Sdtrk: ‘Hard lovin’ man’ by Merzbow

A new year, bringing with it a handful of links concerning Synthetiks, for those of you with bated breath! Which is all of you, right?

+ It always blows peoples’ minds when they learn about contemporary Gynoids, Androids, and the like, but when I read about their predecessors, it explodes my own brain in slow-motion. Not necessarily ones as far back the 18th and 19th centuries, where automata such as the wonderful creations of Pierre and Henri-Louis Jaquet-Droz held sway — although those are very cool — but all the ones in between then and now. Like Courtenay Pollock’s little-known and ominously-named ‘She’, for instance, detailed here in a June 1934 issue of Modern Mechanix!

Definitely better-looking with skin. But you can say that about most people, really

Animated Statue Smiles and Displays Her Dimples

ALMOST human is “SHE,” work of Courtenay Pollock, well known sculptor of London. With the aid of a small electric motor, “SHE” is smiling, coy, demure, or scornful as her master wills. Rolling her eyes about in an enchanting manner, she even displays a lovely set of dimples.

This “living” model is on display in one of the leading department stores of London. A cordon of police are required to keep the crowd moving and traffic clear in the streets.

The skull is made up of hinged sections, each of which are controlled separately through levers and switches. Gears and levers connect each part to the driving motor.

When a tinted rubber covering is slipped over the “skull,” eyebrows and hair attached, and a bit of cosmetics applied, “SHE” is transformed into a beautiful, vivacious young lady.

This first animated statue may herald a new era in sculpturing. It is not too much to expect that in a few years the works of our sculptors will all take on life—will frolic about and speak, imitating in every way the persons who posed as models.

Despite the “fact” the “writer” went “crazy” with the “inverted commas”, that’s still a “hell” of a “thing” to have witnessed, either then or now. Shame that the prediction of animated statues being everywhere didn’t come true, though. Or is that sort of thing simply just now starting?
The whereabouts of ‘She’ are presently unknown, and I’m fairly certain her rubber flesh corroded long ago. Still! Now that you lot know what her uncovered bust looks like, keep an eye out for her, eh?

+ So in doing a wee bit more Synthetiks research — also known as ‘screwing round on the Innernets’ — I think I found the predecessor to ‘She’, in the form of a very curious machine known as the Euphonia, which would fall into the category of one of those wonderful creations from the 18th and 19th centuries…

An old photo, taken with a 1 megapixel camera

Joseph Faber’s “Euphonia” was both a response to the telegraph and a remediation of it. He imagined a telegraph that could speak, leading him to construct a model of the human speech organs. Faber studied language and human vocal anatomy in order to break them down into parts and then reorganize them mechanically. The Euphonia operated by “By pumping air with the bellows and using different combinations of 16 keys to manipulate a series of plates, chambers, and other apparatus including an artificial tongue (Levy 29).” The false head black boxes and masks the mechanics of the vocal process. Faber created an artificial organ through which artificial speech could be achieved. The artificial organ of speech is doubled by the machine as musical organ and an extension of the silent organ that is Faber’s own vocal tract.
taken from this site

Apparently it (she?) spoke in a slightly German accent, even when speaking in English — undoubtedly due to the fact that Faber was a German immigrant — with a voice that was described as ‘a weird, ghostly monotone’. That may have been true, but keep in mind, people were more easily-spooked back in the 19th century.
The Euphonia is quite fascinating, cos it’s not really a Gynoid, despite its feminine appearance, and it’s not so much a robot or an automata; it’s more like a webcam decades before webs or cams existed. One one hand, Faber succeeded in his attempt to put a human face to a voice; however, Euphonia would’ve had everyone that contacted you through it both look and sound like bodiless German Gynoids. *thinks* Maybe that wasn’t such a failed effort after all, then.
Something I’d found amusing on that linguistics site linked above was a bit that mentioned

The mastery of the machine is limited by the selections already built into the design as it was not for example, designed to scream. It’s possible that a screaming effect could have been achieved by hacking the machine and manipulating the pedals, which control pitch, but no such instance was ever recorded.

Which, as far as I’m concerned, was an opportunity wasted.

+ Speaking of affictitious heads, the fine people of Vladivostok’s Anatomical Doll have recently released another head sculpt, available for all three of their Doll bodies. This lovely young rubber lass is named Eco, which leads me to ask: is ‘Eco’ the Russian word for ‘fox’? Cos, I mean, hmmm.

