Sdtrk: ‘Lotto’ by Fantastic plastic machine
As is our wont, back on the 27th of last month, Monti and I met up for another dinner — we put away a tidy amount of Japanese food while catching up on each others’ lives — and somehow or other, we got on the topic of Twitter. Now Twitter, if you’re not familiar with it, is a hot & sassy new Internet service that lies somewhere between a chat programme and a blog. Its optimum use is probably in a mobile context; you can use it to basically provide real-time updates to your subscribers (aka, your ‘followers’) as to what shenanigans you’re up at any given moment from your cellphone, and as you’re limited to 140 characters, you’re forced to adhere to the ‘brevity is wit’ ethos. Pretty interesting, all told.
I’d actually known about Twitter for a couple of months — web-savvy sex columnist Violet Blue uses it frequently, as well as R.Stevens of the online comic strip Diesel Sweeties, William Bennett of caustic Noise merchants whitehouse, and countless others. Abe Vigoda periodically sends out a couple of updates a day (known as ‘tweets’) to let people know he’s alive and kicking, which I think is a riot, although I’ve seen a couple of the same messages twice, I’m beginning to think that either he’s a malfunctioning Android, or just extremely forgetful.
When I initially learned of Twitter, it sounded kinda fab, but the one thing that really stopped me from hopping on that train would be the fact that my cellphone plan has a limit on texts, so sending and receiving Tweets would definitely enlarge my phone bill to Biblical proportions. But when Monti mentioned that you can post updates from your browser, I started thinking it was a viable option. So I signed up!
As a social networking site, it’s actually not too offensive… personally, I’d say it’s better than Facebook, and roughly one thousand times better than Myspace, but then, so is being punched in the sternum. But it’s straightforward, which is what I like about it. No flashing .gifs to slow load time, no external applications you have to download; you just write up to 140 characters, hit your Update button, and move on with your life. And then write about that, and hit Update again. However, for my personal use, I see two drawbacks. One: as I can’t use it from my phone, it kinda throws cold water over the ideal situations I’d be using it in. I was having visions of me using it at work (‘In the midst of another pointless monthly meeting, and considering a messy suicide’), or whilst out and about (‘A homeless bloke asked me if I liked Coldplay, so I kicked him. It was no more than he deserved’), or in other contexts (‘The Missus is horny again! Unfortunately, I think we’ve run out of lube’), but unless I want a ten-page phone bill, that’s not an option. Two: so far, I’ve been posting Tweets from my computer proper, but I often wonder if I’m sliding into the realm of the inane. Cos to be honest, it’s either that, or TMI-territory (see the lube reference above). There is, after all, such a thing as too much disclosure. ‘Shouting etc etc’ covers a considerable bit of ground as it is, so how much more does a person need to know? It’s not as if I do a tremendous amount, really — I get together with my friends, I play videogames, I read, I curse my job, I stare at the InfoBahn, I sleep, I have it off with Sidore-chan. Err, sorry, I did it again. Ignore that!
As it is, Twitter’s not a bad application, but is it really necessary for someone like me? I’m not entirely sure. In the meantime, though, it’s not hurting me to have it up there on the sidebar, and if I get sick of it, I’ll simply press the Eject on it. There are worse ways to interact on the Internet, after all