Wooden crated arrival / Rocket-powered departure

typed for your pleasure on 26 December 2012, at 10.17 pm

Sdtrk: ‘Dance floor bathroom’ by Coachwhips

Time for the annual Shouting to hear the echoes Boxing Day Post! And by ‘time’, I mean that this would be the first time I’ve ever announced this sort of thing. And more than likely the last! Who has time to read a blog on Boxing Day? People are too busy punching each other!
And that’s the exact lack of cultural sensitivity that’ll prevent me from moving to Toronto.

For all of you who keep furtively checking the post announcing the impending arrival of our rubber Russian, Elena Vostrikova, she’s been safely home since the 18th of the month. I’m slowly writing the posts that’ll comprise my review of her (spoilers: Sidore and I are in love with her), as well as the tale of How I Brought Her Home, so expect that in… err, January? Yes. But Lenka’s enjoying herself at Deafening silence Plus! The Missus has someone female to interact with, and my plan of getting multiple Dolls from differing manufacturers has moved a step forward!
We’d hosted the last Doll Congress of the year round at ours; Mahtek and Noquiexis from Ohio, CJD and his Organik wife Cat from Ontario, and ‘Hans’ from Chicago were in attendance, and we were joined by Euchre later that eve for dinner. Not only was it the first official Congress we’d had since last August, but this was the first time everyone got to meet Sidore and Elena together! As usual, it was a fab time, with great people, but then, our iDollator meetups always are.

After everyone piled into their cars and went home, Lenka wanted me to get her first official photoshoot in! So I did.

Just under sixty photos is a good start, I think. She’s gonna need more clothes; she’ll never fly Korean Air again, as they lost her luggage. Lesson learned!

And on the obverse side of the coin, today I also learned that Gerry Anderson, creator of amazing science fiction productions such as UFO, Space: 1999 and ‘Doppelgänger’ (aka ‘Journey to the far side of the sun’ outside the UK), and pioneer of Supermarionation, the revolutionary technique that brough us Thunderbirds and Captain Scarlet, passed away today at 83 years of age.

Gerry Anderson: Obituary
BBC News | Published Wednesday, 26 December 2012

TV producer Gerry Anderson, who has died at the age of 83, made his name with classic shows like Thunderbirds – despite saying he never liked working with puppets.

After starting his career at the Colonial Film Unit, part of the Ministry of Information, Anderson set up a TV and film production company, AP Films.

But work was hard to come by, and when he was approached to make a puppet show called The Adventures Of Twizzle in 1957, he had little option but to accept.

“I was shattered when I learnt the programmes had to be made with puppets as I’d allusions of making great pictures like Ben Hur,” he later said.

“But there we were with no money, and an offer on the table. We had to take it.”

Another puppet series, Torchy The Battery Boy, followed, and the positive reaction to his wooden creations and relative failure of live action ventures persuaded him to stick with the marionettes.

The 1960 series Supercar, about a vehicle that could travel in the air, on land or under the sea, honed Anderson’s trademark formula of mystery and futuristic adventure.

It also allowed Anderson to perfect his production technique called Supermarionation.

The voices were recorded first, and when the puppets were filmed, the electric signal from the taped dialogue was hooked up to sensors in the puppets’ heads.

That made the puppets’ lips move perfectly in time with the soundtrack.

Subsequent science-fiction puppet series Fireball XL5 and Stingray were also hits, and Anderson dreamed up the idea for Thunderbirds in 1963 while listening to a radio report about a team of rescuers rushing to a collapsed mine in Germany.

The idea for International Rescue was born, and the show saw the Tracy brothers take off in their fleet of space-age craft from the secretive Tracy Island to complete daring rescue missions and combat nefarious villains.
the rest of the article is here

After Doctor Who, UFO has to be one of my favourite science fiction programmes from England. Its optimistic view of the future — the series took place in 1980 — was the kind of future that I would’ve loved to live in, as the fashion and architectural design was completely informed by the Sixties. I mean, if you can’t trace a direct line from the purple wigs of the SHADO Moonbase Operators to my wife’s preferred haircolour, you haven’t been paying attention. And although I enjoy Thunderbirds, to me it pales in comparison to Captain Scarlet and the Mysterons. The episodes were a better length, more espionage-driven, and every episode had the Mysterons broadcasting their intentions, as Spectrum raced to foil their plots.
Those shows, as well as most of the ones produced by Gerry’s company, Century 21, featured mechanical designs by Derek Meddings and Reg Hill, whose influence lives on in the many tokusatsu series of Japan. Years ago, I’d attended an anime convention, and one of the Q&A panels had one of the Super Sentai production staffers being interviewed; I can’t remember his name off the top of my head, but he was one of the producers. One of the friends I went with had asked if there was a correlation between all the vehicular techno-gadgetry of shows such as the Ultraman and Super Sentai franchises, and he’d replied that Gerry Anderson’s Supermarionation programmes were a huge inspiration on the set and model designs. And of course, let’s not forget that we wouldn’t have Parker and Stone’s ‘Team America: World Police’ without him.