ATTENTION PB SHELLEY: Start your Eco fund RIGHT NOW

Reproduce scenes from ‘Jennifer’s body’ in your very own home! Or, if you’re a true masochist, scenes from Michael Bay’s ‘Transformers’! Err, I take that last suggestion back; no-one, Organik or Synthetik, should have to put up with Bayformers. Please, don’t taint your Eco.

+ Let another diminutive silicone woman into your heart, life, and pants with the Wicked RealDoll version of Lupe Fuentes!

Photo by Stacy Leigh

Much like her Organik twin, she features a 30B cup, a 20in waist, and 31.5 hips, with an appealing size 5 shoe. Unlike her Organik twin, however, she clocks in at a dainty +/- 60lbs, which is remarkable. A Doll that light could ride you like a stallion! Ahem!

+ And finally, remember how I’d mentioned last November how Californian company Sinthetics was gearing up to release New Silicone Sexiness upon the world? Well, perhaps you should give their site a look now, if you haven’t already. Or would seeing more of this sort of thing convince you?

Tawny, looking like a much more attractive Tori Spelling

Celeste, about to say ‘No, Mr Bond, I expect you to die!’ again

If you answered More Of This Sort Of Thing, you answered correctly! I’d show you photos of their other two models, Alicia and Monique, but you’ve been spoilt enough as it is. Plus, they’re usually topless. JESUS COME BACK AND AT LEAST READ THE REST OF THE POST, YOU ANIMALS.
Interestingly enough, Sinthetics (man, gotta get used to typing it using that spelling) don’t call their affictitious ladies Dolls, but instead refer to them as manikins. As they explain on their site,

Often people like to pigeon-hole things like products or groups of people. We feel that our products reach much farther than the mainstream understanding of a “love doll” and therefore we recognize the art in our products and call them manikins.

Gotta say that I like the way they’re approaching things… Their incredibly delectable Female Body 1H weighs around 73lb, wears a sz 7 or 8 shoe, and boasts measurements of 32G (‘closest commercially available bra size, actual bra size 28H’, they say), a waist of 23in, and 31in hips. If you’re like me, your mind has come to a complete halt due to this knowledge. Not only that, but for an additional $300, they also offer a low-voltage built-in heating system situated in her abdomen, much like the ones found in some Anatomical Dolls. And did I mention their manikins feature a flexible spine for forward, backward, and side-to-side hip motion? Yes.
So if, later on in the year, you find yourself with a Sinthetic in your home and you can’t get anything done, don’t blame her; that’s the coward’s response.

You may now feel free, at this point, to unbate your breath. Until next month, of course!

Sdtrk: ‘Reinforced Bio-drug use 72mm’ by Masonna vs Speedranch

Back in November, ‘Shouting etc etc’ had a spike in visits due to the piece on Sidore and I on Asylum’s website. Then it dropped off for a few days, but then it accelerated again, only I couldn’t suss where the second wave of referrals was coming from. That is, until I received a comment from a reader, who had explained that Cracked.com had linked to me, in a roundabout way. They had a story, which referenced the edited version of Meghan Laslocky’s article on Salon.com, which links to (what’s left of) my wife’s vanity site, ‘Kitten with a Whip!’, and that, obviously, is linked to me.
So what was Cracked going on about? ‘5 Creepy Ways Humans Are Plunging Into the Uncanny Valley’. Coming in at number five? RealDolls. Yeah, you can doubtless hear my eyes rolling from wherever you happen to be reading this.

Longtime readers are painfully aware that I have issues with the supposed issues that people have with the so-called uncanny valley. For one, noted roboticist David Hanson, who is the closest person the United states has to Japanese roboticist and creator of the Actroid series of Gynoids, Hiroshi Ishiguro, doesn’t take much stock in that school of thought, either. ‘The “uncanny valley” is a theory, but people treat it like science’, he’s quoted as saying, and I’m inclined to agree with him.
Just to remind you: basically, the whole ‘uncanny valley’ thing is a hypothesis developed by roboticist Masahiro Mori around 1970, which states that the closer the appearance of something approaches that of an Organik being, the more likely it is to drastically affect the emotions of those who see it, usually in a negative fashion. Here’s the oft-used visual aid:

The closer a robot gets in appearance, movement, and behaviour to Organik life, the more most people find it unsettling. Which I personally view as being contradictory and nonsensical, but hey.
That’s a brief summary of the uncanny valley hypothesis; you can check out the 12″ extended dance remix over on Wikipedia.

