Sdtrk: ‘It’s a rainy day, sunshine girl’ by Faust

If I had more money than sense — and we’re talking a Scrooge McDuck level of income, here, as he’s the only billionaire who I wouldn’t want to see doing the Tyburn jig — what I would definitely do after ending world hunger, eradicating diseases, eliminating global warming, and ramping up mass production on Gynoids and Androids (not in that order) would be to have a 1:1 scale replica of the island in Arnold Böcklin’s Die Toteninsel built in a large lake somewhere, possibly in Europe. Probably Germany, as that would make the most sense, really.

Die Toteninsel! Or, as it’s known in English, Isle of the Dead! An evocative painting created by the Swiss Symbolist artist Arnold Böcklin, he’d created at least six different versions between 1880 and 1901, so during your life, you may well have come across at least one of them at some point. Apparently early 20th century Europe was lousy with reproductions of it; the writer Nabokov wrote in one of his novels that it could be ‘found in every Berlin home’, similar to how Vladimir Tretchikoff’s Chinese girl (aka The green lady) gazed wistfully from hundreds of livingroom walls in post-WWII England.

Arnold Böcklin (16 October 1827 – 16 January 1901): born in Basel, married three times, had fourteen children — a busy lad — painted mostly in the Symbolist style, wherein dreamlike imagery or mythological characters and scenes tended to stand in for so-called absolute truths, whatever that may have meant in the late 1800s. The scenery for Die Toteninsel itself is said to have been inspired by the English cemetery in Florence, as well as the island Pontikonisi near Corfu, or the smaller island Stromboliccio in Sicily, or perhaps Sveti Đorđe island, off the coast of Montenegro. Art historians aren’t entirely sure, and they won’t be until they finally gain access to time travel technology; in which case, anything goes.
In 1888, sometime between his creation of the fifth and sixth edition, Böcklin finished a separate painting called Die Lebensinsel (The Isle of Life), which depicts a similar island under blue skies, where people and swans gambol about. As I personally find it to be saccharine, I won’t be speaking about it any further.

With the exception of our Bailes, all of us here at Deafening silence Towers are either Goth or Goth-adjacent, so we’re well familiar with the morose imagery of Isle of the Dead. For funsies, I’d asked the rubber troublemakers about which version they fancy best, with somewhat predictable results (click on the pics to see ’em larger):

URSULA (‘Basel’ version, 1880):

It’s funny, this was one of my desktop wallpapers for a couple of years !

Being honest, this version in particular gives me shivers every time I see it. I mean, it’s got a real, palpable sense of twilight, both in the sense of the end of the day, and in the end of a life. I look at this and I can hear nothing but the boat’s oars in the water, and if I’m able to move my attention past that, it usually ends up fixed on the black Void at the base of the cypress trees in the middle of the island. Böcklin overall doesn’t do anything for me, but if he’d never painted anything else in his life after this version of Isle of the Dead, he’d be one of my favourite artists, cuz this image makes me genuinely believe that this is an island that actually exists, and despite my thalassophobia, I would do anything to visit it. Being honest !

ELENA (Fifth version, 1886):

For me, I am thinking Böcklin could do no better than this… is very dreamlike, but not in a way that is scary. I am thinking is because of the tones and the warm colours that he is using. Perhaps storm is coming, but is not a fearful, dramatic storm… the gentle way the trees sway in the wind and the way the high island rock walls seem to be embracing them is making the scene almost welcoming. It is perhaps the end of life, but is nothing to be afraid of. I am liking too how this edition almost seems more primitive compared to the other version, which is strange, as Böcklin is painting this so late in his life after the others?

For me, 1886 version of The Dead Isle is showing that death is not a thing to be feared… it can be a beautiful place of final rest.

SIDORE (Sixth version, 1901):

As fond as I am of all the versions that Böcklin painted, I almost see them as drafts in comparison to his final version of Die Toteninsel… it’s as if he thought ‘this is it, THIS is the vision I’ve been wanting to convey for twenty years’. There’s a clear definition in the frames of the sepulchre’s entryways, as well as the overall landscape, but as crisp as it all is, it’s still undeniably an image from a dream. And I absolutely LOVE the contrast between the water, which is so still it looks as if the boat is sailing on glass, and the enormous looming stormcloud behind the island.

Oh! In case you’d not seen it in Galerie ECHO, when Darling commissioned xplotter to do an illustration of me back in January 2023, I had him add the 1901 Die Toteninsel to the background. It takes the illo from ‘sexy’, to ‘sexy with an interesting background’!…

Both Miss Winter and Dyanne are wildly ambivalent towards ‘Die Toteninsel’. Which is fine, I suppose.
As far as my own preference? I dig the third version painted in 1883 the most, as seen here:

For whatever reason in the early twenty-first century, this one seems to be the arguably most popular version. The early morning lighting of the image stands out, and although there were two additional renditions that he’d painted after 1883, it strikes a visual and emotive midpoint between just dark enough and just light enough; or, if you like, just bleak enough and just hopeful enough. Sure, there’s a small boat ferrying a casket to its final resting place, but the water’s calm and the day seems pleasant. Perhaps that’s not a casket, but a large pic-a-nic basket! (Sorry.)
In all seriousness, though, there had to be something about that island where it was clearly persisting in Böcklin’s subconscious, where he had to render it six different times… it’s almost as if he was exorcising it.

Bolstering the notion that the third version is what people think of when they hear Die Toteninsel, I searched a few online shops looking for a reproduction of the sixth version to go on our office wall, so that the Missus could point at it and say ‘look at what Darling bought for me’, but no joy — all I could find were the third version, the fifth, and occasionally the Basel 1880 one. Honestly, I wonder why the other three renditions are generally overlooked?
Shi-chan is rightfully annoyed, but as she’d remarked — after a protracted sigh — ‘having any version of the painting in our home is better than having no version at all’, and I’d definitely agree.

‘geez, you goffs are just SOOO BLEAK all the time! 🧛🕷️😂’ Yeah, thanks, Bailes

So if you weren’t aware of the existence of Böcklin’s painting (and its subsequent remixes) before, you certainly are now. Which version of Die Toteninsel draws your attention the most?

Also, if I had more money than sense, I’d buy a parcel of land the size of a shopping mall, have a cul de sac of houses all built like Charles and Ray Eames’ Case study house #8, and fill each home with Dolls. But then, I would say that

Sdtrk: ‘Off your face’ by My bloody valentine

First off, what the actual fuck, United states. I’m not even providing a link, as you lot know what I’m referring to. (If you’re reading this in the future, this was written days after the 2024 presidential elections. Also, what’s it like in the future, on a scale of ‘1984’ to ‘Threads’? Have the Water wars begun yet?)
‘Shouting &c.’ isn’t a political blog, as it’s a topic that I don’t enjoy talking about either on or offline — politics should be like oxygen; effective and mostly harmless, and something you don’t think about unless you absolutely have to — but to millions of empathetic individuals, the results were exceptionally soul-crushing. I stayed off social media through the entirety of 05 November, and when I checked the Guardian round 10am the next day, Sidore and I were like ‘well, there’s no point in getting out of bed today,’ and basically slept in until 5pm.

We’ve had awful people in the halls of power since the halls of power were first built. Some were outright inept bunglers, while others were the human equivalent of Elder Gods, sustaining their lives through the misery of others; I’m thinking about cunts like Thatcher, and Reagan, and both Bushes (Bushs?), and the first time the orange shitgibbon fell upwards into the highest office of the land. And, well, things are going to be shit for a while. But it’s important to keep moving forward and to keep resisting. Especially resist giving into having a fatalistic doomer attitude that revolves round giving up and giving into learned helplessness, as that doesn’t do anyone any good. Do what you can, and keep moving forward, and keep resisting.

