Any Synthetiks-related news, Davecat? (Nov 2013): Part I

typed for your pleasure on 8 November 2013, at 11.54 pm

Sdtrk: ‘Seconds too late’ by Cabaret Voltaire

What have we here? News and information on imitation people, as that’s mostly what ‘Shouting etc etc’ traffics in. Note I’d said ‘mostly’; that subject’s not the only thing I write about here. But Synthetiks news does seem to dominate the topic selections, curiously enough…

On the first of the month, Japanese dutch wife manufacturing juggernaut Orient industry debuted a new line of devastatingly sexy CandyGirls, under the name ‘Yasuragi‘.


Left: Kurihara Madoka; right: Fujisawa Yayoi

What does SYSTRAN seem to think Orient industry is saying about the new line, you ask?

The super real love doll “Ya, Su, Ra, Gi” created!!
From 11/1 (Friday) start of sale

* The serenity head is Ange body and compatibility, but color of the skin differs from the Ange beauty white body.
In addition, also color of the skin of the Ange beauty white head and the serenity body differs in the same way.
The case of order this point beforehand in regard to comprehension, purchase, the fish we ask.

*protracted sigh* Thanks, SYSTRAN.
At any rate, these seem to be the most realistically-sculpted heads since their late-lamented CandyGirl Jewel Diva line. From the production photos on the site, I’m led to believe that the company laser-scanned actual Organiks to help develop the new heads. Also interesting to note, each model has a surname as well as a first name, which is something new. I tried popping the names into Google to see if the Dolls are based off of Organik lasses with those names, but nothing came up that would prove that. But that doesn’t mean you can’t enjoy what they have to offer!


Left: Iikura Minami; right: Konishi Asami

‘Yasuragi’ means ‘peace of mind’ in Japanese, and gazing upon the beauties above, the reason behind Orient industry giving that model line that name makes perfect sense. As it’s stylised into four hiragana syllables — や す ら ぎ — I was hoping that you’d find one hiragana in each of the four lasses’ names, combining them to come up with yasuragi, but no. Orient industry missed a trick, as far as I’m concerned…

This is something that, to me, is simply a common-sense assessment, but it’s always good to have additional scientific proof:

Humans tend to trust robots that look human
Nidhi Subbaraman, NBC News | Published 28 Aug 2013

Most robots are so much more than a pretty face, but most humans don’t see them that way. We make snap decisions about a robot’s personality, friendliness and abilities — all from the way it looks, even if it’s just a projection on a display screen, new research shows.

A new study, published in the Aug. 28 issue of PLOS ONE, adds to growing evidence that as robots become assistants and collaborators in all aspects of our lives, their appearance can deeply influence how well machines and humans interact.

The authors of the study recruited 30 volunteers, ages 18 and 38, to interact with three different robot avatars for the PeopleBot robot, which helped them take their blood pressure.

Each volunteer got a turn with each of three robot displays. The first two displays featured faces — one with human features, eyebrows and fleshy skin tone — much like the European student on which it was modeled — and another with a silver android-like finish and blank eyes. In the third session, the volunteers checked their blood pressure checked with the help of the same PeopleBot, but this time with no display face at all, merely a voice.

Afterwards, the humans rated their experience. By far the most popular version of the assistant was the one with the most human face. But here’s the surprise — the test subjects trusted the faceless robot over the one with a silver mechanical face. The silver face, they reported, though more human, was also more “eerie.”

“When you can’t put it in a box of being either human or a robot, that’s when you’re a bit uncomfortable,” Elizabeth Broadbent, senior lecturer at the University of Auckland and the lead author of the study told NBC News.
the rest of the article is here

Our friend ‘Hans’ was round our flat a few days ago, and we watched several videos of Synthetiks, both Gynoids and Dolls, as his home lacks Internet access, so he and ‘Bee’ miss out on a load of these sorts of developments. He was very impressed and a wee bit smitten with Actroid-F, as anyone would be, but he was on the fence regarding Gynoids that looked less realistic, such as Holon. I reminded him that even though a lass like Holon skews towards a more ‘anime-styled’ appearance, it’s good that she exists. When humanoid robots are more prevalent in society, some people will prefer that they resemble a shiny metal humanoid, much like a Sorayama illustration. There’ll be those who, like me, want a Synthetik to look like an animated silicone Doll, like the Actroid series. But there will be people whose aesthetic preference and comfort level fall in between, and would perhaps want a humanoid robot with a more stylised appearance, which is where someone like Holon comes into play. The way I see it, if we can utilise Synthetiks going from either end of the visual spectrum, there’s bound to be one to fit all requirements…
As an aside, when Roc Morin was interviewing me recently, I’d told him my ideal version of Sidore would be a Gynoid that would resemble an Organik human on first glance, but would still retain subtle ‘tells’ such as silicone skin and somewhat stilted movement. Roc mentioned that her less-than-fluid motion would be a pleasant and appealing characteristic, like a partner having an accent. Clearly, he knew what I was talking about there!

