Sdtrk: ‘Scrape it off’ by YVETTE

Musing aloud: I’m curious as to how I’d go about getting corporate sponsorship from the heavy hitters in the industry. I’m thinking I’d either go with Weyland Industries, or the Tyrell Corporation. Gotta look into getting in on the ground floor of those soon…

+ You’ve probably seen news on her already, but fellow Synthetik lover Vokabre has just sent me pics and info about Russia’s first Gynoid, Alisa Zelenogradova, made by the group Neurobotics. Lookin’ good!

Her facial features are based off one of the employees, and as you can see, Alisa is highly expressive. What’s more impressive about that is that her silicone face has only has eight points of articulation, as opposed to other Gynoids; the Italian Synthetik FACE, as an example, has thirty-two. At this stage, Alisa is really just a Gynoid head on a mannequin body, but as Werner Herzog once said, even dwarves started small.
She has cameras in her eyes, and can interact with others through Skype, as telepresence is one of her intended uses. Not only that, her AI software allows her to understand and respond to quite a few questions. And, according to her page on VK, Russia’s version of Facilebook, she’s twenty-six years old, and single. If you ask me, these Russian mail-order brides are improving!

Photo © by Vokabre. That hairstyle makes her look a bit like Cilla Black

If you’re not afraid of Cyrillic characters, you can read about Vokabre’s trip to Neurobotics’ studio here. Let’s hope we hear more good news about Alisa and her handlers in 2013!

+ You’ll be pleased to know that Abyss creations and its sister site Phoenix studios are continuing to produce affictitious ladies! For Abyss’ fifteenth anniversary last year, they quietly released Crystal, a head that was initially designed for the RealDoll 2 bodies, but is compatible with most of the RealDoll 1 bodies as well, as it has a full skull design. Good thing Matt McMullen waited until the fifteenth anniversary to do something like this, otherwise we might’ve been looking at a face named Pottery, or Wool, for that matter.

photos © by Stacy Leigh

I’d say she’s really appealing — she has a very pleasing facial shape. I don’t think it’s possible to go wrong with a Crystal-type in your home.
Matt also told me that not only is he going to be releasing some additional new faces soon, but he’s currently finishing off two new RD2 bodies as well. Body C will be supermodel-like in stature: tall, lean, and with a smaller bust, whereas Body D will be, as he described, ‘similar to Body 5 but with a dash of body 10 thrown in’. So busty and curvy, then? Huh! *nods approvingly*

Phoenix studios, in keeping up with the silicone Joneses, have recently debuted the Boy Toy Lite! Christmas is coming up rather soon, after all.

Right, there you are — naked Doll bOObs. Happy now?

Basically, the Boy Toy Lite is a less-articulated version of their regular Boy Toy models — as she’s more designed for play than for photoshoots, she has no articulated joints. You can rotate her arms 360° at the shoulders, and her head is capable of turning, but that’s the lot, really. She’s made of the same platinum silicone as the other Dolls, and comes in at a trim 45 lbs, but she’s got as many points of articulation as a Todd McFarlane ‘action’ figure. Still, if you’re looking to buy a Doll that you’re only really going to be engaging in sexytime with, the Boy Toy Lite should suit you down to the ground.

+ Ray Bradbury, circa 1965, writing a response to the snobbery that narrow-minded individuals held against Walt Disney’s animatronics, in an article for Holiday magazine entitled ‘The Machine-Tooled Happyland‘:

After I had heard too many people sneer at Disney and his audio-animatronic Abraham Lincoln in the Illinois exhibit at the New York World’s Fair, I went to the Disney robot factory in Glendale. I watched the finishing touches being put on a second computerized, electric- and air-pressure-driven humanoid that will “live” at Disneyland from this summer on. I saw this new effigy of Mr. Lincoln sit, stand, shift his arms, turn his wrists, twitch his fingers, put his hands behind his back, turn his head, look at me, blink and prepare to speak. In those few moments I was filled with an awe I have rarely felt in my life.

Only a few hundred years ago all this would have been considered blasphemous, I thought. To create man is not man’s business, but God’s, it would have been said. Disney and every technician with him would have been bundled and burned at the stake in 1600.

And again, I thought, all of this was dreamed before. From the fantastic geometric robot drawings of Bracelli in 1624 to the mechanical people in Capek’s R.U.R. in 1925, others have conceived and drawn metallic extensions of man and his senses, or played at it in theater.

But the fact remains that Disney is the first to make a robot that is convincingly real, that looks, speaks and acts like a man. Disney has set the history of humanized robots on its way toward wider, more fantastic excur­sions into the needs of civilization.
the entire article is here

+ In the mood to have your heartstrings vigourously tugged on? Then why not head over to cat versus human, home to art by a lass named Yasmine, and read the bittersweet tale ‘Little Robot‘, which concerns a Gynoid and her feline friend.

I apologise in advance for using this specific adjective, but both the art and story are rather *clears throat* adorbs. Be sure to thank fellow iDollator Euchre for that link, by the way.

+ And thanks to Jill Tilley, Euchre again, and about ninety-eight other people, I bring you the (in)famous Robot Restaurant in Shinjuku, Tokyo, Japan. Yes, you knew it was a matter of time before 1) Japan made this lysergic dream a reality, and 2) for me to report on it here.

In case you somehow managed to not hear about this phenomenon at all over the course of 2012, there’s a restaurant in the Kabukicho red-light district of Shinjuku that centres round female robots. From all accounts, it costs roughly $50USD to get in, the food is unimpressive, and as you can see in the above video, it is an all-out assault on the senses, as if Fellini had directed ‘Tron’. When not performing waitress duties, there are bikini-clad Organik lasses playing daiko drums, or riding neon tanks, or neon motorcycles, or a gigantic neon kabutomushi, or performing neon-lit dance routines, or piloting giant ten foot tall Gynoids that can move their heads, faces, and arms.