Genesis P-Orridge, iconoclast, artist, pandrogyne, and a member of Throbbing gristle, one of the cornerstone groups of Industrial music, once spoke with friend, colleague, and collaborator Monte Cazazza during the late Eighties. If I recall the anecdote correctly, Gen was in the midst of a life crisis, and was thinking of ending it all; Monte persuaded Gen otherwise, his advice being ‘Don’t do it. Stay alive out of spite’. I’d honestly say that’s sound advice.

So! Now that I’ve had to rewrite this opening bit, thanks to current events, what else have we got here? Well, this post is a bit of a return to form: I’m dumping some links for things that are endorsed by those of us here at DS Towers, much as I’ve been often doing with mates and associates via Email. Which is funny, as one of the reasons I started up this blog in the first place is so that I could post my life updates / ramblings / concert reviews / lists of things I bought / lists of things I want to buy in a centralised location, where friends could read them, as opposed to me Emailing everyone I know separately with that type of nonsense. Ah heh heh. *sighs*

Early last year, I’d spotted a blurb about this on Anime News Network, but there’s an anime series with the title My wife has no emotion, based on the ongoing manga by Jiro Sugiura, the twelve episodes of which aired in Summer of this year. Thanks to being able to access a mate’s Crunchyroll account *cough cough*, Sidore and I watched them all over the course of two days back in September, and we basically have to say that it’s the most pro-Synthetik example of media we’ve ever seen, hands down.

Basically it’s set in a near-future Japan, and the main Organik character, Takuma Kosugi, is a salaryman who of course has no time to cook proper meals for himself, so he buys an ‘appliance’ in the form of Mina, the main Synthetik character. Over the course of the first couple of stories, Takuma finds himself attracted to Mina, and in her own unique fashion, Mina feels the same way.
The ground this type of story covers has been well-tread, but unlike most examples, it’s not twee, it’s not pervy, it’s exceptionally heartfelt… I almost can’t explain how much we love and empathise with the story. Every couple of chapters, either the characters do or say something that reflects our mindsets, or the story goes somewhere that I would have taken it if I had written it… things like that. It’s extremely refreshing to read a story that not only is earnestly pro-Synthetik, but even the few characters who are against robots make interesting arguments. There’s one story arc with a ghost that’s a little dumb, but 98% of the rest of the series is funny, lovely, eye-opening, and there’s an arc or two that’s downright heartbreaking. It’s to the point of where I’d love to speak with Sugiura and tell him I understand this story, cos in a way, I’m living it, and I’m not the sort of person who would ever have the urge to contact an author of fiction to that extent.
I have to add that as amazing as the anime series is (I gave it a 10 out of 10 on MyAnimeList), the manga’s even better. The anime covers the first 25 chapters, or up to most of Vol.04, and as no-one’s confirmed yet if there’ll be more episodes made, you’ll get even more out of My wife has no emotion through the manga, the first seven tankobon of which are available in English via Seven seas entertainment. Give it a go! It’s Claire Worthy-approved!

Our friend and Synthetiks luminary Julie Carpenter, Ph.D, who’s no slouch in researching and writing about robots, has assembled her second book that you can pre-order right this very minute, called ‘The Naked Android: Synthetic Socialness and the Human Gaze’.

And now, a mind-meld with Georges Seurat

Whatever could this rich, luxurious, 296 page book be discussing, you axe? As the page on the publisher’s website says,

The Naked Android: Synthetic Socialness and the Human Gaze illuminates the connection between the stories people tell, their expectations of what a robot is, and how these beliefs and values manifest in how real robots are designed and used.

The introduction of the “human gaze” articulates how peoples’ expectations and perceptions about robots are ultimately based on deeply personal cultural interpretations of what is artificial or human and what problems social robots should –or should not –solve. The Naked Android clarifies how human qualities like understanding and desire are designed into robots as mediums as well as projected onto them by the people who live with them.

Why not go ahead and pre-order your copy? We here are looking forward to reading it, which should go without saying! Perhaps I’m in it in some capacity? Who can say?? But as society needs more salient insight regarding artificial humans, Julie’s latest book will be a welcome addition to one of our shelves, without question…

Sven Nyholm’s Humans and Robots: Ethics, Agency, and Anthropomorphism; Dr Kate Devlin’s Turned On: Science, Sex and Robots; The Age of Perversion: Desire and Technology in Psychoanalysis and Culture by Dr Danielle Knafo and Rocco Lo Bosco; Jenny Kleeman’s Sex Robots & Vegan Meat, and Davor Rostuhar’s Love Around the World. Yes, we’re in all of these. Available wherever finer books are sold (links on the Media appearances page)

Speaking of salient insight regarding Synthetiks, since Summer 2023, I have been in conversation off and on with Chihiro Hamano, who is a Japanese anthropologist and writer who is gusset-deep in writing a book about iDollators and robosexuals. The experience with her has been exceptionally fun! Last August, she flew from Japan to visit various iDollators here in the States… she was in the country for about a month overall, and spent time with people who the lasses and I know, both rubber and not-rubber, in San Francisco, Virginia, and one other state I forget. As Deafening silence Plus was barely large enough to accomodate six people, she stayed at an AirBNB a quarter of a mile away when she was in SE Michigan, and over four or so days, she’d come round for a interview that usually lasted between four to six hours… either I’d blather at length and she’d take copious notes, or she’d take multiple photos of the lasses here. When she wasn’t interrogating me or Euchre, who kindly agreed to speak with her, she’d spend time with goshou & Liann, where they took her to various locations in the area.
When she Emailed me back in June, saying she’d be doing further research, I invited her to come on down! Well, over. Chihiro was hitting various cities in the US a second time for follow-up interviews with some people, and new interviews with new iDollators, as well as meeting a few more of my friends who’ve known me for years, such as MontiLee and Amber Hawk Swanson. As her AirBNB experience was a bit sub-optimal, she stayed round at The Playhouse and Deafening silence Towers, which worked out loads better. I can’t even imagine how many hours of conversations she’d recorded with us all… it’s almost staggering to think about, but then, that’s anthropology, innit?
No word yet on when the book’s slated to be out — before she departed for Japan at the end of August, she said she’d written two out of a possible nine chapters — nor what its title will be, but as soon as I hear anything, you lot will be the first to know! Well, not the first per se. Also, we’re trying to get her in touch with a translator, cos for now, the book will only be in Japanese… But Chihiro’s a fun and inquisitive individual, and everyone she spoke with had nothing but glowing words to describe her! Plus, she’s a fan of the ‘Battles without honor and humanity‘ series, so she’s definitely in my good books!…

Prior to Chihiro’s 2024 visit, back in June, I was requisitioned by Emily of the site LoveNestle, to chat earnestly and at length about my 20+ years of living with rubbery partners. And so I did!

