Sdtrk: ‘All saints’ by David Bowie

As hinted at in the Prelude, this month’s edition can honestly be referred to as JUMBO-SIZED!!

+ This just occurred yesterday, so unfortunately, there isn’t a surfeit of details as of yet, but remember our lovely Gynoid HRP-4C? She apparently lined up another modeling gig, this time making her way down the catwalk at the 2009 Yumi Katsura Paris Grand Collection in Osaka.

She’s just proving that a Gynoid would make someone a fine bride

Naturally, I’d want to see her in less — technically, we’ve all seen her in less, that’s her natural state of being — but after viewing the video, I thought the bridal gown was actually quite impressive, and you will, too.

More details as I hear of them! One detail that I have to confirm is that several news sources are reporting her name as being ‘Miim’ now. Err, that’s something that needs to be looked into. After all, when Holon-chan first hit the scene, a few sites were saying that her name was Phorene…

+ Orient industry has changed their layout (again)! And they’ve retconned their model types! Again! O gods, this shit’s ridiculously confusing, and it’s doing my head in.
Right, they’ve gotten rid of the separate model lines for the CandyGirl Jewel Diva and the CandyGirl Jewel Rosa; both of those types are now listed under either CandyGirl Love Doll Rosa, or CandyGirl Real Love Doll Ange. As a result, they’ve stopped production on the Jewel Diva models known as Lisa, Mao, Miki, and Ran. Which is a real shame, as Mao-chan was a gorgeous lass. In addition, they’ve added a new line, known as Love Doll Separate, which means that you can now have a custom-made CandyGirl with detachable head and limbs, for easy storage and transport. Which is double-confusing, as that’s pretty much what all CandyGirls were up until a few years ago, when they began making certain model lines out of silicone, instead of the sofubi (short for soft vinyl, aka PVC) that they were made out of previously. And now it’s a distinct model line? For no discernible reason??
They’ve also added two new heads — the sexed-up Jun and the mature Yoko — which can be used with used with the Rosa or Separate lines. Consolation prizes for your patience?

OI! Stop writhing around and close those doors, you’re letting the heat out

‘Sounds like Jun-chan’s in the other room, letting the heat out’

Quality products aside, Orient industry retcons their product lines so much, I’m sure working there is hallucinatory. Imagine being employed at an auto company — say, Subaru, for example — and you’ve been working there for around two years, helping assemble the popular 360 and 1000 models; which, I should add, are two totally different looking vehicles. One day, the company heads announce that not only will you be making 1000s under the new name 360, but the original 360s will no longer be made. In addition, you’ll be building these cars out of silicone. It makes no sense, frankly.
At any rate, the previous links for those model lines found on ‘Shouting etc etc’ are all redundant, but they’ll at least take you to the main site proper. I can’t be arsed with swapping them out for the new ones, cos who’s to say they won’t change again in a couple of months?

+ Phoenix Studios has finally released Miss Spring, of the Boy Toy Seasons line! For a while, I was starting to think they forgot about her, what with it now being summertime and all.

It stands to reason that spring is the wettest season

She has a MILFy quality about her that’s definitely enticing, wouldn’t you agree? When you couple that with her stunning rubbery qualities, that’s a deadly combination…

+ Here’s the definition of ‘slipped past the keeper’: apparently in April, South Korea’s KiTECH finally debuted EveR-3 at the Hannover Messe industrial exposition. Of course, 90% of the info that I can locate about her is in Korean — oddly enough, Robot Watch, my go-to source for additional news about Japanese and Asian robotics, didn’t make a single mention of her — but I was able to find some pics, as well as this video:

Despite the fact that they had her singing awful K-pop like her older sister, her movements seem more fluid and natural than… well, her older sisters. Plus, this version’s face seems softer, and more appealing.

‘Man, I feel like I’m in a cone when I’m wearing this thing’

As she’s representing Korea, she’s wearing a hanbok, which is one of those incredibly high-waisted traditional dresses. Not exactly flattering, but tradition trumps style in this case. It looks as if she’s incapable of walking, or even moving a single leg, much like Actroid DER3 can, so perhaps that’s why KiTECH hasn’t exactly gone global with the news of her existence.
Further ‘investigation’ shows that she was acting and singing in a play back in February! Don’t ask me what it’s about, as my hangul kung-fu is pig dung.

