Sdtrk: ‘Hoodrych (Voc)’ by SALEM

A number of years ago, I was fielding questions for some interview or other, and I’d mentioned how even I was amazed at how much development that had taken place in Gynoid and Android technology between 2003 and 2011, where Osaka Labs/Kokoro co. Ltd were cranking out several models in the Actroid series in a short span of time. Throw Miim-chan (that’s HRP-4C to you) by AIST into the mix, and that’s quite a few Synthetik women. For a while, there’d been a lull in the number of debuts, but it picked up again round 2014 with multiple new robot ladies; most of them are from Osaka Labs in Japan, but China and Russia brought a few into the world, so well done them.

In light of that, I thought it was time to re-introduce a post that I’d written almost ten years ago, in which you, the reader, can answer the question: Which modern-day Gynoid would you most love to spend a dirty week-end with? I’ve updated the premise somewhat, however, as you’ll see in the poll itself…

Yeah, there’s a metric ton of choices. Like I’d said, though, it’s been almost a decade! Plus, for the sake of fairness, I’ve included all of the contestants from the previous poll, which makes the total number of Gynoids surprisingly high. So if you have difficulty making a decision, I can completely empathise with you.
And here are the nominees!

Actroid

Actroid DER

Actroid DER2

Actroid Repliee ‘Ando-san’

Dion

EveR-1

EveR-2 Muse

Android SAYA

Actroid DER3

Actroid ‘Haruka’

Actroid Sara

Actroid-F ‘Minami’

Actroid-F/Geminoid-F

Erica

Nadine

Chihiro Aiko

Chihiro Junko

Chihiro Kanae

Aiko 2

Gynoid Kelly Chen

Mark I

Gynoid Marilyn Monroe

HRP-4C

Android ASUNA

EveR-3

EveR-4

Sophia

Otonaroid

Otonaroid 2

Jia Jia

Yang Yang

Yukirin/Roborin

Simroid (2011 version)

Hanako Showa 2

Alisa Zelenogradova

Tuma Urman

That’s… that’s more than I thought there’d be. And that’s not including the four or five other Gynoids from China that fellow robosexual Vokabre told me about whose names are impossible to hunt down or translate. But even with their omissions, that’s still a gigantic selection to choose from! It’s actually a rather comprehensive list. *nods agreeably*

Since it’s been so long since I’ve done an article on contemporary Gynoids — and I realise there are a number of lasses here that I haven’t mentioned previously, so you’ve that to look forward to — it’s possible I may have forgotten someone. If you can think of any, why not leave a comment? And hey! Leave a comment anyway mentioning who you voted for, just for funsies. Also, you can vote as often as you like; I’d seen that the 2007 version of this poll was visited more than a few times over the years, so this way, there’s more opportunities to participate. Which Synthetik woman makes your heart beat faster? I mean, come on, I know there are some fans of Nadine out there.

Also, please enjoy this Schadenfreudal .gif of Simroid 2011. Although I’d warn you from doing the same to any affictitious people you meet, as that’s totally rude

Sdtrk: ‘Friendlies / Pamela + GG’ by US girls

Bit of a delay on this one (‘the Devil, you say’), as I was led to believe that Orient industry were going to be releasing new pics of their Ya su ra gi and Real Love Doll Ange models to their site on the 7th of this month, but they didn’t, damn them. They’ve got a Christmas campaign going instead, so if you don’t mind somewhat hefty import prices, now would probably be a good time for you to make your move.
I can, however, point out that late last month, they released a version of their CandyGirl line called Party Doll; its two models are Tomoko and Saori. What’s so unique about the Party Doll, you ask? Well, I’ve linked to a video below that encapsulates what they do, and I should point out that you really don’t want to watch it while at work. Unless you own the company!

click the image to open the video

For those of you who are hamstrung by NSFW issues, the Party Doll is a make of CandyGirl who, when you squeeze her right breast, dispenses beverages from her left nipple. That’s right. As you’ll note, the Tomoko-type is more of a traditional Japanese lass, as she wears a kimono, has hanafuda cards on her table, and dispenses sake, whereas her more Western-styled sister Saori is dressed as an employee at the Bunny Club, with her poker deck and wine glasses at the ready. Both lasses have cupboards beneath their tables, where you can store up to 900 ml of sake, or a 700 ml bottle of wine. A hose attaches to the opened bottle, and an electric pump keeps the bevvies flowing up through the hose and out of her nipple. To stop the pump, just stop squeezing her breast. I said ‘stop squeezing’. Jesus, man, have you no self-control?
Both versions of Party Doll have joints in their necks and arms, which would be their only articulation, so they’re less like Dolls, and more like the dispensers in the Korova Milkbar from ‘A clockwork orange’. Would I want one? I’m not so sure. For one, they do take up quite a bit of space — there are worse things to occupy one’s home, but still. Also, again, they’re more soft statues than Dolls, so while they excel at being conversation pieces, sculptures, and bevvy dispensers, you couldn’t have a relationship with them. Also, the fact that they run ¥1.6 million JPY (that’s about $17,300 USD) is the exact opposite of enticing. However, should I fall into money — literally fall into money, like sacks of cash with dollar signs screenprinted on them — I’ll buy a Tomoko-chan to keep me company in my home office…

+ Polymerisian entrepreneur, telly show actress, and pinup model Tasha James, who, as you’ll know, got her humble start in a little studio in southern California, has embarked on a new method to grant herself more exposure. She’s releasing a series of photobooks, expertly photographed by Paul Gorman, and they’re pretty fab. Currently she’s got ‘Dark & Moody’, ‘Candle Light’, and ‘Bedroom Lies & Pillow Talk’ on offer, and she’s just released her latest one, ‘Kink’, which looks to be properly pervy.

The wait is over. My new book "Kink" is now available. My most intimate work yet. http://t.co/ORaNCYdP8D pic.twitter.com/VXtS6HEyWW

— Tasha James (@ItsATashaThing) November 12, 2014

Each book is available in three formats: the 8×10 hardcover for $50, the 5×7 softcover for $30, and just $10 gets you the 3.5×2.75-sized minibook. If you like, you can have Tasha make an autograph out to you before she ships it out as well at no charge. As all of us here are very keen on her work, both as a Synthetiks advocate and a sexbomb, we’ve ordered a copy of ‘Kink’. We’ve already bought a copy of ‘Dark & Moody’, and it’s one of the neatest things we own.

