Sdtrk: ‘Cemetry gates’ by the Smiths

Ha ha! Looks like even Gynoids aren’t exempt from visiting the dentist now! Now they can go through what I recently went through. Sucks to be you, Little Miss Synthetik! Ha!

As long as the nurse doesn’t start asking ‘Is it sssafe?’, then she should be alright

Humanoid robot teaches dentists to feel people’s pain
Yahoo! News | Wed Nov 28, 4:59 AM ET

Japan’s future dentists may soon be able to better appreciate patients’ pain by training on a humanoid robot that can mumble “ouch” when the drill hits a nerve.

The robot, resembling an attractive young woman with long black hair and a pink sweater, also can listen to instructions and react to pain by moving her eyes or hands.

A group of robot and computer makers presented the high-tech dental patient in Tokyo at the 2007 International Robot Exhibition, a four-day technology showcase that opened Wednesday.

The medical simulation robot, named “Simroid,” is designed to be used for clinical training at dental schools, said Tatsuo Matsuzaki, an official at robot maker Kokoro Company Ltd., which developed the body and control system.
the rest of the article is here

For a while, I was wondering what the forward-thinking people at Kokoro Co. Ltd. were up to, as I hadn’t seen nor heard any Actroid news in months. And believe me, I looked. But it’s good to know they’re not resting on their laurels…
Although you can’t exactly tell from the above photo, Simroid-chan’s pretty cute, even when there’s a bunch of people jamming their hands into her mouth. At the very least, you know she takes care of her teeth.

I found a couple of videos of her in action as well, but I’m debating whether to upload them to my YouTube page, or let the Missus put them on her Dailymotion page. Dailymotion has been giving us problems as of late, as most, if not all, of the videos we’ve uploaded have been marked as having inappropriate content. Bloody ridiculous. I’ll figure out something relatively soon

EDIT (2.31 pm): Well, damnit, Pink Tentacle. I’LL GET YOU NEXT TIME *shakes fist*

ta very much to SafeTinspector for the hip tip

Technorati tags: robots, Androids, Gynoids, Kokoro Co. Ltd., Actroid, dentistry

Sdtrk: ‘Jeane’ by the Smiths

Under normal circumstances, when I hear the word ‘children’, I automatically think ‘leash laws’, but this article on the Telegraph’s website reminds me that children really are the future.
Great, now I’ve got that goddamned Whitney Houston song running through my head.

Children treat nursery robot as a human
By Roger Highfield, Science Editor | Last Updated: 12:01am GMT 06/11/2007

Child-like robots are being developed for nursery schools after researchers found that toddlers are able to regard their artificial friends as human.

The key step for robots to help teachers is for the automatons to be accepted by toddlers as social peers who are worth paying attention to – and bonding with – a hurdle that is crossed today in a study published by a team from the University of California, San Diego, UCSD.

Robots are capable of impressive mechanical feats, but the study in the Proceedings of the National Academy of Sciences now shows that researchers are close to solving more difficult challenge: being accepted as being a peer, at least by the smaller members of our species.

The problem is that most robots do not hold a toddler’s attention. The most successful so far have been storytellers, but even these can only hold interest for approximately 10 hours.

Now Dr Fumihide Tanaka of UCSD and colleagues has done much better by introducing a prototype “social robot” into a classroom of toddlers for five months.

A human controller sent very occasional instructions for the robot to turn its head or perform an action like giggling or dancing. The robot was programmed to lie down when its batteries were running out. Often children would put a blanket on him, saying “night-night”. Early in the study, some children even cried when he keeled over.

The researchers videotaped the sessions and scored the quality of the interactions, noting that the children’s social contact with the robot increased over time.