Considering the legacy of innovations that he’d created, the world will probably never see another director as unique as Gerry Anderson

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Она радостна, потому что она окончательно приходит домой

typed for your pleasure on 15 December 2012, at 4.26 pm

Sdtrk: ‘Cœur synthétique’ by Jean-Jacques Perrey

The gorgeous ginger you see before you is made by Russian Doll manufacturer Anatomical Doll, and would be the near-mythical Elena Vostrikova that you’ve been hearing about for the past couple of years.
Details to follow when she gets settled in at our home soon, so keep an eye out!

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Any Synthetiks-related news, Davecat? (Nov 2012)

typed for your pleasure on 25 November 2012, at 7.01 pm

Sdtrk: ‘Scrape it off’ by YVETTE

Musing aloud: I’m curious as to how I’d go about getting corporate sponsorship from the heavy hitters in the industry. I’m thinking I’d either go with Weyland Industries, or the Tyrell Corporation. Gotta look into getting in on the ground floor of those soon…

+ You’ve probably seen news on her already, but fellow Synthetik lover Vokabre has just sent me pics and info about Russia’s first Gynoid, Alisa Zelenogradova, made by the group Neurobotics. Lookin’ good!

Her facial features are based off one of the employees, and as you can see, Alisa is highly expressive. What’s more impressive about that is that her silicone face has only has eight points of articulation, as opposed to other Gynoids; the Italian Synthetik FACE, as an example, has thirty-two. At this stage, Alisa is really just a Gynoid head on a mannequin body, but as Werner Herzog once said, even dwarves started small.
She has cameras in her eyes, and can interact with others through Skype, as telepresence is one of her intended uses. Not only that, her AI software allows her to understand and respond to quite a few questions. And, according to her page on VK, Russia’s version of Facilebook, she’s twenty-six years old, and single. If you ask me, these Russian mail-order brides are improving!


Photo © by Vokabre. That hairstyle makes her look a bit like Cilla Black

If you’re not afraid of Cyrillic characters, you can read about Vokabre’s trip to Neurobotics’ studio here. Let’s hope we hear more good news about Alisa and her handlers in 2013!

+ You’ll be pleased to know that Abyss creations and its sister site Phoenix studios are continuing to produce affictitious ladies! For Abyss’ fifteenth anniversary last year, they quietly released Crystal, a head that was initially designed for the RealDoll 2 bodies, but is compatible with most of the RealDoll 1 bodies as well, as it has a full skull design. Good thing Matt McMullen waited until the fifteenth anniversary to do something like this, otherwise we might’ve been looking at a face named Pottery, or Wool, for that matter.


photos © by Stacy Leigh

I’d say she’s really appealing — she has a very pleasing facial shape. I don’t think it’s possible to go wrong with a Crystal-type in your home.
Matt also told me that not only is he going to be releasing some additional new faces soon, but he’s currently finishing off two new RD2 bodies as well. Body C will be supermodel-like in stature: tall, lean, and with a smaller bust, whereas Body D will be, as he described, ‘similar to Body 5 but with a dash of body 10 thrown in’. So busty and curvy, then? Huh! *nods approvingly*

Phoenix studios, in keeping up with the silicone Joneses, have recently debuted the Boy Toy Lite! Christmas is coming up rather soon, after all.


Right, there you are — naked Doll bOObs. Happy now?

Basically, the Boy Toy Lite is a less-articulated version of their regular Boy Toy models — as she’s more designed for play than for photoshoots, she has no articulated joints. You can rotate her arms 360° at the shoulders, and her head is capable of turning, but that’s the lot, really. She’s made of the same platinum silicone as the other Dolls, and comes in at a trim 45 lbs, but she’s got as many points of articulation as a Todd McFarlane ‘action’ figure. Still, if you’re looking to buy a Doll that you’re only really going to be engaging in sexytime with, the Boy Toy Lite should suit you down to the ground.