Why not show your support for ravishing artists who just happen to be Polymerisian, and order one of Tasha’s photobooks? It’s the sort of book that would also look brilliant on your coffee table! Fact.

+ WOOP WOOP WOOP NEW 4WOODS HEAD ALERT
While I was busy assembling this post, they’d announced the debut of yet another attractive head for sale! Ladies and gelatin, please welcome Sonia.

Some people like dimples, others prefer seam lines

The Sonia head can only be used with the A.I.Doll Allure bodies, which is quite alright. There’s, ah, not much else to add to this bit of information, but really, what more needs to be said?

Lips ahoy

+ It should come as no surprise to anyone that I’m keen on the work and philosophy of Hiroshi Ishiguro, roboticist genius who developed the Actroid series of Gynoids. Really, if you’ve not seen his name mentioned anywhere on this blog, you’re apparently reading another blog entirely. As Ishiguro-san is always doing things to bring artificial humans into the mainstream, something like this is both unsurprising, and really unique:

Meet the robot actor starring in a play inspired by Kafka
by Leslie Katz | October 22, 2014 9:43 AM PDT

In Franz Kafka’s novella “The Metamorphosis,” Gregor Samsa famously wakes to discover he’s been transformed into a giant insect. In a decidedly modern theatrical take on the surreal story, Samsa wakes to find he’s a robot. A gangly, metallic, white-faced robot.

And who better to play Samsa-as-android in the new Japanese-French production than an actual bot? That robot, stage newcomer Repliee S1, stars in “La Metamorphose Version Androide,” which played in Yokohama, Japan, earlier this month and will run at the Autumn Festival in Normandy, France, in November.

“One morning in the near future, Gregor Samsa wakes up as an android,” reads a description of the play. “Gregor’s father (Jerome Kircher), his mother (Irene Jacob) and younger sister (Laetitia Spigarelli), after a period of doubt and caution, will strain to tame their fears and questions facing the new state of Gregor.”

While some futurists would no doubt view the chance to experience life as a robot as a welcome adventure, Kafka’s 1915 “The Metaphorphosis” tackles deep questions about identity, human connection and otherness.

“When people see a robot, like in an exhibition, you can tell people are not moved by it,” Japanese playwright and director Oriza Hirata says in the Agence France-Presse video. “I wanted to create a situation in which a robot could move an audience, and that’s how we came up with the idea of this project.”
the entire article is here

Apparently, this forward-thinking take on Kafka’s classic is one in a series of various plays that comprise director Oriza’s ‘Robot Theater Project’. You undoubtedly remember when Actroid-F took to the stage in 2010 for the play ‘Sayounara’? That was part of the project. The theatre company is called Seinendan, and, according to their website, last year they’d also done a version of Chekhov’s ‘Three sisters’, starring Actroid-F and two other non-humanoid robots. Very nice, and I definitely appreciate the fact that Oriza and Ishiguro sought to draw parallels between the transformation of Gregor Samsa into an insect who thinks and behaves like a human, and him changing into a machine who thinks and behaves like a human, but when can we expect ‘The Importance of Being Earnest’?
I’d just like to add this bit from here, that explains the goal of the Robot Theatre Project:

The Robot Theater Project was founded 5 years ago at Osaka University with the goal of displaying robot prototypes in a creative theatrical context. The expositions in which scientists participate in order to technologically compete with one another; do not solicit an emotional response from the public, even if they often are in admiration. Touching people emotionally with robots will offer a lot of fundamental research towards a future coexistence with robots, where one would not feel uncomfortable or anxious in their presence. (emphasis mine)

+ Titman, the titular Torontonian totally turning out terrific… christ. This is why I don’t usually do alliteration. It’s either difficult to construct, or it sounds entirely forced, or both. Anyway, Titman, head of Maidlee Doll, has taken a new approach with the affictitious ladies he creates, starting with their name. From now on, he’ll be selling Maid-Fong Dolls, and even better than that, they’ll be made from silicone, not latex. Huzzah!

‘I was told this dirndl qualifies me for Austrian citizenship’

Now, the company offers two versions of the previous head — one version has a dreamy half-awake expression — and the body features new joints at the knuckles, arms, knees, waist, hip and neck, movable eyes, and a handy neckbolt for suspension purposes. Maid-Fong is 5’2″, 82 lbs, has measurements of B:36DD / W:25 / H:38, and wears a US sz 5.5 – 6 shoe. And like many of the company’s contemporaries, they’re using platinum-based silicone, so that means more durability.

What is it with gingers and leopard print?

Leaving out prices for options, such as choice of entries, you can purchase your own Maid-Fong for only $3500 CAD, which is a rather nice price for an entry-level silicone companion. Be sure to pop round to the official site; there’s pics and videos available there, too.

+ For the longest time, Sidore and I had said that we were going to start watching Äkta människor, the Swedish telly show that centres round the premise of humanoid robots, or ‘Hubots’, and how various people interact with them. We’ve had the first two series from 2012 and 2013 sitting on our hard drive, waiting to be viewed, but much like about a hundred other programmes and films we want/need to see, we weren’t setting the time aside to sit down and actually watch it. All that’s changed, however! The Missus and I tore through our DVD copy of the first series, and found it to be extraordinary; it’s the sort of show that American telly would either never come up with on its own, or it would be something that an American telly producer would attempt to adapt for the domestic market, and water it down in the process. If you’re keen on the idea of Synthetik humans, or if you like good storytelling, or are partial to expert direction, are interested in the topic of roboethics, or all of the above, you definitely need to see this show.

