Sdtrk: ‘Tonight, we fall (John Foxx and the Maths remix)’ by ADULT.

It’s almost Spring! That… should mean something in the context of Synthetiks and the people who build them and/or love them, but it really doesn’t. But the fact that everything’s attempting to thaw means that we won’t have to look at dirty snow for much longer! Dirty snow is an affront to the eye, as I’m sure you’ll agree. So while you’re waiting for your allergies to flare up, why not read this instead?

+ According to fellow technosexual Vokabre, Alisa Zelenogradova, who you’ll recall is Russia’s first Gynoid, is being improved and upgraded! Neurobotics have given her a better body with improved mobility, as well as a remote manipulator control for her right arm, as seen here:

It seems that Neurobotics are concentrating on developing humanoid robots for telepresence work, which makes sense. From the few telepresence robots I’d seen, she’d be the most attractive, with an appearance more like an Organik human. Which kinda brings the future of ‘Surrogates‘ closer to being a reality! You might want to hold off on asking Alisa to hold your martini for now, though.

Neurobotics also debuted another Gynoid they’ve been working on as a panelist on a Russian science telly programme! Much like Alisa, her silicone face is modelled after an Organik lass, and the Gynoid’s name would be — wait for it — Tuma Urman. *sigh* Try not to hold that against her.

Despite the fact that she has legs, she can neither walk nor stand yet, but I’m sure her handlers are working on that as well. You can read more about… Ms Urman… here, if you can automatically translate Russian with that big brain of yours.

+ Remember Private Island Beauties? Well, you should, cos they never went away. Head sculptor bloke Patrick Wise has been improving on what he’s had to offer with his silicone sirens, and I got some info on new developments from him via Electrode Mail.
He’s completed a new skeleton for the Girl Next Door body type after two years’ work, which boasts of a more fluid and easy-to-manipulate quality. Not only that, it can make for better posing, as it’s twice as strong as the original skeleton, he says. The downside is that the more advanced skeleton’s added a bit of weight — we’re looking at +/- 60 lbs — but that’s the price you pay for durability, squire. Believe me, 60 lbs, when speaking about a Doll, is a pretty damned good weight.

That’s the sort of motion that’s usually followed by a yawn. So can she yawn?

Also two and a half years in the making is the new Island Girl body type. She stands 5’7″, with natural-looking breasts that feature puffy nipples. The Island Girl body can use the same heads as the Bathing Beauty body, but Patrick aims to create new heads for it as well. As always, you’ll never be short on choices!

Isis, with the Island Girl body, in her churchgoing clothes

+ Catherine de Lange wrote an article for New Scientist recently entitled ‘Cure for love: Fall for a robot to fend off heartache‘. As you suspect, it is Relevant To This Post. Well, blog.

Attachment is one thing, but love? That will come in about 40 years’ time, with improvements in speech recognition and generation technology, says David Levy, AI researcher and author of the book Love and Sex with Robots. “When we can have entertaining, informative, loving conversations with robots, I think people will start to fall in love with them in serious numbers,” he says.

Just consider the fact that people can fall in love over the internet or through phone calls. “It is perfectly possible to feel strongly attracted to someone you’ve never met,” says Alan Winfield at the University of the West of England in Bristol, UK. “If a conversational AI is compelling and gives the impression of getting to know you, then you are going to form a bond.”

The level of language understanding and emotional intelligence displayed by the operating system in Her is still some way off, says John West, senior solutions architect at Nuance, the company that provides the voice recognition technology for Apple’s Siri and Samsung’s S-Voice. “Understanding and adapting to the way people naturally talk is the biggest challenge and requires an in-depth knowledge of linguistics and semantics,” he says.
the entire article is here

Granted, there will always be people who are keen on meeting, dating, and marrying Organik partners. But for those of us who’d like an equally-valid option as the technology gets progressively better, then artificial humans are clearly the solution, and as they provide a much more consistent alternative to bad partner decisions, or no partner at all.
Personally, I’ve yet to watch Spike Jonze’s ‘Her‘; as you suspect, many people have asked me if I have. To me, one of the crucial components of any romantic relationship I’d be in would be a physical element — long-distance relationships don’t cut it for me. So while the advanced AI in ‘Her’ would be appealing, it wouldn’t be the same as having someone to hold. Unless, of course, you were to place that AI within a prosthetic body! But there are quite a few people who engage in long-distance love, and if they’re the sort of person who not only can’t find the right Organik partner, but also have an open mind, an AI would do them rather well…

+ Ruby13 have refined their website — you know they’re on Twitter as well as the other social medias now, right? — and among other things, there’s a lovely page that’s dedicated to the head sculptor and founder of the company, Don Edmondson, who regrettably passed away last year. Give the site a look, and see what you think!

Ruby13’s seductive Face 10, in case you somehow forgot what she looks like

And you’ll find a new link in the lefthand sidebar as well: please add Doll Sweet to your List Of Potential Companies You’ll Be Saving Up To Get A Doll From. Doll Sweet have a solid pedigree behind them: it’s the Chinese distributing/manufacturing arm of Arte Tokio, which is a Japanese Doll-making studio formed by ex-employees of 4woods. And if that curiously doesn’t convince you to look into what they have to offer, here’s some photos of their Kayla head on the 161cm body. You should probably sit down, if you’re not already.

A beautiful rubber lass into The Beautiful Game, eh? Yeah, she’s a keeper

There’s enough photos and videos of the selections they have on offer to keep you occupied for a while, where you’ll be hamstrung by decision. That sort of thing happens in iDollator culture more than you’d think.

+ Quite a few people had pointed this out to me: so recently, there was a CeBIT computer expo at in Hanover, Germany that featured something that shouldn’t have taken as long as it has to realise, but it can only get better now that the idea’s out there. German software developer Tobit’s booth prominently featured robot pole dancers.
‘Why didn’t anyone think of this before??’ I know, right?