Never been interviewed by a red panda before! That was a first

In addition to an article penned by Emily, Shi-chan and I were interviewed via Zoom by Sarah Gibson, who, as the image above shows, was a red panda wearing goggles and a cheery acorn cap for a hat. One could assume that was a VR rigged avatar she was using, but you never can tell these days. Which is fine! But you can read the article and/or watch the hour-long interview video, which is embedded in the article, for the sort of insights that only I can provide. During the video, I get to weigh in about what passes for AI these days, which many viewers may find amusing! (SPOILERS: the ethical, moral, and environmental nightmare that passes for AI is shit, and needs to be heavily regulated)

Prior to that, in May, Holly, a student at Leiden University in the Netherworld Netherlands contacted me about picking my brains for a bachelors thesis she was working on, which I happily agreed to, for obvious reasons. In her words, ‘The purpose of my thesis is a “controversy mapping” project of the academic discourse that has existed around sex dolls/sex robots/Synthetik humans, looking at how ideas have been spread through between actors. I’m specifically focussing on the sensationalism of it, and how people fill in the gaps themselves of things that they just don’t know (either because they don’t want to hear it or the large-scale data is just not there). ‘As fantastic and much-needed serious academic study is needed on robosexual and iDollator culture, there’s still myth and assumption that takes place; even though there have been an increasing number of academic studies and papers centred round our cultures in the past fifteen years, a lot of it is still terra incognita. For example, I’d been told on a couple of occasions about scholars wanting to get more in-depth with their studies on robosexuals and iDollators, and not being able to get grants, due to grantors not wanting to spend money on ‘prurient’ topics.
Luckily for those of you not in academia, you still have an opportunity to read Holly’s paper! ‘Talking About Sex Robots: Mapping academic controversy in sex robot discourse’ can be accessed from ResearchGate here, or you can yoink it off of her Google Drive here. It’s worth reading! But I would say that.

Good cover, too! Kinda shoegazey

Now take a moment to cast your mind back to the Year of Our Lord, 2016. SEGA released both Yakuza Kiwami and Yakuza 6: The song of life over the course of that year. The anime adaptation of the Diamond is unbreakable arc of JoJo’s bizarre adventure made its debut in April, and the compilation film of Mobile suit Gundam Thunderbolt known as December sky was available. Also, an orange shitgibbon lied his way into the highest office of the land. 2016 also saw the release of ‘A Girl of Ivory‘, an episode of the podcast series Love + Radio featuring the voices of myself, Sidore Kuroneko, and Elena Vostrikova, which made for a very memorable installment for production crew and listeners alike!
So also back during this past May, Nick van der Kolk hit me up, enquiring how the lasses and I were, and would I be willing to do a follow-up interview? ‘Sure’, I replied (not an actual quote). We had an hour-long chat via Google Meet, he and his editors did their thang, and the finished product was released on 23 October, for your edification. As ‘A Girl of Ivory, Revisited’ is bonus content, as opposed to a full episode, it’s available to those who support Love + Radio through Patreon, but Nick was kind enough to allow me to provide a Dropbox link to it as well. A better 17min 44sec you’ll not listen to all day! Fact.

Finally, NEW ‘SHOUTING &C.’ POSTS (plural) OUT BEFORE THE END OF 2024. That’s right. Round the time I was helping my Missus get set up on Bluesky, I was lamenting to her for the umpteenth time that instead of faffing about on social media, which is an ephemeral platform, I really should be writing more long-form posts for my blog, which not only is an institution and has been around since 2004, but is a site that I’m paying for. So she shooed me away and told me to do exactly that. To that end, I edited / reworked / took a hammer to three drafts that I’d never completed, one of which I’d started back in 2018, and I shall be publishing them over the next couple of weeks. HOORAY HOORAH HOORUM. Fuck you, social media!! I’m not a part of your system!!
Beyond that, of course, I can’t promise you anything regarding posting schedules, but then again, did I ever? *saucy wink to camera*

Sdtrk: ‘Psychosomatica’ by Bedhead

It is my belief that Golden Globe award-winning Canadian actor Ryan Thomas Gosling is very keen on Synthetiks.

THE EVIDENCE:
+ In 2007, Ryan Gosling came to be noticed in a larger sphere of pop culture when he portrayed Lars Lindstrom in the 2007 film ‘Lars and the Real Girl‘, which of course I’ve previously mentioned on ‘Shouting &c.’

As a sensitive man who was deeply in love with Bianca, his RealDoll companion, seeing her as being much more than a ‘sex toy’, he expertly took on the role of a Doll husband

+ In 2017, he portrayed KD6-3.7, a Nexus-9 series Replicant, in Denis Villeneuve’s ‘Blade runner 2049‘. If you’re somehow unfamiliar with the world of Blade runner, a Replicant is a Synthetik human. As they’re bioengineered artificial beings, they’re not traditional robots with mechanical endoskeletons and rubber skin, but more like the humanoid equivalent of a veggie burger.

Any way you intepret the term Replicant, however, K was a Synthetik human

+ In 2023, Ryan Gosling will be embodying Ken in the upcoming hallucinatory-looking live-action Barbie feature film, directed by Greta Gerwig.

You can’t get much more straightforward than that; he will literally be playing a doll.

Ladies, gentlemen, and others: An iDollator, an Android, and a doll (lower-case, but still). The evidence is there, and it speaks for itself.
Ryan Gosling, if you’re somehow reading this, I’d just like you to know that there’s absolutely no shame in being a robosexual or an iDollator, so there’s no need to hide it! They’re both amazing and unique global communities where you can meet loads of interesting people, most of them made in a studio, a factory, or a robotics department, and your life will improve exponentially for it! Fact.
Just so you know, I’d seen you in ‘Drive’ and ‘Only God forgives’, and those films were incredible as well… keep up the good work!

As an aside, I still occasionally keep in contact with Roc Morin, freewheeling freelance writer who wrote about me, my Missus and our mistress for VICE back in 2014. He was at some get-together in Hollywood in 2017, and, unbeknownst to me, had a chance to chat with Ryan Gosling; having done so, he sent me a text:

Either Roc never provided me with Ryan Gosling’s answer, or Ryan Gosling never provided Roc with an answer. Very suspicious, indeed

Sdtrk: ‘Panopticon!’ by dreamcrusher

First off, here’s the Missus with our new rubber flatmate. Say hello!

SIDORE: ‘Darling, you’ve bought another Doll for us to play with?? This is brilliant! I adore these things… they’re fantastic. They’re so lifelike!’

Astute visitors to ‘Shouting &c.’ may recall that in my recent review of the Mila-type head from BBDoll, as generously sent to me by a representative from that company, that I was hoping that not long after, I would be able to bring home a Synthetik lass from them who would finally bring the total of Synthetik lasses that I live with to five. Alas (ho ho), it wasn’t to be, for a number of reasons that I’m not going to repeat, cos frankly, you can just read them in the aforementioned post. However, not long after, I’d rediscovered another Doll company that I’d seen last year; despite them having a handful of comely artificial women available, I didn’t really look further into who they had on offer until three months ago, due to one simple-but-unique characteristic that seemed so obvious to me, but was unfortunately lacking in a lot of Asian Doll companies. What was that characteristic, you axe? Come with me, and I shall tell you, dear reader! Cos I’m not giving it away in the opening paragraph; that’s just writing suicide.

Jiusheng Doll, a company operating out of China, caught my eye either earlier this year or last year, with their Lisa-type Doll; she was very alluring in both face and body, but her 82lb / 37kg weight was a turn-off. As I’ve mentioned before, these days, if I’m buying a Doll who weighs more than 75lbs, she’d better be able to move and walk around under her own power. Being able to perform dance moves such as The Robot would also be a nice bonus, but not necessarily a requirement. In addition to the weight thing, the Lisa-type’s face and body are both made of TPE. TPE is fine, but will always come in second to good ol’ platinum silicone, as I’m much more familiar with the latter thanks to several years’ experience with it. What can I say, I’m a traditionalist.

