fend off heartache‘. As you suspect, it is Relevant To This Post. Well, blog.

Attachment is one thing, but love? That will come in about 40 years’ time, with improvements in speech recognition and generation technology, says David Levy, AI researcher and author of the book Love and Sex with Robots. “When we can have entertaining, informative, loving conversations with robots, I think people will start to fall in love with them in serious numbers,” he says.

Just consider the fact that people can fall in love over the internet or through phone calls. “It is perfectly possible to feel strongly attracted to someone you’ve never met,” says Alan Winfield at the University of the West of England in Bristol, UK. “If a conversational AI is compelling and gives the impression of getting to know you, then you are going to form a bond.”

The level of language understanding and emotional intelligence displayed by the operating system in Her is still some way off, says John West, senior solutions architect at Nuance, the company that provides the voice recognition technology for Apple’s Siri and Samsung’s S-Voice. “Understanding and adapting to the way people naturally talk is the biggest challenge and requires an in-depth knowledge of linguistics and semantics,” he says.
the entire article is here

Granted, there will always be people who are keen on meeting, dating, and marrying Organik partners. But for those of us who’d like an equally-valid option as the technology gets progressively better, then artificial humans are clearly the solution, and as they provide a much more consistent alternative to bad partner decisions, or no partner at all.
Personally, I’ve yet to watch Spike Jonze’s ‘Her‘; as you suspect, many people have asked me if I have. To me, one of the crucial components of any romantic relationship I’d be in would be a physical element — long-distance relationships don’t cut it for me. So while the advanced AI in ‘Her’ would be appealing, it wouldn’t be the same as having someone to hold. Unless, of course, you were to place that AI within a prosthetic body! But there are quite a few people who engage in long-distance love, and if they’re the sort of person who not only can’t find the right Organik partner, but also have an open mind, an AI would do them rather well…

+ Ruby13 have refined their website — you know they’re on Twitter as well as the other social medias now, right? — and among other things, there’s a lovely page that’s dedicated to the head sculptor and founder of the company, Don Edmondson, who regrettably passed away last year. Give the site a look, and see what you think!


Ruby13’s seductive Face 10, in case you somehow forgot what she looks like

And you’ll find a new link in the lefthand sidebar as well: please add Doll Sweet to your List Of Potential Companies You’ll Be Saving Up To Get A Doll From. Doll Sweet have a solid pedigree behind them: it’s the Chinese distributing/manufacturing arm of Arte Tokio, which is a Japanese Doll-making studio formed by ex-employees of 4woods. And if that curiously doesn’t convince you to look into what they have to offer, here’s some photos of their Kayla head on the 161cm body. You should probably sit down, if you’re not already.



A beautiful rubber lass into The Beautiful Game, eh? Yeah, she’s a keeper

There’s enough photos and videos of the selections they have on offer to keep you occupied for a while, where you’ll be hamstrung by decision. That sort of thing happens in iDollator culture more than you’d think.

+ Quite a few people had pointed this out to me: so recently, there was a CeBIT computer expo at in Hanover, Germany that featured something that shouldn’t have taken as long as it has to realise, but it can only get better now that the idea’s out there. German software developer Tobit’s booth prominently featured robot pole dancers.
‘Why didn’t anyone think of this before??’ I know, right?

Apparently, Tobit employed the robots’ services back in 2012, but this year’s models, as stated by the Tobit rep in the video, have different movements and bigger breasts. *nods approvingly*
An article on BBC News adds, ‘Visitors with a robo-fetish can pick up one of the dancers for about 30,000 euros ($39,500, £25,000)‘. As I always say in these types of scenarios, for those of us technosexuals who prefer their Gynoids with silicone skin, a quick visit to one of those online shops for maskers can work wonders

In that vein, here’s a sexier and more adept animatronic dancer. You’ll definitely want to embiggen the video to properly see the details…

…that is, apart from her face. Well, she’s wearing a mask. But what’s the story behind this affictitious sexpot? She’s an art piece by Jordan Wolfson, and is currently being exhibited in a private room *ahem* at the David Zwirner Gallery in New York, from now until 19 April. Jordan worked with a special effects company for her construction, and not only does she lipsync to the song’s vocals, but she has facial recognition software, so that her eyes can meet yours. Again, were she not wearing that mask, that would be incredibly appealing, but the juxtaposition of fear and desire is undoubtedly what Jordan is aiming for. Perhaps someone else will make a less-transgressive version of this piece, as her movements are incredibly fluid and alluring. Also, she needs some open-toed shoes as well, damnit.