Any faster and their eyelids will melt

But what lit a fire under our collective arses and made us start off to begin with? A Twitter account by the name of Cyborg vs Robot began following me; their bio reads ‘Christa Couture and Five Seventeen recap the Swedish TV series Real Humans (Äkta människor) and other robotic depictions’. Five, the male robot, and Christa, the female cyborg, discuss what their findings and reactions were for each episode of Äkta människor — they’ve just released a podcast covering the last episode of season one — they also touch upon other Synthetiks-related short films and shows. In their first episode, Five and Christa cover the first episode of Small wonder, reminding me how bizarre and abysmal a programme it is. Despite that, they manage to dig up some interesting tidbits: for example, I didn’t know that Small wonder was created by Howard Leeds, who was the same bloke who developed a much better telly show having to do with an artificial human several years earlier — My living Doll, starring Julie Newmar, from 1964.
Overall, the Cyborg vs Robot podcast is a low-key, laidback affair with two neat hosts, covering topics that will pique the interests of discriminating readers such as yourself. Yourselves. Etc.

+ Finally, you may recall that back in July, I’d tried to get some information out about A-Lab’s Gynoid inaccurately named Android Asuna, but there wasn’t a lot in English, or even in Japanese, for me to pass along. Well, thankfully that’s changed! Our Asuna made her debut at the recent Tokyo Genius Expo, and despite the fact that there were other robots, as well as all manner of art, music, and design exhibits on display, she kinda stole the show by nature of her verisimillitude. She also seems a bit sassy. As she’s styled to have the appearance of a fifteen year old, I guess that’s par for the course.

Like many modern Gynoids, she’s driven by what A-Lab refer to as an APDS (Air Perfomaer [sic] Drive System), which seems to be their proprietary pneumatic system. She also features silicone skin, which is to be expected.
I may have stretched the truth a wee bit: there’s not a tremendous amount of info available as yet: A-Lab’s website doesn’t have an English page, and translating through Chrome basically garnered the info you’ve just read. But the site says it will have a gallery soon, and Asuna seems to have her own blog on it as well. Not a lot of entries to date, as she’s been undoubtedly too busy with this Tokyo Genius Expo to update it, but my favourite entry on 20 June starts with ‘As usual, I am a not speak can not move, and when I was spacing out standing in the corner, and I have been surrounded by the customer after the talk show.’ Yeah, I think we’ve all been there at some point, Asuna-chan.
In lieu of more information, which I’m sure is forthcoming, I shall end this post with a couple of photos.

…there’s not a lot of photos of Android Asuna available. *throws up hands*

So there you are! If I’d have planned things out better, this month’s post would’ve been in three parts, as this part’s larger than I thought it would be. Shall we call it ‘making up for lost time’, then? Yes. Let’s do that

Sdtrk: ‘Providence’ by Black to comm

This time, I offer no apologies for the lack of news about Dolls and Gynoids for last month, as there wasn’t a lot on offer. But just within the past fortnight and a half, quite a bit of news has materialised! Which is good! *rubs hands together*

+ The first Gynoid in media that I can distinctly recall falling in love with would be Cherry 2000, expertly portrayed by Pamela Gidley. Cherry made first place in my top ten sexiest Gynoids list, as you’ll recall. Maybe I should make an updated version of that post one of these days… But moreso than any other actress, Pamela’s role as a pleasant and accomodating affictitious lover opened my eyes to the possibilities of ‘the Synthetik option’. So that was me, back then. Perhaps if I’d have been old enough to have watched ‘My living Doll‘ upon its initial airing back in 1964, it would’ve been Julie Newmar as AF-709 Rhoda that would’ve sparked (pun somewhat intended) my desire. But I’d like to think that back in Germany in 1927, at least a handful of individuals were considering their own artificial lover thanks to Maria, the sinister-but-curvaceous Gynoid from Fritz Lang’s masterpiece, ‘Metropolis’.

What we have here is the end result of the Canadian art group Kropserkel Inc. and WSM Art Management of Germany, who have created a life-sized restoration of Maria, as the original prop/armour is understood to have been destroyed during a fire on the film’s set in 1926. What’s really fascinating is that Kropserkel Inc weren’t just winging it with attempting to reproduce the design; the ‘WSM’ in WSM Art Management stands for Walter Schulze-Mittendorff, the original designer and sculptor of Maria under the auspices of Fritz Lang. So essentially, Kropserkel Inc made their replica by using the plans and notes of the original from 1925.

Brigitte Helm not included

Their goal is to exhibit the finished piece at various events and film festivals, as well as produce additional replicas. If your pockets are overflowing with cash, you can purchase a 1:1 scale display figure for only $8500 USD. Now pause so you can wipe off the beverage you just spritzed onto your monitor.
Still, Kropserkel Inc are bringing an iconic character back into the present with their efforts! Only really, Maria never went away. In fact, with the current rate of robotic progress, she’s probably closer now than ever… Learn more about the Maria project here: http://www.kropserkel.com/robot.html

+ Abyss creations have released another new face for their RealDoll 2 line. This comely lass is known as Olivia, but once she’s yours, you can name her whatever you like. Like Olivier, I dunno. Maybe you’ll wanna run your choices by her.

‘Yeah, sorry; “Bolivia” isn’t an option, either’

The first configuration listed on Abyss’ website has the face combined with the RealDoll 2 Body A, but you’ll be able to combine her with other body types as well. Very nice!

+ Only three days before my birthday this month, the First International Congress on Love and Sex with Robots will be taking place! Will I be in attendance for it, to perhaps speak with and shake the hand of David Levy himself, amongst other committee members? Well, it’s in Madeira, Portugal. I mean, Jesus, people; you might as well hold it on the Moon.

Within the fields of Human-Computer Interaction and Human-Robot Interaction, the past few years have witnessed a strong upsurge of interest in the more personal aspects of human relationships with these artificial partners. This upsurge has not only been apparent amongst the general public, as evidenced by an increase in coverage in the print media, TV documentaries and feature films, but also within the academic community.

Congress sessions are planned on the following topics, inter alia:

• Robot Emotions
• Humanoid Robots
• Clone Robots
• Entertainment Robots
• Robot Personalities
• Teledildonics
• Intelligent electronic sex hardware
• Gender Approaches
• Affective Approaches
• Psychological Approaches
• Sociological Approaches
• Roboethics
• Philosophical Approaches

No, there’d be absolutely no reason for me to be there at all. None whatsoever. Now I wonder what could be causing my eye to be twitching all of a sudden?