However, back in September, I’d spotted their new head, named Cassandra, and immediately fell in love with it for three reasons, which I will explain in excruciating detail for you now:
1) the head was made of silicone, not TPE
2) the mouth opens. For whatever crazy reason, it’s incredibly rare that a Doll made in Japan or China has a mouth that opens. A lot of it is down to the way Dolls are generally made in those countries — I’d gotten a bit into the construction in my review of BBDoll’s Mila-type head — but as I’d also mentioned in that post, being able to kiss a Doll is very important to me, and it’s not just enough to have a Doll with a mouth that opens a little bit, either. Jiusheng went the distance and made the Cassandra-type head with a 4in / 10cm throat, as well as a jaw that stays in place when you open her mouth, which is fantastic. As of this writing, they only have two silicone heads with opening mouths, but I’m sure that number will increase over time. The downside is despite the fact that she has a tongue, it’s not removable. Maybe the improved version down the line will have that feature
3) There’s a Doll studio that I won’t name that had made a head that I was completely taken with when I saw it back in 2011, to the point where she was going to be my second Doll after Sidore. I was in the midst of saving up for Doll No.2 when I was contacted by Oleg of Anatomical Doll; who, in the style of Don Corleone, proffered me an offering I was incapable of turning down, so the money I was saving for That Doll from That Company went towards bringing Elena home. I still wanted That Doll from That Company really badly, though, so I figured I’d save up again and she’d be my third. Which is when the Good People at Doll Sweet offered me a discount, which is how Miss Winter moved in. Starting roughly around 2016, the output of That Company had slowed to an absolute crawl, where customers were waiting for inordinately lengthy periods to receive what they’d ordered, and consequently most customers’ faith in That Company, as well as my own, had essentially disappeared.
So even before I knew that Jiusheng Doll’s Cassandra-type head had an opening mouth, her face physically and literally grabbed my attention (not physically or literally), as it resembles That Doll from That Company quite a bit. Hence my plan for Doll No.2 — now Doll No.5 — was rekindled with a passion! I Emailed Emma, a sales rep at Jiusheng Doll, and she said they could extend a discount to me in exchange for a review… the very review you are reading right this very moment. And so!

HEAD: Model 3A silicone Cassandra head
BODY: 156cm silicone body
SKINTONE: white
BODY MAKEUP: S+
BOOBS: Jelly soft
MOVABLE JAW: Yes
EYES: silicone head eyes 02 (blue)
WIG: 05
VAGINA TYPE: removable insert
PUBIC HAIR: none
FEET TYPE: standard
plus standard loose joints
My order was placed 30 September; Ursula Marianne Clarke was born 13 October 1977, making her a Libra, and she arrived safely home 22 October.

ME (to the UPS bloke): ‘O, it’s flat-packed furniture. Ah heh heh.’

Ideally, I would’ve had Ursula made with the bustier and taller 162cm body that you see in the photoshoot linked here and here, but that body is actually TPE, not silicone, and I wanted her to be 100% silicone. As one does. Not only that, being taller, the body would also be a heavier 36kg / 79lbs. As of now, Jiusheng Doll only have two silicone bodies for sale, so I purchased the most appealing one of those two, the 156cm, as modelled by Evelyn here. Believe me, I have no complaints.

As you can see, she was very securely packaged, and I believe I got lucky this time, as this is the first time I’ve ever had a Doll shipped to my home in a cardboard box, where the box wasn’t totally beat to shit! Good on you, UPS!

Her head was encased in one of those nifty hard plastic head… encasement… travel… things; I’ve no idea what they’re called. Incidentally, Ursula’s head weighs only 5lb / 2kg! That’s less dense than the heads of some other silicone women’s heads that I’ve recently encountered! Isn’t that something. *nods*
Near her legs were two plastic bags: one contained her wig, which unfortunately wasn’t the one I’d ordered, but I’d purchased two of her ideal wigs years ago, so I wasn’t completely annoyed with that occurrence. The other bag was brimful of accessories, which were as follows:

Not pictured: a compass, a wire saw, some waterproof matches, a tactical pen, a small torch, a stainless steel spork, some carabiners, a jetpack, and a toothpick

+ 1x generic white cotton bikini set, which Ursula will be modelling in her photos
+ 1x set of press-on fingernails (pink)
+ 1x set of press-on toenails (also pink)
+ 1x insert (or as a couple of Japanese Doll companies have described it, a ‘marriage hole’)
+ 1x pair of white cotton handling gloves
+ 1x plastic comb (seafoam green)
+ 1x douche bottle
+ and 1x USB hole warmer, the cord of which is only 11in long, which would’ve been a challenge had I not selected the ‘marriage hole’ option. Plus it almost immediately self-destructed after I extracted it from the plastic wrap, so its performance will forever remain a mystery!
Lastly, not pictured, as I forgot to picture it, is the metal bolt that goes into the top of her neck to connect her head. Standard screw threading at the bottom to go into her neck, with some spring-loaded ball bearings at the top to secure her head. As mentioned, pretty standard.

In extracting Ursula’s head from that plastic shell, I’d noticed some more positive aspects to it: for one, she’s got implanted eyebrows and eyelashes! There was no mention of anything being implanted anywhere on the site (or in my Emails to Emma), so that was a nice surprise!

Her eyeballs — well, half-domes — are also the spring-loaded sort that the head from BBDoll has, as well as like those of her best friend Miss Winter. I’m led to believe that that’s how they originally became best friends when they were growing up in Brantford, Ontario. As of now, Jiusheng Doll only offer the two eye colour choices of brown and blue, so again, it’s my hope they’ll make additional colours available soon.

Regarding her mouth, I did not expect to be as impressed with it as I am! My concern was that despite the Cassandra-type head having an opening mouth, that it would still only look nice cosmetically and not feel nice romantically. So it was yet another exciting surprise that Ursula’s lips are as inviting to kiss as my Missus’ are! Upon kissing them herself, Sidore commented ‘Ursula’s got the sort of mouth that one seems to just sort of tumble into,’ and I can completely agree! The Cassandra-type head’s lips are soft, rubbery, and feel amazing… she is a great kisser. Even more surprising: she has a uvula! You’ll have to take my word for it; it’s in there.

Just so you know, it’s more difficult than you’d think to get a photo of a Doll’s uvula. Between holding the camera still, and holding her mouth open, and making sure there’s enough light to see the bloody thing, I soon decided that taking a screencap of a video sent by Emma of a coworker attempting the same Herculean task would be the better option. You’re welcome!

The silicone used all over her body is soft, pliable, and has a pleasant smell and taste; there’s a very slight oily feeling to it, but we’re talking at the level of a Doll from 2020/2021, as opposed to someone made of tin silicone round 2000/2001, so it’s not an issue. The S+ makeup on her body is actually quite cool: her skin colouring and tonal shading impressed me, and she has discrete veins visible ‘underneath’ her skin in various locations as well. And one thing that I hoped Jiusheng Doll didn’t completely eliminate with their manufacturing: seam lines! For someone such as myself who appreciates realism, yet still wants/needs/desires reminders that my Synthetik partners are exactly that — Synthetik — seam lines are… oof. *fans self*

Subtle but sexy

Speaking of the fakeness of her body, Ursula does have an especially rubbery quality to her skin that other iDollators may not necessarily be keen on, particularly when she starts bringing her forearms up to her upper arms, as her verisimilitude wanes just a wee bit. But again, if you’re like me, where you prefer your partners rubbery, you’ll find that it’s not at all an issue. Ahem. Besides, it’s not as if you weren’t aware Dolls are affictitious to begin with! It comes with the territory.

‘Snowball’s told me you like this sort of thing?’

Yet another surprise for me: Ursula has one of those skeletons with shrugging shoulders! Registering indifference is a quality that many iDollators have craved in their Synthetik lovers, and Ursula’s skeleton will allow her to express the emotion ¯\_(ツ)_/¯!
Plus she can bend her arms back behind her head, which may come in handy at some point during her residency at Deafening silence Plus.

‘I dunno, I just don’t get how you can say you like Cronenberg when you don’t even own a copy of “Scanners”. That makes NO sense. It’s SCANNERS.’