Now, it should be painfully obvious that I’m glad such a place exists — even though I think the Gynoid mecha look a bit bland facially, I’d have to be pried out of any one of their cockpits with a crowbar — but my christ, it’s a lot to look at. Did they get local dekotora designers to oversee the interior? Because, y’know, NEON EVERYWHERE FOREVER.
I recently asked neji-san, the bloke who created the alluring Tsukuhami, if he had been there yet, and he mentioned that the area it’s located in gets a bit rough after dark, and moreover, it seems the sort of place that doesn’t cater so much to technosexuals, but more towards gawkers and touristy types. As far as the sensory overload aspect of the club, writer Patrick Macias notes,

[T]he joint is more like a kyabakura, or “cabaret club”, than an actual restaurant. Three measly food items in all are listed on the menu, a perfunctory measure probably because it’s easier to get a license for food service than to apply for a “giant robots plus army girls and marching bands and motorcycles” license.

I’d agreed with neji-san — it’s not subdued on any level, and you run the serious risk of an epileptic seizure, but it’s definitely a place I think every technosexual-minded person should visit, given the opportunity. Perhaps the more of us that patronise the club, maybe they’ll think about branching out to other locations and making it a chain? We can only hope. Cos I mean, what’s the alternative? Hard rock Cafe?

Could this possibly be where the Tyrell Corporation will get started?

Sdtrk: ‘Julia’s song’ by Orchestral manoeuvres in the dark

As you may recall me mentioning in the last post, Sidore and I were due to appear on the chat show ‘Dr Drew on Call’ tonight, but, well, we didn’t. Now before you toss back that fistful of pills and wash it down with that glass of ammonia, let me explain what occurred, then you can top yourself. Sound fair?

Late last month, Bill, one of the show’s producers, contacted me about making an appearance. I said yes, and weeks later, I was put through to another programme producer by the name of Emily. She did a preliminary interview with me over the phone yesterday for a good half hour, which seemed to go reasonably well, and we aimed for shooting round 8pm EST. Now, I don’t know if he does this with all of his guests, but Dr Drew seems to… not really have his guests in the same studio with them; it’s all video feeds, from what I’ve seen. Kinda like Space Ghost Coast to Coast, but with much less Moltar. In any event, the show was going to be live, which would’ve been interesting, to say the least. With the exception of the fantastic symposium I was part of earlier this year, I don’t really do ‘live’. I’m not completely averse to it, but I’m much more of a studio musician than an onstage performer. But that’s just me.

We were ostensibly set: the Missus and I would point our laptop webcam at ourselves sat on the Deafening silence Plus loveseat, and answer questions put to us by Dr Drew and anyone mischievous enough to call in. Yes, people can call in. Yes, this is why I’m not keen on live telly venues. You only live once, though, so hey. We were due to test the Skype connection and lighting at 8pm EST, and go live at 9. I’d left work at 4 today — yes, I still have to write about New Job, but I keep getting distracted — and on the way there, Emily called me, and asked me to sign the release forms she’d Emailed me when I got home. Standard release form fumfuh, really. Sure, I told her, then popped round to my local sushi place, where the chef made three gigantic onigiri for me for my birthday. One of them was enough to fill me up for hours, so naturally, I ate two, and was practically rendered immobile.
Before gorging on rice, seaweed, and eel, however, I got Sidore dressed; she elected to wear that black A-line shift dress from the Sixties that I bought her for our first ‘My Strange Addiction’ segment, and was looking her usual delectable self. Then I sat down to eat, and have a look at the release form. Standard release form fumfuh… o, wait. Hmmm.

3. [..] The Program may include other guests and participants, surprises, statements, or commentary that I find private, hurtful, or embarrassing. Other persons or guests may appear on the Program, with or without my advance knowledge.

Hmmm.

5. I understand that while participating on the Program, and as a result of participating in the Program, I may be ridiculed or embarrassed. I understand that nothing that I say in connection with the Program will be off the record, that my identity will not be concealed, and that anyone may see my appearance on the Program and learn private and confidential information about me.

…right. It was at that point I rang Emily, leaving a message on her voicemail that I wasn’t keen on what I was seeing.

Let me pause the narrative for a bit here to explain: there’s a certain level of stupidity that I’ll tolerate from bog-standard American television. What this means is that if you’re a programme producer, and you make an enquiry with me, I’ll do a bit of research as to your show’s host, the kind of content you traffic in, the general demographic of the audience you play to, etc. If the programme meets with my approval based on the previous criteria, more than likely, I’ll do it for free, as I think it’s important to spread the word about Synthetiks, and if the show’s cool, then I’m cool. On the other hand, if I see you’re the sort of programme that makes Jerry Springer look like Walter goddamned Cronkite, then I’m going to refuse. Unless, of course, you meet my other demands:
1) the ability for me to choose the recording date,
2) all-expense paid flights for Sidore and I to the set and back home,
3) pre-paid accomodation when there,
4) the ability for me to pre-screen the questions that the presenter would be asking,
5) a closed set, and
6) a cheque made out to me for $5,000 USD for my time.
And that’s the point where most of the exploitationists thank me for my time, and scuttle backwards through the door. Again, I genuinely enjoy doing television segments, as it presents the opportunity to inform greater numbers of people about Dolls, Gynoids, and Androids, but really it’s only fair to pay me for my time. Or, more importantly, don’t run lowest common denominator material on your show, for starters.