+ Patrick Wise made a delightful announcement regarding his beautiful Private Island Beauties, which will follow after this related picture of an improved Doll bum that he’s made:

Like grabbing a sexy… loaf of… bread. I got nothin’. Which should be obvious

We have a wonderful new softness to our dolls! The tush is now nearly as soft as the tata’s!! Actually, the whole body has a fantastic new softness. Squeezable and extra fun for play. We are not charging any extra for this upgrade. We are sure that it will add considerably to your enjoyment of your doll. This way, you have the lasting quality of platinum silicone… with the softness you have been hoping for!!

The photo above should be proof enough, but you can also find video evidence on the Private Island Beauties website that shows how the new silicone formula being used makes for a Doll you can really sink your hands into. I suppose this is what the Germans mean with the term Gummipuppen?

As shown above, the studio have also released the all-new Mina head, suitable for use with all three PIB bodies. This head is classifed as ‘Oral’, which is a capability that will allow you to store a couple of spare AA batteries in her mouth, for emergencies. Or perhaps marbles, if you have some really valuable aggies you want to hide away. Whatever you may decide to slide into her mouth — USB sticks, LEGO minifigs, &c. — I’m sure you’ll agree Mina is a fine addition to the Private Island Beauty head collection!

+ Do you recall back round 2005, when we had an endless stream of Gynoids making their debuts? The first version of Actroid, Repliee Q1, Repliee Q1Expo, all the affictitious lasses that appeared at the Aichi Robot Expo, the first Actroid DER… good times. Revolutionary times! Now it seems that nine years later, we’re getting another wave of new Gynoids coming down the pike. Otonaroid and Kodomoroid, Tuma Urman and Alisa Zelenogradova from Russia, Geminoid-F, Android Asuna, and joining them, Chihiro Aiko, manufactured by the world-famous company, Toshiba.

This comely young artificial lady, who made her own stunning debut at CEATEC 2014 — Japan’s version of the Consumer Electronics Show — is powered by an air servo system and an air compressor, and like her artificial sisters, has realistic silicone skin. She sports 43 actuators, including 15 in her head for facial expression and head movement. Combining those, she’s able to use (Japanese) sign language in a reasonably fluid manner, and will be programmed with English Sign Language relatively soon. Like most current-day artificial humans, she’s being groomed for developmental use as either a greeter or a staffer for businesses, or to interact with the hard of hearing or the elderly. Their goal is for both the physical technology and her software to be up to par enough so that she can be employed at the 2020 Tokyo Olympics.

They couldn’t have put, say, a prop computer on her desk or something?

Regarding that white barrier/bumrest thing behind our Chihiro, fellow robosexual Vokabre says on his blog, ‘This stand is not only serves as an actual stand, but also as as a way to hide piping to the compressor and cables to the internal hardware. To compare, standing Actroids rely on the special “stage” that has hardware and a compressor hidden inside. Compressor and the main computer for Chi Aiko are either stand somewhere on the side of the robot, or are hidden behind a banner.’ Well, we all need support sometimes in our lives.

Personally, I think it’s fantastic that a major electronics firm such as Toshiba is producing a Gynoid like Chihiro; my hope is that other major companies will see the success that Toshiba will have with her, and get into the robotics industry themselves as competitors. And everybody wins!
Hitoshi Tokuda, manager of the company’s marketing group in the new business development division, has been quoted as saying, ‘We wanted to develop a sign-language robot because it’s challenging technologically, requiring speed and precision movements… [A robot like Chihiro] needs a humanlike appearance and expression because a C-3PO appearance wouldn’t work.’ Which is what I’ve been saying for years.
Curiously enough, despite that video being Toshiba’s official release, it doesn’t show her speaking, so have a look at this one:

Of course, if you didn’t have all that ambient CEATEC noise going on in the background, one might’ve been able to hear her better, but you get the idea. Looking forward to discovering more about Ms Chihiro Aiko in the near future!

That’s it for this half; before the second part is published, there will be a brief intermission while I drink several draughts of Gatorade and furiously finish typing that post up

Sdtrk: ‘Frostbite’ by Three to forgotten

Told you there was more to come, didn’t I?

+ I’ve known about this for quite a while, and fired off several frantic Emails to the uploaders, with no responses to speak of as of yet. But it seems someone in Japan has made a full-length video combining two of my favourite things: Dolls, stop-motion footage, and Lewis Carroll’s ‘Alice’s Adventures in Wonderland’. Err, that’s three things. Here’s the trailer for ‘Alicematonika’, starring a CandyGirl from Orient industry as Alicematonika:

Directed by Ryosuke Handa back in 2010, it seems the film was screened at a gallery in Japan, along with some of the film’s props and Alicematonika herself. And since that’s all I’ve been able to glean from the Interwubs about the film, I leave you with a photo of the wee missy in question having her eyes adjusted.

‘Still cheaper than a new pair of glasses,’ she sighed

+ Although they’re still working on updating their website galleries, you’ll be pleased to know that Abyss creations have just recently released both a new face and a new body for their RealDoll 2 line. This slinky rubber lass would be Renee, sporting a Body C. As Doll photographer Stacy Leigh herself amusingly remarked, ‘Bitch is TALL’.

photo © by Stacy Leigh

With stats of B:34 / W:24 / H:34, a shoe size of 8 – 9 US, and coming in at 90 lbs and a towering height of 5’10”, which would explain her large but sexy feet. It’s advised that should prospective buyers want a Renee-type RealDoll in their homes, they should also have cathedral ceilings. Mind the ceiling fan, sexpot!

+ Speaking of RealDolls, this one from the ‘this does not compute’ department: alert reader cw sent me a link a while ago to an article on Huffington Post, which links to a Gawker article that tells of… look, here you are:

Brazilians Bidding Thousands of Dollars to Deflower the Country’s First ‘Real Doll’
by Neetzan Zimmerman | Published 07 March 2013

Ahead of an international convention of Real Doll fans set to take place in Brazil, the country’s leading sex toy retailer Sexônico is offering inanimate women enthusiasts the chance to be the first to sleep with the country’s first Real Doll, Valentina (NSFW).

