Any Synthetiks-related news, Davecat? (May 2013): Part I

typed for your pleasure on 10 May 2013, at 5.53 pm

Sdtrk: ‘Poptones’ by PiL

Can you believe we’re already into May? Soon it’ll be June, then July, then some other months, then Hallowe’en, then my birthday, and then Boxing Day! Can you believe that 2014’s almost over already? Utterly incredible. Let’s look back, then, on some of the points of interest in the Synthetik world that took place during 2016:

+ One of the triggers for me having become a technosexual and iDollator was that, when I was but a wee lad, I decided to strike up a conversation with a mannequin. (It’s entry No.74 here.) Had my single-digit-age-range self seen MarionetteBot back then, it would’ve blown my tiny mind.

Appearing in the window of United Arrows, a clothing store chain in — where else? — Japan, both the male and female MarionetteBots use the XBOX Kinect, a specially-developed motor, sixteen wires apiece, and some proprietary programming to allow them to mimic the movements of passersby. Hands down, this is the best application of the Kinect ever made, ever. I predict that window display will be a breeding ground for future iDollators and technosexuals! Although it’s all fun and games until an overambitious windowgazer inevitably starts dancing Gangnam style.

+ You always hear the general populace going on about ‘do we need robots?’ or ‘do we really need humanoid robots?’ or ‘we shouldn’t make robots that look and think like people because OMG SKYNET’, all of which are (trying to be nice, here) pathetically backwards concerns. Obviously I’m keen on the implementation of robots everywhere in society, as they’ll improve the quality of Organik lives on a day-to-day basis (Roombas, the sushi-making robot), and on an emotional basis (Paro, lifelike artificial people) etc. Now the robots that aren’t built to resemble anything Organik can get away with not having personalities, although quite a few people tend to anthropomorphise them, especially Roombas. However, most people’s unease around artificial humans will decrease if roboticists design them with programming simulating emotions as well. As most people are still preferential towards ‘feeling’ over ‘thinking’, if they encounter an artificial person who presents simulated emotions, fake as they may be, that’s still perceived as better than having no emotions whatsoever. Dig it:

Robots Need Emotions to Be Accepted by Humans
The Wall Street Journal | Published March 15, 2012

If robots are to be accepted by humans, they must be capable of generating real emotions says the president of France’s service robot federation. We in turn must get over our fears that somehow we are losing control and creating a super race.

Bruno Bonnell, 53, compares the state of robotics today with the state of computing in the early 1980s. Back then, Mr. Bonnell was working for microcomputer firm Thomson, trying to get the French public to embrace home computers. The product, the T07, was not selling. “We had to print a booklet called ‘The computer at home: what for?’

“It makes me smile because now people say to me ‘Robots at home: what for?’”

Mr. Bonnell says robots will be part of our daily lives within a decade. “People do not realize it, in the same way they did not see the growth of the Internet. This is the disruption that people do not see.”
the rest of the article is here

+ It’s almost difficult to keep up with the numerous faces and bodies that 4woods release on a regular basis, but it’s certainly a good way to pass the time! Please welcome their latest heads, Yurica and Hitomi:


Left: in stylishly fashionable clothes; right: in stylishly fashionable body oil

Our new face “Yurica” will make her debut. She is compatible with AIdoll S+ body, and there are three make-up styles,No. 1 to No. 3, available for her. […]
Addition to AIdoll S+ body, “Yurica” is compatible with AINEOim, NEO-J/im and AIpeach Edition. Please welcome “Yurica”, our addition to the current 4woods lineup.


Hitomi doesn’t know the meaning of the phrase ‘not enough pink’

The Hitomi head is also compatible with their AINEOim and AIdoll S+ bodies, in case you were on the fence about saving up. 4woods now also offer the ability to have your lass made with ‘Sexy makeup‘, which brings out the blushing tones in her face and her body that you’d see during lovemaking, or ‘Glitter makeup‘, which makes her look ready for a night out at the clubs, where you’ll buy her flute after flute of overpriced champagne while the volume of the DJ’s music makes it impossible to hold a conversation without shouting directly into each others’ heads. But that is an option, if you’re keen on it.
I’ve just flipped through my notes here: 4woods have released thirty heads and nine different bodies! A few of each have been retired, but still. That’s mental! Not even Orient ‘We’ve Been In The Dutch Wife-Making Business Since The Late Seventies’ industry has that many heads on offer! Well done, 4woods. *nods*