Ten minutes had passed, with no callback from Emily, so I’d sent her a text, telling her to check her voicemail as soon as she could. And literally as soon as I’d hit Send, Bill called! Moreover, Bill called, saying that there’s been breaking news, and they have to postpone our segment! Apparently, one of the principal individuals in a story they’d been following for several months had passed away, and the network had told the producers that that story takes precedence over whatever segments were slated to go out for tonight. ‘Well, we can always reschedule,’ he said. ‘I’ll have to give that some thought,’ I replied, and explained my dissatisfaction with the release forms. He said they’d be open to talking about it, whatever that may mean exactly.

And that, my friends, is why you didn’t see Sidore and me on Dr Drew tonight. Which is kind of a shame, as I was looking forward to being David Bowie to Dr Drew’s Russell Harty.
The moral of this story? If you’re eating onigiri of that size, give it a good two, two and half hours between eating each one. Any less than that, and you run the very real risk of bursting. Don’t Be Overeager with Onigiri™!

The end!

Sdtrk: ‘Romance fatal dentro de un auto’ by NON

Bringing you Tomorrow’s news Yesterday… Today.
See, that’s what we call an effective baffle. I throw a sentence out like that for you, you read it, and you’re so confused by it that you’ve not noticed I didn’t write a proper introduction to this, the first ‘Shouting etc etc’ post twenty-five days into 2012. And we’re off!

+ Did you lot have an enjoyable, carnage-free holidays? Ours were placid, for lack of a better term, but personally speaking, they were better than the ones at the end of 2010, so I’m not complaining. One nice aspect was that my father wrote me a cheque for $150, and as I’m a firm believer in Irony, I promptly sent that dosh to Amazon.com, spending the entirety of it on books about Dolls and Gynoids, two subjects that the man despises. Ha!
My spoils were volumes 4-8 of Pluto, a manga by Naoki Urasawa, which is another one of his psychological thrillers; a copy of Hiroshi Watanabe’s Love point, as detailed here; and The Sex Doll: A History. I have to apologise for the last one, as the cover isn’t just awful, it’s godawful. Nevertheless, all the books were highly appreciated! Thanks, dad! *proceeds to snicker like Muttley*

+ Speaking of Amazon.com, I now see that they actually have not just a listing, but cover art, for the ‘My living Doll’ DVD set I’d mentioned last November, with a street date of 20 March. Again, I’ll believe it when a copy adorns my own overloaded DVD shelves, but that’s fantastic news!…

+ Back in November-December of 2011, photographer/iDollator/jetsetter/Maki Nomiya lookalike Azusa Itagaki had a showing of her photographs of our crowd in Italy. It was well-received, by her accounts, and she told me it was even mentioned in La Repubblica, one of the nation’s major newspapers. As always, she does us proud!

INVISIBLE ART PATRONS

If you can read Italian, you lucky bastard, you can peruse a page about the show and see more photos here. Machine translations don’t count.

+ Do you recall Ricky Ma Tsz Hang, the bloke in Hong Kong who built an affictitious version of Kelly Chen? Yes you do. He’s not been resting on his laurels though, as he’s recently completed Aiko 2, a head for a new Gynoid! Again, might I remind you, he’s not a corporation; he’s just one man, making alluring animatronics in his own home. HARDxCORE.

For that new robot head, I have tried to use different material and design new structure. It is smoother than previous one. It applied 2 small servos and 4 micro servos only and it has detection camera inside her eyes. She can smile, eyes (blink, up and down, left and right) open and close the mouth. More than that, it will have a intelligent computer brain. She can talk to you and detect who are you! Moreover, she can analyse objects (over 13000 data). The facial expression will be controlled by the intelligent brain. It may be very interesting!

She’s listening to Sergio Mendes and Brasil ’66. But can you blame her?

That quote is from an Email that he’d sent me. Ricky went on to say that he’s developing Aiko 2 in conjunction with Le Trung, that bloke who put some servos inside a CandyGirl and named her Aiko, so hopefully Ricky will steer that particular project into something more original and successful.
Not only does Aiko 2 have improved sculpting — did you note her dimples? — but the ability to analyse and identify objects is a impressive skill. Sure, we have object recognition programmes in things such as Google goggles, but combining technology with beauty enhances both, and benefits everyone.

+ Isn’t it time for a new batch of Sinthetics photos? It certainly is.

Left, Monique doesn’t know the meaning of the term hay fever; right, Celeste, following up on Aiko 2’s eargoggle trend

Enticing new pics of Tawny, Monique, Kimiko, Celeste, and Yuriko are now available on their site. Stare, stare. And with good reason!

+ Finally, back to television: 2012 looks as if it might yield not one, but two decent programmes having to do with Synthetiks, so that’s something to look forward to! As long as they’re not along the lines of the robot snuff film known as ‘A.I’, that is.
According to a post on io9.com, NBC has ordered a pilot for a series entitled ‘Beautiful people’, and as they describe it,

Beautiful People is really dark, and more than a little sadistic at times. It’s not at all subtle, though — it’s in the grand tradition of dystopian “what if” scenarios in which a terrible injustice is being perpetrated throughout society, but somehow most people don’t see it. The audience will be left in absolutely no doubt, at the end of a single episode, that these androids, or “Mechanicals,” are people who deserve human rights. […]

We see how the Mechanicals are enslaved. They’re constrained by Asimov’s good old Three Laws of Robotics. They’re destroyed if they show the slightest sign of emotion. They’re even given a weird drug, called Compliance, to prevent them from having any nasty mood swings. They all have bar codes on the backs of their necks.

And yet, they’re clearly people in every way that matters. They have family units, like Tina and her parents. They respond to things with real emotion. Their children have to go to school, so they can learn all the nuances of human society. (The high-end “Mechanicals” like Tina and her family have no metal parts — instead, they’re more like cyborgs, with some silicon chips and plastic, but also organic parts grown from the DNA of John Does, and possibly federal prisoners as well.)
the entire article is here

They’re still in the process of casting it, so airdates are still in the far-flung future (pun intended), but I’ll be sure to keep an eye out for it, as you suspect. Overall, Beautiful people sounds promising and thought-provoking! Which means it probably won’t be on the air very long. You’re all familiar with how network telly in the States works.