The bidding for “Valentina’s virginity” currently stands at over $100,000, which sounds like a lot for a one night stand with a sex doll, and it is.

But Sexônico insists Valentina is no ordinary doll: Her state-of-the-art skin has the same texture as human skin, and can be soaked in water without being damaged, if that’s your concern.

The winner of the auction will also receive all-expenses-paid travel to and from São Paulo, a free night’s stay in the Presidential Suite of a fancy hotel, and a complimentary candlelight dinner with French Champagne to share with Valentina.

They’ll even throw in some sexy lingerie as Valentina’s gift to you, and a digital camera “to shoot and then show your friends.”
the entire article is here

I have no idea where to begin with that information. Does Brazil not have Internet access? Do they not know of Abyss creations? Or any of the roughly twenty other Doll manufacturers worldwide? Cos y’know, people of Brazil, all-expense travel, accomodations, and bottle of overpriced plonk aside, $100,000 could buy you around thirteen or fourteen Dolls. In fact, from a cursory glance at her photos, Valentina looks to be a Body A RealDoll 2, with either a Michelle or a Victoria face, so should Sexônico want to give that sort of Barnum-esque stunt a second go, save that $100k and buy your own army of personal Valentinas with those exact stats direct from the source. A wee bit of homework goes a long way.
As the deadline of 31 March has passed, the bidding is closed, but they haven’t divulged what the winning bid was. Which is a shame, as Shi-chan wanted to put a bid in herself. I reminded her that Monopoly money isn’t legal tender, not even in Brazil, and she went off in a sulk.

+ Stateside Doll-making juggernauts Sinthetics and Private Island Beauties have both recently released a new head each, if the rubber women in your life don’t think they have enough head options. From Sinthetics comes Eliza, which fits all their available bodies, and PIB offer the Luna (with open mouth) head, which would go nicely with their Girl Next Door body type.

Left: Eliza by Sinthetics; right: Luna by Private Island Beauties

As I’m sure you’ll agree, both heads are pretty damned appealing! It’s a shame you can’t just purchase a head without first having bought a body, though, as I’m sure that would lead to interesting home decor.

+ Of course you recall how winsome Gynoid Actroid-F (aka Geminoid-F) put in an appearance at a branch of the Japanese department store chain Takashimaya last February? ‘Who wouldn’t?’ I hear you respond, and rightfully so. She’s now known as Minami, and she proved popular enough to be asked back a second time this month, and not only does she have a cute new bobbed hairstyle to show off, but lucky patrons can actually speak directly with her in a sound-cancelling booth, and have their photos taken with her.
No, I’m not vibrating with jealousy right now; why do you ask?

Asked “Do you have a boyfriend?” Minami answers, “No, I don’t because I’m a pop icon and am not allowed to have any.”
taken from this article

Hiroshi Ishiguro, creator of the Repliee/Actroid/Geminoid series of artificial humans, says that he hopes Minami can put in regular showings at Takashimaya, as he’d like to develop future displays for her there. I posit that he’s thinking small: instead of bringing her round to the store’s location every couple of months, why not just make more Actroids? Also, why just remain in Japan? Come to the States! Come to Michigan. The more the merrier, I say!

+ Finally, were you aware that I’d done another online interview? Well, you’re certainly more aware than you were five seconds ago. Journalist Britta Bowles had spotted the Missus and I on our first appearance on ‘My Strange Addiction’, and, like many people, had some hard-hitting questions she wanted to ask me. A two-hour chat over Skype last month had me divulging many untold secrets, the most shocking one being that Shi-chan writes all my lines; she’s created a personality for me, as I’m actually just a Doll. O, wait.

The one relationship he did attempt (if it can even be described as such) ended disastrously. Davecat befriended a woman just out of a bad relationship, and they eventually bought a house together. It seems like a story of unrequited love, with Davecat hoping the relationship would progress into something more than friendship over time. According to Davecat, he eventually discovered that this woman was a compulsive liar, a thief and a coke addict with a history of rehab stints. After the purchase of the house, arguments arose.

“We were getting into…debates, let’s say, once a week. I think this is partially because of the coke that she had coursing through her system,” Davecat tells me rather sardonically.

“I can’t imagine that arguments with cokeheads are very fun,” I reply.

“If you have the means, avoid them at all costs,” he tells me. I make a mental note never to interview a cokehead.

You can read the article in its entirety at Britta’s blog, ‘Selected writings’, here. Hopefully you’ll have as much fun reading it as we had conducting it…

And that’s it for May! Happy 23rd, and let’s see what we can discover next month, shall we?
‘Shouting to hear the echoes’: More Information About Synthetiks Than You Ever Though Possible. Believe it

Sdtrk: ‘Noskl in Ana “Turntable mix”‘ by Masonna

Hello there! Would you like some long-delayed news about Dolls, Gynoids, and robotics in general? Yes, you would.

+ Initially, I didn’t get a chance to report on this — or rather, I had the chance, but I kinda put off doing so due to a bare-knuckle brawl between myself and my lazier nature — but you of course recall the stunning new affictitious beauty from Kokoro co. Ltd, by the name of Geminoid-F? Well, she’s been renamed Actroid-F, which makes more sense, consistency-wise. But that’s not the real important thing! Starting 11 November, she’ll be in a stageplay!

That Actroid-F’s got some nice legs on her

Following in the footsteps of Wakamaru and EveR-3, ATR and Kokoro Co. Ltd.’s Actroid-F (aka Geminoid-F) is starring alongside a human actress in a stage play called “Farewell”. The human-like android will get its voice from another (human) actress. The performance takes place November 10th ~ 11th in Ikebukuru [sic], Tokyo. The experimental play is part of Prof. Hiroshi Ishiguro and Hirata Ojira’s ongoing “Robot Theater Project”, which began in 2008. The plays incorporate robots used at Osaka University and ATR Intelligent Robotics & Communication Lab to reveal the boundaries between humans and robots, while bringing together the arts and sciences.
taken from this site

Bryerly Long would be the other actress in the performance; she portrays a young woman with a terminal illness whose only company is a Gynoid that her parents have purchased her. A bit bleak, but there you are. Personally, I think the real test of both actresses’ skills were if the Organik were to play the part of the Gynoid, and Actroid-F was the dying woman…
If you happen to catch it in Tokyo next month, let me know how it goes! That is, if you can’t sneak a videocamera into the venue.