+ And of late, the Missus herself has had a couple of interviews to her credit! As much as I enjoy doing proper interviews, it’s always fantastic when a reporter wants to speak with her as opposed to me, as Shi-chan can provide a unique perspective by the fact that she’s Synthetik. As always, my rubbery wife is doing me proud!
Over the course of January and February, she’d done an interview via Email with Sofija Stefanovic, for issue 21 of a bimonthly Australian publication called The Lifted Brow, as well as one with Sam Schneider for ZoomNews.es. The one for The Lifted Brow is print-only — a rarity in this day and age — but you can order one for yourself or a loved one here. As far as the other interview, entitled ‘El matrimonio de Davecat y Sidore Kuroneko visto desde los ojos de la muñeca’, you can stare at it here. Hope you can read Spanish! I probably should’ve mentioned that earlier, but I’m sure the title was a bit of a giveaway.
Here’s hoping that Shi-chan will get more offers to take up the interview mantle! Well, legitimate offers, I should add. Dr Phil and similar sensationalists hardly count

danke schön to Vokabre, for all the bits and bobs about Jordan Wolfson, Alisa, and… Tuma

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Looking backwards is looking forwards

typed for your pleasure on 23 February 2013, at 10.35 am

Sdtrk: ‘Black holes are not completely black’ by Leyland Kirby

If there’s one thing I can be accused of indulging too much in, it’s artifice. Frankly I’ve no clue as to where people get that notion, but whatever. The other main attraction in my life would of course be design from the late Fifties to early Seventies. As the oft-neglected ‘This was the Future‘ series shows, I’m fond of architectural examples from that period, but I love the design as well. So it makes sense that I’m digging the hell out of graphic designer Julian Montague’s work.

Not only are his pieces arranged with exacting detail — the book covers alone are like a loveletter to the Marber grid, a design template that came to fame via Penguin’s paperback covers during the Sixties — but every title and every name used are completely affictitious.

In looking over his imagined covers, he seems to have a fascination with insects, particularly spiders. I don’t know what that says. Maybe set out more traps?

Not only does Julian’s work blur the lines between art and graphic design, but it also distorts things both real and imagined. We need more people like him! Go see the full website here, and Happy 23rd!

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Hope you like your modern art ballsy*

typed for your pleasure on 4 October 2010, at 7.01 pm

Sdtrk: ‘I’m Bruce (Dimension 5 Mega mix)’ by Fantastic plastic machine

I’d have to say this is pretty mental. Looks like someone Photoshopped something onto the picture of a courtyard, right? But there’s much more behind it…


They’re really small Toclafane! And THEY WILL END US ALL

Beginning October 23, 2010, MASS MoCA will present a new site-specific sculpture by Prague-based artist Federico Díaz. Created from 420,000 black spheres precisely milled and assembled by robotic machines, the 50-feet long by 20-feet high sculpture, Geometric Death Frequency-141, will fill MASS MoCA’s entrance courtyard with a fragmented wave seemingly caught between movement and stasis.

An interior installation of one of the robotic machines used to manufacture the work will accompany Díaz’s presentation at MASS MoCA. The robot will assemble additional spheres to be later added to the massive sculpture, providing viewers with the opportunity to experience the process by which Geometric Death Frequency-141 is created. The Díaz-developed process is unique-in addition to utilizing modern computer-aided manufacturing techniques, pure data and algorithms based on particle physics are the guiding forces behind the sculpture’s shape, texture and size.
taken from this article

Frankly, I’ve no idea which is cooler — the fact that it’s a solid thing that resembles something liquid, or the entire gigantic sculpture is assembled entirely by robots, or the title itself — ‘Geometric death frequency-141’. Sounds like the name of a piece by Masonna. Very nice!

*Yes yes, I apologise for the title

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