And fellow iDollator Euchre tipped me off to the other programme from Sweden, a show called ‘Äkta människor‘, which translates to ‘Real humans’, which actually premiered on the 22nd of this month. It seems like it’ll be taking nearly the same approach as Beautiful people — can the term ‘human’ apply to artificial beings, etc — but with a less homogenised approach than you find in television from the States. Skip to 0.55 if you don’t get what I’m inferring.

What happens when robots become so human that they can barely be distinguished from real people? When they can even be our lovers? Real Humans takes place in a parallel world to our own, in which people’s lives have been completely transformed by the new generation of robots, the Hubots. […]

They’re used as servants, heavy laborers, company for the lonely and even sex partners. But Hubots also create conflicts – within families, in places of work and among those concerned about public safety. Their intelligence exceeds our own. Are there any jobs left that are not best carried out by a robot? Can they develop feelings of their own? Can a Hubot harm a human being?
the entire article is here

I love shows and films like this! They’re priming the pump.
Some additional good news: they say the production companies involved have made a deal to distribute Äkta människor internationally. Which more than likely means just Europe, but that’s why god made region-free DVD players!

And there you have it! O, and I’m due to enter discussions with another documentarist; this one would be from France. More on that later!

Sdtrk: ‘Marriage carriage’ by Throbbing gristle

What d’ye mean, I missed a month? No, you’re right, I missed a month. October was kinda crazy, because for one, towards the end of September, I’d started my new job. Woo and yay, right? It’s not exactly my ideal job — a call centre doing help desky-type stuff — but it’s keeping a roof over our heads, so there’s that. But my schedule’s kinda wonky, so it’s a bit difficult for a Man of Consistency such as myself to get used to, hence this delay. Also, there really wasn’t a large amount of news in either the technosexual or iDollator fields. I can’t just fabricate facts like they do over at FOX News, y’know!

+ Having said that, articles such as this managed to fire one past the goalkeeper: alert reader cw sent me a link concerning walking Gynoid legs, designed and built by the Sano Laboratory at the Nagoya Institute of Technology. Mm hmmm.

So loud! She’d be quieter in heels

Undoubtedly it escaped my search cos there’s no top half. But what you see here is half the battle! (Sorry.) But why is that bloke gripping her by the hips, apart from the obvious reasons, you ask? Think of him as her ‘starter motor’, as the legs are effectively using their own weight to move. Curiously enough, they contain no motors, sensors, computers or electricity. DigInfo explains, well, translates:

This robot is walking down a slope, and its only source of power is potential energy. It doesn’t use any kind of motor or control, so we think it’s very environmentally friendly. […] The robot has three main parts: thighs, lower legs, and ankles. It’s made of aluminum, and it contains only mechanical components, which have been adjusted so that the robot has the same thigh and leg lengths as a person, and weighs the same.
the entire article is here

As it’s passive, it’d definitely be more suited towards a Synthetik partner — i.e, someone you could literally walk with — as opposed to an independently moving Synthetik. In any case, it’s a step in the right direction. (Sorry.)

+ Coincidentally enough, here’s a new video of AIST’s Miim-chan strutting her stuff. Show us how it’s done, babe:

According to robots.net, ‘[Her] knees are stretched by the vertical movement of the waist, the single-toe supporting realizes longer strides and the legs perform the swing motion of the human equivalent’. She’s getting to be more fluid in her stride, and that’s always a fine thing to see. Or, in regarding Miim-chan, I know you fine, but how you doin’?

+ You of course recall new affictitious girl on the block Maid-Ling, right? I should bloody well hope so; I’d only just profiled her last month. Well, Titman, the creator behind her, has launched a website where you can purchase a Maid-Ling of your very own. Can the link also be found in the lefthand sidebar, under ‘Synthetik companion types’? Why yes! Yes it can.

+ Obviously, I love modern Synthetiks, but finding bits and bobs about their predecessors is just as fascinating. Like this, from a November 1931 issue of the magazine Modern Mechanix:

‘Perfectly intelligible’. Heh; they’ve never seen her drunk

Frankly speaking, with some of the Mannequins companies make today — and a dry erase board instead of a chalkboard — I think it’s high time to revive this idea. Just… don’t let Ronald Dotson know about it.

+ Hiroshi Ishiguro and Kokoro co. Ltd. have answered the question ‘With all the Gynoids that are being built these days, why aren’t there any Androids?’ Which is a bit erroneous, as Ishiguro-san himself has a Synthetik twin, as does Danish professor Henrik Scharfe. But now Actroid-F has a twin brother of her own, and both of those crazy kids are putting in appearances at various hospitals in Japan as observers:

‘What’s twincest, you ask? Wellll… we’ll tackle that question later’

It’s often said that the more human a robot looks, the more small differences make people feel uneasy. In our research, when we use this robot in the field, we check that it matches its surroundings and doesn’t look out of place. When we tested the robot in a hospital, we asked 70 subjects if having an android there made them feel uneasy. Only 3 or 4 people said they didn’t like having it around, and overall, quite a lot of people said they felt this robot itself had an acceptable presence.
the entire article is here

Facially, yes; they’re both twins. Which is interesting, if you think about it, as the male Actroid-F was facially modelled after the female Actroid-F, who was facially modelled after that Organik lass whose name hasn’t been revealed. Unlike making a FAX of a FAX of a FAX, though, the resolution’s still clear.
If I were working with the Actroids, I’d probably refer to them as Zan and Jayna. This would be shortly before I was asked told to leave the project, more than likely.

