Sdtrk: ‘Negative volumes’ by Black to comm

I suppose this would be the equivalent of !!BREAKING NEWS!! round here, but the GAGADOLL site that I’d mentioned in the previous post has been updated. Undoubtedly I should’ve waited until more photos become available, but hey. We do have this to stare longingly at, though!

Japan’s latest and finest technologies were put into the creation of the “GAGADOLL”. It’s the world’s first life-size human-shaped listening station that closely resembles Lady Gaga. The bone conduction system enables one to listen to her songs and message.

The “GAGADOLL” was inspired by the concept of “ARTPOP” and this masterpiece made by Japan’s master craftsmen has been highly-praised by Lady Gaga herself.
taken from the site

The Doll making company in question is apparently Orient industry — as they’ve been doing the dutch wife-making lark since the late Seventies, they know their onions — and what they and Lady Ga² have created would be a cross between a personal sound system, and a dakimakura, which would be one of those ridiculous ‘love-love pillows’ you’ve doubtless seen various places. Thankfully, Gagadoll makes it a much sexier combination. As I’d stated before, I’m not keen on her music, but as far as I’m concerned, she just gained like 200 Cool Points with me.

Those awful shoes have to go, as they comprise a third of Gagadoll’s body weight. Another third? Her hair

Depending on the availability/affordability of Gagadoll — no, I’ve not seen anything on either of those fronts yet, but I’m keeping an eye out — perhaps this could herald a trend of celebrities having Synthetik likenesses made of themselves to sell to fans? I mean, actors are commodities as it is; having silicone replicas made would simply take it a step further. Which would obviously be a fantastic thing on multiple levels, but it’s yet another example of there being nothing new under the sun. There’s a section in one of my oft-mentioned favourite books, David Levy’s ‘Love and Sex with Robots‘, wherein the author recounts another author, René Schwaeblé, who describes artists creating affictitious duplicates of popular invididuals of the time, in an article entitled ‘Les Détraqués de Paris’. I’d like to point out here that René had written this during 19th-century France:

From René Schwaeblé’s description of these fornicatory dolls, sold by a “Dr. P” for around three thousand francs, it would appear that they were extremely convincing replicas of the female form. The doctor explained to Schwaeblé:

Every one of them takes at least three months of my work! There’s the inner framework which is carefully articulated, there’s the hair on the head, the body hair, the teeth, the nails! There’s the skin, which has to be given a certain tint, certain expression, there’s the tongue, and I don’t know what else. You won’t find a waxwork or a statue, not even the ones created by the greatest masters, that can be compared to my products. The only thing these haven’t got is the power of speech!…
Unfortunately I can’t advertise openly. The police keep interfering in my business, and I have to keep some weird rubber animals around the place, so that I can say I’m a maker of inflatable figures for funfairs!

Doctor P occasionally had customers who wanted a doll made in the likeness of someone they desired.
It quite often happens that one of those “mad women” falls for a man in the public eye—a politician, a jockey, some hammy actor, or whatever. As she doesn’t dare to become his mistress, or can’t, she applies to me and asks me to create a doll modelled on her idol.

Levy, David. Love and Sex with Robots, pages 179-180.

Lady Ga², I’m starting to get the impression that you’ve done a bit of homework on this sort of thing. There you go; you get another five Cool Points

Sdtrk: ‘Prototype pop’ by Severed heads

As we can all agree, seeing numerous photographs of Dolls is all well and good, but it’s better to see video footage of them doing all manner of things as well. That’s beginning to change! New York music artist Hot Sugar teamed up with famed Doll photographer Stacy Leigh, and she directed a video for his song Erica. Observe:

Apart from the fact that it features several alluring RealDolls, I was really impressed with the concept; the ‘Video Intimates’ DVD idea is way too clever. Well done to all involved!

Before we move on to the other video, I’ll take this opportunity to mention that Phoenix studios have just released yet another make of Boy Toy. This series is called ‘Celestial Bodies’, the first lass in the stable would be named Star, and this is what she looks like:

Finally! A 100% artificial version of Pamela Anderson! Well, one you can take home

She’s 4’10” (I once knew a lass who was that height), weighs less than 60lbs, has measurements of B:32 / W:22 / H:32, and wears a sz 5 shoe. According to Phoenix studios, she currently has a full head design with a deep mouth insert, although they’re working on a version that’ll sport closing eyelids as well. Also she features a new design for her pelvic insert. I’m sorry, I have to side with the Japanese Doll makers on this: they refer to a pelvic insert as a ‘marriage hole’. There is no way that term isn’t amazing.
Check out the rest of Star’s photos here, and see what you think…

There’s a cluster of new photosets posted on Sinthetics as well; now available are new shoots detailing an Alicia head on a Body 1B, and two shoots of an Eliza head on a Body 1B, one of which has her getting to know a Gabriel-type. Well well. *raises eyebrow*

Of course it’s drafty, Eliza; you’ve just taken off your blouse

The good folk at Sinthetics are due to release another male manikin named William, so some of you have that to look out for…

Now the other video we’ve got coming up… good lord, for a moment there, I felt like a VJ. So! The other video we’ve got would be by DCUP (I rather like their name) featuring Mereki on vocals, and starring model Kozue Akimoto hanging out with her Gabriel-type lover by Sinthetics. Let’s take a look:

I’d have to say that video’s pretty adorable, too. And did you notice the part where they went to Shinjuku’s famous Robot Restaurant? Society needs more iDollator couples! But you’d expect me to say that.