The children lost interest when the robot was reprogrammed to dance randomly, but the robot again became popular after resuming its original operating mode. “By the last sessions, five months later, they treated the robot as a peer rather than as a toy,” the team reports.
the rest of the article is here

This is an incredibly important aspect to upcoming Synthetik/Organik interaction, as if a child grows up alongside robots, they won’t develop a needless fear of or prejudice against robots. Obviously, there more than enough blinkered adults out there now who’ve watched the ‘Terminator’ movies and took them as fact, but kids don’t have that ridiculous conditioning. It’s my hope that successive generations of Organiks can see Synthetiks as their equals, but it’s obviously best to start raising children with that sort of open-mindedness as soon as possible. It’s like any prejudice against any race, colour, creed, etc, really — stamp it out early, and your children develop into better human beings. Kudos, UCSD researchers!

On the passive Synthetik (we just call ’em Dolls) front, 4woods does good again, with the release of the 小悪魔 (‘Little Devil’) version of their somewhat-dour-yet-cute Neu lass, only available for viewing on the Japanese side of the site. A saucy minx!

Give her a black pair of PVC bat wings, and she’s a RYU’S FORM SITE character

Now all she is, really, is a tattooed version of their Neu Doll, with a darker paint scheme and a brown wig. Does she genuinely count as a new Doll? Err… maybe? She’s a rarer version of a (semi-)rare Doll, rather like when DeLorean made the limited edition gold version of their fantastic automobile.
I have to say that I prefer the Little Devil Neu over the bog-standard version, but I would say that. But how long will those tattoos last, is my question? Get your photos in as soon as you can before they rub off!

Not to be outdone, Orient industry have released yet another variation of their popular CandyGirl Jewel line, called CandyGirl Jewel Diva. Much like their CandyGirl Jewel Rosa series, these gorgeous lasses get my Seal of Approval.

If I were her, I’d be staring at my foot, too

At about 5’3″ (taller than the Missus?), just shy of 75 lbs (34 kgs) and with the measurements 34 / 26 / 38, they’re fantastic enough, but the distinction that really sets them apart from all seventy-two of the other types of CandyGirl are their more realistically-sculpted faces. In fact, the Mao-type (pictured above) kinda resembles 4woods’ Mitsumi. Not that I’m complaining. Sexy? Yes!

And finally, performance artist and iDollator Amber Hawk Swanson has slapped together a fine site of her own that details her various projects and appearances, and features a passel of photos and video of her with her Doll twin/bride. Go check it out!

‘Shouting to hear the echoes’. We’ve seen the future, and it’s silicone-based

Technorati tags: robots, Androids, Gynoids, 4woods, Orient industry, iDollators, RealDolls, Amber Hawk Swanson

Sdtrk: ‘Allures’ by Stereolab

So Tsukihime and I finally caught ‘Lars and the Real Girl‘ at a sparsely-attended matinee this Sunday past, and I have to admit that it was actually better than I thought it would be. As you’ll recall, I had some initial misgivings about the concept of a big-budget Hollywood film handling the concept of Dolls and iDollators in a sensitive manner, but all told, the end result was largely inoffensive.
As I didn’t have a notepad on me at the time (the theatre was too dark) and using my Treo would’ve been awkward (the screen was too bright), here’s my recollection from various fragments that I can remember:

+ Bianca arrived at Lars’ in only six weeks time. Potential Doll owners: be forewarned that this film is a work of fiction. Six week turnaround time?? Heh, if only…

+ Someone reviewing the film had waggishly described it as ‘Capra with creep factor’. Ignoring the C-word, I’d have to agree. Lars acquires his Synthetik girlfriend, and the whole town is persuaded to go along with it. As lovely as that idea is, it spins the whole film into the realm of pure fantasy. On the other hand, it’s hardly as if I expected it to be a documentary… Even if it is fictional, it’s a nice change to see people rallying behind an iDollator, as opposed to crossing the street to avoid him.

+ In certain scenes, it was noticeable that Bianca wasn’t an ordinary Doll weight — there’s a part where Lars is walking through some woods with her piggyback, and I’m sorry, that shit’s nigh-impossible to do with a typical Doll. Movie Magic!

+ A couple of things that made me chuckle: Lars’ cubicle mate, a weedy fellow who reminded me visually of Gareth from ‘The Office‘, showed Lars the site that sold the Dolls. The layout was like Abyss’, yet not Abyss’.
Shortly after, Lars asked his coworker if he would be placing an order for one. ‘I would,’ he sighed, ‘but I just got the new XBOX.’ Tch! Where are your priorities, sir??