+ In the interest of presenting the opposing side of the pro-Synthetiks stance I champion all the time, this would be an article that addresses the topic that society may not yet be ready for humanoid robots. Unthinkable, yes, but like I’d said, I’m trying to do the equal time thing, here.

Poll Results: Humanoid Robots Unpopular…?

A 2008 survey suggests that people aren’t interested in robots that look like humans. The survey asked people at a home and living show about robots in daily life. Botjunkie took one look at the graphs and concluded that it isn’t a good idea to design robots that look like people. What the graphs and paper do not show is that there is a range of humanoid robots, from ones that look realistic to ones that have abstract human features.

[…] Naturally people don’t want robots to do the jobs they feel require a human touch, such as taking care of the kids, or that are considered above mechanical work, such as cooking and driving, though paradoxically they do want robots to take care of them when they get old.
the entire article is here

See, I’ll grant that a lot of people aren’t exactly comfortable with the possible so-called ‘uncanny valley’ effect that humanoid robots may have, but the thing that gets me is that there are quite a few factors at play that the poll fails to address.
One, the ‘resistance to technological progress’ factor. These are people who, if it were 1875, would grow beet red violently insisting that man would never set foot on the Moon. These are people who state that everything society needs has already been invented, and we can draw a line under it now that it’s 2010. If the group that were polled are mostly composed of people with that mentality, you’re going to get some skewed answers. If you were to ask me, as an example, questions about, say, rap music, my answers would be mostly in the negative, as I don’t like rap. Obviously you can’t run polls that cater to the audience, as it’s counterproductive, but the Botjunkie post stated that it was held at a home and living exhibition. Chances are, you’re not going to find a tremendous amount of futurists at an event like that.
Two, there are those that are initially resistant to technological progress, but when they see whatever it is in action, they eventually grow to think of it in a reasonable manner, and might well reach a point where they can’t live without whatever initially offended their sensibilities. It’s like people who have fight tooth and nail against moving someplace they initially don’t want to, and you ask them about it a year later, and they insist they love it at their new place and would never leave.
Three, there’s always the factor that most Western societies are founded on the christian ‘man cannot play god’ philosophy, whereas other cultures don’t necessarily follow suit. I’ve mentioned previously about why Japan is more enthusiastic about robots, due in part to their animist leanings — they don’t have the stigma of ‘robots will rise up against their masters and kill all humans’ as they see it as amusing fiction. I’ve also mentioned previously that I should probably move to Japan.
Four — and this is the one answer I always end up repeating — detractors always expect whatever technology to be absolutely bug-free and perfect right out of the gate, which the Windows operating system alone should have taught us all that that’s a pretty ridiculous expectation. If a humanoid robot — whose appearance might still be under development — doesn’t look exactly like an Organik human, they consider it an aesthetic failure. If you watch a video of Osaka University Labs’ Repliee Q1 from 2004, and compare her to her sister Actroid F, previously mentioned in this post, there’s a noticable difference. With that in mind, something like an artificial humanoid should be given a free pass until the artistry behind the appearance gets progressively better.
Hah. Now I’m getting beet red.

+ Back to sensibility: admittedly, the only thing by Ray Bradbury I’ve ever read would be ‘Dandelion wine’ back in high school, which I thought was godawful. On the other hand, the man is a futurist who apparently spins a good yarn about robits, or so I’m told. In this response letter he’d written in 1975 to an author by the name of Brian Sibley, Bradbury attends to Brian’s, and by extension, many people’s, groundless fear of robots:

P.S. Can’t resist commenting on you fears of the Disney robots. Why aren’t you afraid of books, then? The fact is, of course, that people have been afraid of books, down through history. They are extensions of people, not people themselves. Any machine, any robot, is the sum total of the ways we use it. Why not kknock down all robot camera devices and the means for reproducing the stuff that goes into such devices, things called projectors in theatres? A motion picture projector is a non-humanoid robot which repeats truths which we inject into it. Is it inhuman? Yes. Does it project human truths to humanize us more often than not? Yes.

The excuse could be made that we should burn all books because some books are dreadful.

We should mash all cars because some cars get in accidents because of the people driving them.

We should burn down all the theatres in the world because some films are trash, drivel.

So it is finally with the robots you say you fear. Why fear something? Why not create with it? Why not build robot teachers to help out in schools where teaching certain subjects is a bore for EVERYONE? Why not have Plato sitting in your Greek Class answering jolly questions about his Republic? I would love to experiment with that. I am not afraid of robots. I am afraid of people, people, people. I want them to remain human. I can help keep them human with the wise and lovely use of books, films, robots, and my own mind, hands, and heart.
the entire article is here

Profound is a shockingly inadequate way to describe what he’s said, but it’ll have to do.

+ This bit of relevance was submitted by alert readers Wolfgang and Via Kalí at near-simultaneous speeds from their respective countries of Japan and Austria: science is bringing us closer to artificial skin that can feel.

Robotics breakthrough: Scientists make artificial skin
by Richard Ingham | Sun Sep 12, 3:35 pm ET

PARIS (AFP) – Biotech wizards have engineered electronic skin that can sense touch, in a major step towards next-generation robotics and prosthetic limbs.

The lab-tested material responds to almost the same pressures as human skin and with the same speed, they reported in the British journal Nature Materials.

Important hurdles remain but the exploit is an advance towards replacing today’s clumsy robots and artificial arms with smarter, touch-sensitive upgrades, they believe.

“Humans generally know how to hold a fragile egg without breaking it,” said Ali Javey, an associate professor of computer sciences at the University of California at Berkeley, who led one of the research teams.