Last but not least, Danielle of Womanicpation Proclamation has released the second part of her interview with me on her blog just recently. Like me, she got sidetracked by things, and like my review of DolLApalooza 2013, she thought it would only span two parts, but there’ll be a third. I forewarn every potential interviewer that I tend to ramble concerning my favourite subjects. I’m a rambler! A Nash Rambler, to be specific. I was produced briefly by the Nash division of the Nash-Kelvinator Company and was a forerunner to the American Motors Corporation’s entry-level cars. Produced between 1950 and 1957, I was North America’s first compact car *continues with this folly for an additional forty-nine minutes*

Sdtrk: ‘…da beißt ein Goldfisch an’ by Brigitt Petry

So I’d recently come to this shocking revelation:

You have singer-songwriter Kate Micucci:

And here’s silicone sexpot Miss January:

Hmm. And has anyone ever seen them in the same room together? Hmmm.
The plot thickens (not really)

Sdtrk: ‘Valerie’ by Broadcast

It is with great sadness we announce that Trish Keenan from Broadcast passed away at 9am this morning in hospital. She died from complications with pneumonia after battling the illness for two weeks in intensive care.

Our thoughts go out to James, Martin, her friends and her family and we request that the public respect their wishes for privacy at this time.

This is an untimely tragic loss and we will miss Trish dearly – a unique voice, an extraordinary talent and a beautiful human being. Rest in Peace.
Warp records, 14 January 2011

1997 was when I first learned of Broadcast; their debut Cd ‘Work and non work’ had come out on the Drag city label. I’d read about them somewhere — can’t recall where, but it was a case of ‘if you like Stereolab, you might also like Broadcast’, recommendation and similarity being the way I find a good number of groups. ‘Work and non work’ was really a compilation of their first three 7″ releases; the three-year wait until ‘The noise made by people’, their first proper release, would be excruciating, as I found myself listening to ‘Work and non work’ far more than I thought I ever would, and was eager to hear new material.

The comparison to Stereolab is actually a bit tenuous — sure, both groups traffic in retro-Sixties-sounding music, but whereas Stereolab’s basis draws from motorik, tropicalia, and easy listening, Broadcast took their influences from the BBC Radiophonic Workshop, avant-garde pop groups, and Eastern European film soundtracks. Admittedly, one of Trish’s favourite films was the dreamlike Czechoslovakian entry ‘Valerie and her week of wonders‘, and having seen it for the first time a couple of years ago, it totally made sense why she loved it, and why both Jaromil Jireš’ direction and Luboš Fišer’s soundtrack were such a heavy influence on their sound. Stereolab overall are brighter and poppier, but Broadcast projected a mood akin to a year-long autumn. Their music and images complemented each other, but the thing that tied it all together was Trish’s voice — vulnerable, but simultaneously strong.

Broadcast were one of those rare groups where each successive release was better than the previous one, going from ‘The noise made by people’, to ‘Ha ha sound’, to ‘Tender buttons’, to their collaboration with The Focus Group’s ‘Investigate Witch cults of the Radio Age’, from 2009. They can quite literally be said to be the originators of a new genre of music: hauntology. Groups like Moon wiring club, Research Laboratory of Electronic Progress, Mordant music, and every artist on the Ghost box label create nebulous sounds, couched in the past, like soundtracks from déjà vu experiences from places you’ve never personally visited and occurrences you’d never personally witnessed. We’ve all been there. But do you recall that voice you’d heard in the background of nearly all your dreams? That whisper like a familiar but slightly chilling breeze? Naturally, that was Trish.

I’d say she’d be missed, but she’ll always be with us. Especially in our dreams

Sdtrk: see below

I am writing! Which may seem like a silly thing to announce, but Things have been going on with me as of late, and they’re the sort of Things that I want to keep under wraps until they’re very close to finalisation, cos I’m cautious coy like that. But there’s been so much stuff going on that it’s kept me from writing; in fact, one of the articles I’m tackling would be this month’s ‘Any Synthetiks-related etc etc?’, which is probably going to come out next month instead, as it’s feckin’ bloated. It’s another example of ‘there’s so much I need to impart, where do I begin?’ But it’ll be done, nevertheless…
Remember the days back when ‘Shouting etc etc’ actually focussed on topics other than Synthetiks? Heh, neither do I!

In the interim, however, this is killing me: it’s a piece by Marc-André Hamelin, a 20th century composer, for two player pianos. It’s titled ‘Circus galop’, and it will rip your mind open. If Venetian snares wrote music for player pianos, it’d be rather like this:

More later!