+ Ray Bradbury, circa 1965, writing a response to the snobbery that narrow-minded individuals held against Walt Disney’s animatronics, in an article for Holiday magazine entitled ‘The Machine-Tooled Happyland‘:

After I had heard too many people sneer at Disney and his audio-animatronic Abraham Lincoln in the Illinois exhibit at the New York World’s Fair, I went to the Disney robot factory in Glendale. I watched the finishing touches being put on a second computerized, electric- and air-pressure-driven humanoid that will “live” at Disneyland from this summer on. I saw this new effigy of Mr. Lincoln sit, stand, shift his arms, turn his wrists, twitch his fingers, put his hands behind his back, turn his head, look at me, blink and prepare to speak. In those few moments I was filled with an awe I have rarely felt in my life.

Only a few hundred years ago all this would have been considered blasphemous, I thought. To create man is not man’s business, but God’s, it would have been said. Disney and every technician with him would have been bundled and burned at the stake in 1600.

And again, I thought, all of this was dreamed before. From the fantastic geometric robot drawings of Bracelli in 1624 to the mechanical people in Capek’s R.U.R. in 1925, others have conceived and drawn metallic extensions of man and his senses, or played at it in theater.

But the fact remains that Disney is the first to make a robot that is convincingly real, that looks, speaks and acts like a man. Disney has set the history of humanized robots on its way toward wider, more fantastic excur­sions into the needs of civilization.
the entire article is here

+ In the mood to have your heartstrings vigourously tugged on? Then why not head over to cat versus human, home to art by a lass named Yasmine, and read the bittersweet tale ‘Little Robot‘, which concerns a Gynoid and her feline friend.

I apologise in advance for using this specific adjective, but both the art and story are rather *clears throat* adorbs. Be sure to thank fellow iDollator Euchre for that link, by the way.

+ And thanks to Jill Tilley, Euchre again, and about ninety-eight other people, I bring you the (in)famous Robot Restaurant in Shinjuku, Tokyo, Japan. Yes, you knew it was a matter of time before 1) Japan made this lysergic dream a reality, and 2) for me to report on it here.

In case you somehow managed to not hear about this phenomenon at all over the course of 2012, there’s a restaurant in the Kabukicho red-light district of Shinjuku that centres round female robots. From all accounts, it costs roughly $50USD to get in, the food is unimpressive, and as you can see in the above video, it is an all-out assault on the senses, as if Fellini had directed ‘Tron’. When not performing waitress duties, there are bikini-clad Organik lasses playing daiko drums, or riding neon tanks, or neon motorcycles, or a gigantic neon kabutomushi, or performing neon-lit dance routines, or piloting giant ten foot tall Gynoids that can move their heads, faces, and arms.

Now, it should be painfully obvious that I’m glad such a place exists — even though I think the Gynoid mecha look a bit bland facially, I’d have to be pried out of any one of their cockpits with a crowbar — but my christ, it’s a lot to look at. Did they get local dekotora designers to oversee the interior? Because, y’know, NEON EVERYWHERE FOREVER.
I recently asked neji-san, the bloke who created the alluring Tsukuhami, if he had been there yet, and he mentioned that the area it’s located in gets a bit rough after dark, and moreover, it seems the sort of place that doesn’t cater so much to technosexuals, but more towards gawkers and touristy types. As far as the sensory overload aspect of the club, writer Patrick Macias notes,

[T]he joint is more like a kyabakura, or “cabaret club”, than an actual restaurant. Three measly food items in all are listed on the menu, a perfunctory measure probably because it’s easier to get a license for food service than to apply for a “giant robots plus army girls and marching bands and motorcycles” license.

I’d agreed with neji-san — it’s not subdued on any level, and you run the serious risk of an epileptic seizure, but it’s definitely a place I think every technosexual-minded person should visit, given the opportunity. Perhaps the more of us that patronise the club, maybe they’ll think about branching out to other locations and making it a chain? We can only hope. Cos I mean, what’s the alternative? Hard rock Cafe?


Could this possibly be where the Tyrell Corporation will get started?