+ A couple of Saturdays ago, Zip Gun tipped me off to a pair of upcoming Gynoid-related series due out later this year: Karakuri Odette, which is a six-volume manga series by Julietta Suzuki, and Fallout Toyworks, which will be a five-issue comic series by Brett Lewis and Sam Basri. According to Tokyopop, who happen to be the American distributors of Karakuri Odette, it’ll debut on 01 Oct, which will obviously be something to mark on your calendars. Its synopsis?

What does it mean to be truly human?…Odette is a lovely android built by Professor Yoshizawa. Curious to find out what it’s like to be human, she convinces the Professor to enroll her in high school. And thus, with a new group of friends in tow, Odette sets out to discover the true meaning of life as a human, where even the simple stuff is an adventure! A touching slice-of-life comedy, Karakuri Odette does nothing If not uncover the incredible possibilities of the “human” spirit!

And anyone who knows me knows that I loathe the so-called musical style knowns as ’emo’, and it appears that Fallout Toyworks is inspired by the ideas and music of Fall out boy, specifically a song entitled ‘Tiffany Blews’, but as it’s about a Gynoid, I suppose I can overlook that fact. According to the press release, the serial

tells the story of a brilliant young robot maker who risks his entire company for his factory’s newly produced android named Tiffany as she becomes his greatest passion and potentially his own destruction.
taken from this site

As long as I don’t have to listen to any whiny emo caterwaulings, it sounds like something entirely worthwhile! Image Comics will be releasing Fallout Toyworks’s first issue on 02 September, and you can check the website-in-progress here.

+ The folks o’er at Private Island Beauties are coming out with three alluring new faces for their Bathing Beauty body type: Desirae, Fujiko (a Japanese lass), and Gaia (an African-American lass). They’ll be joining the yummy ranks of Angelique, Bella, Calli, and Eden. Gotta love how all the faces they’re developing have names in alphabetical order. Nineteen to go, lads! Get sculpting!

Eden (left), tasting Desirae

I’d show more pictures of the other new girls, but the one above is one of the few on the site where the Dolls don’t have one or both of their loverly jubbleys out. Under normal circumstances, I obviously wouldn’t be complaining, but this is a family blog. Feel free to check their site for more information, though. And pics, if you’re into that sort of thing.

+ Whilst there was a lull in the filming of our segment for the National Geographic documentary, director J.Siberry asked me if I’d seen the monograph of RealDolls wearing Dolce & Gabbana fashion accoutrements. No, was my frantic reply, followed by OMGWHAT’SITCALLEDWHERECANIBUYITHOWMUCHISIT. After the other members of the film crew forcibly pried me off of him, I learned more about it, through the Series of Tubes.

Sexiest marionette show EVAR

Dolce & Gabbana have released a book of photographs that highlight the art of embroidery called Diamonds and Pearls. […] One of the really interesting facets of the book is that the pieces are modeled by “real dolls,” rather than human models to create a “timeless” beauty. […] The photographs were taken by Guenter Parth and features shots in nature, as well as the studio.
taken from this site

Now I can recall back maybe about three or so years ago, ‘Still Lovers‘ photographer Elena Dorfman had mentioned that Abyss creations was tentatively working on a high-fashion haute couture shoot, but I’d heard nothing about it since then, and simply thought the project fell by the wayside. I guess it didn’t!
I don’t know what’s sadder though: the fact that the book’s suggested retail price is $270 USD, or despite that fact, I’m still saving up for a copy. Hrrm. And hey, Amazon.com? You are not helping.

Sometimes it’s hard to choose the right face to go with your ensemble

+ Personally, I’ve never been a huge fan of online comic xkcd, as it’s too mathy, but it’s easy to see why I included this one strip:

+ Finally, thanks to a tip from good friend and Gynoid-in-training Alice Keenan, we now have a bit more of a peek at the film that I’d mentioned in last month’s ‘Doll-related news’ post, ‘Kuuki Ningyo’. Here’s the trailer:

If she wasn’t inflatable, I’d swear that she was an Erie Doll…
Looks winsome! And to satisfy your curiosity, Kat, you can peek at five additional clips from the fillum right here. I only watched one, as I didn’t want to spoil myself, but you lot can knock yourselves out!