+ As a Doll husband and advocate, I have to say that this film had a severe lack of naked Bianca. Seriously though, it’s good that there wasn’t any focus on the sexual aspects of Bianca and Lars’ relationship, as the film could’ve very easily slipped into a lowbrow American Pie-type sex farce, with Bianca as a prop — I’m rather glad that scriptwriter Nancy Oliver chose not to go that route. The way she drew up the character of Lars is that he saw Bianca as a companion first and a sexual partner second, and to be honest, their sexual relationship wasn’t even mentioned. Which is again good, as it reinforces the concept that Dolls aren’t merely for sex.

+ Continuing in that particular groove, the film’s central point is that having a Doll in one’s life (depending on the type of person you are, of course), can be very theraputic. Before Lars learns about Dolls, you see him in the opening scenes of the film: he’s isolated in a cold grey room that contains little stimulus or joy, and a crushing sense of depression. After Bianca arrives, his life doesn’t exactly do a 180, but he’s noticeably less maudlin. He takes her places, sees things with her… he has someone to enjoy life with. Not to get all Hallmark-y, but Bianca is a key that unlocks the doors to Lars’ life.
Gods, that sounded rubbish. Strike that, reverse it. But you know what I mean.

+ I’m sorry; even though Ms Oliver undoubtedly drew from many sources during her research for her script, I would have to say that a large part of Lars is based on me, and another part is based on Everhard. Half-Danish, half-Brazilian Bianca has a detailed history, much like half-English half-Japanese Sidore does, and despite his mother’s passing, Lars still has a tremendous affection and attachment to her, much as Everhard does. Yeah yeah, I know, I bet you think this song is about you. Don’t you?

+ And I have to say that the scene with Lars dancing with Bianca in his room, brief as it was, was incredibly touching. When fellow iDollator Mahtek first told me that, thanks to the hanging suspension stand he bought for his girls, he can actually dance with Phoebe or Penelope, I knew that he was a luckier man than I.

So in summation, ‘Lars etc etc’ turned out to be much less of a grand disappointment than I thought it would be. The ending was almost what I’d expected — Hollowood’s everywhere, you can’t get away from it — but as a Doll husband, my sensibilities were not offended. Even Tsukihime, whose only exposure to Synthetiks is through me, enjoyed it as well — she admitted there were a couple of scenes where she was tearing up, but then, she’s a softer touch when it comes to that sort of thing…
The only negative point I have to say about it, really, is that since Lars was kinda messed up before Bianca entered his life — his extreme shyness and near-clinical fear of being touched comes from his mother having died while giving birth to him — the casual viewer might say ‘well, he’s got a Doll, so he must be a loony’, when the only thing Bianca has to do with his mental condition is improving it. My worry is that most people, unless they watch the film with an open and attentive mind, won’t make that distinction. But like I’ve said, at least it’s not ‘Love object’.
Ms Oliver, you are henceforth spared my wrath (pronounced ‘roth’). So when’s the DVD due out?

And that concludes ‘Shouting etc etc’s coverage of ‘Lars etc etc’! In all honesty, even I was starting to grow tired of making mention of it in every other feckin’ post

Did her mum knit her that hat and scarf combo?

Sdtrk: ‘Waterloo’ by ABBA

Unbloodybelievable. Just when you thought that Gerrrraldo soliciting me was the Pinnacle of Unlikely, this was sent to my Myspace Inbox:

From: CBS Paramount (myspace.com/cbsparamount)
Date: Oct 29, 2007 5:04 PM
Subject: Dr. Phil Show!

Hi Davecat!

My name is Heather Mansfield and I work for the Dr. Phil show here in Los Angeles. I have been trying to get a hold of you because we are extremely interested in doing a story about you and others like you who are Real Doll lovers. If you are at all interested in this, please let me know! My number here is [phone number].