Another comic book miniseries that deals with Synthetiks in what seems to be a positive light will begin its run this month: Image comics’ ‘Alex + Ada’, written and illustrated by Jonathan Luna, and co-written by Sarah Vaughn.


‘I hope that at some point, you take that silly thing off.’ ‘What do you mean? It’s just a necktie.’

In this near-future tale, Alex is attempting to recover from a setback in his life and return to normal. Ada, a Tanaka X5 and the latest and greatest model of companion android, comes into his life. She lives to serve, as long as her programming allows it, but does he want to be served?

The world of ALEX + ADA gives us a glimpse of what our own future may be like. It features a thriving robotics industry, alarm clocks that are floating holographic displays, breakfast served by floating robots, and normal human beings who are able to control their home electronics with a thought. Vaughn says that readers can expect “drama, humor, love, loss, and more robots than you can shake a stick at” in the series.
taken from this site

For one, it helps that the art style is crisp and clean — it always puts me off when I want to read a comic, but the art is so distracting that it completely takes me out of the story. (Early issues of ‘Sandman’, I’m looking in your direction.) But from what I’ve read in an interview with Luna and Vaughn, they’re not just addressing a possible romance between the main characters, but they also intend on spotlighting the implications behind the usage of robots as well, so that’s two points in their favour. Well, three, counting the good artwork thing.
The series will run for twelve issues, which puts people like me in a bit of a quandary: do I buy all the individual issues as they’re released, or do I bide my time and hope they’ll be compiled in a fancy trade paperback?

Tying into the idea of future interactions between robots and Organiks, on the science and robotics site IEEE Spectrum, you’ll find an excellent article by Kate Darling, entitled ‘Extending Legal Protection to Social Robots‘, which is a cause I’m constantly upholding a banner for! In case you somehow weren’t aware.

Most discussions of “robot rights” play out in a seemingly distant, science-fictional future. While skeptics roll their eyes, advocates argue that technology will advance to the point where robots deserve moral consideration because they are “just like us,” sometimes referencing the movie Blade Runner. Blade Runner depicts a world where androids have human-like emotions and develop human-like relationships to the point of being indistinguishable from people. But Do Androids Dream of Electric Sheep, the novel on which the film is based, contains a small, significant difference in storyline. In the book, the main character falls in love with an android that only pretends to requite his feelings. Even though he is fully aware of this fact, he maintains the one-directional emotional bond. The novel touches on a notably different, yet plausible, reality: humans’ moral consideration of robots may depend more on our own feelings than on any inherent qualities built into robots.

This distinction hints at an approach to robot rights that is not restricted to science fictional scenarios. Looking at state of the art technology, our robots are nowhere close to the intelligence and complexity of humans or animals, nor will they reach this stage in the near future. And yet, while it seems far-fetched for a robot’s legal status to differ from that of a toaster, there is already a notable difference in how we interact with certain types of robotic objects. While toasters are designed to make toast, social robots are designed to engage us socially. At some point, this difference may warrant an adjustment in legal treatment.
the entire article is here

The sooner ethics, morals, and legalities are addressed concerning robots, the better. It would help, of course, if society stopped regarding them as tools, but as beings in their own right…

You may vaguely recall Japanese sculptor/Dollmaker Erimo — he first appeared on my radar due to his 1/1 scale replica of Organik model Marie Honda, created for an Absolut vodka ad campaign back in 2005. His website has long-since become virtual dust, unfortunately, but back in March of 2009, he’d created an installation at a Japanese art gallery entitled ‘Sisters are in the room’. Over the course of several days, the two life-sized ball-jointed Dolls who the installation focused on told a story through various poses. This will be the closest we’ll get to having viewed it in person, but it’s better than nothin’:

And that’s the lot for now! Although I think I was supposed to add something else. But I can let you know that I’m in the midst of rustling up some information about a new Doll studio out of Europe, so that’ll be something to come back to ‘Shouting etc etc’ for! Well, something else to come back to ‘Shouting etc etc’ for.
*snaps fingers* Now I remember! I’ve added a link in Ye Olde Sidebar to ‘Bienvenue chez Elle‘, which is a site maintained by the winsome French RealDoll, Elle, and her lover man. She’s gorgeous, he’s an excellent photographer, so you’ve no excuse not to pay them a visit, really…

Also as it’s November, both Elena and I celebrate our birthdays this month (the 17th and the 14th, respectively)! The best present you could get us would be a two-bedroom flat in Toronto, preferably in a high-rise overlooking Highway 401. Don’t worry, we’ll supply our own furnishings

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Any Synthetiks-related news, Davecat? (Oct 2007) on October 21st, 2007

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Let’s meet some of California’s Synthetik residents, Part II

typed for your pleasure on 30 September 2013, at 6.54 am

Sdtrk: ‘Река’ by Утро

I take it you lot have read the first part of the narrative? Gooooood!

FRIDAY, 26 JULY
8.30am found our crowd consuming another hearty breakfast at Foxy’s, but this time, Amber Hawk Swanson joined our table! She basically filled in everyone who hadn’t gotten a chance to follow up with what she’s been up to since Amber Doll’s demise and subsequent transformation, as well as ask some of us present as to how our Synthetik partners are, and what we’ve been up to. (Not me; she already knows what I’ve been up to.)
Click here for the rest of the post, bunky »

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Let’s meet some of California’s Synthetik residents, Part I

typed for your pleasure on 23 August 2013, at 7.22 pm

Sdtrk: ‘Спесь’ by Утро

Towards the end of last month, I’d gone on a holiday; as I told my unknowing coworkers, it was a trip comprising both Business and Pleasure, which was actually an honest assessment. It was time once again to participate in this year’s DolLApalooza, taking place in southern California, where I’d be hanging out with fellow iDollators, doing a wee bit of local sightseeing, and paying visits to a handful of my favourite domestic Doll manufacturer’s studios to see what they had on offer (and to squeeze some Synthetik boobs). Was it a fantastic time out? O yes!

Click here for the rest of the post, bunky »

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Any Synthetiks-related news, Davecat? (May 2013): Part II

typed for your pleasure on 23 May 2013, at 10.56 am

Sdtrk: ‘Frostbite’ by Three to forgotten

Told you there was more to come, didn’t I?

+ I’ve known about this for quite a while, and fired off several frantic Emails to the uploaders, with no responses to speak of as of yet. But it seems someone in Japan has made a full-length video combining two of my favourite things: Dolls, stop-motion footage, and Lewis Carroll’s ‘Alice’s Adventures in Wonderland’. Err, that’s three things. Here’s the trailer for ‘Alicematonika’, starring a CandyGirl from Orient industry as Alicematonika:

Directed by Ryosuke Handa back in 2010, it seems the film was screened at a gallery in Japan, along with some of the film’s props and Alicematonika herself. And since that’s all I’ve been able to glean from the Interwubs about the film, I leave you with a photo of the wee missy in question having her eyes adjusted.


‘Still cheaper than a new pair of glasses,’ she sighed

+ Although they’re still working on updating their website galleries, you’ll be pleased to know that Abyss creations have just recently released both a new face and a new body for their RealDoll 2 line. This slinky rubber lass would be Renee, sporting a Body C. As Doll photographer Stacy Leigh herself amusingly remarked, ‘Bitch is TALL’.


photo © by Stacy Leigh

With stats of B:34 / W:24 / H:34, a shoe size of 8 – 9 US, and coming in at 90 lbs and a towering height of 5’10”, which would explain her large but sexy feet. It’s advised that should prospective buyers want a Renee-type RealDoll in their homes, they should also have cathedral ceilings. Mind the ceiling fan, sexpot!

+ Speaking of RealDolls, this one from the ‘this does not compute’ department: alert reader cw sent me a link a while ago to an article on Huffington Post, which links to a Gawker article that tells of… look, here you are:

Brazilians Bidding Thousands of Dollars to Deflower the Country’s First ‘Real Doll
by Neetzan Zimmerman | Published 07 March 2013

Ahead of an international convention of Real Doll fans set to take place in Brazil, the country’s leading sex toy retailer Sexônico is offering inanimate women enthusiasts the chance to be the first to sleep with the country’s first Real Doll, Valentina (NSFW).