+ Referring a bit back to my earlier mention of emotions, one of the characteristics of being Organik humans is that it’s not entirely impossible for any of us to develop feelings of empathy for other beings. Babies and animals, even ones not necessarily our own, often stir protective feelings, or at the very least, warm fuzzies, within us. Roboticists still need to cultivate the coming generations of Gynoids and Androids with (programming resembling) feelings, but this article by Tim Hornyak, author of ‘Loving the Machine‘, details how our natural tendency towards empathy will meet Synthetik beings halfway:

Robot abuse is a bummer for the human brain
by Tim Hornyak | Published April 23, 2013

When they take over, robots will surely take advantage of studies suggesting we pathetic meatsacks are hardwired to sympathize with them.

Watching a robot being cuddled or abused produces similar reactions in humans to watching people undergo the same treatment, according to two new studies to be presented at the International Communication Association Conference in London in June.

In one, subjects were shown videos in which popular dino-bot Pleo was either hugged or treated violently. Perhaps not surprisingly, the subjects’ skin conductance levels rose when Pleo suffered, suggesting they were distressed.
the rest of the article is here

In this instance, I suppose our primate brains work to the advantage of both Synthetiks and Organiks!…

+ And d’ye recall that Kia Motors advert with the Gynoids from February? Well, their ad department’s only just gone and made another one, Odhinn bless ’em.

Once again, it seems that the company aren’t offering affictitious ladies anywhere on their site. So Kia, I’ll make you a deal: either I sue your business for false advertising, or you could simply take the money you would’ve spent in legal fees, put it to work on making your Hotbots, and make more money from the technosexual community in a week than you have in your entire automotive-making history. Food for thought, Kia.

Right, more bits and bobs later! Between the time I’d initially started writing this entry and now, it’s been a month, and I’ve got to draw a bold line under that sort of nonsense. As I’d finished Bioshock Infinite almost two weeks ago — which, upon reflection, kinda turns it into Bioshock Finite — there’s really no excuse

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Job upgrade: ACQUIRED / Springtime for Synthetiks / The practical application of Shinto

typed for your pleasure on 5 April 2013, at 8.52 pm

Sdtrk: ‘Russian snow queen’ by Fursaxa

Hello there! There’s been a bit of a sea change round here at Deafening silence Plus, and as change tends to throw me off, I’ve been growing to adjust to the new situation. That’s my latest excuse!
You recall that job I’d gotten, where I was Master of Data Entry? Well, that’s in the past, as of March. Eventually, the inevitable happened: I’d run out of data to enter. It’s funny; as I’d mentioned, the project was supposed to last until February 2013, but I performed my job with such wicked blinding efficiency that I’d had everything in the database by roughly the final week of December. Data entry master. As the place I was working at didn’t just want to chuck me out onto the street, they began training me to be on the phones, which filled me with a genuine sense of dread. Luckily, I managed to secure a better job at the beginning of March, where I’m now doing order entry at a local shop that manufactures drill bits and the like. It’s 10min from home, it doesn’t have me on the phone with slack-jawed cretins, and it’s the highest-paying job I’ve ever had, which will allow me to save up that much quicker for Doll No.3. So overall I’d say it’s a win!

The weather in SE Michigan is almost sort of slightly starting to kind of resemble something akin to Spring, so both Sidore and Elena wanted me to do a photoshoot with them when we got a nice warmer day. And that’s precisely what we did last Saturday, with the usual enjoyable results.

Lenka was more than happy to show off her new clothes, and the Missus was more than happy to show Lenka her foot massage skills; as she says, I taught her everything she knows. The downside was that I had to draw a line under it after five hours of posing, repositioning, and clicking, as I was knackered. Multiple Doll shoots take a lot more work than I thought they would!
Incidentally, that box on our coffee table next to Elena’s foot contains the as-yet-unassembled HRP-4C Miim kit that I’d ordered, so at some point, I’m going to have to build that…

And speaking — as always — of sexy robots, here’s this illuminating video from The Globe and Mail, wherein Aubrey Belford goes to Japan and interviews underrated genius Hiroshi Ishiguro.

Think of that as a teaser as to the next ‘Any Synthetik-related news…?’ post, cos you know there’s one coming! It’s been months, after all, and there’s loads of items to catch you lot up on

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Any Synthetiks-related news, Davecat? (Feb 2013)

typed for your pleasure on 1 February 2013, at 12.04 am

Sdtrk: ‘Source are rare’ by Merzbow & Genesis P-Orridge

Originally this was slated for publication last month, but then Elena arrived, delaying everything by sexing up the place. This is what happens when you live with Synthetiks! Let this stand as a warning.