Thanks so much!
Heather Mansfield

‘Trying to get a hold of you’. Like I’m extraordinarily difficult to contact or something.
What else could I say? I mean, apart from

From: Davecat
Date: Oct 31, 2007 12:10 AM
Subject: RE: Dr. Phil Show!

Hey Heather –

Thanks for the offer, but I’m afraid I must decline. For one, I don’t really know who Dr Phil is — I’ve not watched broadcast television since ‘Seinfeld’ went off the air — but somehow I don’t think that being on national television with people who are more than likely either out to ‘convert’ me, or make a mockery of my preference in partners, would be the best decision I’ve made all week. Besides, I’m really no longer doing interviews for free, and I’m fairly certain that CBS isn’t exactly willing to ante up air fare both to and from LA, as well as lodging, and at least half the cost of a new RealDoll (Sidore is in need of a new body). I could of course be wrong, but somehow I doubt it…

Don’t be too disappointed! I turned down appearing on Geraldo’s little media circus for the same reasons!

Cheers,
Davecat, with valued assistance from Sidore

Strangely, she’s not responded! Granted, she might be awaiting a phone call instead of another Email, but I just can’t see myself calling LA just to say ‘sorry, no, and should I have heard of this Dr Phil person?’
Truth be told, I do know who he is, but I’m not too keen on his work. If you’re a legitimate psychiatrist/counselor/witch doctor, somehow I think you’d be concentrating more on private consultations with your patients than being a high-profile media personality. But that’s just me. Tsukihime compared him (favourably) to Oprah, at which point I think I actually made a gagging sound.

Like I always say in instances like this, I was spoiled by having my first television appearance conducted with the wonderful Elisabeth Alexandre, as she and I corresponded via Email for almost three months before she asked if I’d like to be a part of ‘Eves de silicone’ for the public telly station France 3 back in 2001. (Yes, Sidore and I have been on television several times prior to ‘Guys and Dolls’. Hit up ‘Shouting etc etc’s search engine *points to sidebar* if you’re curious, as I’m too lazy to link them right now) Her approach was like good dating: get to know the person first, feel them out, then ask them out. ‘Dr’ Phil and sensitive investigator Geraldo are like ‘Say babe, you look interesting. Wanna come back to my place and fuck?’ Some people don’t mind that, obviously, but I’m not one of them. Errr, it depends on who’s asking. But my point is that a little research on me and iDollator culture before asking after an interview is pretty damned important…

Miss Hyde had brought up an interesting question recently — will there be a similar wave of hype for ‘Lars etc etc’ over in the UK? Will it even be screened in the UK? Somehow I don’t picture it as being such a tremendous affair as it is here, as being a Doll owner or lover isn’t as widespread (yet) as it is in the States, but there’s always a chance…
You know who I think it’d be fun to be interviewed by, should Britain decide to start making discrete enquiries? Jonathan Ross. Going by what shows I’ve seen of his, namely all three episodes of Americana (his documentary series on American midwestern culture) and the entire run of Japanorama (his loveletter concerning all things Japan), I think he’d be one of the more suitable candidates — he’s a self-confessed otaku, and he has a uniquely distinctive image and style, consisting mostly of baggy dress suits in unusual colours. When Nick and Tanya were filming the Missus and I, they’d mentioned that the concept of RealDolls might well be up his alley. Huh. Up to anything next Spring, Wossy?

Now would any other ill-advised opportunists like to put a bid in? The line forms to your left

Sdtrk: ‘Think about life’ by Paul cries

Despite the fact that you can’t turn in any direction without seeing something about ‘Lars and the Real Girl’ these days, at first I was kinda despairing for something else to write about. Suddenly! Alert reader Zach sent me this encouraging article. Danke sehr, Zach!

Robots soon will become more human-like in appearance, researcher says
By Charles Q. Choi
Updated: 6:05 p.m. ET Oct 12, 2007 | msnbc.com

Humans could marry robots within the century. And consummate those vows.

“My forecast is that around 2050, the state of Massachusetts will be the first jurisdiction to legalize marriages with robots,” artificial intelligence researcher David Levy at the University of Maastricht in the Netherlands told LiveScience. Levy recently completed his Ph.D. work on the subject of human-robot relationships, covering many of the privileges and practices that generally come with marriage as well as outside of it.