Happy 23rd! ‘Shouting to hear the echoes’: where affictitious is synonomous with delicious

Sdtrk: ‘A lot of drugs’ by Venetian snares

As is our wont, on Friday eves, my good friend Marika stops round, and we watch several hours’ worth of Quality Entrétainment — we’re currently tearing our way through the second series of Ashes to ashes and the second half of Kamen rider Hibiki, for example. Last Friday, however, when I was confirming our plans via text, Mari indicated that she wanted to go see the new Transformers movie, Revenge of the Fallen. I nearly threw up all over my phone, which would’ve been an entirely appropriate response.

Getting this out of the way: I’m not what you might call a Transformers ‘fan’. I watched the show fervently when I was younger, as most Children Of The Eighties did. I didn’t see the feature film in theatres, but I did rent it — wept when Optimus Prime died, thought Arcee was clang clang sexy — but that’s the lot, really. Although I can quote numerous lines from the film without a second thought. On the other hand, Liann, goshou’s wife, is a walking Transformers encyclopaedia. She’s still got the Laserdisc boxsets for the never-aired-in-the-States Transformers 2010 series, among other paraphernalia. When the first live-action Transformers (hereby shortened to TF) movie debuted, I refused to see it cos I think Michael Bay should be dancing the Tyburn Jig for his crimes against film, and Liann refused as she’s a hardcore TF purist. Everyone in our Algonquin End Table was curious as to what went on in the film, cos they sure as fuck weren’t going to pay to see it. (In the interest of full disclosure, neither did I; as I was broke, Mari paid for my ticket.)

So: TF:ROTF! Two and a half hours of Nothing, at an elevated volume. It was literally an endurance test for me. Where does one start with this… steaming pile of shit, to put it charitably? Well, for one, I absolutely hate the mecha designs; they look like walking scrapyards. I understand that Bay reasoned that as they didn’t come from Earth, they’d have forms that were unfamiliar and otherworldly, which actually makes complete sense. However, it is possible to design mecha that don’t resemble Duchamp’s ‘Nude descending a staircase’. And the thing is, when in robot mode, they all look the same. Maybe it’s just me, but during battle, I couldn’t tell who was duking it out with whom. Coupled with the awful redesigns of familiar characters and the ADHD editing style, the fight scenes were genuinely tiresome — as a rule, epic battle scenes shouldn’t make the viewer yawn or check their watch, which is what I did, several times.

And how ’bout that mecha, huh? How ’bout Mudflap and Skids, the Autobot ‘twins’ who were the worst CG stereotypes since Jar-Jar Binks? I mean, honestly, when you have one character sporting a gold buck tooth, and the other’s crapping on about ‘bustin’ caps’, you have to wonder why they didn’t just name them Amos and Andy, and be done with it? Why halfass it?
Besides the whole racist bullshit, they were literally exhausting to look at. Later during the sixth or seventh hour of the movie, Devastator inhales one of the twins — the red one, whatever the fuck his name was — into his gaping maw, which naturally had me cheering. So then, you can imagine my immense disappointment when that twin ripped his way out of Devastator through his face, while yelling ‘I’M IN YO FACE!!’ It actually hurt to watch.