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Any Synthetiks-related news, Davecat? (Oct 2012)

typed for your pleasure on 5 October 2012, at 12.24 am

Sdtrk: ‘Sheets of solid gold’ by Zoos of Berlin

Are there any Synthetiks-related news? Are there really? In the words of the Magic 8-ball, ‘Reply hazy, try again.’ No wait; I meant ‘It is decidedly so.’ O, Magic 8-ball, you so random.

+ When not engineering more of those gorgeous Actroids, roboticist Hiroshi Ishiguro periodically creates Androids as well. You’ve seen his Synthetik twin Geminoid HI-1 of course, as well as Geminoid-DK, the servo-driven clone of Henrik Scharfe. Ishiguro-san’s recent project would be an Android replica of Beichō Katsura III. Unless you’re familiar with rakugo, you’ll have no idea who this bloke is. I didn’t even know what rakugo was until I first heard of this Android, so we’re in the same boat. It’s essentially comedy storytelling, done by a single performer seated on stage, with the only props at his disposal being a paper fan and a hankerchief. Apparently Noriko Watanabe, assistant professor in the Department of Modern Languages and Comparative Literature at Baruch College, described it as ‘a sitcom with one person playing all the parts’. (Thank you, Wikipedia.)
But we’re not here to talk about rakugo! HOLY CRAP STOP ASKING ME RAKUGO-RELATED QUESTIONS. Look at this video instead!

A total of 53 degrees of freedom were required in order to replicate the storyteller’s facial expressions and gestures. Its movements were based on those of Beicho’s eldest son, also a rakugo performer, who mimicked his father’s movements by watching a video. The vocal portion of its performance will be an earlier audio recording of the man himself.
the entire article is here

Katsura-san is apparently one of the foremost rakugo performers in the nation, to the extent that he’s considered a Living National Treasure. It’s kinda neat, if you think about it: Katsura-san is currently in his late eighties, and rakugo, while still being performed today, is becoming more and more of a niche market with contemporary generations. So an Android version of one of the foremost practitioners of the art ensures that there will be a way to experience a rakugo performance for years to come, thereby neatly combining the past with the future. Bearing that in mind, Ishiguro-san… why don’t you see about employing one of those lovely Actroids as a shamisen-playing geisha?
What? Was that too obvious?

+ Just when you thought 4woods were showing signs of slowing down, well, they aren’t. No, they’re speeding up. Not only have they released three new heads — Hikaru, Manami, and Michelle — but there’s two new bodies that prospective buyers have to consider when selecting their lass: the NEO-J/im, and the A.I.Doll S-plus. The latter choice either reminds me of the Gundam Zeta Plus series of mobile suits, or the S Gundam, both from Mobile suit Gundam Sentinel. Mecha are fantastic, yes, but you can’t really take one to bed with you. But I suppose that really depends on the size of your bed.


Hikaru, modelling the NEO-J/im body by sitting on a desk

Released back in March, the NEO-J/im body is a revised version of the smaller-yet-popular NEO-J body which debuted back in 2006. ‘Its young beautiful girl-like body line, and sensitive design, skin texture and beauty will surely make your heart scream with excitement’, reads the site’s ad copy. As much as I adore artificial women, I’m not sure I’d want a Doll that would cause my heart to, y’know, start screaming. That’s some Edgar Allan Poe level madness right there. I mean, how would I sleep?

Then there’s the fifth A.I.Doll body, the S-plus, or S+, if you’re in a hurry. At 5’2″ and 60 lbs, and with appealing measurements of B30.W22.H34, she also sports a silicone body with sculpted muscle tone, sculpted veins, and sculpted bone structure, as well as an improved hip joint function for better intimacy. Cheers, 4woods! And what can the site add to that in its own inimitable style? ‘She also offers a beautiful curve, soft looking stomach and thighs, and a cute bouncy hipline which makes you want to rub your face on’. See, I’ll take that over a yelling bladder screaming heart any day of the week. *rub rub rub*


Manami, auditioning as an Allen Jones model


Is Michelle putting on her stockings, or taking them off? A question for the ages

Admittedly, Michelle looks loads better as a blonde with blue eyes; 4woods recognise the fact that 1) there are people in other countries who don’t exclusively want Asian-looking Dolls that the company make, and 2) there are people in Japan who don’t exclusively want Asian-looking Dolls that the company make. As is the way of 4woods, most of the photos of their lasses have them proudly posing clothing-free, which means you’ll have to click here to see a skyclad Manami, and here for Michelle in the same.
It’s funny; recently I tried to access ‘Shouting etc etc’ from a public library, and was unable to do so, which is a complaint I’ve heard from a few other readers. It’s blocked for pornographic reasons, despite the fact that I’ve made an effort not to show off any Doll nipples. Of course, ‘an effort’ doesn’t mean the site’s 100% nipple-free, but more like 98%. Bearing my findings in mind, I may just throw up my hands and start posting photos of topless Dolls with the next update. We’ll see. So, ah, I hope you like nipples?