“If we ever wanted a robot that could unload the dishes, for instance, we’d want to make sure it doesn’t break the wine glasses in the process. But we’d also want the robot to grip the stock pot without dropping it.”
the rest of the article is here

Obviously, it’ll be a couple of decades before we have robots that have as responsive skin as we Organiks do, but it’s encouraging to know that progress is being made.
I have to say, though: I snickered at the use of the term ‘biotech wizards’ in the opening sentence, as it reminded me of the famous Arthur C. Clarke quote, ‘Any sufficiently advanced technology is indistinguishable from magic’. Also, it made me think of blokes wearing lab coats and pointed hats with stars and moons embroidered on them.

+ Now, taking the same forward-thinking attitude of Mr Bradbury, combined with the artificial skin advancements mentioned above, we have to ask ourselves, what if the humanoid robots in question resembled someone appealing? Someone like, say, that delightful Christina Hendricks? Would small-minded Organiks still fear them?
I for one would welcome our busty ginger Gynoid overlords. But that’s a given.

+ And as I’ve started this post speaking about Actroid-F’s stunning acting debut, it turns out that South Korea’s EveR-3 actually beat her to the punch, way back in February!

Korean Gynoid Snow White, on a Segway

Robot to take starring roles in S.Korea plays
(AFP) – Feb 9, 2010

SEOUL — A South Korean-developed robot that played to acclaim in “Robot Princess and the Seven Dwarfs” is set for more leading theatre roles this year, a scientist said Wednesday.

EveR-3 (Eve Robot 3) starred in various dramas last year including the government-funded “Dwarfs” which attracted a full house, said Lee Ho-Gil, of the state-run Korea Institute of Industrial Technology.

The lifelike EveR-3 is 157 centimetres (five feet, two inches) tall, can communicate in Korean and English, and can express a total of 16 facial expressions — without ever forgetting her lines.

Lee acknowledged that robot actresses find it hard to express the full gamut of emotions and also tend to bump into props and fellow (human) actors.

But he said a thespian android was useful in promoting the cutting-edge industry.

“South Korea is an active frontier in developing robots and we thought that making it would be a good way to promote our technology,” Lee told AFP.
the rest of the article is here

This would be the second time EveR-3’s trod the boards — perhaps she can teach Actroid-F a thing or two. That is, if Actroid-F can suppress her giggling at the fact that EveR-3 rolls about on wheels, instead of actually walking from place to place. Don’t judge.

Right; that’s it for this half! As I seem to have gone a couple of months between posting these — why didn’t you lot tell me?? — I had to break it up, otherwise people would be even less likely to read it. As you’ve seen, this installment dealt with robotics-related topics, so the other post will focus more on Dolls. And fret not; it’s already written. Yay!
Watch this space! Whatever you do, don’t take your eyes off this space

Technorati tags: Android, Gynoid, robot, Synthetiks, iDollators,
Kokoro Co. Ltd., Geminoid F, Actroid F, Hiroshi Ishiguro, Osaka University Intelligent Robotics Laboratory, uncanny valley, Animism, Repliee Q1, Ray Bradbury, Dandelion Wine, Brian Sibley, Arthur C. Clarke, Christina Hendricks, Broken Bells, KiTECH, EveR-3

Sdtrk: ‘Riverside’ by Sandy Simpson

Man o man. What happened to the May edition, you may or may not be asking? Well, Shi-chan’s new and incredibly distracting body happened, that’s what. *loosens collar* By the by, did either of us mention that she was featured in the Spring 2010 issue of The Doll Street Journal, found on the News page of the Abyss creations website? Sidore’s got a wee bit of cache, you see. It’s true!

+ Speaking of Abyss creations, now they’re in Japan! Well, moreso than usual. It appears that now Japanese iDollators have a licenced distributor from which to purchase RealDolls and Boy Toy Dolls from, located in a modest little storefront in the Nakano ward of metropolitan Tokyo. Interesting enough as that is — at first, I was like ‘well, that’s not really news; Abyss already has a Japanese distributor‘ — but what sent my eyebrows ascending was that apparently, some sort of deal was sealed with longtime silicone companion sculptor, Natori Saito. If you’re an iDollator, you’ll know him as the bloke who designed the Mai face, aka Face 9. If you’re an old-school iDollator, you’ll remember him from the days when he was making the Photogenic Dolls line. Yep, that Natori. He’s designed two faces for Boy Toy and one for RealDoll, so I suppose he’s been busy.

photo courtesy of ‘Ta-bo’s Kisekae Dataroom’

You can check out the site here, but 95% of it is in Japanese, and if you can’t read it, you more than likely won’t be buying a Doll through them. But those obstacles probably won’t stop you, won’t they? I didn’t think so.

+ So my tall mate Wolfgang hepped me to this: I-Fairy robot weds Japanese couple. I like where this is going!

I-Fairy robot weds Japanese couple
Jay Alabaster and agencies, Tokyo | guardian.co.uk, Sunday 16 May 2010 16.30 BST

Almost everyone stood when the bride walked down the aisle in her white gown, but not the wedding conductor, because she was bolted to her chair.

The nuptials at this ceremony were led by I-Fairy, a 4ft seated robot with flashing eyes and plastic pigtails. The wedding today was the first to be led by a robot, according to the manufacturer, Kokoro.

“Please lift the bride’s veil,” the robot said in a tinny voice, waving its arms in the air as the newlyweds kissed in front of about 50 guests.

The ceremony took place at a restaurant in Hibiya Park, central Tokyo. The I-Fairy wore a wreath of flowers, and wires led out from beneath it to a black curtain nearby where a man crouched and clicked commands into a computer.