The bidding for “Valentina’s virginity” currently stands at over $100,000, which sounds like a lot for a one night stand with a sex doll, and it is.

But Sexônico insists Valentina is no ordinary doll: Her state-of-the-art skin has the same texture as human skin, and can be soaked in water without being damaged, if that’s your concern.

The winner of the auction will also receive all-expenses-paid travel to and from São Paulo, a free night’s stay in the Presidential Suite of a fancy hotel, and a complimentary candlelight dinner with French Champagne to share with Valentina.

They’ll even throw in some sexy lingerie as Valentina’s gift to you, and a digital camera “to shoot and then show your friends.”
the entire article is here

I have no idea where to begin with that information. Does Brazil not have Internet access? Do they not know of Abyss creations? Or any of the roughly twenty other Doll manufacturers worldwide? Cos y’know, people of Brazil, all-expense travel, accomodations, and bottle of overpriced plonk aside, $100,000 could buy you around thirteen or fourteen Dolls. In fact, from a cursory glance at her photos, Valentina looks to be a Body A RealDoll 2, with either a Michelle or a Victoria face, so should Sexônico want to give that sort of Barnum-esque stunt a second go, save that $100k and buy your own army of personal Valentinas with those exact stats direct from the source. A wee bit of homework goes a long way.
As the deadline of 31 March has passed, the bidding is closed, but they haven’t divulged what the winning bid was. Which is a shame, as Shi-chan wanted to put a bid in herself. I reminded her that Monopoly money isn’t legal tender, not even in Brazil, and she went off in a sulk.

+ Stateside Doll-making juggernauts Sinthetics and Private Island Beauties have both recently released a new head each, if the rubber women in your life don’t think they have enough head options. From Sinthetics comes Eliza, which fits all their available bodies, and PIB offer the Luna (with open mouth) head, which would go nicely with their Girl Next Door body type.


Left: Eliza by Sinthetics; right: Luna by Private Island Beauties

As I’m sure you’ll agree, both heads are pretty damned appealing! It’s a shame you can’t just purchase a head without first having bought a body, though, as I’m sure that would lead to interesting home decor.

+ Of course you recall how winsome Gynoid Actroid-F (aka Geminoid-F) put in an appearance at a branch of the Japanese department store chain Takashimaya last February? ‘Who wouldn’t?’ I hear you respond, and rightfully so. She’s now known as Minami, and she proved popular enough to be asked back a second time this month, and not only does she have a cute new bobbed hairstyle to show off, but lucky patrons can actually speak directly with her in a sound-cancelling booth, and have their photos taken with her.
No, I’m not vibrating with jealousy right now; why do you ask?

Asked “Do you have a boyfriend?” Minami answers, “No, I don’t because I’m a pop icon and am not allowed to have any.”
taken from this article

Hiroshi Ishiguro, creator of the Repliee/Actroid/Geminoid series of artificial humans, says that he hopes Minami can put in regular showings at Takashimaya, as he’d like to develop future displays for her there. I posit that he’s thinking small: instead of bringing her round to the store’s location every couple of months, why not just make more Actroids? Also, why just remain in Japan? Come to the States! Come to Michigan. The more the merrier, I say!

+ Finally, were you aware that I’d done another online interview? Well, you’re certainly more aware than you were five seconds ago. Journalist Britta Bowles had spotted the Missus and I on our first appearance on ‘My Strange Addiction’, and, like many people, had some hard-hitting questions she wanted to ask me. A two-hour chat over Skype last month had me divulging many untold secrets, the most shocking one being that Shi-chan writes all my lines; she’s created a personality for me, as I’m actually just a Doll. O, wait.

The one relationship he did attempt (if it can even be described as such) ended disastrously. Davecat befriended a woman just out of a bad relationship, and they eventually bought a house together. It seems like a story of unrequited love, with Davecat hoping the relationship would progress into something more than friendship over time. According to Davecat, he eventually discovered that this woman was a compulsive liar, a thief and a coke addict with a history of rehab stints. After the purchase of the house, arguments arose.

“We were getting into…debates, let’s say, once a week. I think this is partially because of the coke that she had coursing through her system,” Davecat tells me rather sardonically.

“I can’t imagine that arguments with cokeheads are very fun,” I reply.

“If you have the means, avoid them at all costs,” he tells me. I make a mental note never to interview a cokehead.