It’s been often argued that the reason why a lot of Organiks are averse to Synthetiks is because they’re either expressionless and emotionless, or the emotions they display are false. I’ve always maintained that if Organiks already understand that a Synthetik human is an artificial one, hence the distinction between ‘Organik’ and ‘Synthetik’ (more on that later), then there shouldn’t be an issue. If a person of reasonable intelligence — yes yes, the numbers are dwindling rapidly, I know — is already aware that the being they’ve encountered is affictitious, then their reaction should be at the most slightly startled, as opposed to the over-the-top feelings detractors claim to have of revulsion.
As regards to the lack of facial expression that a number of current Synthetiks possess, the respective R&D departments are working on it. Humanoid robotics admittedly still has a bit of a ways to go, but in the past decade, it’s come a long way. That’s what’s known as progress. General society seems to have this enormously unrealistic (ha ha) expectation that any Androids and Gynoids that emerge from a lab are going to be completely indistinguishable from Organik humans, and unless they are, society will loudly decry the in-between stages. Despite realism obviously being the goal, that’s simply not going to occur right out of the gate. That’s as if someone in the mid-Eighties, upon seeing those huge brick-style cellphones, decided they still weren’t good enough because they couldn’t watch MTV on the tiny LED screen. I know, I know, ‘what’s MTV’. But again, anyone with a modicum of intelligence would be able to overlook the aesthetic and mobile shortcomings that an artificial human may have, as long as those shortcomings aren’t entirely drastic.
And regarding the programmes that a Synthetik would eventually have that would resemble emotions; again, if you already know the person is a robot, then your suspension of disbelief should theoretically kick in and solve the problem. Besides, Organik humans lie all the time! Why don’t more people have issues with that fact?

Body language interpretation is another factor in the uncanny valley scenario. Those who subscribe to that ‘theory’ cite that their feelings of creepiness (I hate that word) stem from the way current Androids and Gynoids move — again, as the mechanical technology is still being developed, it’s somewhat stilted and jerky. It has been argued that biological humans find less-than-fluid movement to be unpleasant due to centuries of conditioning: if we encounter a person that moves in an unfamiliar manner, alarms go off in our brains saying SOMETHING IS WRONG WITH THIS PERSON AVOID AVOID. However, using that line of thought, why don’t most people recoil in horror when they see someone that has Parkinson’s disease? Or cerebral palsy? Or those prone to epileptic seizures? Well, in less-enlightened times, people did, and pronounced them possessed, or worse. Just as an intelligent society can interpret a person afflicted with a syndrome or disorder as not something to run in fear from, by that logic, someone observing a contemporary Android or Gynoid should be able to say to themselves, ‘ah, that’s more than likely a Synthetik’.
Organik humans can parse the body language of non-human beings, if they’re open-minded, and are given enough time to do so. We’ve discovered that if a cat purrs, and a dog wags his tail, they are more than likely content. We’ve also discovered that different species don’t necessarily display the same emotions in the same fashion — if you see a cat wagging his tail, chances are he ain’t exactly happy, as another example. Now if humans can read, with some degree of certainty, the body language of animals, then there should be no reason Organiks shouldn’t be able to learn the body language of Synthetiks. Especially when, technically speaking, the body language of a humanoid robot would be specifically designed to mimic that of an Organik, and be therefore easier to understand than that of an animal.

One fear that the uncanny valley elicits in a lot of people would be an existential one: for some observers, seeing an Android or a Gynoid — an affictitious person that behaves like and resembles a living Organik being — reminds them that unlike a Synthetik, their own lifespan is limited. Mass-produced Synthetiks also tap into the fear that biological humans are no longer ‘unique’, or ‘special’, or ‘the crown of creation’.
For one, these people are glossing over the fact that Entropy Prevails, no matter if you were born in a womb, or made in a factory. Presupposing that artificial people ‘can’t die’ is akin to thinking your car/microwave/computer will never break down. Granted, you can state that at least with a computer, if the hard drive’s undamaged, you can remove it and pop it into another tower, thereby extending its ‘lifespan’, and with more sophisticated robot technology. one would be able to do the same with an Android or Gynoid. I realise being able to perform that act alone kicks over a wastebin full of philosophical questions, but I’m doing my best to not visit Tangentburg, as I normally do. But I personally think the fact that someone could have a companion that would never become ill or die shouldn’t be a reminder of one’s mortality; instead, their longevity should be celebrated. You could perhaps view it like having children, or better yet, progeny, that go on to do things long after you’re gone, although I’m more than certain there would be some technosexuals that would prefer their afficititious partners go to the grave with them *cough cough*. The Synthetik creations of humankind would continue advancing our ideas and work when our own bodies have given up on us.