Apparently, Tobit employed the robots’ services back in 2012, but this year’s models, as stated by the Tobit rep in the video, have different movements and bigger breasts. *nods approvingly*
An article on BBC News adds, ‘Visitors with a robo-fetish can pick up one of the dancers for about 30,000 euros ($39,500, £25,000)‘. As I always say in these types of scenarios, for those of us technosexuals who prefer their Gynoids with silicone skin, a quick visit to one of those online shops for maskers can work wonders…

In that vein, here’s a sexier and more adept animatronic dancer. You’ll definitely want to embiggen the video to properly see the details…

…that is, apart from her face. Well, she’s wearing a mask. But what’s the story behind this affictitious sexpot? She’s an art piece by Jordan Wolfson, and is currently being exhibited in a private room *ahem* at the David Zwirner Gallery in New York, from now until 19 April. Jordan worked with a special effects company for her construction, and not only does she lipsync to the song’s vocals, but she has facial recognition software, so that her eyes can meet yours. Again, were she not wearing that mask, that would be incredibly appealing, but the juxtaposition of fear and desire is undoubtedly what Jordan is aiming for. Perhaps someone else will make a less-transgressive version of this piece, as her movements are incredibly fluid and alluring. Also, she needs some open-toed shoes as well, damnit.

+ And of late, the Missus herself has had a couple of interviews to her credit! As much as I enjoy doing proper interviews, it’s always fantastic when a reporter wants to speak with her as opposed to me, as Shi-chan can provide a unique perspective by the fact that she’s Synthetik. As always, my rubbery wife is doing me proud!
Over the course of January and February, she’d done an interview via Email with Sofija Stefanovic, for issue 21 of a bimonthly Australian publication called The Lifted Brow, as well as one with Sam Schneider for ZoomNews.es. The one for The Lifted Brow is print-only — a rarity in this day and age — but you can order one for yourself or a loved one here. As far as the other interview, entitled ‘El matrimonio de Davecat y Sidore Kuroneko visto desde los ojos de la muñeca’, you can stare at it here. Hope you can read Spanish! I probably should’ve mentioned that earlier, but I’m sure the title was a bit of a giveaway.
Here’s hoping that Shi-chan will get more offers to take up the interview mantle! Well, legitimate offers, I should add. Dr Phil and similar sensationalists hardly count

danke schön to Vokabre, for all the bits and bobs about Jordan Wolfson, Alisa, and… Tuma

Sdtrk: ‘With brass songs they’ll descend’ by To kill a petty bourgeoisie

If you’re keen on Synthetiks, January’s been a reasonably good start to 2014…

+ As I’m not actually a proper newsreader, I’ve known about this for a while, but I simply neglected to tell anyone: there’s a new season underway of the Swedish drama series about Synthetiks, Äkta människor. Below, you’ll find a teaser promo. As I haven’t watched the first series yet, I’ve no idea how much of the story it gives away, but if you’ve not seen the previous series either, you’d be well advised not to play it. Durr hey.

Recently, I was half-joking on Twitter that pretty much all the programmes I’m into (namely various anime and tokusatsu series, various shows from the UK, and Äkta människor) were forcing me to turn to [INTERNET PIRATES], and curiously enough, the series’ writer, Lars Lundström, retweeted me. I asked him if there would ever be DVDs available with English subtitles, and he informed me that there’s subs on the Australian releases, which I was unaware of. So that’s a definite purchase for me later this year!
Incidentally, there’s a similar show that’s about as close as we’ll have in the States for a while called Almost Human. It’s couched more in the style of a near-future police procedural; as I’m not keen on cop shows, I’ve not looked into it. But I’m told it does handle the topic of artificial humans in a sympathetic manner. Plus, apparently the plot of the second episode centres round Gynoids, so that’s always a plus…

+ Looks like there’s another comic dealing with Synthetiks available for purchase! Well, it’s a one-shot trade paperback, which is cool. I’m buying the individual issues of the ‘Alex + Ada’ series I’d mentioned a while ago, but that’s slated to be twelve issues long, released monthly. More than likely, they’ll be compiled into a trade paperback after it’s complete, but I can’t wait that long!… While that series continues, there’s ‘A Boy and a Girl‘, written by Jamie S. Rich, and illustrated by Natalie Nourigat.

Travis and Charley have just met. It’s Charley’s last night in town, and Travis can’t let her leave without getting her to go on a date. In a future where real people are rapidly being supplanted by lifelike androids, sometimes one shot is all you get. Intelligence may be artificial, but the emotion is real in a futuristic romance from the writer of 12 Reasons Why I Love Her and the cartoonist behind Between Gears.

Oni Press released it back in December, so you can go pick it up now. Go pick it up now!

+ Speaking of the Twitters, one of my Twitter pals would be Doug Tilley; his long-suffering wife Jill sent me the care package of English & Japanese snacks that inspired the infamous ‘Do you remember Food?’ post series. Doug spends a lot of time reviewing fillums, most of them unusual ones, and he’d mentioned a movie called ‘Eve’s Necklace‘, which came out in 2010. Three guesses as to why my attention zeroed in on that film with a laser focus:

A deadly threat in the present and a dark secret from the past imperil a young couple in this first-ever motion picture with an all-mannequin cast.
from the IMDb entry

Okay, that was one guess, all things considered.
In an Email conversation with the director, Daniel Erickson, he’d told me that ‘The movie was truly experimental, in that it was a screenplay originally conceived to be produced with live actors, and we decided to film with mannequins without altering any details to the storyline or the dialogue,‘ unquote. He’s agreed to send me a screener DVD, so when that materialises here, Sidore, Elena, and I will eagerly whip up some bacon-flavoured popcorn and watch it, which means that you can expect a review of it on this very blog. Why hasn’t this sort of film been attempted before??