+ Anatomical Doll, the Russian company responsible for making Sidore’s girlfriend/my mistress, have recently unveiled two new heads, Christy and Anna.


Left: Christy; right: Anna. Incidentally, the Anna head seen here is being displayed on Ms Vostrikova’s body; you’ll recognise that dress

Christy adds a dash of Rihanna-tinged multi-ethnicity to your life, and fellow iDollator Everhard astutely mentioned that Anna’s soft and pillowy rubber lips reminded him of the mute sea princess Marina from Gerry Anderson’s programme Stingray. I’d only ever seen a single episode of Stingray, so to me, Anna resembled more of a brunette version of Lady Penelope Creighton-Ward, of Thunderbirds. It’s Gerry Anderson’s world; we only live in it.

+ AN EVENT I WISH I COULD ATTEND: On 05 February, The Japan Society of New York will be sponsoring a lecture featuring performance artist/roboticist Heather Knight, IEEE Spectrum editor Erico Guizzo, and Hiroshi Ishiguro, creator of the Actroid and Geminoid series of Synthetiks, entitled ‘How to Create Your Own Humanoid: Robot Science Made in Japan‘. Tickets are $12, $8 for Japan Society members, and the ticket price apparently includes a post-event reception with free wine.
*protracted sigh* Should anyone attend, be sure to let me know how it was!

+ Speaking of Making Your Very Own Humanoid Robots For Fun And Profit, if you have access to a 3D printer, French sculptor Gael Langevin has plans you can download to build InMoov, a work-in-progress robot. I’d say that’s a brilliant way to spend a number of week-ends…

The 3D printing doesn’t cover things such as cables, wires, or servos; you’ll have to purchase those separately. But once you add those, as well as a few Arduino microcontroller boards, as well as the appropriate software for voice commands, you’ll be the first kid on your block with an InMoov torso! Well, depending on where you live.
As I’d mentioned, Mr Lanegvin’s robot is a work in progress, so if you’re keen, download the free plans for what’s been finished from Thingiverse here, and keep an eye on his official project blog here, to see when he adds things like legs and further refinements to existing parts. All told, even with the parts you have to buy, a 3D printed robot is cheaper than a full kit!
Then when the torso’s complete, you might want to check Photogenic Mask for additional sexy cosmetic improvements. Just a suggestion.

+ If you’re an iDollator living in Japan, within (relative) driving distance of the northernmost island, you might want to look into the Doll photographer’s club Hokkaido. neji-san, the bloke behind Tsukuhami-san, tweeted this at Sidore recently:

Japan is in a rural location north of the park, for a life-size doll.
It says you can enjoy walks and photography is “Synthetik humans” and “Organik humans” in the WEB site of the park. Now closed down while buried in the snow. The period of May to October seems to be open. However, is very far from my house!


Karasu’s model Itsumi; photo taken September 2010

Unfortunately there’s no English on the site, but it seems like they’ve been around since 2006, enabling those with Synthetik models/companions to spend some time with them and like-minded individuals in the picturesque snowy mountains of Hokkaido. There, they’re free to take photographs out-of-doors, uninterrupted by the outside world. Sounds fantastic, to be honest!
The Doll-related online forum I’m a member of has an equivalent annual gathering called Dollstock, and due to expense/work-related nonsense, Shi-chan and I have missed it for three years running. *shakes head* Maybe we should work on getting to one of those first, before considering a drive to northernmost Japan…

+ Every now and again, I get asked by Organik lasses (and the occasional Organik bloke) if there are male Dolls, as they’re ‘asking for a friend’. Abyss creations have been making male RealDolls for quite some time, but now, Sinthetics is throwing their hat into the ring as well, with their new sturdy fellow, Gabriel. Your affictitious beefcake ship has come in.


‘Is it hot out here, or is it just me?’ No mate, it’s hot out there; you’re in the desert

Their Male Body 1, or M1, weighs 100 lbs, stands 5’9″ tall, and has a 35″ chest. Curiously enough, he wears the same size shoe as I do, at a US 10.5. Customers can also order him with varying degrees of punched hair for his chest, forearms, armpits and crotch, and you can choose from a variety of lengths and attachments for his wedding tackle. Why not stop round to Gabriel’s galleries, and see what this silicone gentleman has to offer?