As I see it, eventually humanoid robots that look and act sufficiently like biological humans will be treated very similarly to biological humans. There’ll be some provisions, of course, but as the technology continues to develop, the hope is that humanoid robots will be classed as human, albeit a Synthetik human, as opposed to the good ol’ fashioned Organik humans that you’ve doubtless encountered at one time or another. The exact spelling of the term will undoubtedly change; I hold no illusions in that regard. But intelligent members of future generations that are lucky enough to be able to interact with artificial humans on a day-to-day basis will come to regard them as human, but will still need to differentiate them from flesh-and-blood people for the sake of practicality.

Under normal circumstances, it could reasonably be argued that I have a cynical outlook on society; I don’t refer to myself as a pessimist, but the label’s not completely wide off the mark. The one thing that I’m definitely optimistic about, however, is the inevitable arrival of Synthetik people. ‘Uncanny valley’ or not, their presence will occupy some much-needed spaces in commerce, exploration, arts and sciences, and day-to-day living. Quite honestly, believing in the uncanny valley makes about as much sense as being afraid of one’s own shadow, and I think that the more often that Organiks are exposed to and interact with Synthetiks, then those immature phobias will gradually disappear.

Top, HRP-4C Miim; bottom, Actroid Sara. The future’s looking good

‘If a robot appears in every way to possess consciousness, then in my opinion, we should accept that it does’
— David Levy, author and futurist

Sdtrk: ‘The King’s civil calendar control’ by The new lines

Contrary to popular belief, ‘Shouting etc etc’ is a blog that does not speak exclusively about Dolls, Gynoids, Synthetik companions, and the like. It also covers other important subjects that I feel need to be disseminated more often to society. Squirrels, for example.
CAVEAT: This video is so sweet that your teeth will undoubtedly rot out of your head in seconds. Don’t say I didn’t warn you.

Sdtrk: ‘I only said’ by My bloody valentine

Well, as I took December to pretty much its logical conclusion, it’s my sad duty to tell you that there’s neither any Synthetiks nor Doll-related news to report on for this month. Which I find surprising! I blame the loss of Japanese website Robot Watch, as it was my go-to site for robotics news straight from the source; that source usually being either Japan or South Korea. Tch. I mean sure, there’s Robo Times, but it just isn’t the same.
So no new Gynoid news for December! And the majority of Doll manufacturers are either concentrating on fulfilling existing orders or are just plain closed for the holidays. They’re not developing new stuff; that’s for when the holidays have ground to a halt.

So what have I got for you with this, the last ‘Shouting etc etc’ post of 2010? If you enjoy Andy Warhol, particularly Sixties-era Warhol (largely considered to be the Best Warhol), you will more than likely get a kick out of this:

In August 1962, Andy Warhol (American, 1928–1987) began making silkscreen paintings of popular icons, including a series of images of Marilyn Monroe that he began a month after her death. He went on to experiment in portrait making with public photo booth machines, which automatically take four exposures several seconds apart and print them in a strip, like a sequence of film frames.

Combining the seriality of these silkscreen and photo booth portraits with the ephemeral quality of the filmed image, between 1965 and 1966 Warhol shot approximately 500 rolls of film: several-minute silent portraits of acquaintances, friends, and celebrities, including many of the artists musicians, poets, actors, models, playwrights, curators, collectors, critics, and gallerists who composed New York City’s avant-garde scene. Some subjects were invited to the artist’s East 47th Street studio, known as The Factory or The Silver Factory, to sit for their portraits; others were captured spontaneously. At times Warhol left his subjects alone with the camera, creating a heightened sense of vulnerability that is perceptible in the films. His first subjects, seated before a sterile backdrop, were asked not to move or speak (later portraits were shot under more flexible conditions). These films, known as “stillies” around the Factory, were also referred to by Warhol as Living Portrait Boxes, and, later, as Screen Tests.
the entire article is here

Through 19 December 2010 up to 21 March 2011, the Museum of Modern Art will be screening several screen tests, as well as a handful of the early Silver Dream Factory silent films, and MoMA invite participants to make their own screen tests, to be displayed on the exhibition website. The Missus jumped at the chance, needless to say, so we made one, and submitted it, and a few days later, it made the cut! You can click here to see the screen tests. If you want to view Sidore’s straight away, you’ll want to click on the ‘View All’ link at the bottom of the screen, but watching the other participants’ entries is also The Nice Thing To Do. In any event, you can marvel at how well she manages to sit absolutely still for ninety seconds! It’s pretty remarkable.