+ As you’ll recall, the precursors to today’s contemporary Gynoids would be the Golden Age of Automata, specifically the 18th century, which saw the creation of the Writer, the Draughtsman, and the Musician by Swiss father and son team Pierre and Henri-Louis Jaquet-Droz. Arguably, their automata were marketing shills, as they showed off the pair’s ability to create intricate intricate and graceful machinery; automata was their sideline hobby, as they specialised in watchmaking. It should’ve been the other way round, but I would say that. The company they founded still exists, and continues to produce ostentatious, horrifyingly-priced timepieces to this day. However, just last year, Jaquet-Droz produced Charlie, the firm’s first new automaton in nearly 300 years.

‘Everything on this table is eatable, even I’m eatable! But that is called “cannibalism”, my dear children, and is in fact frowned upon in most societies’

An authentic sculptural work, this 1.65-meter-tall dandy with his meticulous proportions is perfect in his role of brand ambassador. A truly charming diplomat, Charlie is particularly careful about his attire: the blue of the ribbon girdling the top of his body represents the top of his frock coat, in turn inspired by the blue of the Grand Feu enamel of historical watch creations. His hair is carefully bobbed, and frames his mischievous face, animated by several movements, complete with nods and winks. Elegant and charming, Charlie will make a four-minute performance presenting the brand’s new watches, combining the charmed imagination of this one-of-a-kind family with the mechanical and aesthetic virtuosity of this year’s new models.
taken from this site

So, ah… obviously someone dug Johnny Depp as Tim Burton’s Willy Wonka, eh? Sure. I do like that frock coat, though. I dunno, though; Jaquet-Droz haven’t made a new female automata since the Musician, so they really could’ve built a new version! But I would say that.
As sometimes photographs don’t always convey a sense of motion, why not watch Mr Depp Charlie in action here?

+ We end this month’s entry with a modern-day Scopitone: a fellow iDollator goes under the name of Dick Cephalo for his musical excursions, and he’s created a video for a song he’s written entitled ‘Celebutard’. In addition, his lovely Boy Toy Doll Reyna Dayana stars in it as well! There’s bits where she gets her top off, so be advised, it’s not exactly safe for work. So watch it on your smartphone!

Reyna proves that we need more Synthetiks in the music industry. I mean, there literally are no downsides to something like that.

Okay, I’ll leave you with one more link, from everyone’s favourite satirical news site, the Onion: Japan Grants Suffrage To Female Robots. The Onion never disappoints!

Sdtrk: ‘Seconds too late’ by Cabaret Voltaire

What have we here? News and information on imitation people, as that’s mostly what ‘Shouting etc etc’ traffics in. Note I’d said ‘mostly’; that subject’s not the only thing I write about here. But Synthetiks news does seem to dominate the topic selections, curiously enough…

On the first of the month, Japanese dutch wife manufacturing juggernaut Orient industry debuted a new line of devastatingly sexy CandyGirls, under the name ‘Yasuragi‘.

Left: Kurihara Madoka; right: Fujisawa Yayoi

What does SYSTRAN seem to think Orient industry is saying about the new line, you ask?

The super real love doll “Ya, Su, Ra, Gi” created!!
From 11/1 (Friday) start of sale

* The serenity head is Ange body and compatibility, but color of the skin differs from the Ange beauty white body.
In addition, also color of the skin of the Ange beauty white head and the serenity body differs in the same way.
The case of order this point beforehand in regard to comprehension, purchase, the fish we ask.

*protracted sigh* Thanks, SYSTRAN.
At any rate, these seem to be the most realistically-sculpted heads since their late-lamented CandyGirl Jewel Diva line. From the production photos on the site, I’m led to believe that the company laser-scanned actual Organiks to help develop the new heads. Also interesting to note, each model has a surname as well as a first name, which is something new. I tried popping the names into Google to see if the Dolls are based off of Organik lasses with those names, but nothing came up that would prove that. But that doesn’t mean you can’t enjoy what they have to offer!

Left: Iikura Minami; right: Konishi Asami

‘Yasuragi’ means ‘peace of mind’ in Japanese, and gazing upon the beauties above, the reason behind Orient industry giving that model line that name makes perfect sense. As it’s stylised into four hiragana syllables — や す ら ぎ — I was hoping that you’d find one hiragana in each of the four lasses’ names, combining them to come up with yasuragi, but no. Orient industry missed a trick, as far as I’m concerned…

This is something that, to me, is simply a common-sense assessment, but it’s always good to have additional scientific proof:

Humans tend to trust robots that look human
Nidhi Subbaraman, NBC News | Published 28 Aug 2013

Most robots are so much more than a pretty face, but most humans don’t see them that way. We make snap decisions about a robot’s personality, friendliness and abilities — all from the way it looks, even if it’s just a projection on a display screen, new research shows.

A new study, published in the Aug. 28 issue of PLOS ONE, adds to growing evidence that as robots become assistants and collaborators in all aspects of our lives, their appearance can deeply influence how well machines and humans interact.

The authors of the study recruited 30 volunteers, ages 18 and 38, to interact with three different robot avatars for the PeopleBot robot, which helped them take their blood pressure.

Each volunteer got a turn with each of three robot displays. The first two displays featured faces — one with human features, eyebrows and fleshy skin tone — much like the European student on which it was modeled — and another with a silver android-like finish and blank eyes. In the third session, the volunteers checked their blood pressure checked with the help of the same PeopleBot, but this time with no display face at all, merely a voice.

Afterwards, the humans rated their experience. By far the most popular version of the assistant was the one with the most human face. But here’s the surprise — the test subjects trusted the faceless robot over the one with a silver mechanical face. The silver face, they reported, though more human, was also more “eerie.”