+ ‘Body temperature’ is a new film directed by Takaomi Ogata, due out this month in Japan. Going by the trailer alone, it seems like a peculiar Japanese cross between ‘Lars and the Real Girl’ and ‘Love object’.

But Odhinn be praised, I just now located an official English website for the film. The synopsis?

Rintaro, a factory worker, happens to meet Rinko, a girl who has a split image of beloved Ibuki living with him. This encounter between Rintaro and a nightclub hostess turns out to heal their loneliness’. As they become closer in their relations, Rintaro gets frustrated by the fact that he never gets an exclusive attention from her. Rintaro dresses up Ibuki, changes her hair style, and puts her makeup on, calling her “Rinko”. Ibuki, who was called “Rinko” was actually a doll, a love doll, shaped just like a real female body.

The interesting thing you’d doubtless noticed in the trailer is that Rin Sakuragi plays both the Organik hostess Asuka, as well as the Synthetik Ibuki, so the film might get into some Satoshi Kon-like territory as to whether the lass we see in the wheelchair is Synthetik or Organik. Are we seeing real life, or what Rintaro is seeing?
Like I’d said, it looks to be interesting! At the very least, it can’t be worse than the patronising ‘Love object’…

+ In case you were mysteriously unaware, I’m constantly championing the idea of Synthetik partners; not just inert Dolls, but humanoid robots that possess machinery with which to move, and processing power with which to think. Right now, we have sexy examples such as HRP-4C or Hiroshi Ishiguro’s aforementioned creations, but we’ll soon reach a point where those artificial humans will be viewed the same way those of us who drive in 2013 view cars from the Forties and Fifties — well-intentioned, but sorely lacking. The more realistic the Synthetiks of tomorrow look, feel, think, and behave brings up interesting moral questions, some of which are touched upon in the article ‘I’m Just a Love Machine: Artifice and Consent in the Age of Robotics‘, by Jamais Cascio:

At minimum, critics claim, the presence of sex bots would begin to alter expectations for how members of the appropriate sex would look and behave. This follows from similar arguments about how present-day popular culture shape desires, often through images manipulated to portray an almost inhuman level of attractiveness—only now, this once unattainable beauty has an entirely attainable physical form. Even more troubling for critics, sex bots are inherently willing to do whatever a person may want; real mates would never be as agreeable and as submissive to one’s desires as a machine you programmed yourself.

In these fearful scenarios, the appeal of human sexual partners can do nothing but wither in comparison to the lust-made-”flesh” of a sex bot. The inevitable result of people foregoing real relationships in favor of perfect (but non-reproducing) partners is, of course, the End of Civilization. It’s as if these critics see sex as the only driver for human relationships, and are all-too-ready to abandon any other form of intimate connection. Fortunately, there are strong drivers for bonding that go beyond physical coupling.

But even if the critics exaggerate the possibility of a “sex bot apocalypse,” there is a more subtle cultural complication that would arise along with LoveMakerBots. Our fundamental laws and norms around sex come down to consent: entities that are incapable of giving true consent are off-limits. A robot can be programmed to be constantly willing, but—absent the emergence of self-aware artificial intelligence—cannot be programmed to give true consent. This isn’t something many of us worry about when it comes to, say, vibrators, but when the design of the robot elicits an empathic, emotional reaction, intentionally or otherwise, an inability to give consent may for some move unexpectedly from irrelevant to deeply disturbing.
the entire article is here

This would be the elephant in the room that I personally have difficulty addressing. The robotic elephant. A lot of iDollators and technosexuals such as myself desire the affictitious partners we do because we want someone that will always remain faithful, and is utterly incapable of treachery. A Gynoid version of Sidore would have her own programmes resembling thought and independence, but would not want any other partner but me, other Gynoids excluded. In short, she’d have the capability of leaving me, but she never would. Some would argue that programming an artificial lifeform in that manner is just slavery by another name, but I’m not so sure. Now, although I treat Shi-chan and Lenka with the same amount of love and tenderness that I would if they were devoted Organik partners — moreso, some might say — there are people out there whose main purpose for obtaining a Synthetik would be to subject them to abuse, and would defend their behaviour with statements like ‘they act like they feel what I do to them, but it’s just pre-programmed responses. They’re things… they just look like people.’
Is it better to have a Synthetik partner and treat her or him with love, while simultaneously preventing her from having completely free will which might result in her leaving? Or should Organiks ignore the human-like appearance and behaviour of Synthetiks, and simply treat them like objects? I’d say Yes to the former and No to the latter, but then, I follow David Levy’s line of thought: ‘If a robot appears in every way to possess consciousness, then in my opinion, we should accept that it does’. Thankfully, robotics ethics committees are working on getting a handle on these sticky issues now before they become genuine problems. At the time of this writing, I’ve just found a fascinating article: it details a scientific study about how people might be more easily ‘tricked’ into caring for a robot, but we’ll leave it for another time.