And more than likely, quite a few of you have already seen adverts for this, but come late January/early February, if you’re in the Untied states, Shi-chan and I are going to be atop your overpriced flat-screen telly once again!

TLC TO PREMIERE NEW SERIES MY STRANGE ADDICTION

12-part series to debut December 29th at 9PM (ET/PT)

Los Angeles, CA – TLC is set to premiere new docu-series MY STRANGE ADDICTION on December 29th at 9PM (ET/PT). The 12-part series will document people who are struggling with unconventional addictions. Each half hour episode will feature two individuals who turn to atypical compulsions in order to deal with their emotional demons. The series will premiere the first two episodes back-to-back only on TLC.

Some people turn to chocolate when stressed, others will indulge with a little retail therapy and maybe schedule a massage, but the individuals featured on MY STRANGE ADDICTION resort to extreme and unusual things in an effort to emotionally regulate themselves. Some of the strange addictions explored in each episode are everything from an obsession with a blow dryer, to another eating toilet paper, to spending time with a silicone person, to eating detergent, to extreme body building, and to thumb sucking.

That’s from an actual promotional release, incidentally; I would be the individual that spends time with a silicone person, in case that wasn’t clear. How did this slip under my radar, you ask? Wouldn’t there have been a lengthy and protracted series of posts about your filming experience on ‘Shouting etc etc’, Davecat? Under normal circumstances, yes, but I got lazy. I know; it’s unbelievable, right? But thank Odhinn my longtime close friend and cohort Monti comes to the rescue, as usual, with a brilliant post she’d typed up concerning her perspective of the bits that she was involved in.
‘My Strange Addiction‘ should be an interesting programme, I’m certain. I’m hoping it’s more than the circus tent of freaks that modern television traffics in these days, but you never can tell… And I’ve really got to stop reading the title in my mind as ‘My Strange Addition‘.

So there you are! Sidore and I hope the lot of you had an enjoyable Chrimbo, and want to wish you Happy Boxing Day! Here’s hoping we all have a fantastic and safe 2011!
What do you mean you don’t celebrate Boxing Day? Get off my site.

Technorati tags: Synthetiks, iDollators, Android, Gynoid, robot, Robot Watch, Robo Times, Andy Warhol, Silver Dream Factory, MoMA, Museum of Modern Art, TLC, The Learning Channel, My Strange Addiction, MontiLee, Boxing Day

Sdtrk: ‘Sun demon’ by Stereolab

+ First, some music. I’ll let my mate Wolfgang, of ‘Far Away and Close to Home‘, explain this:

In 1986, Neil Young (yes, THAT Neil Young) got himself a load of synths, sequencers, effects racks and a vocoder and started going nuts. (If I was a lame Rolling Stone writer I’d say something like “Neil Young traded in his heart of gold for a heart of silicon”, but of course I don’t suck like them). The album Trans was the result, and includes this song about loving a gynoid.

I’m not gonna lie and say that I’m a fan of Neil Young, but I do respect him. The man likes feedback, and any guitarist that can appreciate a good squealing amp is all right in my book. And now that I’ve learned that he’d made an electronic-based album with a song about a Synthetik, he’s gone up a couple of notches, there!

+ Thanks to [INTERNET PIRATES], my friends and I regularly enjoy many films and television programmes from far-off, distant lands; usually the United Kingdom and Japan, mostly. Maybe Korea sometimes, it depends on what they’ve got to offer. At any rate, fellow iDollator bloke Euchre brought a new telly show, currently airing on NTV, to my attention, by the name of ‘Q10‘.