The plot, if you can call it that, has been detailed elsewhere, so I’ll not rehash it here. Heh, like there’s anything to rehash. io9’s got a fab review that’s negligibly more charitable than this one, so give that a look when you’re done here. But the plot — o, the plot! It had holes you could easily drive an Autobot through, har har.
One of the subplots has our ‘hero’, Sam Witwicky, played by Shia LeDouche (accurately described by Mark Kermode as a ‘charisma vacuum’) is at college, having left both his girlfriend Mikaela, portrayed by Megan Fox (who’s someone’s idea of sex on legs, but not mine — sorry, PB Shelley. Also, clubbed thumb) and Bumblebee, played by a shitty Camaro (who apparently damaged his vocal cords in the previous movie and hasn’t had them repaired, due to a plot contrivance), back home. Despite Sam and Mikaela being miles apart, they’ve promised to be faithful to each other. Whilst on campus, Sam is constantly being pursued by some blonde with a spray-on tan, who’s aggressively wet in the knickers for him. Eventually she corners him in his dormroom and pins him to the bed, which is exactly when Mikaela shows up for a surprise visit. O SO WACKY
Mikaela leaves in a huff, but the blonde lass reveals her true nature — she’s actually a Decepticon Gynoid! She chases Sam, his roommate, and Mikaela for a while until some Autobot comes out of nowhere and crushes her or shoots her or whatever; it’s inconsequential. And whoops! Was that a spoiler I just gave away, there? It sure was! And you should thank me; that’s one less reason for you to waste your time and money on TF:ROTF.
Now, you lot are undoubtedly thinking, ‘but Davecat, you love Gynoids! Surely that was one redeeming thing in the movie?’ Nope! For one, she looked like a Generic Blonde Maxim Reject when she was disguised as an Organik, and in Synthetik mode, she looked like a mashup of a Ray Harryhausen Medusa and… a Ray Harryhausen skeleton warrior. Needless to say, to me, she lacked sex appeal on not one, but two fronts, which is pretty impressive, if you think about it. Now consider; if the Decepticons can effectively disguise themselves as humans, don’t you think that’d be a more effective method of infiltration than transforming into planes and helicopters and the like? Bay didn’t even bother with an ill-conceived excuse as to why they didn’t — he just let it drop, hoping the audience wouldn’t bring it up again. Good job with that storytelling.

Another plot hole, you ask? Okay! Sam’s in his room above his parents, fiddling round with his hooded sweatshirt from the previous movie, when a shard of the cube from that movie falls out of the pocket. He picks it up, it gives him a shock, and he drops it. It then burns its way through the floor, and lands on the kitchen table, whereupon it sends out sparks that change all the small appliances in the room into Decepticons. Subsequently, they make their way upstairs, and proceed to arbitrarily attack Sleepy LaBeef, firing their guns, launching missiles, wielding saws, etc.
Right; so these are appliances made on Earth, correct? That being the case, I severely doubt Braun, or Oster, or KitchenAid, would manufacture toasters and microwaves and Cuisinarts that were fully-stocked with ammo. Otherwise, where did their weapons come from? O, Michael Bay’s arse? Okay, that… that actually makes sense.

When TF:ROTF wasn’t making me sigh with exasperation, it was boring me rigid, or offending me, or just plain enraging me. Too much crap onscreen at once, too much slo-mo, Linkin fucking park being part of the soundtrack, Generic Black Dude spouting Bay dialogue (‘That guy is an ASS HOLE’), Steven Spielberg, another director I hate, as executive producer, and a bad ratio of human characters to TF characters — cos if I’m seeing a film called Transformers, I’m really not there to see humans… all of these factors made for a truly appalling movie. I honestly can’t remember the last film I saw that I hated this much! Kudos, Michael Bay! ‘Kudos’, of course, being Greek for ‘I will grind your skull into pulp with my bare and twitching hands’.

After the movie let out, we got back round to mine, where I made Mari watch excerpts from the only Transformers film that matters:

What are they shooting at? Unicron’s behind them, and they’re firing ahead

Some might accuse me of constantly wearing Nostalgia Goggles; those people don’t know what the hell they’re talking about. Every day, I pop in my pair of Nostalgia Contact Lenses. Honestly, I don’t get out of bed without them

Sdtrk: ‘Gabriela (El Guincho remix)’ by Joe Crepúsculo

Whilst performing one of my usual / many / relentless searches for Synthetik information/pictures recently, I uncovered this steampunky gem:

‘Wind-up Gynoid’ is by Scott Miron, a photographer out of Minnesota. Looking over his portfolio, he’s got quite an impressive body of work, but that seems to be the only Gynoid-related pic he’s done to date. Why stop at just one? is my question.

Better post soon, as I’ll be hanging out with a handful of iDollator colleagues this Saturday for another Parliament. I’ll be broke but gleeful!

Sdtrk: ‘Night night’ by Blank dogs

Flipping through the latest MetroTimes whilst at work, I’d spotted a full-page advert for the 2009 Motor City Comic con. Under normal circumstances, information about that event would evaporate quickly from my brain as I made my way towards the page containing Dan Savage’s column, but three of the special guests slated to appear caught my eye, and held it to such a degree, that I’m considering attending for the first time since the mid-Nineties.