+ Last but not least, I’ve been asked to attend a bona fide symposium! Since last Summer, I’ve been exchanging Emails with Sarah Valverde, a psychology graduate at Cal Poly State University. She’d seen the Missus and I doing our thing on telly, and realised there really hadn’t been a tremendous amount of unbiased and legitimate psychological study ever done on iDollator / technosexual culture. She’d written a paper, and currently she’s finalising an online survey, and she and one of her colleagues are planning a presentation on the subject for one of the major psychological association conventions next year. One of the reasons Sarah figures that there’s not been extensive research into our cultures is that so few iDollators are willing to discuss who they are and what they’re into, and as a result, what little info the medical community receives is through the distorted lens of the media, or at the very least, second-hand. So once again, I Am Doing My Part! The biggest obstacles, really, are being able to fly out there — it’ll either be in California or Florida — and being concise/coherent enough to cover all the topics I need to in thirty minutes’ time. Thirty minutes will not be enough time. I don’t think Shi-chan will be able to come with, unfortunately; she has an aversion to the TSA and their errant groping; she can hardly be blamed. Our hope is, however, that some Doll will be able to sit on the panel with us, as an example.
More details as they unfold! I’m pretty excited! Being able to bring across an unadulterated iDollator viewpoint will do our community a world of good! I should open with some jokes. What would Oskar Kokoschka say in this sort of scenario?

Sdtrk: ‘First prize (Live in Glasgow, 1982)’ by Strawberry switchblade

What d’ye know, this post is actually on time this month! Or… is it?? (HINT: it is)

+ Phoenix studios, the offshoot company to Abyss creations (think of them as The Grey Area to Abyss’ Mute records) have made a new Boy Toy C-series Doll available, not only for purchase, but also for love. Meet Cadence!

photo by Stacy Leigh

The C-series answers the question I’d once had about what course of action Phoenix would take once they ran out of months and seasons in their original ‘Calendar girls’ and ‘Seasons’ lines: the C stands for Customisable. Meaning their appearance isn’t as prescribed like the other lines, and with a multitude of options, the sky’s the limit.
The name Cadence didn’t make any sense to me at first, but once I realised that the other models in the C-series had the music-based names of Harmony and Melody, then it all fell into place. What Phoenix studios need to do is create three new models and name them Rhapsody, Symphony, and Destiny, thereby allowing any enterprising iDollators who just so happen to be Gerry Anderson fans to buy one of each, and re-enact all their Spectrum Angel fantasies from ‘Captain Scarlet and the Mysterons‘. Extra Cool Points if you ship ’em in their uniforms.

+ I’m fairly certain you’ve seen this by now, as she’s been the subject of various news and/or entertainment websites, but Japanese robotics company tmsuk wanted to improve on their dental training Gynoid Hanako Showa, so they requested the help of longstanding dutch wife manufacturer Orient industry, and the result is the adorable Hanako Showa 2.

Now remember not to confuse Hanako Showa 1 or 2 with Kokoro Co. Ltd.’s Simroid; they’re similar, but not the same. The more Gynoids the better, obviously, but what makes Hana-chan the Second different from her older sister? Orient industry made her face and hands from silicone, as opposed to the stiffer PVC that her predecessor had; plus, thanks to software from Raytron, she now has conversational ability. Hana-chan 2 also has a mouth lining that’s moulded as a single piece, a motor-driven head instead of one that was pneumatically powered, and a gag reflex. Ahem.

But did Orient industry redo her feet? This is an Important Question

Her overall aesthetic effect is only slightly marred whenever she closes her mouth, as it’s family-sized for obvious reasons, but apart from that, well done tmsuk, and well done Orient industry! Hopefully they’ll follow up with Hanako Showa 3, wherein she gets more irritated, bored, or nervous the longer you make her wait in the lobby.

+ Speaking, as we were, of Orient industry, it’s Summertime, which can only mean one thing — limited edition yukata matsuri (kimono festival) postcards! Well, .pdfs, actually. Quit your whinging, they’re free.

Left, Tomoko; right, Koyuki

Like I’d said, they’re limited edition, which means they’ll no longer be available after 31 August, so get a wriggle on!

+ Do you recall how Actroid DER2 was a spokesbot for Kincho’s Preshower spray back in 2008? This year, it looks like her sister Actroid Sara, former Aichi World Expo 2005 guide and last seen at iREX back in 2009, has taken up the mantle for a new advert. Nice!

Wolfgang and his wife, Masako, took some valuable minutes out of their day to translate the dialogue, cos they’re pretty fantastic like that:

Actroid Sara: The bug repellent that doesn’t hurt your skin, Preshower! The bug repellent that doesn’t hurt your skin, Preshower! (pause) That’s all I know how to say…
Yuuko: That’s…
Actroid Sara: The bug repellent that doesn’t hurt your skin, Preshower!

Gotta love the little nod and wink to the fact that she has a limited pre-programmed vocabulary, there.
Like I always say, it’s a great start. First, adverts on telly, then a music video, then the move up to a 22min programme, then onto a feature film. Someone has to lead the charge, and Sara-chan’s doing a fine job!…

+ Euchre, my iDollator pal who lives with the distracting Samantha and Monica, sent me a link to this story from the Australian Broadcasting Corporation news site: an article concerning ‘Stephen’ and ‘Andrew’, two iDollators from down under, and their respective silicone paramours.

‘Natasha’ (not her real name), wishing she were in a left-side drive car

Cathleen Maslen from the University of Western Australia has spent time studying the RealDoll subculture and says that despite the sexual marketing behind them, owners do not necessarily perceive their dolls as sexual objects.

“They don’t seem to just function as sex toys – people seem to incorporate [their dolls] into their whole lives sometimes, which is quite amazing,” Dr Maslen says.

“For men who have [dolls] and take them seriously they can develop a whole lifestyle that revolves around them.”