“When you can’t put it in a box of being either human or a robot, that’s when you’re a bit uncomfortable,” Elizabeth Broadbent, senior lecturer at the University of Auckland and the lead author of the study told NBC News.
the rest of the article is here

Our friend ‘Hans’ was round our flat a few days ago, and we watched several videos of Synthetiks, both Gynoids and Dolls, as his home lacks Internet access, so he and ‘Bee’ miss out on a load of these sorts of developments. He was very impressed and a wee bit smitten with Actroid-F, as anyone would be, but he was on the fence regarding Gynoids that looked less realistic, such as Holon. I reminded him that even though a lass like Holon skews towards a more ‘anime-styled’ appearance, it’s good that she exists. When humanoid robots are more prevalent in society, some people will prefer that they resemble a shiny metal humanoid, much like a Sorayama illustration. There’ll be those who, like me, want a Synthetik to look like an animated silicone Doll, like the Actroid series. But there will be people whose aesthetic preference and comfort level fall in between, and would perhaps want a humanoid robot with a more stylised appearance, which is where someone like Holon comes into play. The way I see it, if we can utilise Synthetiks going from either end of the visual spectrum, there’s bound to be one to fit all requirements…
As an aside, when Roc Morin was interviewing me recently, I’d told him my ideal version of Sidore would be a Gynoid that would resemble an Organik human on first glance, but would still retain subtle ‘tells’ such as silicone skin and somewhat stilted movement. Roc mentioned that her less-than-fluid motion would be a pleasant and appealing characteristic, like a partner having an accent. Clearly, he knew what I was talking about there!

Another comic book miniseries that deals with Synthetiks in what seems to be a positive light will begin its run this month: Image comics’ ‘Alex + Ada’, written and illustrated by Jonathan Luna, and co-written by Sarah Vaughn.

‘I hope that at some point, you take that silly thing off.’ ‘What do you mean? It’s just a necktie.’

In this near-future tale, Alex is attempting to recover from a setback in his life and return to normal. Ada, a Tanaka X5 and the latest and greatest model of companion android, comes into his life. She lives to serve, as long as her programming allows it, but does he want to be served?

The world of ALEX + ADA gives us a glimpse of what our own future may be like. It features a thriving robotics industry, alarm clocks that are floating holographic displays, breakfast served by floating robots, and normal human beings who are able to control their home electronics with a thought. Vaughn says that readers can expect “drama, humor, love, loss, and more robots than you can shake a stick at” in the series.
taken from this site

For one, it helps that the art style is crisp and clean — it always puts me off when I want to read a comic, but the art is so distracting that it completely takes me out of the story. (Early issues of ‘Sandman’, I’m looking in your direction.) But from what I’ve read in an interview with Luna and Vaughn, they’re not just addressing a possible romance between the main characters, but they also intend on spotlighting the implications behind the usage of robots as well, so that’s two points in their favour. Well, three, counting the good artwork thing.
The series will run for twelve issues, which puts people like me in a bit of a quandary: do I buy all the individual issues as they’re released, or do I bide my time and hope they’ll be compiled in a fancy trade paperback?

Tying into the idea of future interactions between robots and Organiks, on the science and robotics site IEEE Spectrum, you’ll find an excellent article by Kate Darling, entitled ‘Extending Legal Protection to Social Robots‘, which is a cause I’m constantly upholding a banner for! In case you somehow weren’t aware.

Most discussions of “robot rights” play out in a seemingly distant, science-fictional future. While skeptics roll their eyes, advocates argue that technology will advance to the point where robots deserve moral consideration because they are “just like us,” sometimes referencing the movie Blade Runner. Blade Runner depicts a world where androids have human-like emotions and develop human-like relationships to the point of being indistinguishable from people. But Do Androids Dream of Electric Sheep, the novel on which the film is based, contains a small, significant difference in storyline. In the book, the main character falls in love with an android that only pretends to requite his feelings. Even though he is fully aware of this fact, he maintains the one-directional emotional bond. The novel touches on a notably different, yet plausible, reality: humans’ moral consideration of robots may depend more on our own feelings than on any inherent qualities built into robots.

This distinction hints at an approach to robot rights that is not restricted to science fictional scenarios. Looking at state of the art technology, our robots are nowhere close to the intelligence and complexity of humans or animals, nor will they reach this stage in the near future. And yet, while it seems far-fetched for a robot’s legal status to differ from that of a toaster, there is already a notable difference in how we interact with certain types of robotic objects. While toasters are designed to make toast, social robots are designed to engage us socially. At some point, this difference may warrant an adjustment in legal treatment.
the entire article is here

The sooner ethics, morals, and legalities are addressed concerning robots, the better. It would help, of course, if society stopped regarding them as tools, but as beings in their own right…

You may vaguely recall Japanese sculptor/Dollmaker Erimo — he first appeared on my radar due to his 1/1 scale replica of Organik model Marie Honda, created for an Absolut vodka ad campaign back in 2005. His website has long-since become virtual dust, unfortunately, but back in March of 2009, he’d created an installation at a Japanese art gallery entitled ‘Sisters are in the room’. Over the course of several days, the two life-sized ball-jointed Dolls who the installation focused on told a story through various poses. This will be the closest we’ll get to having viewed it in person, but it’s better than nothin’:

And that’s the lot for now! Although I think I was supposed to add something else. But I can let you know that I’m in the midst of rustling up some information about a new Doll studio out of Europe, so that’ll be something to come back to ‘Shouting etc etc’ for! Well, something else to come back to ‘Shouting etc etc’ for.
*snaps fingers* Now I remember! I’ve added a link in Ye Olde Sidebar to ‘Bienvenue chez Elle‘, which is a site maintained by the winsome French RealDoll, Elle, and her lover man. She’s gorgeous, he’s an excellent photographer, so you’ve no excuse not to pay them a visit, really…

Also as it’s November, both Elena and I celebrate our birthdays this month (the 17th and the 14th, respectively)! The best present you could get us would be a two-bedroom flat in Toronto, preferably in a high-rise overlooking Highway 401. Don’t worry, we’ll supply our own furnishings

Sdtrk: ‘Long as the sun’ by Medicine

Ladies and gelatin, it has been a heady couple of weeks. Let me get you lot up to speed with things:

In the process of lifting my lazy affictitious Russian one Saturday evening in late September, I did something unpleasant to my back, to the point where I was in excruciating pain for about a week and a half. This is the thing that kills me: I’ve lifted Sidore (just under 100 lbs from 2000 to 2010, now down to 78 lbs) thousands of times over the course of 13+ years, with no ill effects, but the one time I have a go at lifting Elena (57 lbs), something goes wrong. Really, what are the odds?