You’ve got Priscilla Barnes, who portrayed Terri Alden for three years on one of my all-time favourite sitcoms, ‘Three’s Company’. Then there’s Joyce DeWitt, who for eight years played Janet Wood, my favourite roommate, on the same show; which is even more astounding, due to the fact that she’s pretty much kept out of the public eye since ‘Three’s Company’ ended. That’s ace enough in and of itself, but! The other guest? JULIE ‘AF-709 / CATWOMAN’ NEWMAR. YES. Only thing is, if I decided to bite the bullet and spend the $20 entrance fee (now you know why they call them ‘cons’), what would I have them sign? Priscilla and Joyce’s choice would be simple; I could have them autograph my copy of ‘Come and knock on our door‘, the rather-inclusive book about ‘Three’s Company’, but what of Julie? I don’t have any paraphernalia from Batman, and I’d really love for her to sign something related to ‘My living Doll‘, the short-lived Sixties sitcom starring Ms Newmar as a Gynoid, but theoretically, they’re still in the process of remastering the episodes. Hrrm.
I’m seriously thinking I should go, though. I mean, how often does the opportunity to meet Terri Alden, Janet Wood and AF-709 under the same roof come up in one’s life?

Speaking of robots (pronounced ‘ro-bits’), I ran across this on 4chan‘s /m/echa board: Tweenbots. They’re awfully cute!

‘Excuse me, how do you get to Carnegie Hall? And DON’T ANSWER PRACTISE’

Tweenbots are human-dependent robots that navigate [New York City] with the help of pedestrians they encounter. Rolling at a constant speed, in a straight line, Tweenbots have a destination displayed on a flag, and rely on people they meet to read this flag and to aim them in the right direction to reach their goal.

Given their extreme vulnerability, the vastness of city space, the dangers posed by traffic, suspicion of terrorism, and the possibility that no one would be interested in helping a lost little robot, I initially conceived the Tweenbots as disposable creatures which were more likely to struggle and die in the city than to reach their destination. […] The results were unexpected. Over the course of the following months, throughout numerous missions, the Tweenbots were successful in rolling from their start point to their far-away destination assisted only by strangers. Every time the robot got caught under a park bench, ground futilely against a curb, or became trapped in a pothole, some passerby would always rescue it and send it toward its goal. Never once was a Tweenbot lost or damaged.

As Kacie Kinzer is an art school student, the whole exercise is partially a sociological experiment as to how humans interact with non-human beings, so naturally the idea piqued my interest. Besides, the method with which she’s going about it is just plain adorable. Throw in a talking dog, a cat, and a ferret, send the four of them across the country, and you have a family-friendly film just waiting to happen!
So if you reside in NYC and you happen across a Tweenbot that needs assistance, do the right thing, eh? A robot might just help you one day

Sdtrk: ‘The angel of the odd’ by Merzbow

Just a heads-up: ULTRAKILLBOT has generously posted Part II of their interview with yours truly, which details me rambling at length about iDollators, life with Shi-chan, the future of Androids and Gynoids, and… Toronto. What better way to spend an Easter Sunday, I ask you??

Tell me a bit about your interest in Gynoids.

For as long as I can remember, I’ve been enthralled with artifice as a whole — I’ve always been drawn to things that resemble something from nature, yet aren’t actually natural. I’m completely in love with the whole Sixties-era obsession with plastic, for one. I believe two of humanity’s greatest achievements are developments in robotics, and the replication of things that Nature usually creates, and Synthetik humans are a fine combination of those two things. Creating robots in general supports my philosophy of every man being his own god, but when you wrap all that technology up in a very humanlike appearance, it’s easier for Organik humans to embrace the idea of robots as valid members of society. That’s why I always use the terms ‘Synthetiks’ and ‘Organiks’ — it’s my hope that in the future, people will see Androids and Gynoids as simply another type of human. Although they’re not meat-based like we are, they’re human as well, in their own fashion.