There is no doubt that the owners who take their dolls seriously really love them, she says, and that they have both a huge emotional investment and attachment to them.

“There’s at least one RealDoll owner who has actually married his doll in a public ceremony,” she says.

“[The owners] try to view them as this vibrant alternative to actually having a relationship with a woman.”
the entire article is here

It’s always refreshing to read an article on iDollators and our lifestyle that doesn’t have a condescending or judgemental tone to it. Also, too, to see a medical expert acknowledging that not every iDollator buys a Doll strictly for sexual purposes. ‘Stephen’ and ‘Andrew’, you’re doing right by the rest of us!

+ And finally, we have indisputable proof that Japan is reading my mind: ball-joint stockings. O goodness.

The stockings are missing ankle joints, but they’ll do for starters

The seller, Selfer.net, has sold so many pairs of Spherical Joint Stockings priced at 2,000 yen ($25) per pair, that the nifty nylons currently sold out and customers are being advised they’re on back order. Selfer.net, by the way, is a site that sells clothing and accessories to Japanese schoolgirls… Nope, I’m not surprised either.
taken from this site

Now that’s how you improve on Nature! At least until the prosthetic body industry starts up in earnest, that is

Sdtrk: ‘Dance avoid’ by ADULT.

Well, there are now! Honestly, one month ago there really wasn’t a lot of bits and bobs concerning the world of Synthetiks, so apart from writing a post consisting solely of the sentence ‘DOLLS: go buy one today!!’, the article would’ve looked a bit spare. But now it’s June! Check this lot out:

+ First off, we have everyone favourite walking talking Gynoid, Miim-chan (aka HRP-4C), having a stroll outside of the laboratory she was built in, in Tsukuba, Japan. Cute? She’s automatically cute!

What makes this video significant is that it shows she’s able to walk on rough and uneven surfaces, not just smooth interior floors; she does this through the use of an inverted pendulum control model to maintain her equilibrium. It’s not the sexiest of sashays, but AIST has to start with the basics first. Nevertheless! rrrRowr.

+ Quite interesting: CARIS, the Collaborative Advanced Robotics and Intelligent Systems Laboratory in British Columbia, is conducting a survey regarding human-robot interaction. Their aim is to get a sense of how Organik people perceive and interpret actions performed by both Organiks and Synthetiks. It’s about 15-20 minutes in length, and the results are going towards robotic development, so I’d say it’s definitely worth your time. After all, you can’t whinge about how ‘the uncanny valley’ makes Androids and Gynoids move in an unnatural manner, if you didn’t help to correct it, right?

+ I can’t definitively recall where I found this, but it seems I have a New Favourite Artist, by the name of Yves José Malgorn. Can you guess why?

Left, Android Anatomy 01; right, portrait of Nathos

When he’s not whipping up graphic design for clients, he spends time creating affictitious pin-up models from the not-so-distant future. The thing I like most about his illustrations is their crisp and well-defined lines; if Eighties-art icon Patrick Nagel had turned to mechanical women instead of making covers for Duran Duran, his work would be not dissmiliar to that of Yves. Why not have a look at YM Graphix?

+ Thanks to our friend Mariko Lynn, a winsome RealDoll that Sidore and I often chat with on the Twitter, there’s this tale of a Seattle man who, back in May, received a ticket from a police officer for misusing the HOV lane, as his passenger happened to be an Air Doll. *cue comic trombone*
Humourous as that instance was, fast-forward to this month in Oakville, Ontario: another bloke, another Air Doll, another ticket. Lesson learned: if you’re going to try to get away with that sort of chicanery, you really should use a silicone Doll as your partner-in-crime.

+ Speaking of silicone Dolls, Were You Aware that not only are there a cluster of heart-stoppingly gorgeous new photos of the Yu-ki, Haruhi, Natsuki and Kunika types, modelling the recent A.I.NEO im body, on 4woods‘ website? Well, you are now.

Left, Natsuki, remembering that she’s near-sighted; right, Yu-ki, wishing you would shut the hell up

Not only that, but if you were to place an order for one of their A.I.Dolls, you can have her made with a soft stomach for an additional 30,000 JPY. ‘As of April 2011, using our advance technology, we added a new option of “Soft Stomach Feature” for all our four body types. Not only “breasts”, the area customers touch most, you can now select a soft stomach and enjoy the realistic feel of doll body’, sez the company, it sez. Is that sort of feature worth an additional $372 USD, you ask? Perhaps sir or madame would like to view this video (NSFW)?
When I was in Vegas for AVN last year, I had the opportunity to fondle the boobs of the A.I.Doll that was showcased there, and they were the softest Doll breasts I’d ever felt, ever. I cannot lie; they were like marshmallows, and as I squeezed them over and over, I wept salt tears at their cushiony wondrousness. Keeping that in mind, I’m convinced the new soft stomach will make a wonderful pillow for many a head.

+ American robotics genius David Hanson weighs in on science and technology blog IEEE Spectrum, on the question of ‘Why We Should Build Humanlike Robots‘:

On the tree of robotic life, humanlike robots play a particularly valuable role. It makes sense. Humans are brilliant, beautiful, compassionate, loveable, and capable of love, so why shouldn’t we aspire to make robots humanlike in these ways? Don’t we want robots to have such marvelous capabilities as love, compassion, and genius?

