typed for your pleasure on 5 March 2008, at 12.47 pm
Sdtrk: ‘Thick as thieves’ by the Jam
Remember Cai Guo-Qiang, that artist bloke that I wrote about last year, with his cadre of Synthetik wolves impacting upon glass panes? Well, he did it again last year with another frozen-moments-as-installation-piece, entitled ‘Inopportune’. Nice!
Ford Tauruses… aren’t normally supposed to do that
The centerpiece of Inopportune, titled Inopportune: Stage 1, features a dazzling array of colored light pulsing from hundreds of long transparent rods. These rods thrust out from nine identical white cars which tumble in an arc through the gallery, suspended in mid-air as if by stop-action. Gradually the viewer perceives that an explosive event is unfolding in nine frozen frames. At the end of the sequence the car lands safely, unaltered, implying a closed and repeatable circuit.
taken from this article
I don’t know about you, but I’m looking at that picture above, and seeing album cover.
Cai Guo-Qiang, you’re building up an impressive CV! We’re going to have to keep an eye on you
typed for your pleasure on 9 May 2007, at 5.32 pm
Sdtrk: ‘Papercuts’ by Broadcast
By my own admission, I’m not altogether keen on most modern (i.e., anything after the mid-Nineties) art, but this is a notable exception by Chinese artist Cai Guo-Qiang that I spotted on the Random board of WAKAchan:
AWHUMPA thumpa thump thud arf etc
The wolves were produced in Quanzhou, China, from January to June of 2006. The commissioned local workshop in Cai’s hometown specializes in manufacturing remarkable, life-sized replicas of animals. First, small clay models were created as movement studies, out of which Cai subsequently developed Head On’s artist editions of cast resin wolves. However, the realistic and lifelike 99 wolves that grew out of these models and drawings possess no literal remnants of wolves: they are fabricated from painted sheepskins and stuffed with hay and metal wires, with plastic lending contour to their faces and marbles for eyes.
taken from this article
Seems that when he’s not having RealWolves colliding with glass panes, he works a lot with pyrotechnics or gunpowder, as evidenced on his site on Artsy.net. These are concepts I can get behind!
typed for your pleasure on 7 March 2005, at 5.30 pm
Sdtrk: ‘G turns to D’ by Sloan
Usually when I’m on das InfoBahn, I’m either spending the majority of my time going through my bookmarks of RealDoll and similar Synthetik companion sites (twenty-one, at last count), or I’m wasting time on my two favourite image boards, 4chan and WAKAchan. It was on WAKAchan where I learned that some artist bloke that I’d never heard of before, by the name of Zdzisław Beksiński, was stabbed to death in his home in Poland.
Now, cos it’s an image board, someone had posted a couple of pics of Beksiński’s pieces, and at first glace, I thought they’d been done by H.R Giger. Pretty close, yeah, but Giger’s territories seem like they’d be more likely on an alien world, whereas Beksiński’s works somehow seem more suited towards our planet; albeit after Revelations.
Give his stuff a look-in. In their own nightmarish way, they’re beautiful paintings, and they tend to remain in your mind long after you look at them. It’s really a tragedy that Beksiński was senselessly murdered, but at least his works will always be around