You can read the article in its entirety at Britta’s blog, ‘Selected writings’, here. Hopefully you’ll have as much fun reading it as we had conducting it…

And that’s it for May! Happy 23rd, and let’s see what we can discover next month, shall we?
‘Shouting to hear the echoes’: More Information About Synthetiks Than You Ever Though Possible. Believe it

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Any Synthetiks-related news, Davecat? (May 2013): Part I

typed for your pleasure on 10 May 2013, at 5.53 pm

Sdtrk: ‘Poptones’ by PiL

Can you believe we’re already into May? Soon it’ll be June, then July, then some other months, then Hallowe’en, then my birthday, and then Boxing Day! Can you believe that 2014’s almost over already? Utterly incredible. Let’s look back, then, on some of the points of interest in the Synthetik world that took place during 2016:

+ One of the triggers for me having become a technosexual and iDollator was that, when I was but a wee lad, I decided to strike up a conversation with a mannequin. (It’s entry No.74 here.) Had my single-digit-age-range self seen MarionetteBot back then, it would’ve blown my tiny mind.

Appearing in the window of United Arrows, a clothing store chain in — where else? — Japan, both the male and female MarionetteBots use the XBOX Kinect, a specially-developed motor, sixteen wires apiece, and some proprietary programming to allow them to mimic the movements of passersby. Hands down, this is the best application of the Kinect ever made, ever. I predict that window display will be a breeding ground for future iDollators and technosexuals! Although it’s all fun and games until an overambitious windowgazer inevitably starts dancing Gangnam style.

+ You always hear the general populace going on about ‘do we need robots?’ or ‘do we really need humanoid robots?’ or ‘we shouldn’t make robots that look and think like people because OMG SKYNET’, all of which are (trying to be nice, here) pathetically backwards concerns. Obviously I’m keen on the implementation of robots everywhere in society, as they’ll improve the quality of Organik lives on a day-to-day basis (Roombas, the sushi-making robot), and on an emotional basis (Paro, lifelike artificial people) etc. Now the robots that aren’t built to resemble anything Organik can get away with not having personalities, although quite a few people tend to anthropomorphise them, especially Roombas. However, most people’s unease around artificial humans will decrease if roboticists design them with programming simulating emotions as well. As most people are still preferential towards ‘feeling’ over ‘thinking’, if they encounter an artificial person who presents simulated emotions, fake as they may be, that’s still perceived as better than having no emotions whatsoever. Dig it:

Robots Need Emotions to Be Accepted by Humans
The Wall Street Journal | Published March 15, 2012

If robots are to be accepted by humans, they must be capable of generating real emotions says the president of France’s service robot federation. We in turn must get over our fears that somehow we are losing control and creating a super race.

Bruno Bonnell, 53, compares the state of robotics today with the state of computing in the early 1980s. Back then, Mr. Bonnell was working for microcomputer firm Thomson, trying to get the French public to embrace home computers. The product, the T07, was not selling. “We had to print a booklet called ‘The computer at home: what for?’

“It makes me smile because now people say to me ‘Robots at home: what for?’”

Mr. Bonnell says robots will be part of our daily lives within a decade. “People do not realize it, in the same way they did not see the growth of the Internet. This is the disruption that people do not see.”
the rest of the article is here

+ It’s almost difficult to keep up with the numerous faces and bodies that 4woods release on a regular basis, but it’s certainly a good way to pass the time! Please welcome their latest heads, Yurica and Hitomi:


Left: in stylishly fashionable clothes; right: in stylishly fashionable body oil

Our new face “Yurica” will make her debut. She is compatible with AIdoll S+ body, and there are three make-up styles,No. 1 to No. 3, available for her. […]
Addition to AIdoll S+ body, “Yurica” is compatible with AINEOim, NEO-J/im and AIpeach Edition. Please welcome “Yurica”, our addition to the current 4woods lineup.