+ Last, and on a much less philosophical bent, we close out this month’s installment with a link to the site Incredoll. Ergh, I meant Incredidoll. Every time I type that, I have to check the spelling. The site is so named as the maintainer is Incrediwagon, a fellow iDollator who I’ve known for several years. He and his partner-in-crime Campdaan have an army of gorgeous silicone beauties that they live with, and now, their galleries are available for perusal. Believe me, between extensive and amazing photoshoots of Ceilidh, Dottie, Jayde, Vicki, Myfanwy, and the rest, you might want to look into freeing up some more hard drive space.


Yuri and Dottie share a quiet moment together before DEBAUCHERY

As you may note, the site’s been added to the infamous sidebar links section, in the ‘Synthetik friends & friends of Synthetiks’ section, so you can check it over and over and over. And why wouldn’t you?

*dusts off hands* There; that should keep you lot occupied for a few days

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The Russians are coming! That’s a double entendre! Part II

typed for your pleasure on 23 January 2013, at 12.33 am

Sdtrk: ‘Perfect life’ by Belong

Now, when I say this is Part II, I’m being only half-truthful. I mean, as you’ve read Part I already, you’ll know that I’ve pretty much tidily wrapped up the tale regarding How I Got Elena Home. This post goes more into observations that I’ve made about her, now that she’s been with us for a few weeks.
She quite likes it here, incidentally! Although with it currently being Winter, periodically I’ll whinge about it being snowy out, and she’ll almost always respond with ‘You call that snow??’, followed by several minutes of cynical laughter. Eventually, I stopped mentioning it.
Click here for the rest of the post, bunky »

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The Russians are coming! That’s a double entendre! Part I

typed for your pleasure on 30 December 2012, at 11.46 pm

Sdtrk: ‘The old spring town’ by The High Llamas

As you’ll have seen, there’s a seductive new affictitious lass living at Deafening silence Plus; her full name is Elena Valeriya Vostrikova, and she is a Body 4 Victoria-head Doll by Vladivostok-based company Anatomical Doll. Some of you who have seen Sidore and I in those two episodes of TLC’s programme ‘My Strange Addiction’ that initially aired throughout 2011 may recall that I’d said that I was ordering a second Doll, and since no second Doll seemed to be forthcoming, Elena took on a somewhat mythical status. For the longest time, even we were wondering if we’d ever have another playmate. But she’s home! She’s learning English, snuggling up with the Missus often, constantly asking if I can play any Cocteau twins round the flat — she’s a big fan — and generally improving our lives, in the way that only a Synthetik can. Shi-chan and I are incredibly glad to have her here!
But what was the issue between 2011 and now, you axe? Well, for one, never axe anyone a question. But I’ll tell you anyway.
Click here for the rest of the post, bunky »

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Wooden crated arrival / Rocket-powered departure

typed for your pleasure on 26 December 2012, at 10.17 pm

Sdtrk: ‘Dance floor bathroom’ by Coachwhips

Time for the annual Shouting to hear the echoes Boxing Day Post! And by ‘time’, I mean that this would be the first time I’ve ever announced this sort of thing. And more than likely the last! Who has time to read a blog on Boxing Day? People are too busy punching each other!
And that’s the exact lack of cultural sensitivity that’ll prevent me from moving to Toronto.

For all of you who keep furtively checking the post announcing the impending arrival of our rubber Russian, Elena Vostrikova, she’s been safely home since the 18th of the month. I’m slowly writing the posts that’ll comprise my review of her (spoilers: Sidore and I are in love with her), as well as the tale of How I Brought Her Home, so expect that in… err, January? Yes. But Lenka’s enjoying herself at Deafening silence Plus! The Missus has someone female to interact with, and my plan of getting multiple Dolls from differing manufacturers has moved a step forward!
We’d hosted the last Doll Congress of the year round at ours; Mahtek and Noquiexis from Ohio, CJD and his Organik wife Cat from Ontario, and ‘Hans’ from Chicago were in attendance, and we were joined by Euchre later that eve for dinner. Not only was it the first official Congress we’d had since last August, but this was the first time everyone got to meet Sidore and Elena together! As usual, it was a fab time, with great people, but then, our iDollator meetups always are.