Certainly robots don’t have these capacities yet, but only by striving towards such goals do we stand a chance of achieving them. In designing human-inspired robotics, we hold our machines to the highest standards we know—humanlike robots being the apex of bio-inspired engineering. […]

It is true that humanlike robots are not nearly human-level in their abilities today. Yes, humanlike robots fail. They fall, they lose the topic in conversation, misunderstand us, and they disappoint as much as they exhilarate us. At times these failures frustrate the public and robotics researchers alike. But we can’t give up. Humanoid robots are still in their infancy. Though they falter, the abilities of humanoid robots continue to grow and improve. Just as babies can’t walk, talk, or really do anything as well as adults do, or do anything particularly useful, this doesn’t mean that babies deserve our contempt. Let’s not give up on our robotic children. They need nurturing. And as a researcher in humanoid robotics, I can attest that it’s a pleasure to raise these robots. They are a lot of fun to develop.
the entire article is here

The common man, especially in Western society, seems to believe that once robots acquire some level of cognition and reasoning that comes close to equalling that of humanity, then humanity is Clearly Doomed to be Fleshy Victims of the Robot Apocalypse. Generally, these are people that believe the ‘Terminator’ and ‘Matrix’ franchises are documentaries. The only conceivable reason for this fictional robolution (I apologise) would be that once humanoid robots are more prevalent in society, a lot of them are pretty much going to be slaves, performing tasks or duties that Organiks would avoid doing. Correct me if I’m wrong, but human society has dabbled in slavery before, yes? Any opportunity an Organik is presented with to subjugate a being that he sees as being similar yet unequal to himself is one he’ll take advantage of. Heh, going by that line of thinking, wouldn’t a robot revolution be almost justified? So as we approach a state where Synthetik beings are edging closer to Organik ones in appearance, thought, and action, wouldn’t it be better to start off on the right foot?

+ Newer visitors to ‘Shouting etc etc’ — you know who you are — know about the pro-Doll lifestyle that I’m eternally promoting and would expect the same on my blog, but are probably unaware that it doesn’t stop there, which is why I use the term ‘Synthetik’ so often. You’ll want to take a couple of seconds and hover that so-called mouse pointer of yours over that green underscored word, there. Going from my interactions with people — again, you know who you are — I get a sense that a lot of you aren’t privy to how advanced Android and Gynoid technology is coming along. You spotted Miim-chan above, and do you know of Kokoro co. Ltd‘s Geminoids?

With friends like these, who needs mirrors?

Contemporary genius Hiroshi Ishiguro and his Synthetik twin met with that unnamed model lass and Actroid F (formerly Geminoid F), as well as Prof. Henrik Scharfe of Denmark’s Aalborg University and his recently-built Geminoid DK Doppelgänger, at a summit back in April in Kyoto.

When Scharfe ordered his Geminoid DK bot from Kokoro, the price tag was around $200,000, he told The Vancouver Sun. It took about six months to build.

Scharfe can remotely operate Geminoid DK so that it imitates some of his upper-body movements such as head position and facial expression. Meanwhile, it automatically “breathes” and blinks for a more lifelike effect. “It begins to feel very natural to operate it,” Scharfe tweeted. “Really like a natural extension of my first body.”

Scharfe said he used his clone in a translation experiment when he got together with the other Geminoids.
the entire article is here

Sounds like the world of ‘Surrogates‘ isn’t that far off, then! *rubs hands together gleefully*

+ And finally, Sinthetics have posted new photos of their luscious Tawny, Celeste, Alicia, and Monique Manikins, that I’m sure you’ll find entirely distracting in the best possible way.

Left, Alicia’s striking peaks and valleys; right, Monique, seconds before reminding you her eyes are up there

If pics like that aren’t enough to nudge you towards the pro-Synthetik side of the fence, then frankly, I don’t know what to do with you

Sdtrk: ‘Destination’ by John Foxx and the Maths

For some reason, it feels like I’m a month behind on these. For the sake of argument, I’ll simply blame daylight saving time, as it’s a rubbish practise 50% of the time, anyway. It’s either Happy You’ve Lost An Hour Day!, or it’s ‘Well, ordinarily I’d be getting off work about now, but hey! Looks like I’ll be here for another hour.’ Not that either situation has ever happened to me, o no. *thins lips*

+ According to the website Plastic Pals, a Korean robotics company by the name of SoluBoT debuted their recent winsome Gynoid, Ari-1, at the Industrial Automation Show 2011 Automation World that took place this month. She’s a keeper!

Is it me, or does she resemble a Boy Toy Doll?

SoluBoT worked previously with KiTECH to help them develop Korea’s other famous series of Gynoids, EveR-1 and EveR-2 Muse. Good to see Ari-1 clad in Korea’s national dress, the hanbok, but something more revealing would be obviously better (see ‘Boy Toy Doll’ reference above). Plastic Pals goes on to say that she was developed back in 2006, and was designed primarily to study human-robot interaction. Ari-1 is the right way to study that sort of thing! She’s speaking with you for Science.
AVING has an article which details more about her, but the page is in Korean, so you can look at it here if you like, but if you can make proper sense of it, you need to let me know what was written, as details on Ari-1 in English are few and far between. Okay? Okay!
UPDATE (25 April 2011): Alert reader Paul Cobb has stepped up to the plate, and translated the aforementioned news, which you can read in his comment here. Thanks very much, sir!

+ In last month’s installment, you might well recall the latest head from Vladivostok’s Anatomical Doll, Eco. Like you, I wondered, what could be the story behind that name? Was it a sly reference to overly-intricate postmodern author Umberto Eco? Or was Oleg possibly paying homage to his favourite game for the Sega Genesis, Ecco the Dolphin? No, it’s more interesting than that, as he wrote to me:

This year I start to build the non-polluting house for the family in a reserved wood, is very far from all cities.

My house will be non-polluting, completely independent, receiving energy from the sun.

Keen on this new idea, I have named a new head – “Eco”

More straightforward than you thought, eh? Personally, as I’ve always been a firm believer in names for homes, I think he should call his new home ‘Eco House’.

+ Speaking, as we were, of human-robot interaction, fellow iDollator JM of Synthetically Yours sent me this interesting (‘interesting’ in the Davecat definition of ‘not necessarily completely good or completely bad’) link: How Do People Respond to Being Touched by a Robot?