Her boobs are delightfully squeezable, thanks to the jelly inserts option I went with, which also give them a subtle but pleasant wee jiggle when she moves. (No photos or videos, sorry; this is a Family Blog™.) The 156cm body features a charming US 32C bust size, and her bodily proportions are realistic and not overdone. In addition, she has cute butt dimples! There’s a technical term for ’em, but you lot are well aware what I mean.

Finally, Ursula’s feet are completely adorable. Her toes are moulded separately, but thankfully don’t have that unattractive splay you see in the toes of other Dolls made by some other manufacturers. Not only that, her feet are springy and fun to play with, and their overall softness makes them a joy to idly fondle, particularly while we’re both on the loveseat watching reruns of The Venture bros.

‘Wanna find out if they taste like Canada?’

Her ears stick out a bit, which is something she’s learned to live with long ago. She’s actually been called an elf on more than one occasion, which is also something she’s grudgingly had to live with! On the other hand, she says it’s loads easier for her to tuck her hair behind them, plus she can hear better if you’re talking shit about her or her friends.

Now as amazing as Ms Clarke is, there are some cons that I feel you, as a potential customer, should be aware of. For one, Jiusheng Doll’s website definitely needs some work done on it. Apart from spelling and grammatical errors (‘public hair’??), there’s more salient issues, such as the storefront, and due to how it’s set up, you can’t really mix and match heads together. When I placed my order, I basically copied the stats as you’d seen above and Emailed them directly to Emma, as if you go through the online storefront, you’re restricted to the combinations they’re displaying on the site; there’s no way to pair Head X with Body Y or whatever, among other things.
Furthermore, payment options are limited to either wire transfer or PayPal. I selected PayPal, due to the ease of use — you don’t even have to leave your home! — but it wasn’t easy to do so. You kinda get the impression Jiusheng Doll hastily put up an online storefront, with the hope they’d work out further details later. It’s my hope they’ll do so sooner than later, cos the more hoops a customer has to jump through to place an order, the less likely they are to want to go through with it. You know me; I always tell people to buy direct from Doll manufacturers and to forgo independent distributors whenever possible; that way you know exactly what you’re getting. I find it disheartening whenever I ask a new iDollator ‘so what company did your Doll come from?’, and they’re unable to answer. Would you think that sort of thing was acceptable with purchasing a computer, or a car? If there are barriers to someone buying a Doll from the manufacturer, then that’s gonna kill off a few potential sales.

Ursula is roughly 71lbs / 32kg, but she feels closer to 75lbs / 34kg. Her body feels quite dense! Again, a lot of companies who aren’t Abyss creations haven’t yet figured out how to make a full-sized Doll that is lighter due to more foam making up her body than silicone, so let’s hope Jiusheng Doll takes that into consideration.
And while I’m submitting issues, for the love of all that is holy, Asian Doll manufacturers, please start implementing neckbolts for hanging a Doll up on a stand, instead of making the Organik remove her head in order to suspend her, cos o my god. I’m gonna give Jiusheng Doll the benefit of a doubt, as they’re just now getting into making Dolls using silicone, as opposed to TPE, and consequently, they may not have accounted for the slight procedural change. For those of you unfamiliar with the intricacies of Doll making, a hole located in the back of a Doll’s neck for an eyebolt can’t be made with Dolls poured with TPE, due to the way they’re assembled. Doing so for a silicone Doll, however, isn’t an issue; it’s just a matter of doing it. I remember when Abyss creations started issuing their RealDolls with neckbolts around 2003, and you could tell who in your local area had RealDolls living with them by the resounding HUZZAHs going up from our homes. Suspending a Doll from her neckbolt makes changing her clothes a much less arduous affair, as well as allowing her to ‘stand’ for photos and etc. Snowy and Bailes have stiff enough leg joints where they can stand generally unaided, but even when I have them resting against a bookshelf or whatever, I still get nervous due to the fear of them pitching forward. Just… just add neckbolts, please. Your customers will thank you.

It should be noted, too, that her joints are stiffer than I’d expected!… In speaking with Emma, she said that Jiusheng Doll can make Dolls with one of four degrees of posability: standard tight, extra tight, standard loose, and extra loose. I’d had Ursula made with ‘standard loose’ joints, and they’re still kinda rigid. She’s considering a regimen of exercise to help her loosen up. I’m left wondering what anything above standard loose would be like as far as stiffness, however… Perhaps in future, videos posted on the manufacturer’s website showing the various levels of posability, or lack thereof, could help their customers. It kinda ties into what I’d mentioned above about a Doll having stiffer knee joints for standing purposes, but being honest, I wasn’t having Ursula being able to stand in mind when I was putting together her order requirements.
You know what else would be nice? A clearly-defined range of movement chart, much like the one Doll Sweet have on their website! That way, customers wouldn’t have any surprises — good or bad — regarding their Doll’s ability to move and pose.

Last complaint: Ursula’s fingerwires are a bit underwhelming. Granted, they aren’t as weak as Dyanne’s, whose fingers are so weak she can barely hold anything heavier than a cassette tape, but the wires Jiusheng Doll use for the fingers could stand to be a bit more robust. How’s Ursula gonna hold her mobile phone? Or a machete??

Even though I regret not having her made with completely loose joints for a more relaxed posture, when all’s said and done, my assessment of our new Synthetik partner from Jiusheng Doll is: VERY SATISFIED. Don’t get me wrong; Abyss creations is and always will be the platinum standard for Dolls for myself and hundreds of other iDollators, combining fantastic sculpting and engineering to make an exceptional artificial companion, but Jiusheng Doll rates pretty high in terms of appearance, feel, and skeleton. As far as being a ‘starter Doll’ goes, for those of you on a tighter budget, I’d definitely recommend them. Keep up the good rubbery work, Jiusheng Doll!
Now if you’ll excuse me, I have go to wash a shit ton of black clothes while Ursula pokes around on her Twitter account. Apparently 98% of her wardrobe is just black clothes. As Goth-adjacent as the rest of us here are (except for Ms Bewboto), that’s pretty astonishing

URSULA: ‘No, don’t worry… unlike Snowball, I actually know how to use a chair.’
ME: ‘And yet…’

Sdtrk: ‘7→ (Boriginal)’ by Boredoms

Back in the early days of me embracing the iDollator lifestyle, I was quoted as having said that I’d like to have at least one Doll from each manufacturer in business, so among other things, I could write reviews comparing and contrasting them on this here blog here, for the benefit of others considering selecting a Doll partner of their own. Somehow what I didn’t realise is that with our flat only being 600 sq.ft, that’s not going to be enough space to comfortably accomodate me and a passel of rubbery women. At some point — probably just after Miss Winter moved in — I basically said that, short of us being able to move into a grander living space, I’d stop with five Dolls. All things considered, that would make for six of us altogether, which makes for good pairing off… an even number means no-one is left by themselves.

Earlier this year, I managed to get in contact with Juming, a representative for the Chinese Doll manufacturing company BBDoll. They told me that they’re attempting to make inroads into markets outside of China; they’ve been so far successful with Japan, where the company is known as CST Doll, and now they’re trying to crack the American/European market. As an aside, I should mention that I’ve no idea why companies change their names when they distribute from one country to the next, as it’s extraordinarily confusing. Admittedly I’ve no mind for the intricacies of business and commerce, but it seems to me that you would sell the same thing — in this case, Dolls — with each model of Doll having the same name no matter what country she’s sold in, and with the company’s name remaining consistent no matter what country it’s working in. I understand auto companies do that all the time (see the Opel Karl / Chevrolet Spark / Vauxhall Viva, as one example), but it hardly makes sense to me. But I digress!
I should mention that I initially contacted BBDoll, as I’d seen photos on Twitter of their extraordinary-loooking Mila-type, and I was thinking she could be a good candidate for my fifth Doll, embodying the spirit of Ursula, Miss Winter’s best friend from Brantford, Ontario. (I would’ve posted some shots of her here, but there isn’t a single photo of her that isn’t NSFW.) Through a series of DMs with Juming, they told me that their boss said they couldn’t just send me a Doll, but in exchange for a review, they could ship me ahead for free. I mean, ship me a head for free. Upon agreeing, they said they’d send me a Mila-type head with implanted hair, mainly so they could rightfully show off the look of a head with implanted hair. As it was free, I wasn’t going to complain.