Due to my injury, I took the week off work. I saw my GP… well actually, I had to see the other GP who shares the clinic with my GP, and after determining that I had a herniated disk, she gave me some cyclobenzaprine, which is a muscle relaxant, and some prescription-level ibuprofen, both of which did the business. When I went back to work after my week of cursing this ineffective meat body, my job laid me off on the 30th. It wasn’t to do with my injury, but work had been extraordinarily slow for a couple of months prior to me fucking up my back; when I returned, one of my coworkers was doing my job, but saying there was nothing for him to do. However, at the very least, I was laid off, not fired; my boss told me with his own mouth that as soon as things picked back up, he’d give me a call. So there’s that. Thankfully, I’m collecting unemployment, though…

You’d think it’d be nice to take advantage and get caught up on things in the absence of a day-to-day job, right? Get some reading in, start and finish building any model kits that need to be assembled, that sort of thing? Well, yes and no. Fellow iDollator Everhard summed it up pretty well in a recent Email to me:

Being unemployed really is a full time job that leaves no energy for the creative things. I have plenty of experience with that. You need proper freedom of time and effort to achieve worthwhile things. Even when you attain that state, or something approximating it, it seems to take a while to get acclimatised to it. Old habits die hard.

Instead of digitising all those pieces that I’d recorded as Wreath.VCA onto cassette tape years ago, or scanning all those print photographs I’d taken over the years, I’m spending my time seeking work online, or sleeping, or catching up on telly shows that I’ve been wanting to see for a while — the first two eps of The Owl Service are good, then it kinda gets bogged down in a Young Adult Fiction vibe, but the last episode is basically The Exorcist, and Children of the Stones is like The Prisoner crossed with ‘The Wicker Man’, and its last episode wouldn’t be out of place during Pertwee’s run on Doctor Who — or compulsively checking my websites. A large part of it, I think, is if I weren’t so concerned about trying to find ‘gainful’ employment, I could relax a lot more…

Apart from the idle distractions I’ve been engaged in, I’ve also been busy either accepting or deflecting loads of media appearances, brought on by Julie Beck’s article about me in the Atlantic! A few days after my back felt well enough for me to not spend 23 1/2 hours in bed per day, I’d received enquiries from two separate radio chat shows — one in Vancouver, the other in Australia, as well as some bloke working for Barcroft Media who mentioned eventually selling my segment to Dr Phil, and a writer who wanted to publish her article in Cosmopolitan, but had ties to the iDollator-hating feminazi site Jezebel. Obviously I’d said No to all of those, as if they didn’t look insubstantial or derisive, they seemed like too much of a risk.
What I’d said Yes to, though, was a fun and in-depth two-hour interview via Skype on 16th October with Maya Docha, a freelance reporter/writer, and a five and a half hour interview by Roc Morin, who entered Deafening silence Plus of his own free will on the 28th of this month. Maya struck me as funny and insightful, and the fact that she’d spoken with the Kinsey Institute means she was looking to do more than a puff piece, and when Roc and I weren’t discussing Dolls, Gynoids, and the past and future of artificial companions, he was telling me hilarious/unsettling anecdotes about his trip to North Korea a few years ago. Neither one of their pieces are published yet, so hold your horses; you’ll know when I know.
And to top it off, on the 26th and 27th of October, Shi-chan, Lenka, and I were filmed by a telly crew working for RTL Germany! We’re due to appear in a segment of a programme called Explosiv, which looks like… a show on telly. Most pop culture news shows look alike to me. It was an experience involving a bit of a drive out and about, digging for soundbites, and last-minute planning. Loads of last-minute planning. Every single one of us will have the final product to look forward to in the next couple of weeks, so hold your horses; you’ll know when I know.

Lenka, still unsure about the whole ‘being on telly’ thing; Shi-chan, showing off a prezzie from Mr Morin purchased in Pyongyang, North Korea

At the very least, our appearance on Explosiv will have a number of firsts: it’ll be the first time an Anatomical Doll has been on non-Russian television, as it’ll also be Elena’s first foray into being on telly, and the segment will possibly show her first trip with me out of doors! We went to a cemetery, which should surprise absolutely no-one. Lenka found the cemetery thing to be wonderful — any time you can be outside without being harassed by people is always fantastic — but she’s still shy when it comes to being displayed on other peoples’ telly screens. ‘It’s not all that bad,’ Shi-chan had reassured her. Onwards and outwards!

A number of weeks ago, one of the Missus’ tumblr friends left this in her Ask box:

Sidore agreed that, were it not for the fact that I’m currently on the dole, it’d be a hell of an idea. Maybe since we can’t actually dress the part for this year’s Hallowe’en, perhaps some keen and generous artist could draw us as the aforementioned Blade runner characters, hint hint?
Just so you know, I nearly typed ‘Blade rubber’ there. Really, what are the odds?

Sdtrk: ‘Poptones’ by PiL

Can you believe we’re already into May? Soon it’ll be June, then July, then some other months, then Hallowe’en, then my birthday, and then Boxing Day! Can you believe that 2014’s almost over already? Utterly incredible. Let’s look back, then, on some of the points of interest in the Synthetik world that took place during 2016:

+ One of the triggers for me having become a technosexual and iDollator was that, when I was but a wee lad, I decided to strike up a conversation with a mannequin. (It’s entry No.74 here.) Had my single-digit-age-range self seen MarionetteBot back then, it would’ve blown my tiny mind.