Japan has one of the most advanced robotics industries in the world, with the government actively supporting the field for future growth. Industrial models in factories are now standard, and recently companies have been making a push to inject robots into everyday life.
the rest of the article is here

Hrrm… the Missus and I want to renew our vows for our ten year anniversary in July — could we possibly rent I-Fairy to do the honours, or would we have to fly out to her? Hrrm…

+ It looks like we may be losing not one, but two, Doll manufacturers. As of this writing, the website for Axis Japan, makers of the famous Honey Dolls series, has been down for several days. Which has happened before, but when you consider their news page hasn’t been updated since 2009, it’s cause for alarm. Honey Dolls were especially noteworthy, as they were the first to have embedded touch-sensors that played back .mp3 responses, but Odhinn only knows how their sales were, as I never saw a single owner pic of any of their four model types anywhere. And I can assure you that I check the Doll sites like a hawk…
And on the front page of the My Party Doll site, the phrase ‘OWNER RETIRING Interested parties, please inquire’ can be seen. As far as I’m concerned, the loss of any group that makes artificial companions is truly a shame. Technically, I’m still not over the fact that Chestnut co. Ltd., makers of the Rare-Borg line of silicone companions, has packed it in, and that was several years ago. With any luck, both groups will rise from the ashes, as it were, but who can say…
UPDATE (12 JUNE 2010): The Honey Dolls site is back up! Undoubtedly an extended server hiccup. It can happen to any one of us! Especially if you are a server.

+ Thanks to his long-standing work in the field of robotic humanoid developments, starting with the Repliee series, all the way to the sexier-with-each-new-version Actroid series, Hiroshi Ishiguro has been illuminating a path for mankind to follow out of the dark ages. But apart from the whole Android and Gynoid thing, he seems like the sort of bloke I can identify with, particularly after reading this article from IEEE Spectrum.

‘What’s that, me? What did you just say? I mean, what did I just say??
Shit, this is confusing’

Hiroshi Ishiguro stomps on the accelerator. The black Mazda RX-8 roars onto the highway, the heavy-metal Scorpions blasting from the speakers. We’re driving to Osaka University’s Toyonaka Campus. Ishiguro is wearing aviator sunglasses, black polyester pants, a black vest on top of a black shirt, along with a black belt, socks, and shoes.

”Give me question,” he says, his eyes fixed on the road.

I ask whether he always dresses in black.

”Why do you change your clothes?” he says. ”Do you change your name? So why do you change your clothes? Name is identity. Face is identity. But the majority of your [appearance] comes from your clothes. You should not change your clothes. Do you agree?”

I meekly suggest that all-black attire might get a bit hot in the summer.

”We have air conditioners,” he says. ”Next question.”
the entire article is here

The film ‘Surrogates‘ touched upon the whole concept of telepresence, and this man is making it a reality. Not to say that he’s the only person doing so, but Ishiguro is the only one making really bold strides as regards to building telepresence robots that resemble human beings. Clearly, we need more of this man. O wait — he’s already working on that!
There’s even a microsite with a wee bit of information on Geminoid HI-1 right here. Now if only they could do the same with that luscious Geminoid F…
That was a hint, by the way.

+ And as dreadfully hot as it’s been here in Michigan, I’m sure it’s not much better in Californiyay, where 85°F is considered ‘a good start’. However, being out of doors in the SoCal area gives a person the rare opportunity to catch KnightHorse out and about, taking pics of and showing off their stunning lasses. So it’s kind of a trade-off!…

Sayuri, being flirtatious/distracting

For years Matt has felt that dolls should be loved, appreciated and displayed proudly. One of his focuses in the business is to bring dolls out of the closet, demystify them, and have doll owners de-vilified! So many media outlets go for the “easy kill” and focus on the shock factor of these dolls. The only angle most journalists are interested in is the sexual function of the dolls. Well, to us, these dolls are much more than sex dolls. […] To date we have been to numerous public venues and never once had a negative encounter.

See, that’s the sort of thing I love to hear about — seeing a beautifully-sculpted work of art such as a Doll as a mere sex toy is incredibly narrow-minded. It’s ace that Matt K and crew are bringing their lovely ladies out for some fresh air and sightseeing, as well as spreading public awareness that Dolls aren’t creepy or unsettling; they are in fact wonderful and appealing. And depending on how imaginative a person you are, they can be even more than that…
Besides, did you see Sayuri’s arse up there? I mean, dayum!

Well, I do believe that’s covered the lot for now! Join us next time, for more of the same

Sdtrk: something from the ‘Space channel 5 Part 2 “Uki uki” Non-stop Megamix’ soundtrack

Heh; dreamt last night that a company had assembled a very lifelike and rather convincing Sarah Palin Gynoid. The technicians were stretching her silicone face onto her skull, and she had that glassy-eyed look that we all remember so well, and I was like, ‘yep, she looks just like the original’. My hope would be that the Gynoid version would be working for good, not evil, much like a reverse version of ‘Godzilla vs Mechagodzilla’.

This will undoubtedly be the last post on ‘Shouting etc etc’ *crowd cheers* until 2009 *crowd boos*, so I have to play to type and mention something about Synthetiks. As previously mentioned, Kokoro Co. Ltd. were finally prepping their latest Gynoid, Actroid DER3, for her debut; which, strangely enough, was in Thailand.

From that video, you can see that her body and facial movements are even more fluid than her predecessors — there’s probably more servos inside of her — but the one thing that really stood out is that she can actually move one of her legs now. When she’s singing that awful T-pop song and dancing towards the latter half of the footage, she’s shimmying a bit, as unlike her older sisters, she’s not bolted to the floor through both legs, which is obviously an improvement. One down, one to go!
There’s also a video you can grab from Kokoro’s site; the editing’s a bit rubbish, but it’s still worth viewing.

So when are we going to see all the mechanical progeny of Prof.Ishiguro gathered together? Simroid, Geminoid, the live-action Holon, Ando-san, all of the Actroids that were at the 2005 Aichi World Expo… even Repliee R1, the Gynoid version of Prof.Ishiguro’s daughter that, despite my dislike for the adjective ‘creepy’ in the context of artificial humans, even I have to concede that point towards her. But yeah, get them all together in one room, and I can’t conceive of a better opportunity for a family portrait…

And finally, I nearly forgot to add I got a wee mention and a link in a pro-RealDoll article on the site ‘Open Your Heart To The Love‘. I’m referred to as ‘the leading authority’ on Synthetik companions. Flattery will get you everywhere. 🙂

Until then, Sidore and I wish you a Happy 2009, and we’ll see you lot next year! Which is later this week. Nevertheless!