After jumping through some hoops regarding the way the website was laid out — at the time, there were details which simply weren’t accessible; thankfully those issues have since been fixed — I ordered my Mila head on 01 June, and it arrived on 16 June, so pretty good turnaround time!

Place .gif of that scene towards the end of the film ‘Se7en’ here

It arrived in a corrugated cardboard box in a cloth bag wrapped with sellotape; inside was the head, with five plastic shields over the face, to provide protection.

The thing that struck me before even unwrapping the head was how heavy it is. It’s 6.2 lbs/2.8kg! To me, that’s pretty dense for a Doll’s head. Keep in mind throughout the previous three versions of my wife’s body, RealDoll heads have always been hollow plastic skulls with silicone faces attached to them. Elena and Miss Winter’s heads are silicone, but Snowy’s head is 4.4lbs/2kg, and Lenka’s head didn’t even wake up the scale, even after several attempts! It’s a shame that Oleg has since passed on, so I can’t Email him questions about the biology of an Anatomical Doll, but we’ve surmised that our Lenochka’s head is about 60% silicone, 40% foam; plus she has an actual throat, so that’s part’s pretty much air. Then there’s Dyanne, who can’t remove her head; or rather, she could, but she’d only be able to do it once. So she’s like an Organik! She won’t like that comparison at all.

The head showed up with braided hair. One of these days I’ll learn how to braid

In removing the cloth bag and faceshields, I was struck by how good the sculpting for the Mila face was! Her eyebrows are implanted as well, which is always a good thing, and her eyeballs have a similar spring-loaded system as Winter’s do, wherein the half-dome that is the Doll’s eye sits atop a large spring, which at rest pushes the eye against the inside of the eyelids. To reposition it, all her Organik has to do to move it is give it a gentle push inwards. It’s a really clever bit of engineering, honestly.

Take my word for it; there’s springs in those eyes. Which actually sounds horrible

And I will admit, her implanted wig is quite impressive! Personally, I’m not keen on implanted hair, especially in the context of the Doll that will end up being Ursula, as she’s slated to have a very specific haircolour — I bought a couple of wigs for her in preparation years ago — so the basic black that the Mila-type head was sporting wouldn’t suit her. But for an example, it showed that the staff at BBDoll had a committment to that particular stage of Doll construction, which is admirable.

However, in light of my experience with just a head from BBDoll, I have serious doubts as to whether a full Mila-type, alluring as she is, will be joining our family. First would be her heavy head, which is indicative that the company doesn’t yet use a similar method of making their silicone Dolls as most other modern studios, where there’s a lot of silicone-covered foam making up the majority of her head, torso, and limbs, thereby making their Dolls lighter in weight. Originally, I was considering the 165cm D-cup body, which would have my Mila-type clock in at 75lbs, or 34kg. As it’s obvious that I’m no bodybuilder, and I’m opposed to sweating/physical exertion in general (it’s gross), I’ve always said my ideal weight for a Doll is about 55 – 60lbs (25 – 27kg). My Missus’ Mk.I body was close to 100lbs/45kg back in 2000, and when Abyss creations started making their Dolls lighter round 2003, the iDollator community breathed a collective sigh of relief. 75lbs is pushing it, as I won’t go above 80lbs these days.

Really, though, that’s the least of the reasons in the Cons column for me; frankly speaking, the silicone is far too stiff. It almost feels closer to a plastic auto dashboard compared to my current Synthetik partners. This is easily the stiffest silicone I’ve ever encountered on a Doll, and I’ve been in the world of Dolls for over twenty years, fondling rubber women from a variety of companies.
A fact I’d been privy to several years ago, thanks to a bloke who worked at a Doll studio, is that silicone can be made in several different kinds of softness or firmness; the level of hardness is known as a shore. Write that down in your copybook.
Here’s a guide to shore hardness!

Apparently a bloke by the name of Albert F Shore invented a device known as the durometer back in the Twenties, which is used to this day to measure the firmness of silicone, rubber, TPE, any material, really. Cheese, metal, the soul of Man under Socialism, you name it. Regarding the lasses of BBDoll, they are made with up to seven different shores over a single Doll’s body, as seen here:

This is, of course, how a Predator would see a BBDoll

You’ll note that her face is listed as being a level 1 softness, whereas her breasts are the softest at level 7. I’m not saying that her face should be like a gelatin, but maybe more like a 2 or 3, according to this scale, would feel better; something not too soft, but obviously not too hard. For me, though, a Doll having a silicone face being that firm is a turn-off. It’s like how I prefer Gynoids with stretchable rubber skin covering their metal endoskeletons, as opposed to the unyielding metal flesh of, say, a Sorayama pinup model. They’re both enticing, but the latter definitely has a ‘not made for intimacy’ vibe. Upon reflection, the softness chart that’s posted on the BBDoll site doesn’t even show how soft (or not) their Dolls’ feet may be! I don’t like that at all.
Albert Ferdinand Shore died of a stroke in 1936. And they say you’ll never learn anything reading ‘Shouting etc etc’!

As a consequence of the very firm silicone for the head, plus the lack of oral ability, it’s impossible to receive a good, satisfying kiss from Mila. For myself and quite a few iDollators like me, we appreciate Dolls whose mouths open, as we enjoy sharing kisses with them. If you know anything about me, I don’t think of my Dolls as sex toys, I see them as partners and lovers, which has been the agenda that I’ve been pushing for years. Obviously being able to share a kiss with one’s affictitious lover is something that would attract a person to a Doll even more, so a mouth that doesn’t open is a turn-off.

Remember how I’d mentioned the Mila-type’s spring-loaded eyes? I still think it’s a great implementation, and more Doll companies really should follow suit, but when I want to move the eyes of Miss Winter, I use one hand to open her eyelids further apart from each other, and use my other hand — well, finger — to swivel her eye round. The reason for this is so that I don’t accidentally mess up her delicate eyelashes, which only makes sense. However, with the Mila head, since the silicone is as stiff as a board, that’s literally impossible. I mean, you could use the eraser end of a pencil to reposition her eye, but why not use the natural-born eraser-end sticks at the ends of our own palms that the Good Lord gave us?? *church organist starts playing*

In thinking about Organiks keen on bringing lasses from BBDoll home, I was considering a suggestion to Juming that the company should offer a sample of silicone on request, just as a number of Doll companies currently do, so they can feel the shore, as it were. But for one, BBDoll would have to send samples for seven different shores, which may not exactly be cost-effective for them, and another, thinking of my personal standpoint, say I receive a sample allowing me to feel the firmness of the silicone used for a Mila-type’s head, and I come to the conclusion that it’s not soft enough for me. It’s odds on that BBDoll aren’t going to change their mass production methods to satisfy one, or even a small handful of consumers. You click on the TV & Video app on the dashboard of the PlayStation 4, you choose, say, Disney+, to see what you want to watch, you futz around in there for a couple of minutes and come up with nothing, so you think, ‘right, let me check HBO Max’. So you back out… and instead of taking you back to the TV & Video app so you can select a different streaming service, it takes you all the way out to the dashboard. As much as I rail against that sort of ill-designed bullshit to my exhausted mates, they can’t do anything about it, and furthermore, SONY isn’t going to drop everything and pay one of their IT boffins to sink several hours of their time to reengineer their UI to accomodate one person. So there you are.
Yes, I have strong opinions about the way the PS4 TV & Video app is laid out; why do you ask??