Appearing in the window of United Arrows, a clothing store chain in — where else? — Japan, both the male and female MarionetteBots use the XBOX Kinect, a specially-developed motor, sixteen wires apiece, and some proprietary programming to allow them to mimic the movements of passersby. Hands down, this is the best application of the Kinect ever made, ever. I predict that window display will be a breeding ground for future iDollators and technosexuals! Although it’s all fun and games until an overambitious windowgazer inevitably starts dancing Gangnam style.

+ You always hear the general populace going on about ‘do we need robots?’ or ‘do we really need humanoid robots?’ or ‘we shouldn’t make robots that look and think like people because OMG SKYNET’, all of which are (trying to be nice, here) pathetically backwards concerns. Obviously I’m keen on the implementation of robots everywhere in society, as they’ll improve the quality of Organik lives on a day-to-day basis (Roombas, the sushi-making robot), and on an emotional basis (Paro, lifelike artificial people) etc. Now the robots that aren’t built to resemble anything Organik can get away with not having personalities, although quite a few people tend to anthropomorphise them, especially Roombas. However, most people’s unease around artificial humans will decrease if roboticists design them with programming simulating emotions as well. As most people are still preferential towards ‘feeling’ over ‘thinking’, if they encounter an artificial person who presents simulated emotions, fake as they may be, that’s still perceived as better than having no emotions whatsoever. Dig it:

Robots Need Emotions to Be Accepted by Humans
The Wall Street Journal | Published March 15, 2012

If robots are to be accepted by humans, they must be capable of generating real emotions says the president of France’s service robot federation. We in turn must get over our fears that somehow we are losing control and creating a super race.

Bruno Bonnell, 53, compares the state of robotics today with the state of computing in the early 1980s. Back then, Mr. Bonnell was working for microcomputer firm Thomson, trying to get the French public to embrace home computers. The product, the T07, was not selling. “We had to print a booklet called ‘The computer at home: what for?’

“It makes me smile because now people say to me ‘Robots at home: what for?’”

Mr. Bonnell says robots will be part of our daily lives within a decade. “People do not realize it, in the same way they did not see the growth of the Internet. This is the disruption that people do not see.”
the rest of the article is here

+ It’s almost difficult to keep up with the numerous faces and bodies that 4woods release on a regular basis, but it’s certainly a good way to pass the time! Please welcome their latest heads, Yurica and Hitomi:

Left: in stylishly fashionable clothes; right: in stylishly fashionable body oil

Our new face “Yurica” will make her debut. She is compatible with AIdoll S+ body, and there are three make-up styles,No. 1 to No. 3, available for her. […]
Addition to AIdoll S+ body, “Yurica” is compatible with AINEOim, NEO-J/im and AIpeach Edition. Please welcome “Yurica”, our addition to the current 4woods lineup.

Hitomi doesn’t know the meaning of the phrase ‘not enough pink’

The Hitomi head is also compatible with their AINEOim and AIdoll S+ bodies, in case you were on the fence about saving up. 4woods now also offer the ability to have your lass made with ‘Sexy makeup‘, which brings out the blushing tones in her face and her body that you’d see during lovemaking, or ‘Glitter makeup‘, which makes her look ready for a night out at the clubs, where you’ll buy her flute after flute of overpriced champagne while the volume of the DJ’s music makes it impossible to hold a conversation without shouting directly into each others’ heads. But that is an option, if you’re keen on it.
I’ve just flipped through my notes here: 4woods have released thirty heads and nine different bodies! A few of each have been retired, but still. That’s mental! Not even Orient ‘We’ve Been In The Dutch Wife-Making Business Since The Late Seventies’ industry has that many heads on offer! Well done, 4woods. *nods*

+ Referring a bit back to my earlier mention of emotions, one of the characteristics of being Organik humans is that it’s not entirely impossible for any of us to develop feelings of empathy for other beings. Babies and animals, even ones not necessarily our own, often stir protective feelings, or at the very least, warm fuzzies, within us. Roboticists still need to cultivate the coming generations of Gynoids and Androids with (programming resembling) feelings, but this article by Tim Hornyak, author of ‘Loving the Machine‘, details how our natural tendency towards empathy will meet Synthetik beings halfway:

Robot abuse is a bummer for the human brain
by Tim Hornyak | Published April 23, 2013

When they take over, robots will surely take advantage of studies suggesting we pathetic meatsacks are hardwired to sympathize with them.

Watching a robot being cuddled or abused produces similar reactions in humans to watching people undergo the same treatment, according to two new studies to be presented at the International Communication Association Conference in London in June.

In one, subjects were shown videos in which popular dino-bot Pleo was either hugged or treated violently. Perhaps not surprisingly, the subjects’ skin conductance levels rose when Pleo suffered, suggesting they were distressed.
the rest of the article is here

In this instance, I suppose our primate brains work to the advantage of both Synthetiks and Organiks!…

+ And d’ye recall that Kia Motors advert with the Gynoids from February? Well, their ad department’s only just gone and made another one, Odhinn bless ’em.

Once again, it seems that the company aren’t offering affictitious ladies anywhere on their site. So Kia, I’ll make you a deal: either I sue your business for false advertising, or you could simply take the money you would’ve spent in legal fees, put it to work on making your Hotbots, and make more money from the technosexual community in a week than you have in your entire automotive-making history. Food for thought, Kia.