She’s apparently using some pretty hardcore hairgel

One day, while under the influence of alcohol, Kishimoto Jiro, the principal of Shikahamabashi High School picks up a “girl” from the garbage. The next morning, that girl is sleeping in the school premises when she is found by Fukai Heita. The robot girl suddenly comes alive and Heita names her ‘Q10′. ‘Q10′ starts to adore Heita, its godparent, and Heita, who has not been popular with girls all the while, is bewildered. The robot ‘Q10′ is taught by Heita about humans and begins to learn …
taken from this site

‘While under the influence of alcohol’, geez. Is the writer an Amish?
The show sounds like an amusing lark, but it’s so niche that it’s guaranteed not to have an official release outside of Japan. Hell, even trying to find fansubbing groups that carry it is rather like searching for a needle on Planet Haystack. It’s properly classified as dorama (that’s drama to all y’all gaijins), and as such, it’s essentially a soap aimed at teens. Obviously the only factor capturing my interest is the Synthetik angle, and even then, it’s kinda tenuous, thanks to the series’ PG nature…
Interestingly enough, referring to the shows my mates and I watch, we’re quite keen on the Kamen rider series/franchise; we’ve been watching them consistently since Kamen rider Kiva debuted back in 2008. The series prior to that was the insanely popular Kamen rider Den-O, starring Takeru Satō as the protagonist Ryotaro. He also happens to be the bloke in the photo above, portraying Heita. The plot thickens! Actually, no it doesn’t; that’s a lie.

Would you like a compilation of scenes of Q10, acting like a stereotypical Gynoid? Sure, why not?

+ Interesting reading here, by philosophy student Ryan Rafferty, entitled ‘Monozukuri, Kaizen, Karakuri Ningyo. Why Roboethics is Really Psychoanalysis…‘

Feeling sentiment for objects is hardly a Japanese phenomenon, it’s a common trait of human culture to anthropomorphize things. Our natural tendency to anthropomorphize allows us to intuitively and naturally connect with objects on an emotional (and comprehensible) level through the projection of one’s personality into the thing. This tendency seems to be closely connected to, or perhaps a byproduct of our abilities to empathize. Human beings are capable of empathizing with one another, and even with nonhuman animals— in evolutionary theory, the ability to empathize has served an advantage that has been reinforced through group selection over time, through perhaps an increase in hunting ability, or increased chances in group survival.

Our feelings towards robots and other anthropomorphized machines, such as the mechanical doll [i.e. karakuri ningyo], are more a question of psychoanalysis– the question should not be centred around how we should treat robots, but rather why we create emotional attachments to them– making this an ethically prudential question, rather than something requiring a morally-universal insight.
the entire article is here

As I’d said, it’s interesting reading. There’s a bit of an anti-roboethics skewer at the end of it, but it’s food for thought nonetheless…

+ Further proof that 4woods are toiling 28 hours a day to produce endless variations of rubbery ladies: they’ve not only released yet another stunning new head in the form of Hatsuki, but they’ve also upgraded their already-popular A.I.NEO line to what’s now known as A.I.NEO im. That’s pronounced ‘im‘, as in ‘I’m going to need a second job just so I can purchase more of these Dolls, cos frankly, this is getting out of hand’.

‘And when I woke up, my pillow really was gone’

What makes this sexy silicone sexpot sexier than their last sexy silicone sexpot? Err, in a nutshell: more detailed body design, better hip joints, expanded range of motion, finger articulation, seven different nipple colours, and three different areola sizes. Not only that, the new body can use pretty much all the heads they sell, and the Hatsuki head can use all four bodies. Now, more than ever, you are spoilt for choice.
O, and what’s that whole ‘im’ bit about, you axe? According to their site, “im” means “impact”, “imagination” “impression” and “impulse”. Sure, why not?

+ And finally, remember how last month it was my sad duty to report that Lovable Dolls are no more? Well, it appears that they’re back — in pog form!! No wait, that’s not right. A fledgling company is now utilising Matt Krivicke’s sculpting talents, bearing a name that Sidore and I definitely approve of — Sinthetics.

Nice day for being affictitious

As this news is roughly a day old, it technically qualifies as a ‘scoop’, but they knew I’d get the word out. ‘Extry extry’, etc. As a consquence, that’s really all the details on the company I can provide, but as I’m prone to say, when I know more, you lot will as well, so try to restrain yourselves until further notice. I mean, I’m doing what I can. *grinds teeth* I should mention that one of their Dolls made her debut on the ‘Josie is a Doll‘ episode of the latest cable reality (in quotes) show, ‘Married to Rock‘ this past Sunday, and she looked very appealing…
In the meantime, why not keep an eye on their site, which is now linked in the usual place in ‘Shouting etc etc’s sidebar?