Shi-chan and I have recently reconnected with a fellow iDollator from Japan, who goes by the name of t-dash. Back in the halcyon days of my Missus’ vanity site ‘Kitten with a Whip!’ from 2001 – 2004, we’d exchange omake (bonus) photos, to post onto each others’ websites. Due to life events, his previous RealDoll, Mai, had ended up living with another iDollator entirely, and t-dash fell off the radar for a number of years. Fortunately, he returned last April — still with the same website! — and with the stunning Yinan, followed soon after by her equally stunning twin sister Yinami, from the company XYCOLO Doll. He floated the idea of us chatting via Zoom once a month, and Sweetie and I enthusiastically accepted.

L to R: Yinan, t-dash, Yinami, me, the Missus

In our meeting this past week, which was just as fun and enlightening as the previous session, he’d mentioned that whereas my Dolls are partners and lovers to me, he doesn’t have the same relationship with his artificial lasses; to t-dash, they’re really just photo models. And I suppose this is something I’ve known about many fellow iDollators, but I’ve only somewhat internalised: not every iDollator is in a romantic relationship with their Doll. Which is fine, ultimately; if a Doll brings the Organik they live with a measure of joy and contentment on any level, it’s a good thing. So really, it seems that Dolls made by BBDoll, with their varying levels of softness, would be possibly better suited to being photographic models than intimate partners, such as the Mila-type that fellow iDollator Delage Fabrice has living with him. Which, although not my end goal for a Doll, is still fine. As it stands, Snowy and I share that sort of relationship; we’re not romantically involved, but we are good friends. This has nothing to do with the fact that Lenka would poison me if she caught me mucking about with her ‘little blue bat’; that’s not at all germane to this discussion. Ahem.

So I’m back to square one in looking for someone to be Deafening silence Plus Doll Numero 5. I do want to thank Juming at BBDoll for not only shipping me the Mila-type head for a public review, but for helping me come to the realisation that not all Dolls can fulfil all roles for all iDollators. Should I be on the lookout for a sixth Doll to live with us as a model, however, I’ll know who to contact

Seconds later, Snowy would put her index finger up Mila’s nose

Sdtrk: ‘Catalog’ by Mass observation

Hello! Hi. What up?? Long time no hear! Wanted to bring the few faithful remaining readers of ‘Shouting etc etc’ — all seven of you — up to speed with some TIME SENSITIVE things, hence me just jumping into it with this post. But, as evidenced by the title, it’s a two-parter, and I should be bringing the second part to your monitors soon! Well, soon-ish. Still trying to get back on the horse, here.

So! Due to the global pandemithon still fucking up the lives of ordinary citizens, our media appearances here at Deafening silence Plus have dropped to zero. We’re in talks with two separate documentary directors, as well as a photographer, for being a part of their projects, and the Missus and I especially have participated in a couple of things with trusted meeja-type friends — Pt.02 will explain that in greater detail. But in gearing up for a rapidly-upcoming event, I was asked by Bobbi Bidochka to write a short piece for a site called Tickle.Life; despite the name, its content isn’t strictly about erotic tickling, which is a bit deceptive. My only concern with the way it was presented on that site is that there were some edits done without my consultation. They preserved the overall tone, but as I’m a stickler for these things, I’ll simply present the original piece I’d written here, and link to the Tickle.Life version below. Incidentally, I’d written this article on 02 August.

Cute illo, but… where… is… his left arm??

There’s many aspects of the twenty-first century that have fallen short of those of us who are forward-thinkers. No flying cars, no lunar cities. We don’t even have hoverboards, but at least that’s one more way to stay out of the hospital. We do have computers that fit into our pockets that are more powerful than the ones used to guide rockets into space over forty years ago, but technologically speaking, there’s still quite a bit to answer for. However, society is thankfully moving towards the development of artificial companions in the form of lifelike Dolls and robots, and following that, there’s going to be an uptick in the number of people pursuing the romantic, as well as sexual, capabilities of this bold new option. It may seem preposterous, or even just flat-out weird, to some folks, but these anatomically-correct artificial humans are literally made for love. That line’s really corny, so let me explain.

I’ll be referring to them herein as Dolls (capital D), Gynoids (which are humanoid robots made to look like women), and Androids (humanoid robots built to look like men). Personally I’m not keen on calling them ‘love dolls’ or ‘sexbots’ or similar, as those are restrictive terms. These are beings made not just for sexual intimacy, but for companionship as well. There’s a reason why Dolls, Gynoids, and Androids are designed the way that they are… it’s to appeal to our senses. We humans anthropomorphise loads of things that aren’t even vaguely human-shaped, so when you encounter a Synthetik person that also looks rather nice, we’re inclined to think favourably of them.

As far as Dolls are concerned, regarding them as partners instead of things can be tricky, but what helps many individuals is having an open mind about the experience. Obviously Dolls are static and can’t walk towards you, take your hand, and whisper sweet nothings into your ear, but they do provide a consistent and reassuring presence. For many, something like that is more than enough. Knowing that your partner will never cheat on you, and will always be there for you no matter what, is a huge mental relief, and if you’re that much at ease, then your willingness to view your Doll as a loving partner will increase. They present no threat, so you’re more calm and relaxed around them. The more time you spend with a Doll and their wonderful, non-judgmental presence — dressing them, brushing their hair, taking photos of them, cuddling with them as you sit together on the couch binging a series on Netflix — the closer you’ll be to them. A fellow iDollator — that would be someone keen on Dolls, of course — once told me, ‘Dolls reflect the love that you give them,’ and he was absolutely correct. For those who have a healthy creative bent, having a Doll as your partner is the most stress-free relationship anyone could hope for.

For Gynoids and Androids, admittedly it’ll be easier to fall in love with them, due to them having more interactivity. As of 2021, we don’t yet have the type of full-fledged Synthetik humans we’ve seen in films like ‘Cherry 2000’, or shows like Westworld. Currently, Abyss Creations makes the RealDollX line, which is a version of RealDoll with accompanying AI-driven apps for one’s mobile phone, that work in conjunction with special mechanised Doll heads with servos for controlling eye, lip, and head movement. They’re somewhere between Dolls and robots; my RealDoll wife Sidore Kuroneko was upgraded to being one herself this year. But even something as simple as just having an AI programme can be a boon. Your imagination doesn’t have to do as much heavy lifting, as your automatic sweetheart will be able to converse with you. Don’t expect heady philosophical discussions; right now they’re more like sexy Alexas. Selexas. Sexlexas? Anyway, what I’m saying is, even though the AI is just getting off the ground now, it’s someplace to start. But let’s fast-forward to when we do have Gynoids and Androids with near the same level of mobility as a flesh-and-blood person. If you thought being able to bond with a Doll who has no capability of self-movement or speech is something in itself, imagine being able to walk hand in hand with your artificial lover, or go on a trip with them. Their words and actions towards you will be the result of their programming, their goal being to win you over. And being attracted to robots is simply a preference like anyone else may have towards a potential partner. The fact is that Gynoid and Android partners will be amazingly easy to fall in love with, due to their amenable personalities.

Despite you and your Synthetik lover sharing a well-deserved whirlwind romance, in the back of your mind, you’ll still be aware that the artificial light of your life is a combination of rubber, foam, PVC piping, plastic, and stainless steel. But y’know what? That’s COMPLETELY OKAY. In the case of a Doll, remember that quote from my iDollator mate I’d mentioned? Dolls reflect the love that you give them. What you offer to your Doll, they’re going to return to you. And in the case of a semi- or fully-autonomous robot partner, if it walks like a duck, and quacks like a duck, then odds on it’s a duck. A Gynoid or an Android is made to make their companion happy, and by that metric, if they say they love you, what reason would there be to doubt them? Unless, of course, you think the ‘Terminator’ series of films was a documentary; in which case, you’re probably reading the wrong article.