+ This would be a very brief, but insightful article by Dan Chen, entitled ‘How Is Intimacy With Robots Different From Intimacy With People?

Human emotions are very complex—it has to do with memories, past experiences, and personality. I think intimacy between robots and people is different from person to person, and some people might find deeper intimacy with robots than with humans. (Example: Some people likes animals more than people.) Mental commitments are needed for people to create a sense of intimacy with the robot, as with people. In other words, if the person “plays along” with what the robot suggests as intimacy, the level of intimacy could be stronger than those who don’t.

But in general, intimacy with robots is usually diluted because of a lack of things such as micro movement and micro expressions, and tone of the voice. Robotic intimacy is not as rich compared with a real person, but could be more reliable. Having said that, the technology could advance enough to duplicate those actions as well, and in that case, there won’t be any difference.

That’s it! You’ve just read the entire article. But what he’s said is important: if an Organik getting into an intimate relationship with a Synthetik realises that fact ahead of time and goes along with whatever simulated emotions that the Synthetik feels, then in essence, those ‘fake’ emotions become genuine. Sure, one could argue that robots could be programmed to lie, but really, how is that different than dealing with lies from a flesh-and-blood person? If, for instance, an Organik has a Synthetik partner tailor-made for them, then unless they’ve specified so, the Synthetik wouldn’t tell them any mistruths, thereby eliminating a huge obstacle right there. And once again, if you’re connecting with a being who by nature doesn’t lie, then there’s no reason to believe that whatever they tell you isn’t from the heart. Or their equivalent, at any rate.

+ When I’m not dragging them with me, chain gang-style, to make speaking engagements, Sinthetics would be busy fulfilling orders, and in between that, also working on developing new heads for their alluring Polymerisians. Such as their brand-new Celestine, for example.

As you’ll recall, they have a head named Celeste, and thanks to a special request from a purchaser, Matt K has developed a slightly more mature version of that head, hence the name. To me, she looks MILFy! A bit like an evil MILF, one that’s head of directors at a fashion magazine. Her hobbies include champagne for breakfast, buying expensive European cars, emasculating at least one male employee a day, and playing Hungry Hungry Hippos.
Would you believe they also have photoshoots posted over there? It’s true! They’ve got a lot of sexytime going on over there.


Left: a Body 1B Yuriko; right: a Body 1H Kimiko. Below: two shades of Monique

There’s also another photoshoot with a Body 1H Celeste and a Body 1B Alicia… err, interacting… with each other, if you’re keen on that sort of thing. Well done, Sinthetics!

+ And lastly, thanks to Vulgarian, fellow iDollators Euchre and Bel’Shanar, and I think one or two others (I apologise for forgetting your names), as they’d brought this video to my attention. If you’re one of the handful of people in the first world who haven’t seen the very impressive visuals and compelling story that make up this video, then you’ll enjoy this: Quantic dream’s ‘Kara’.

Back in March, someone on Sidore’s tumblr asked if we had seen it, and Shi-chan responded in kind. As she’d accurately predicted, I’m copying her review/response pretty much entirely, only making it spoiler-free. Plagiarism: that’s what spouses are for!

The graphics are pretty astounding, needless to say, but the best/most relevant aspect of it is that it kinda reinforces what my lad and I have been saying for years: Synthetiks are people too. A film like this, displaying the way an advanced humanoid robot and the way she reacts […] is much, MUCH better fare than the rubbish that most people think concerning ‘robots will take over and kill us all’. A film like this shows that artificial humans, particularly ones with feelings, have just as much right to exist as flesh-and-blood humans.

You can learn more about the story behind the making of ‘Kara’, and the technology used to create it, here.

More! Synthetik!! News!!! Soon!!!! Exclamation mark!!!!!