Now you are informed! And I managed to post this before the end of November! And on the 23rd, yet! Everyone’s a winner

Technorati tags: Synthetiks, iDollators, Neil Young, Trans, Q10, Kamen Rider, Roboethics, Android, Gynoid, robot, 4woods, A.I.NEO im, Lovable Dolls, Sinthetics, Married to Rock

Sdtrk: ‘Valley of mist’, from the Otogi 2 OST

Hey Kids! Just a wee heads-up: if you’re fluent in Dutch, or if you’ve downloaded the Dutch language programme for your neural implants, you can peruse a new interview I’d done for the online womens’ magazine VrouwOnline, entitled ‘Een Realdoll kan niet vreemdgaan‘ (‘A Realdoll can’t cheat’). Admittedly, it’s a bit of a puff piece, with not a single link to neither my or Shi-chan’s Internet endeavours, unfortunately. At least they touched upon the fact that I’m not just attracted to Dolls, but that a Gynoid would be my ideal partner, which is something a lot of writers fail to address. As you’re well aware, I’m not simply pro-Doll, I’m pro-Synthetik! You’d think I’d have hammered this point home by now, but it seems quite a few journalists have… no homes to, ah, hammer. Erm.

Bizarrely enough, the writer, Rebecca Have, seemed baffled into paralysis by my name; thinking ‘cat’ was my family name — in lower case, yet — she arbitrarily changed it to Dave, even after I was given the rare and generous opportunity to look over the article and correct any factual errors before it went to press. ‘Davecat isn’t a first name in the Netherlands,’ she professed, in one of the volley of Emails we were sending back and forth to each other about this non-issue. If Ms Have had been asking Morrissey questions, would she report his first name as being Morris? Granted, Morrissey is his family name, but still — utterly boggling.

At any rate, yes; give the article a look-in. Run it through your favourite online translation programme, for further Tower of Babel-styled humour! Plus, ‘vrouw’ is quite a nice-sounding word, innit? It’s Dutch for ‘woman’ or ‘female’ apparently. Say it with me! Vrouuuuuuuuuuuuuw

Sdtrk: ‘The station’ by Blank dogs

Funny how things work out sometimes: I was cursing photographer Tamar Levine out loud for seemingly dropping the ball on what was to be a promising photo series, ‘Broken Robot Girl‘, as I’d run across the first in the set whilst checking a link. In hitting Mr Levine’s site to find a functioning link, I’d seen that he and his partner-in-Photoshop Rob Sheridan completed ‘Broken Robot Girl #4‘ back in August!

Better get that arm seen to, babe

You’ll definitely want to visit Tamar’s site, as the complete photograph is worth viewing in its entirety; plus Gynoid jubbleys involved. He says that numbers 2 and 3 in the series are forthcoming, so we’ll just have to keep an eye on that site now, won’t we?

And another online magazine interrogated me on my Doll husband status recently: upon the suggestion of Abyss creations’ Matt McMullen, writer Natalie O’Neill sent an enquiry to me a few weeks ago, wanting to write an article about Shi-chan and I for Asylum magazine. As I’d never heard of Asylum, I’d checked it out, and it struck me as being a ‘lads mag’ much like Stuff, FHM, and Maxim. Now I don’t mind Stuff or Maxim — FHM strikes me as their poorer cousin — but doubts crossed my mind as to how serious they’d approach the subject. Maxim UK actually did an article centred round a RealDoll back in December of 2004, and although it was amusing, it took the piss a bit, which is what you’d expect from Maxim. Natalie reassured me that what she would be writing wouldn’t be derisive, and sent me a link to another story she’d written for a newspaper. It was about ‘unusual’ lifestyles, but she approached it with intelligence, so I decided ‘why the hell not?’
The end result? ‘Man Has $6,500 Love Doll “Reincarnated”‘. It was a pretty even-handed article, all told, although personally Sidore-chan nor I would ever say she was reincarnated; we prefer the term ‘renewed’, as it’s less wanna-be Wiccan and more ‘Logan’s run’…

And I’m in the midst of yet another online interview with a writer from the Netherworld. Err, I mean, the Netherlands. More info as it arrives!
So there you are! Happy Samhain! Tomorrow I get to raid my local Hallowe’en outlets for BIG TIME BARGAIN SAVINGS!! As the Missus and I like to say, it’s the Most Wonderful Time of the Year