At first, sex with robots might be considered geeky, “but once you have a story like ‘I had sex with a robot, and it was great!’ appear someplace like Cosmo magazine, I’d expect many people to jump on the bandwagon,” Levy said.

[…] Levy argues that psychologists have identified roughly a dozen basic reasons why people fall in love, “and almost all of them could apply to human-robot relationships. For instance, one thing that prompts people to fall in love are similarities in personality and knowledge, and all of this is programmable. Another reason people are more likely to fall in love is if they know the other person likes them, and that’s programmable too.”
the rest of the article is here

2050, eh? I CAN’T WAIT UNTIL TWENTYFECKINGFIFTY! YOU PEOPLE NEED TO STEP YOUR SHIT UP!! Sorry.
As much as I love RealDolls and the like, their only flaw is that they can’t move or speak of their own volition — they’re passive. For some of us, having an advanced version of Actroid — one that wasn’t rooted to a single spot, among other things — would be the perfect partner. It’s a matter of waiting, as the technology is advancing rapidly towards that point, but I hate waiting…

Also, that loverly Violet Blue of tiny nibbles wrote some very nice things about me and other iDollators in a recent article for the San Francisco Gate, but have you seen the story for the Associated Press?

‘Lars’ movie shines light on RealDolls
By SANDY COHEN, AP Entertainment Writer | Wed Oct 17, 3:48 PM ET

A dozen headless female bodies hang from industrial metal hooks in the center of the room. To the left are a table of plastic faces, awaiting makeup. To the right, a stack of silicone molds ready for the next order of life-sized love toys.

Normally reserved for private play, these high-end, anatomically correct dolls are getting big-screen exposure with the recent release of “Lars and the Real Girl,” an offbeat, surprisingly chaste comedy about a lonely introvert (Ryan Gosling) and Bianca, the silicone object of his affection.

Bianca, a freckle-nosed brunette, was born just east of San Diego at Abyss Creations. The 11-year-old company that makes RealDolls will ship 400 dolls to the U.S. and abroad this year — at upward of $6,500 each.

RealDolls can be actresses, lovers, photo subjects or companions. Customers can choose from 10 body types, 16 faces and 17 hairstyles to create their dream girl. They specify skin tone, hair and eye color, makeup palette and nail-polish shade. The dolls have interchangeable faces ($500 each), so with the pull of some Velcro and the flip of a wig, she’s like a whole new gal.

[…] For many doll owners, and for Gosling’s character in the film, the dolls are more like companions, each with her own personality and presence.”She looks like a person,” says Rob McKay, 55, a writer who owns two dolls, Lily and Eden. “Even though she’s not a breathing person, psychologically you feel like someone is with you. They’re like a balm for loneliness or aloneness.”
the rest of the article is here

Personally, I missed the deadline to be in on this by about an hour, but all of the participants interviewed were more than capable of answering the questions. Moreso, even. And it’s always nice to read a mainstream article that doesn’t paint a negative picture of iDollators…

So will I see ‘Lars etc etc’? Yes, yes. If there’s a Doll in it, it kinda goes without saying. In reading one of the fleet of stories concerning the fillum, I found it rather interesting (again, an adjective I use to denote ‘possibly good, possibly bad’) that Bianca is supposed to be half-Danish, half-Brazilian. Now, people who know of my Synthetik wife’s extensive backstory know she’s half-English, half-Japanese, and since ‘Kitten with a Whip!’ is still trapped in amber, newcomers will undoubtedly accuse me of ripping off ‘Lars etc etc’. But the savvier readers amongst you will you know the truth, right?

In another story about the film, Ryan Gosling, who plays Lars, is quoted as saying,

[Bianca] relaxed me — she was a support system… People hear the idea for this film, and they think, ‘Oh, how kitschy or funny,’ but there’s a whole culture of guys out there who have these dolls, and they have very intimate relationships with them. Part of it is sexual, but a lot of it is emotional… I think it’s a romantic idea the way that Nancy approached the script, that love’s not a transaction. It’s something you have to give, and you give it freely to whoever and whatever you want.