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Lonely hearts, lunar beauty, new faces, and much explanation

typed for your pleasure on 12 September 2012, at 12.43 am

Sdtrk: ‘Eurydice’ by Demdike stare

Trying to ease back into this blog writing thang, mang. For one, the weather’s getting nicer, praise “Bob”, so I can no longer use sweaty heatdeath as an excuse, and I’m also trying not to let the fact that most peoples’ attention spans these days is now the length of a standard Facebook post prevent me from writing. Fucking ridiculous Facilebook. Plus, Shi-chan’s been gently needling me to get back into maintaining ‘Shouting etc etc’, as it is, arguably, the Internet’s foremost information source about Davecat and Sidore, and the affictitious world we live in. Accept no substitute!
This entry won’t be extraordinarily long, as the barrels have to spin up a bit to get up to speed. On the other hand, there are literally a billion Synthetik-related links I’ve needed to share with you lot from the past few months. Well, a billion minus several hundreds of thousands. Unless math has been radically redefined in my absence. Don’t laugh; it could happen.

+ Back in February, my second favourite Gynoid, Actroid-F (aka Geminoid-F) put in a public appearance at Japanese department store, in what I like to refer to as a performance piece. She’s in a modified shop window, looking as if she’s waiting for a friend to show up. As you suspect from the month it occured in, this event took place round Valentine’s day.

Clutching a bag and cell phone, she seems to be waiting for a suitor.
Android falls in love? She is waiting for you” reads the writing on her glass box at Takashimaya Department Store in Tokyo’s Shinjuku district.
The special Valentine’s display features Geminoid F, the photogenic robot developed by Osaka University professor Hiroshi Ishiguro and colleagues.
The mechanical lady was modeled on a real woman in her twenties. She sits in her glass room at Takashimaya and greets shoppers.
Based on data from an embedded sensor array around her, the android reacts to people in the vicinity. She moves her shoulders and neck, and changes her facial expression, smiling or yawning, depending on what’s going on.
[…] Geminoid is an air servo-powered humanoid with eye, mouth, head, and shoulder mobility. It can also be remote-operated so that it acts as a surrogate for a distant user, reproducing his or her facial expressions and voice.
the entire article is here

It’s an impressive-looking display, and it’s also cool as it exposes the general public to Synthetik humans. And hopefully, I’m not the only person who feels a wee bit sad for her and her missed appointment. If a Gynoid such as Actroid-F can elicit such empathy from her observers through her appearance and behaviour, then that’s a step in the right direction.

+ This next lass you’ve undoubtedly seen before, particularly if you’re keen on that tumblr thing the kids dig. Shi-chan discovered her through the tumblrs (man, that word looks weird) she follows. Her name is Tsukuhami, and the Missus managed to strike up a friendship with her creator, neji-san. He’d written:

If you’re writing is TSUKUHAMI “月蝕魅” in kanji.
The meaning of the name of’m TSUKUHAMI is “the beauty of a lunar eclipse”
Height of TSUKUHAMI is 164cm, weight is 12.6kg.

I might add here that she’s a poseable sculpture, and not an actual Gynoid. I know, I know. But she’s constructed of steel joints and FRP, and due to the fact that neji-san built her entirely himself, the endeavour took him eight years. But the results are entirely worth it, as she’s remarkable on every level!
Neji-san and I are periodically firing Emails at each other now; as you suspect, he’s influenced by humanoid robots in both anime and real life. Our letters often touch upon the philosophical — Shi-chan had mentioned her Shinto inclinations in one of her messages to him, and he had this to say:

The Japanese doll has two aspects. One is as a toy doll of children is a good friend.
Another is the soul of the shaman is someone is not visible to the human eye.
(Please keep in mind something that is not a devil. It is like the heart of big trees and mountains and rivers.)
Doll in Japan where the two sides have to coexist in the same doll is characterized.
Of course, scientifically I do not believe it.
However, we believe that ancient animism in Japan and want to respect.
It is also in the minds of plastic, even if the electron is in the soul.

I’d say Tsukuhami-san, neji-san, his mindset and abilities are all utterly fantastic, wouldn’t you agree? Go check out his aptly-named site Spiritual Plastic when you get a chance…

+ There has been a huge amount of info concerning new heads, faces, and bodies from various Doll manufacturers that’s come down the pike within the last several months, which is delicious. I’m not going to cover all of them in this post, as that would be maniacal, but I’ll start with one company for now: Anatomical Doll. This year’s been rather productive for them, as Oleg has sculpted four new heads, as well as the seductive new Body 4, which is the first with a new spine that moves more like an Organik human’s. Behold!