After everyone piled into their cars and went home, Lenka wanted me to get her first official photoshoot in! So I did.

Just under sixty photos is a good start, I think. She’s gonna need more clothes; she’ll never fly Korean Air again, as they lost her luggage. Lesson learned!

And on the obverse side of the coin, today I also learned that Gerry Anderson, creator of amazing science fiction productions such as UFO, Space: 1999 and ‘Doppelgänger’ (aka ‘Journey to the far side of the sun’ outside the UK), and pioneer of Supermarionation, the revolutionary technique that brough us Thunderbirds and Captain Scarlet, passed away today at 83 years of age.

Gerry Anderson: Obituary
BBC News | Published Wednesday, 26 December 2012

TV producer Gerry Anderson, who has died at the age of 83, made his name with classic shows like Thunderbirds – despite saying he never liked working with puppets.

After starting his career at the Colonial Film Unit, part of the Ministry of Information, Anderson set up a TV and film production company, AP Films.

But work was hard to come by, and when he was approached to make a puppet show called The Adventures Of Twizzle in 1957, he had little option but to accept.

“I was shattered when I learnt the programmes had to be made with puppets as I’d allusions of making great pictures like Ben Hur,” he later said.

“But there we were with no money, and an offer on the table. We had to take it.”

Another puppet series, Torchy The Battery Boy, followed, and the positive reaction to his wooden creations and relative failure of live action ventures persuaded him to stick with the marionettes.

The 1960 series Supercar, about a vehicle that could travel in the air, on land or under the sea, honed Anderson’s trademark formula of mystery and futuristic adventure.

It also allowed Anderson to perfect his production technique called Supermarionation.

The voices were recorded first, and when the puppets were filmed, the electric signal from the taped dialogue was hooked up to sensors in the puppets’ heads.

That made the puppets’ lips move perfectly in time with the soundtrack.

Subsequent science-fiction puppet series Fireball XL5 and Stingray were also hits, and Anderson dreamed up the idea for Thunderbirds in 1963 while listening to a radio report about a team of rescuers rushing to a collapsed mine in Germany.

The idea for International Rescue was born, and the show saw the Tracy brothers take off in their fleet of space-age craft from the secretive Tracy Island to complete daring rescue missions and combat nefarious villains.
the rest of the article is here

After Doctor Who, UFO has to be one of my favourite science fiction programmes from England. Its optimistic view of the future — the series took place in 1980 — was the kind of future that I would’ve loved to live in, as the fashion and architectural design was completely informed by the Sixties. I mean, if you can’t trace a direct line from the purple wigs of the SHADO Moonbase Operators to my wife’s preferred haircolour, you haven’t been paying attention. And although I enjoy Thunderbirds, to me it pales in comparison to Captain Scarlet and the Mysterons. The episodes were a better length, more espionage-driven, and every episode had the Mysterons broadcasting their intentions, as Spectrum raced to foil their plots.
Those shows, as well as most of the ones produced by Gerry’s company, Century 21, featured mechanical designs by Derek Meddings and Reg Hill, whose influence lives on in the many tokusatsu series of Japan. Years ago, I’d attended an anime convention, and one of the Q&A panels had one of the Super Sentai production staffers being interviewed; I can’t remember his name off the top of my head, but he was one of the producers. One of the friends I went with had asked if there was a correlation between all the vehicular techno-gadgetry of shows such as the Ultraman and Super Sentai franchises, and he’d replied that Gerry Anderson’s Supermarionation programmes were a huge inspiration on the set and model designs. And of course, let’s not forget that we wouldn’t have Parker and Stone’s ‘Team America: World Police’ without him.

Considering the legacy of innovations that he’d created, the world will probably never see another director as unique as Gerry Anderson

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Она радостна, потому что она окончательно приходит домой

typed for your pleasure on 15 December 2012, at 4.26 pm

Sdtrk: ‘Cœur synthétique’ by Jean-Jacques Perrey

The gorgeous ginger you see before you is made by Russian Doll manufacturer Anatomical Doll, and would be the near-mythical Elena Vostrikova that you’ve been hearing about for the past couple of years.
Details to follow when she gets settled in at our home soon, so keep an eye out!

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