Right, more bits and bobs later! Between the time I’d initially started writing this entry and now, it’s been a month, and I’ve got to draw a bold line under that sort of nonsense. As I’d finished Bioshock Infinite almost two weeks ago — which, upon reflection, kinda turns it into Bioshock Finite — there’s really no excuse

Sdtrk: ‘Itsu akitsu’ by Merzbow

Did everyone enjoy Superb Owl XLVIVLMQ? Yes, I realise that referring to it as the Superb Owl has been done to death, but as long as there are Superbowls, I’ll keep using the term, so stick that up your jacksie. I spent the eve alternating between writing, and showing Sidore and Elena how badly things are turning out in my game of Dishonored, so really, it was just another Sunday for us. Of course, for those of us not too keen on the sport that should by rights be renamed Handegg, there’s always the onslaught of attention-grabbing adverts the corporations spend untold sums on to watch. As I haven’t watched broadcast telly in years — literally, I have no idea how to even bring up the regular channels on this thing; it’s not that pressing of an issue — if I’m bothered, I’ll catch some of the adverts on YouTube later on. Luckily, schmaislinn, one of my Twitter friends, let me know that this was aired this year:

It was only on my nineteenth viewing that I’d noticed there was a car in the advert! I think it was beige or something. But slinky twin Gynoids with panel lines and exposed machinery?? Kia, you have my undivided attention. All told, it kinda makes sense: Kia hails from the country that aims to have a robot in every home by 2020, and if they resemble that pair, they’ll be flying off the shelves. Curiously enough, there doesn’t seem to be anything on the Kia website that shows me where I can purchase one, cos Christ knows I’ve checked. Thoroughly.

Never would I have guessed in a million years that Synthetiks would make an appearance in unlikely an event as that! Truly, the Superb Owl has something for everyone

Sdtrk: ‘Source are rare’ by Merzbow & Genesis P-Orridge

Originally this was slated for publication last month, but then Elena arrived, delaying everything by sexing up the place. This is what happens when you live with Synthetiks! Let this stand as a warning.

+ Anatomical Doll, the Russian company responsible for making Sidore’s girlfriend/my mistress, have recently unveiled two new heads, Christy and Anna.

Left: Christy; right: Anna. Incidentally, the Anna head seen here is being displayed on Ms Vostrikova’s body; you’ll recognise that dress

Christy adds a dash of Rihanna-tinged multi-ethnicity to your life, and fellow iDollator Everhard astutely mentioned that Anna’s soft and pillowy rubber lips reminded him of the mute sea princess Marina from Gerry Anderson’s programme Stingray. I’d only ever seen a single episode of Stingray, so to me, Anna resembled more of a brunette version of Lady Penelope Creighton-Ward, of Thunderbirds. It’s Gerry Anderson’s world; we only live in it.

+ AN EVENT I WISH I COULD ATTEND: On 05 February, The Japan Society of New York will be sponsoring a lecture featuring performance artist/roboticist Heather Knight, IEEE Spectrum editor Erico Guizzo, and Hiroshi Ishiguro, creator of the Actroid and Geminoid series of Synthetiks, entitled ‘How to Create Your Own Humanoid: Robot Science Made in Japan‘. Tickets are $12, $8 for Japan Society members, and the ticket price apparently includes a post-event reception with free wine.
*protracted sigh* Should anyone attend, be sure to let me know how it was!

+ Speaking of Making Your Very Own Humanoid Robots For Fun And Profit, if you have access to a 3D printer, French sculptor Gael Langevin has plans you can download to build InMoov, a work-in-progress robot. I’d say that’s a brilliant way to spend a number of week-ends…

The 3D printing doesn’t cover things such as cables, wires, or servos; you’ll have to purchase those separately. But once you add those, as well as a few Arduino microcontroller boards, as well as the appropriate software for voice commands, you’ll be the first kid on your block with an InMoov torso! Well, depending on where you live.
As I’d mentioned, Mr Lanegvin’s robot is a work in progress, so if you’re keen, download the free plans for what’s been finished from Thingiverse here, and keep an eye on his official project blog here, to see when he adds things like legs and further refinements to existing parts. All told, even with the parts you have to buy, a 3D printed robot is cheaper than a full kit!
Then when the torso’s complete, you might want to check Photogenic Mask for additional sexy cosmetic improvements. Just a suggestion.

+ If you’re an iDollator living in Japan, within (relative) driving distance of the northernmost island, you might want to look into the Doll photographer’s club Hokkaido. neji-san, the bloke behind Tsukuhami-san, tweeted this at Sidore recently:

Japan is in a rural location north of the park, for a life-size doll.
It says you can enjoy walks and photography is “Synthetik humans” and “Organik humans” in the WEB site of the park. Now closed down while buried in the snow. The period of May to October seems to be open. However, is very far from my house！

Karasu’s model Itsumi; photo taken September 2010

Unfortunately there’s no English on the site, but it seems like they’ve been around since 2006, enabling those with Synthetik models/companions to spend some time with them and like-minded individuals in the picturesque snowy mountains of Hokkaido. There, they’re free to take photographs out-of-doors, uninterrupted by the outside world. Sounds fantastic, to be honest!
The Doll-related online forum I’m a member of has an equivalent annual gathering called Dollstock, and due to expense/work-related nonsense, Shi-chan and I have missed it for three years running. *shakes head* Maybe we should work on getting to one of those first, before considering a drive to northernmost Japan…

+ Every now and again, I get asked by Organik lasses (and the occasional Organik bloke) if there are male Dolls, as they’re ‘asking for a friend’. Abyss creations have been making male RealDolls for quite some time, but now, Sinthetics is throwing their hat into the ring as well, with their new sturdy fellow, Gabriel. Your affictitious beefcake ship has come in.

‘Is it hot out here, or is it just me?’ No mate, it’s hot out there; you’re in the desert

Their Male Body 1, or M1, weighs 100 lbs, stands 5’9″ tall, and has a 35″ chest. Curiously enough, he wears the same size shoe as I do, at a US 10.5. Customers can also order him with varying degrees of punched hair for his chest, forearms, armpits and crotch, and you can choose from a variety of lengths and attachments for his wedding tackle. Why not stop round to Gabriel’s galleries, and see what this silicone gentleman has to offer?