A fine interview, and a fine site, with fine staffers. Go check it out!
Also, eerily relevant, courtesy of my new favourite online comic strip, Married to the Sea:

Sdtrk: ‘Sheila take a bow’ by the Smiths

If you’ve not been following my godforsaken Twitter feed, you’ll note that it’s Saturday night, and I’m at home! In fact, I just woke up for the third time today this eve! Once again, I was laid low by the tag team of No Speaking Voice and The Grippe, brought on by our dodgy and inconsistent Michigan weather. It never fails!
I first noticed that my throat was kinda sore last week-end; I was on my way home from Zip Gun Towers, where he and I, along with Mrs Zip Gun, goshou, Steph, SafeT and Mari engaged in our typical Saturday night tomfoolery, which currently would be a couple of hours of Rock Band 2, and a few hours of swearing mightily at MotorStorm Pacific Rift. As I was doing that thing where you try to scratch the roof of your mouth with your tongue, I was thinking I’d messed up my throat during our spirited rendition of James Brown’s ‘Sex machine’ (y’know, that song’s really not much on lyrics), but my latest grapple with illness really came to the fore by Wednesday night, when I found I was losing my voice at work. Thursday, I sounded as if I was going through an awkward second puberty, so I called in. Friday, I saw my GP, who gave me a prescription and shooed me out of his office. Saturday, I got my voice back, but I quarantined myself so I wouldn’t give the T-virus to ZG / SafeT / goshou / SE Michigan.
So here we are, and I’m awake again! Wonderful, horrible wakefulness!

Anyroad, self-promotion time! Yeah, I know; that’s so out-of-character for me. My interview at ULTRAKILLBOT is up! Well, half of it. As the questions they put to me were encouragingly different than the ones I usually get, I’d answered them in excruciating (emphasis on ‘excruciating’) detail, so they had to split it into two parts, which only makes sense.

What’s your ideal job?

Hrrm… realistically speaking, something behind the scenes, where I could be left to my own devices and not have to deal with the general public. Something like proofreading, or research work, or stacking books in a library… something non-descript. Ideally, however, my dream job would be working on the staff of something like i-doloid magazine; that’s a Japanese magazine that centres round life-sized Dolls, or if not i-doloid specifically, then a magazine with the same intent. Even better than a magazine would of course be a television programme. Since it’s a niche market now, it wouldn’t be just about Dolls, it’d cover Androids, Gynoids, robotics in general. Something with the finger on the mechanical pulse of the Synthetiks revolution. It’s gotta start somewhere!

Part II will be on the site next week, so you’ll want to bookmark that. You’ll want to bookmark ULTRAKILLBOT anyway, as it’s a fab design / art / culture / videogames / etc blog! Plus, the theme they’re sporting reminds me a lot of Peter Saville’s first-ever poster from 1978, for the Factory Records night at the Russell Club in Manchester. Well done!

Sdtrk: ‘Brimstone in a barren land’ by Danielle Dax

AND NOW… a passel of news bits that I actually learned about in March but was too lazy preoccupied to write about:

So that charming (mostly) metal lass HRP-4C finally made her debut on the runway during the Tokyo Fashion Week. And good for her.

Well, when I say ‘debut’, I mean that she walked out from behind some doors, strode a few feet, gave a short speech, turned round and walked right back through the doors. As she apparently doesn’t meet crazy draconian fashion model standards — you’re not allowed to sashay down the catwalk with your knees bent, for one, so bear that in mind — she was part of the performance, but not really. But nevertheless, it’s a start.

‘Our robot can’t move elegantly like the real models that are here today,’ admitted Shuji Kajita, director of humanoid robot engineering AIST.

‘It will take another 20 to 30 years of research to make that happen.’
taken from this article

By ’20 to 30 years’, he’d better mean ’20 to 30 months’. Just sayin’. *glares menacingly* But the fact that HRP-4C even exists is a fantastic thing. She’s a vanguard! Well done, babe!
Two things that strike me about her appearance at the show, though. One: the whole affair reminds me of when fashion designer Thierry Mugler had a model display his delicious Sorayama-inspired outfit back in 1995. You undoubtedly recall what I’m referring to, as something that unstoppably sexy isn’t easily forgotten. Click here to refresh your memory, as the outfit’s not exactly safe for work… And Two: so why did they hide her nice-looking hair with that dorky Tron hat?

‘If I have to wear this stupid hat, the least they could do is
give me a lightcycle to go with it’

‘HEY! It’s not a stupid hat! They named it after me!’