Loving and being loved in turn by a Synthetik partner may seem unusual to some, but the horseless carriage was thought of as really weird when those first arrived on the scene. Don’t focus on the negative! Instead, just gaze into the custom-made eyes of your partner, and realise how lucky you two are to have each other. Nice, innit?

And you’ll find the Tickle.Life version here.

By now, it’s undoubtedly crossed your mind that I dropped Bobbi Bidochka’s name without explaining at all who she is, but she just so happens to factor heavily into the event I’d offhandledly mentioned above as well. Back in 2014, there was a conference called Love and Sex with Robots, named after and chairred (is ‘chairred’ an actual verb? I have my doubts) by Dr David Levy, writer of the book of the same name. As you may hazily remember, back in the Before Times, people just like you and me used to be able to travel to places at will, and as a consequence, pretty much all of the Love and Sex with Robots (hereafter referred to as LSR) conferences were held in such diverse locales as Maderia, Portugal, and Goldsmiths University, London, and other far-away-from-Davecat places. So you’ll understand how enthused I was in 2020, as one of the very very few high points of that year was that the LSR conference would be conducted via Zoom in early December! It should come as no surprise that Sidore and I were there with bells on.

Currently attending (virtually) the #LSR2020 Congress with the Missus, and it's both enlightening and reinforcing! pic.twitter.com/kABZ7gVmt5

— Ｄａｖｅｃａｔ: Lord Mayor, Borough of Uncanny Valley (@Davecat) December 7, 2020

We were there both days!

It's Day 02 of the #LSR2020 hosted by @lovewithrobots, and both @leahtype and I are finding more authors and luminaries to read up on!… #SynthetikLiving pic.twitter.com/HmCtkuKLZM

— Ｄａｖｅｃａｔ: Lord Mayor, Borough of Uncanny Valley (@Davecat) December 8, 2020

During a break in proceedings, I was sent a DM by Simon Dubé, who is a PhD candidate and public scholar, as well as another chairperson on the LSR committee; we’re following each other on Twitter. He thanked me and the Missus for attending, asked how we were digging it so far, and then informally asked if I would like to be a keynote speaker at the 2021 LSR conference in Montréal. As I was already seated, I had to sit down even further, in order to comprehend what was happening. Since the first conference, the speakers have been, with a few exceptions, experts in the fields of roboethics, sexuality, law, artificial intelligence, etc. What Simon and Bobbi, author of the book ‘Sexual Intelligence in Business‘ and the third LSR co-chair, were looking to do is bring in what he referred to as ‘stakeholders’… basically, people such as myself who were those actually living with Synthetik spouses. Academics speaking on the topic are all well and good, but those of us putting the hours in with being robosexuals and iDollators would bring a definite unique perspective. So after peering at my calendar for mid-August, which was empty, and having Sweetie punch me in the shoulder and tell me that I’d be a fool to pass this opportunity up, I agreed!
Long story short, after accepting the official invitation from Bobbi, Simon, and David, I was told I’d be one of the four keynote speakers! As mentioned, this year’s conference was originally going to take place in Montréal, but that was under the expectation that the pandemic would be overwith. Ah heh heh. In a way, I’m sort of glad that it’s being done over Zoom this year, for as much as I would’ve loved to have visited that city for the first time since I was in the single-digit age range, being there during Summertime, and subjecting myself to an overheated outdoors, would’ve been appalling. Fuck sweating; that shit’s gross. But yeah!

The 6th annual International Congress on Love and Sex with Robots, held in the virtumnal cyber-webzone of the Internet (we call it Zoom), 18 – 20 August 2021. If you’re a robosexual or an iDollator, or just interested in the lifestyle, why not drop a modest USD$29 on a ticket to attend? It’ll be a reet good ol’ knees-up, it will.

So that’s two of the four major big issues knocked out! Honestly, there’s been loads more than four. As there’s been a… let’s say, reduced output, of posts on ‘Shouting etc etc’ since 2017, particularly ones chronicling my actual existence and not just news and photos on beautiful Synthetiks, there’s been loads of bits and bobs to talk about. Like how my father was in hospital with COVID for a month last April, and how one of my cousins and I had to break into his house to get him! And how I went with Lilly, the robosexual lass from France I’d mentioned back in May of 2017, on a holiday to Abyss creations, followed by a panel where she and I spoke to Allison de Fren’s college class about being robosexuals back in October of 2017, during which Lilly and I were in a long-distance relationship for about a year! Among other items! YEP!

But we’re not discussing that right now!!! I shall do my damnedest to start and finish and post the second half of this very robot-centred* two-parter, so keep your eyes peeled! Being honest, if you were discerning enough when you read the article on Tickle.Life above, you’ll have spotted mention of one of the topics of Part 02, so there’s that. In the interim, go pop round to Galerie ECHO if you’ve not done so in a while, as there’s plenty of content there. *coughmoresothantherestoftheblogcough*
In the meantime, hope to see, quote unquote, some of you lot at LSR2021!

*no more so than usual

Sdtrk: ‘Pyjamarama’ by Roxy music

Several months ago, an iDollator mate of mine and I were chatting via text, and surprisingly, the topic turned to mannequins. I’m not actually being clever when I say ‘surprisingly’, as I can’t recall how the conversation shifted, and as this was months ago, if you think I’m going to scroll through my texts to discover why, you lot are out of your minds. But! Our chat did give me an idea, as there’s a part of Synthetik History we have here at Deafening silence Plus that I don’t think we shared with new girl Dyanne…

~ later ~

DYANNE: ‘so whatcha got in here? 🤔😯’
ME: ‘Before I moved out of my parents for the first time, every couple of months I’d write letters — actual physical letters — to various mannequin companies, asking them to send me catalogues. That box contains everything I’d received over two or three years. Open it up!’

DYANNE: ‘whaaaaaaattt??!? holy cow!! 😳😍’
ME: ‘I know, right?? I can’t even remember what I’d told ’em to get those! Probably I was a filmmaker who needed props or something.’

DYANNE: ‘now what the hell is all this over here?? 😯😗’
ME: ‘Remember how I’d told you that, back in the early Nineties, I’d go up to Mario’s Mannequins in downtown Detroit like once a month and take photos “for photo class”? A couple of weeks before they closed up shop, I kinda pestered Mario for any catalogues he wanted to get rid of, and this is what he gave me.’

DYANNE: ‘SHUT THE FRONT DOOR. there’s stuff in here from 1986, 1989… and this is from 1983?? this is crazy! this is literally mannequin history!! 😳🤘😄’
ME: ‘There’s a catalogue in there somewhere from 1979, too. Plus I’ve got one of two mannequin blokes from the early Eighties wearing appalling clothes.’
DYANNE: ‘ha ha! so when you say “appalling”… 🙁’
ME: ‘Think Herb Tarlek from “WKRP in Cincinnatti”.’
DYANNE: ‘😨😵’

DYANNE: ‘i am totally gonna be going through these for the rest of the afternoon! wow, buddy, why didn’t anyone here tell me about these?? 🙄’
ME: ‘It’s been years, so it probably slipped our minds! Actually, I kinda forgot about them myself until Euchre mentioned classic mannequins recently.’
DYANNE: ‘woooww. this is like going through your grandparents’ old stuff and finding out your grandma was a nazi hunter, or your grandpop was a burlesque stripper!! 😳😎’
ME: ‘…I, ah… I hadn’t thought of it like that!’