For people, being touched can initiate many different reactions from comfort to discomfort, from intimacy to aggression. But how might people react if they were touched by a robot? Would they recoil, or would they take it in stride? In an initial study, researchers at the Georgia Institute of Technology found people generally had a positive response toward being touched by a robotic nurse, but that their perception of the robot’s intent made a significant difference. The research is being presented today at the Human-Robot Interaction conference in Lausanne, Switzerland.

“What we found was that how people perceived the intent of the robot was really important to how they responded. So, even though the robot touched people in the same way, if people thought the robot was doing that to clean them, versus doing that to comfort them, it made a significant difference in the way they responded and whether they found that contact favorable or not,” said Charlie Kemp, assistant professor in the Wallace H. Coulter Department of Biomedical Engineering at Georgia Tech and Emory University.

In the study, researchers looked at how people responded when a robotic nurse, known as Cody, touched and wiped a person’s forearm. Although Cody touched the subjects in exactly the same way, they reacted more positively when they believed Cody intended to clean their arm versus when they believed Cody intended to comfort them.
the complete article is here

For one, I used to love ‘Touched By A Robot’. That was a genuinely heartwarming show. Roma Downey as a Gynoid, travelling from city to city, touching people. Sometimes she would hug them, or place a reassuring hand on their shoulder, or simply headbutt them. One pivotal episode had Roma poking someone with a stick. The townspeople were left wondering if being poked with a stick was the same thing as being touched. It was very pivotal. In fact, it pivoted!
Originally, I would’ve simply chalked up a lot of the negative reactions to people not being used to machines behaving like humans, but the article went on to say that similar studies had been conducted with Organik nurses, with much the same result: ‘In general, if people interpreted the touch of the nurse as being instrumental, as being important to the task, then people were OK with it. But if people interpreted the touch as being to provide comfort… people were not so comfortable with that.’ I would say that perhaps one of the focusses should then be employing Synthetiks in more of a non-physical context, like counselors, for example, but artificial intelligence isn’t complex enough yet to handle the labyrinthine pathways of the Organik mind. Hrrm.
Perhaps a study on the reactions of Organiks when Synthetiks physically interact with them in a situation outside of a hospital would be something worth doing. And I don’t mean in the typical context of sex; perhaps massage therapy instead? I’d initially thought of sports, but robotic capability isn’t at that level yet, either. But massage takes advantage of the fact that a masseuse doesn’t move around a tremendous amount, and it’s based on tactile sensation without it being either medically- or sexually-related. Sensual maybe, but not sexual. When a person’s in hospital, they tend to be more tetchy than usual, as they’re dependent on the care of others, and they’re in a very vulnerable state of mind. With a massage session, people look forward to the relaxation that physical contact can bring them; it’s a completely different environment. I think I’m on to something here. I should apply for a grant, as this is a study that seriously should be conducted… This is gold, Jerry! GOLD!

+ As Private island Beauties is a Doll-making company that everyone knows about but works on quieter level, this information nearly evaded my sensors: they’ve created two new heads and a brand-new body recently. For years, their mainstay body was the ‘Bathing Beauty’ — you know her, you love her — but joining that body style is the new ‘Girl Next Door‘, as expertly modeled by Aria, one of the sexy new head sculpts, below.

HOW NOT TO REGARD A PAINTING: from two miles away (left), or less than two inches away (right)

Just what is it that makes the Girl Next Door body so different, so appealing? She’s 20 lbs lighter and five inches shorter than the Bathing Beauty-type, for a start, making her a diminutive 4’9″, 59 lbs. 32.21.33 would be her measurements, and she wears a petite 5.5 shoe. She’s very elfin! In fact, the other new head Patrick Wise created, Bitzy, capitalises on the Girl Next Door-type’s tininess…

The most seductive Keebler elf you’ll encounter

Well done, Patrick! Keep on truckin’! And by ‘truckin”, naturally I mean ‘sculpting relentlessly delicious silicone women’. It’s slang.

+ Finally, I can’t begin to recall where I first saw mention of this, but Ricky Ma Tsz Hang, a bloke in Hong Kong, has assembled an animatronic version of Chinese actress Kelly Chen. O my goodness.

Will she be replacing the Organik Kelly Chen if they make
another sequel to ‘Infernal affairs’?

Of course I had to know more, so I fired off an Email to him. He replied very quickly, which was fab, as information in English on her is decidedly hard to find. Ricky sez, he sez

I’m a graphic designer in Hong Kong. I want to use my totally art & creative skills to make a robot. Last year, I made a decision to create the Kelly Robot because this is my dream. But Hong Kong haven’t any courses about it. Besides, no more spaces, limited money and machine to do ( just use the handy Grinding machine & my hands only) at home. Finally, my dream is come true!

Anyway, please see the details about the Kelly Robot as below :

Measurement:
Tall : 5′ FT 7″ inches
Head : Sculpt by clay (based on the hundreds photo), make the molding and re-molding by silicon. Then use PU to make the Eyes Ball, Skull & teeth, and use the 6 servo for movement of the blink, left and right, up and down of eyes, open mouth, the neck – left and right, up and down. The body, I find the fashion display model and complex mold by soft foam.

Material:
Silicon rubber, PU, servo, mini board, simple computer control system.

He further goes on to say that it took him five months to make her, as due to his day job, he could only spend two hours per day to work on construction, and her material cost ran about $28,000 HKD, or $3592 USD, which isn’t bad. And yes, she does have limited movement! Here’s one of the videos he’d made:

Ricky is currently working on version two of his affictitious Kelly Chen. Maybe when she’s completed, he can ship the old one round to our place! For, errm, science. Yes. A couple of versions later, perhaps we can look forward to her new career as a masseuse!

So that’s March sorted, then! *dusts off hands*