Hitomi doesn’t know the meaning of the phrase ‘not enough pink’

The Hitomi head is also compatible with their AINEOim and AIdoll S+ bodies, in case you were on the fence about saving up. 4woods now also offer the ability to have your lass made with ‘Sexy makeup‘, which brings out the blushing tones in her face and her body that you’d see during lovemaking, or ‘Glitter makeup‘, which makes her look ready for a night out at the clubs, where you’ll buy her flute after flute of overpriced champagne while the volume of the DJ’s music makes it impossible to hold a conversation without shouting directly into each others’ heads. But that is an option, if you’re keen on it.
I’ve just flipped through my notes here: 4woods have released thirty heads and nine different bodies! A few of each have been retired, but still. That’s mental! Not even Orient ‘We’ve Been In The Dutch Wife-Making Business Since The Late Seventies’ industry has that many heads on offer! Well done, 4woods. *nods*

+ Referring a bit back to my earlier mention of emotions, one of the characteristics of being Organik humans is that it’s not entirely impossible for any of us to develop feelings of empathy for other beings. Babies and animals, even ones not necessarily our own, often stir protective feelings, or at the very least, warm fuzzies, within us. Roboticists still need to cultivate the coming generations of Gynoids and Androids with (programming resembling) feelings, but this article by Tim Hornyak, author of ‘Loving the Machine‘, details how our natural tendency towards empathy will meet Synthetik beings halfway:

Robot abuse is a bummer for the human brain
by Tim Hornyak | Published April 23, 2013

When they take over, robots will surely take advantage of studies suggesting we pathetic meatsacks are hardwired to sympathize with them.

Watching a robot being cuddled or abused produces similar reactions in humans to watching people undergo the same treatment, according to two new studies to be presented at the International Communication Association Conference in London in June.

In one, subjects were shown videos in which popular dino-bot Pleo was either hugged or treated violently. Perhaps not surprisingly, the subjects’ skin conductance levels rose when Pleo suffered, suggesting they were distressed.
the rest of the article is here

In this instance, I suppose our primate brains work to the advantage of both Synthetiks and Organiks!…

+ And d’ye recall that Kia Motors advert with the Gynoids from February? Well, their ad department’s only just gone and made another one, Odhinn bless ’em.

Once again, it seems that the company aren’t offering affictitious ladies anywhere on their site. So Kia, I’ll make you a deal: either I sue your business for false advertising, or you could simply take the money you would’ve spent in legal fees, put it to work on making your Hotbots, and make more money from the technosexual community in a week than you have in your entire automotive-making history. Food for thought, Kia.

Right, more bits and bobs later! Between the time I’d initially started writing this entry and now, it’s been a month, and I’ve got to draw a bold line under that sort of nonsense. As I’d finished Bioshock Infinite almost two weeks ago — which, upon reflection, kinda turns it into Bioshock Finite — there’s really no excuse

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Looking backwards is looking forwards

typed for your pleasure on 23 February 2013, at 10.35 am

Sdtrk: ‘Black holes are not completely black’ by Leyland Kirby

If there’s one thing I can be accused of indulging too much in, it’s artifice. Frankly I’ve no clue as to where people get that notion, but whatever. The other main attraction in my life would of course be design from the late Fifties to early Seventies. As the oft-neglected ‘This was the Future‘ series shows, I’m fond of architectural examples from that period, but I love the design as well. So it makes sense that I’m digging the hell out of graphic designer Julian Montague’s work.

Not only are his pieces arranged with exacting detail — the book covers alone are like a loveletter to the Marber grid, a design template that came to fame via Penguin’s paperback covers during the Sixties — but every title and every name used are completely affictitious.

In looking over his imagined covers, he seems to have a fascination with insects, particularly spiders. I don’t know what that says. Maybe set out more traps?

Not only does Julian’s work blur the lines between art and graphic design, but it also distorts things both real and imagined. We need more people like him! Go see the full website here, and Happy 23rd!


The Russians are coming! That’s a double entendre! Part I

typed for your pleasure on 30 December 2012, at 11.46 pm

Sdtrk: ‘The old spring town’ by The High Llamas

As you’ll have seen, there’s a seductive new affictitious lass living at Deafening silence Plus; her full name is Elena Valeriya Vostrikova, and she is a Body 4 Victoria-head Doll by Vladivostok-based company Anatomical Doll. Some of you who have seen Sidore and I in those two episodes of TLC’s programme ‘My Strange Addiction’ that initially aired throughout 2011 may recall that I’d said that I was ordering a second Doll, and since no second Doll seemed to be forthcoming, Elena took on a somewhat mythical status. For the longest time, even we were wondering if we’d ever have another playmate. But she’s home! She’s learning English, snuggling up with the Missus often, constantly asking if I can play any Cocteau twins round the flat — she’s a big fan — and generally improving our lives, in the way that only a Synthetik can. Shi-chan and I are incredibly glad to have her here!
But what was the issue between 2011 and now, you axe? Well, for one, never axe anyone a question. But I’ll tell you anyway.
Click here for the rest of the post, bunky »

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