Left: Julia; right: Aurora

Well, you’ll have to click on this link to behold the sexy possibilities of Body 4, as she’s boobin’ it up all over the place. But, y’know, tastefully. Her stats would be a height of 5’3″, weighing a very manageable 57 lbs, with a shoe size of 4.5 US, and graced with measurements of B: 33 / W: 24 / H: 35. And yes, that is the sound of me drooling.
Due to space constraints — I’m keeping this post brief, damnit — you can also visit Anatomical Doll’s site to see photos of Christy and Sleeping Aurora, the other new heads, but I’m fairly certain you’ll like what you see. Especially that Aurora! She is, what we call, ‘fresh-faced’. So go there, but only after you’re done here. *does the ‘got my eyes on you’ gesture*

+ Finally, and this is what really got me off my arse to start posting entries again, I’ve done another interview! Dan Oudshoorn of the sociopolitical blog ‘On Journeying with those in Exile‘ saw Sidore and I in the fistful of telly appearances we’ve done, and asked me some thought-provoking questions about our lifestyle. They were so thought-provoking, in fact, that it took me roughly a year to answer them. I’m… not really proud of that, but I am proud of the end result, which you can read on Dan’s blog here. Grab a mug of coffee / cup of Twinings / pint jar of molasses with crazy straw, and enjoy a rather substantial Q&A about my life with the Missus!


image © 2011 Claire Dossin

O, and back in March, we finally received our DVD sexbot boxset of My living Doll Vol.1, to much fanfare. Was it worth the wait? The answer is Yes.

So how’s that for an ‘out of retirement’ post? Don’t call it a comeback, I’ve been here for years, etc

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…be sure to wear some artificial flowers in your hair, Part II

typed for your pleasure on 11 June 2012, at 11.31 pm

Sdtrk: ‘The boys and the girls’ by The Network

Did you read Part I first? Go read Part I first.

THURSDAY 26 APRIL
After a good night’s sleep — exhaustion and jetlag rendered me blissfully insensate — I was up with the lark at 8am, and ready to do my part as an ambassador for iDollator culture. Or make a complete tit of myself, one or the other. Matt, Bronwen, and I were to meet Sarah and Kelly in the hotel’s lobby cafe for brunch at 11am, so we could meet in person, and go over minor details of our panel. We’d be joined by fellow iDollator Z-Dr, who lives a number of miles north of the Bay Area; as we told him we were in town, he took the opportunity to meet up with us for the first time since DolLApalooza 2011.

Click here for the rest of the post, bunky »

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Speaking engagements! Everyone does them! From Crispin Glover, to John Waters, to Henry Rollins, to Crispin Glover! That’s both Crispin Glovers, incidentally. Crispins Glover.

Since roughly 2005, various students have come a-callin’, asking if they could get my input as to the nature of being a Doll husband and all that entails. The majority of these students, I find, are usually in the field of either sociology, sexuality, or psychology, which means their questions are pretty salient. One such student, Sarah Valverde, had initiated a conversation back in late 2010, regarding the lack of legitimate research in the medical community concerning iDollators, and asked if I could help. Which I did! It started out as a paper, which caused a bit of a stir with the academics she’d presented it to, as most of her audience had either never heard of high-end ‘love dolls’ such as RealDolls, Sinthetics, etc, and were thinking in the context of inflatables, or they knew what such Synthetik partners were, and weren’t keen on the idea. Some members of the crowd thought it was a fascinating presentation she’d made, however, and her academic partner, Dr Kelly Moreno, proposed that she perhaps take it to the next level. What Kelly had meant by that is essentially putting forth a presentation at the 2012 Western Psychological Association convention, due to take place in San Francisco in April. It would be a coup on multiple levels: for one, as stated before, no significant research in the medical community had ever been done on iDollator culture; also, it’s extremely rare for a subject to actually represent themselves at a psychological presentation; not only would an iDollator be speaking at this thing, but a Doll manufacturer would be there as well, in the form of Matt Krivicke and Bronwen Keller of Sinthetics, and Bronwen would be relating her perspective of being female in a market where most of the consumers are male. We’d be setting trends!
Although they weren’t able to fund my planeticket (or car rental, or hotel fees), I was able to get the appropriate days off work and agreed to meet with everyone in San Fran from 25 to 27 April, for high adventure.

Click here for the rest of the post, bunky »

Random similar posts, for more timewasting:

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