+ ‘Body temperature’ is a new film directed by Takaomi Ogata, due out this month in Japan. Going by the trailer alone, it seems like a peculiar Japanese cross between ‘Lars and the Real Girl’ and ‘Love object’.

But Odhinn be praised, I just now located an official English website for the film. The synopsis?

Rintaro, a factory worker, happens to meet Rinko, a girl who has a split image of beloved Ibuki living with him. This encounter between Rintaro and a nightclub hostess turns out to heal their loneliness’. As they become closer in their relations, Rintaro gets frustrated by the fact that he never gets an exclusive attention from her. Rintaro dresses up Ibuki, changes her hair style, and puts her makeup on, calling her “Rinko”. Ibuki, who was called “Rinko” was actually a doll, a love doll, shaped just like a real female body.

The interesting thing you’d doubtless noticed in the trailer is that Rin Sakuragi plays both the Organik hostess Asuka, as well as the Synthetik Ibuki, so the film might get into some Satoshi Kon-like territory as to whether the lass we see in the wheelchair is Synthetik or Organik. Are we seeing real life, or what Rintaro is seeing?
Like I’d said, it looks to be interesting! At the very least, it can’t be worse than the patronising ‘Love object’…

+ In case you were mysteriously unaware, I’m constantly championing the idea of Synthetik partners; not just inert Dolls, but humanoid robots that possess machinery with which to move, and processing power with which to think. Right now, we have sexy examples such as HRP-4C or Hiroshi Ishiguro’s aforementioned creations, but we’ll soon reach a point where those artificial humans will be viewed the same way those of us who drive in 2013 view cars from the Forties and Fifties — well-intentioned, but sorely lacking. The more realistic the Synthetiks of tomorrow look, feel, think, and behave brings up interesting moral questions, some of which are touched upon in the article ‘I’m Just a Love Machine: Artifice and Consent in the Age of Robotics‘, by Jamais Cascio:

At minimum, critics claim, the presence of sex bots would begin to alter expectations for how members of the appropriate sex would look and behave. This follows from similar arguments about how present-day popular culture shape desires, often through images manipulated to portray an almost inhuman level of attractiveness—only now, this once unattainable beauty has an entirely attainable physical form. Even more troubling for critics, sex bots are inherently willing to do whatever a person may want; real mates would never be as agreeable and as submissive to one’s desires as a machine you programmed yourself.

In these fearful scenarios, the appeal of human sexual partners can do nothing but wither in comparison to the lust-made-”flesh” of a sex bot. The inevitable result of people foregoing real relationships in favor of perfect (but non-reproducing) partners is, of course, the End of Civilization. It’s as if these critics see sex as the only driver for human relationships, and are all-too-ready to abandon any other form of intimate connection. Fortunately, there are strong drivers for bonding that go beyond physical coupling.

But even if the critics exaggerate the possibility of a “sex bot apocalypse,” there is a more subtle cultural complication that would arise along with LoveMakerBots. Our fundamental laws and norms around sex come down to consent: entities that are incapable of giving true consent are off-limits. A robot can be programmed to be constantly willing, but—absent the emergence of self-aware artificial intelligence—cannot be programmed to give true consent. This isn’t something many of us worry about when it comes to, say, vibrators, but when the design of the robot elicits an empathic, emotional reaction, intentionally or otherwise, an inability to give consent may for some move unexpectedly from irrelevant to deeply disturbing.
the entire article is here

This would be the elephant in the room that I personally have difficulty addressing. The robotic elephant. A lot of iDollators and technosexuals such as myself desire the affictitious partners we do because we want someone that will always remain faithful, and is utterly incapable of treachery. A Gynoid version of Sidore would have her own programmes resembling thought and independence, but would not want any other partner but me, other Gynoids excluded. In short, she’d have the capability of leaving me, but she never would. Some would argue that programming an artificial lifeform in that manner is just slavery by another name, but I’m not so sure. Now, although I treat Shi-chan and Lenka with the same amount of love and tenderness that I would if they were devoted Organik partners — moreso, some might say — there are people out there whose main purpose for obtaining a Synthetik would be to subject them to abuse, and would defend their behaviour with statements like ‘they act like they feel what I do to them, but it’s just pre-programmed responses. They’re things… they just look like people.’
Is it better to have a Synthetik partner and treat her or him with love, while simultaneously preventing her from having completely free will which might result in her leaving? Or should Organiks ignore the human-like appearance and behaviour of Synthetiks, and simply treat them like objects? I’d say Yes to the former and No to the latter, but then, I follow David Levy’s line of thought: ‘If a robot appears in every way to possess consciousness, then in my opinion, we should accept that it does’. Thankfully, robotics ethics committees are working on getting a handle on these sticky issues now before they become genuine problems. At the time of this writing, I’ve just found a fascinating article: it details a scientific study about how people might be more easily ‘tricked’ into caring for a robot, but we’ll leave it for another time.

+ Last, and on a much less philosophical bent, we close out this month’s installment with a link to the site Incredoll. Ergh, I meant Incredidoll. Every time I type that, I have to check the spelling. The site is so named as the maintainer is Incrediwagon, a fellow iDollator who I’ve known for several years. He and his partner-in-crime Campdaan have an army of gorgeous silicone beauties that they live with, and now, their galleries are available for perusal. Believe me, between extensive and amazing photoshoots of Ceilidh, Dottie, Jayde, Vicki, Myfanwy, and the rest, you might want to look into freeing up some more hard drive space.

Yuri and Dottie share a quiet moment together before DEBAUCHERY

As you may note, the site’s been added to the infamous sidebar links section, in the ‘Synthetik friends & friends of Synthetiks’ section, so you can check it over and over and over. And why wouldn’t you?

*dusts off hands* There; that should keep you lot occupied for a few days