I’ve never known who Ryan was prior to this release, but now I know he’s a thinking individual, cos quite obviously, he gets it. Kudos, sir!

Also, this past Saturday eve I attended the 2nd Michigan Doll Congress, which is much less official than it sounds. Mahtek, Euchre, littluvr from Minnesota, CJD from Canada, Amber Hawk Swanson and myself converged at one of the fine Antonio’s locations, and talked shop for several hours. Mahtek even passed round his cellphone at one point, so we could all speak to fellow Doll owner campdaan over in California. Round 9pm, we left; Amber, who drove from Chicago with her friends, made her leave, and the rest of us went back to Mahtek’s place, and picked up where we left off. Needless to say, a good time was had by all! We intend on making this a semi-regular thing; we’re thinking the next one will be when Stacy Leigh brings some of her excellent photos to an upcoming art show somewhere in the tri-county area. You can’t see me from here, but I’m rubbing my hands together in anticipation. Well, I will be, as soon as I stop typing this sentence.
Ah, there we go.

Left, Organik Amber; right, your humble narrator

Finally, I think we can all agree that Charlie Sheen needs to be thrown headfirst through a plate-glass window. What a fucking idiot. I don’t care if you love Dolls, or if you think they’re ‘creepy’, what he did is pretty much the equivalent of taking $7000 and setting it ablaze. Just goes to show you that money can’t buy common sense

Technorati tags: robots, Androids, Gynoids, David Levy, Violet Blue, RealDolls, iDollators, Amber Hawk Swanson, Lars and the Real Girl, Ryan Gosling

Sdtrk: ‘F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E’ by Pulp

So I’ve got Merzbow’s six-Cd boxset, Houjoue, right? Being a card-carrying fan(atic) of the music genre known as Noise/Power-electronics, I’d thought, ‘o lovely, you can’t go wrong with six disks of disparate dissonance!’ Well, perhaps you can. Believe me, I’m more disappointed than the rest of you.

My obsession with Masami Akita, aka Merzbow, can be traced back to 1993. I was in a band called Dole age (Smiths fans will get the reference), along with my best friend Sean, his future wife Sherilee, and Adam, a bloke we met at our local anime club. We were keen on alternative music, particularly Industrial and Shoegazer, so naturally we Frankensteined the two in order to make our own sound. As Throbbing gristle had disbanded in 1981 and weren’t making any more releases, and we were waiting on My bloody valentine’s followup to their epic Loveless*, Adam had a go into looking into other types of music, and the natural progression from Industrial was Noise. He picked up a disk entitled Great American Nude/Crash for hi-fi by someone called Merzbow, which we were pronouncing ‘murzboh’ until we discovered about a year later that it’s pronounced ‘mehrzbau’, after the series of related works by Dadaist Kurt Schwitters. I borrowed the Cd for *coughs* an indefinite period, and I fell in love, noisy love. This was my first true exposure to the whole Japanese Noise scene, and it was shredding my mind, and to some extent, my ears.

At this point, I should probably attempt to explain Noise to the uninitiated. Noise as a genre of music is funny, cos by nature, Noise isn’t music. It strips out, or alters, conventional signposts such as rhythm, melody, and vocals, and replaces them with whistling feedback, staticky white noise, and a large amount of dissonance. Also, whereas Noise distorts music using guitars, drums, turntables, or specially-built instruments, the sub-genre Power-electronics (as famously pioneered by the UK group whitehouse) is characterised by the use of overprocessed synthesisers, tone generators, and, well, electronic equipment. It’s definitely an acquired taste — busted speakers and a ringing in the ears is normal, don’t be alarmed — but it’s pretty ace cos 1) it’s very unique and unconventional, and 2) it’s a purer form of artistic expression. Wow, that sounded really pretentious. But basically, as I put it to someone recently, Noise is what you get into when you’re looking for something more harsh than Industrial…
Noise-rock, on the other hand, sucks. Too much rock, not enough Noise, in my opinion. I cannot endorse it.