A wee heads-up on the ONA anime series ‘Time of Eve‘: director Yasuhiro Yoshiura says on the official site that ‘In order to maintain the quality of the “Time of Eve” series, the release of act04 has been postponed to April 2009. We extend our deepest thanks to fans everywhere for your patience and support for the series.’ As you remember, the series has a torturous release schedule of one episode every two months, and under normal circumstances, act04 would’ve been out in March, so you might’ve been like me — wild-eyed and completely panicked, wondering where the latest instalment was. So now you know!
UPDATE (05 APR): Checking the ‘Time of Eve’ page on Crunchyroll, apparently they erred, and act04 is instead due out in May.
Are you intentionally encouraging suicide, is that your game??

Another month, another new luscious Doll from 4woods. Sigh.

‘Don’t forget to use the word “affictitious” to describe me!’

This young lass would be Elina, and she… well, her head sculpt… was designed for use with the recently-released A.I.Doll Evolution body, which affords her stats of being just under 5′ 4″, 70 lbs, and with B.35 / W.25 / H.37 as her measurements. That’s Sexy Math. Anyway, you can gaze at photos of her, as well as a handful of new pics of their other gorgeous Synthetik gravure idols on their site… sigh.

Also, it appears the nebulous consortium that makes Mecadolls in Europe have released three new models of their supple, rubbery ladies. Introducing Emily, Valery and Laura:

If I were looking at her, I’d find myself staring, too

The flower in her hair is as affictitious as she is. See how I shoehorned that in?

More than likely, she’s staring at Emily as well. And with good reason

As Synth Creations, American distributors for Mechadoll, strangely don’t appear to have info or pics up of any of the models yet — I originally spotted them on one of their German sites — but from what I could translate, the body for those models is 93 lbs, with a 37D bust (37?), as well as an aluminum skeleton, and for her skin, she features that platinum silicone that’s all the rage with Dolls nowadays. Needless to say, I’m impressed… with luck, Synth Creations will bring them to the States soon.

Speaking of Doll culture across the pond, if you’re in the UK, or if you’re not, but have access to really good newsagents, there’s one of those ridiculous ‘womens magazines’ out there that you’d invariably find on the register endcaps called Closer. So why am I bringing it to your attention, you axe? Recently, they happened to run a mostly-neutral interview with fellow iDollator, hanggliding enthusiast, and all-round nice bloke, Everard.

Plastic doll girlfriends
Monday 23 March 2009 | http://www.closeronline.co.uk

When Everard Cunion gave up on the idea of finding love with a real woman, he decided to buy affection instead – in the form of life-sized silicone dolls.

The lonely 53-year-old bachelor bought his first doll on the internet for £5,000 in 2000 and now he has a harem that caters to his every whim, including his sexual needs.

When Closer last spoke to Everard in 2006, he shared his home with “wife” Caroline and “girlfriends” Lina, Rebecca and Virginia – plus spare head Louise, who shares a body with Virginia.

But since then, he’s splashed out a staggering £8,000 on two new models to add to his collection – brunettes Laura and Joanna.

“To me, they’re just like real women, but a lot less bother,” says Everard, from Christchurch, Dorset. “They’ve all got
their own personalities.

“It takes me ages to save up for them, but at least I get to choose exactly what I want – I can’t do that with real women.”
the rest of the article is here

Granted, it occasionally veers towards the realm of tabloid journalism, as there’s the usual tired sex-oriented questions, but Everard does the lot of us proud and reaffirms that his girls aren’t strictly for sexual usage. Well done, sir; well done. *thumbs up*

Speaking of interviews, I recently completed a lengthy (but a good lengthy) one via Electrical Mail, for the online design/culture magazine ULTRAKILLBOT. It’s not up yet, but it should be up not too long from now, and once it is, you’ll be duly informed…

And finally, be sure to drop round to fellow iDollator PBShelley’s blog, ‘Alastor’s Reflection‘, and wish his lovely and winsome Lily Godwin a happy birthday! Do it.

‘Shouting to hear the echoes’. Synthetiks? Really? No shit??

Technorati tags: robots, Androids, Gynoids, HRP-4C, National Institute of Advanced Industrial Science and Technology, AIST, Tokyo Fashion Week, Thierry Mugler, Hajime Sorayama, Tron, Eve no Jikan, イヴの時間, Time of Eve, 4woods, A.I.Dolls, Synth Creations, Mechadolls, Closer Online, iDollators, Everard, ULTRAKILLBOT