One of Masami’s favourite musicians is Sun Ra, the avant-jazz ex-pat from Saturn, and one of the objectives of Merzbow is to produce at least 500 releases, much in the same fashion of Sun Ra’s (literally) hundreds of self-produced records. To date, he’s released around 300; this includes vinyl, cassettes, and compact disks. There’s Pornoise 1Kg, a 5-cassette boxset from his early period; there’s the infamous Merzbox, which is fifty Cds and a passel of other goodies, all for $500 USD; and there’s other ephemera for the more obsessive segment of collectors, such as the Merzcedes, which is a copy of his Noisembryo release, sealed forever inside the dashboard Cd player of an actual Mercedes 230 that would play on Repeat whenever the car was turned on. Rare item GET! Really, though, my only problem with Akita-san’s Grande Masterplan is that sometimes it’s a case of quantity over quality; which, if your goal is 500 releases, is practically unavoidable…
Example: back in the late Nineties, I’d bought Metalvelodrome, his first Cd boxset. Four disks of well-crafted dissonance compiled in 1993, that to this day, continue to level me each time I hear it. When I bought my copy from local area esoteric bookseller Book beat, I was chuffed. I remember playing it for a couple of weeks straight, especially disks one and two (‘Morbid Dick’ remains a personal fave), and loving every minute. The pieces were dynamic, which is the quality that brings Merzbow’s work above a lot of the Japanese noise artists. Don’t get me wrong; I loves me some Masonna, and some pieces by C.C.C.C., but the majority of Noise performers, Japanese or otherwise, can sound a wee bit samey-same, although it’s not for a lack of trying.

Over the years, like any decent artist pushing their own personal antelope, he’s gone through different periods of different styles. The late Eighties up to the first half of the mid-Nineties was his noise collage period, wherein he would combine overdriven sound loops with field recordings (tape recordings of ambient sounds, such as city streets); then followed his Junk electronics phase, which saw him run self-built instruments, like that metal box with the amplified springs played with a contact mic, through a shit-ton of effects processors; in the late Nineties, he bought a couple of analogue synthesisers and used them as instruments and processors. That was my least-favourite of his periods, as it veered dangerously close to prog-rock, and almost every Cd he made during that era, I sold shortly after purchase. In fact, I was pretty soured on Merzbow until about late 2001, which was the beginning of his laptop period, and with Amlux and Hard lovin’ man, my noisy prodigal son had returned with a noisy vengeance. Which brings us to now.
The original dynamism he had when he first began relying on his laptop is what swung me towards listening to him again: the tones vary in colour and texture, they’re always crisp and distinctive, and they move with speed. But then, you’ve got something like 24 hours – A day of seals, his four-disk boxset from 2002, and I… well, I can’t honestly say why I’m still keeping my copy, as it’s not doing a whole hell of a lot for me. I can’t say there’s a total lack of dynamism in most of the pieces, but it develops at such a tectonic rate that it’s just not holding my interest. Unfortunately, Houjoue is rather like that as well… in its own fashion, it’s almost like Masami’s take on Motorik, as the pieces go for several minutes. Granted, I enjoy a bit of the old soundtrack auf Autobahn now and again, but I believe Merzbow is best when it’s an out-of-control blast of sonic atavism. I mean, anyone can produce a drone, but creating a track that rockets along at 200 mph, slicing wildly as it goes… that takes talent.
Plus — and here’s a personal thing of mine — I’m not too keen on Noise pieces that go over the ten minute mark. Honestly, the trick is to make it so good and interesting that I don’t notice it’s gone over ten minutes (see any of the tracks on his Mort aux vaches – Lokomotive breath release, or the title track from Electric salad). But if there’s not a lot of changes, my finger’s gonna be creeping towards the Next Track button, which is a bad sign. It seems to me that Masami’s pieces are getting longer and less mercurial in sound — I can only hope that this is simply another phase he’s going through.

The end equation is that Merzbow will always remain one of my favourite artists, but even the best artists have lull periods — look at New order’s Republic™, for example. Just don’t listen to it, for god’s sake, as it’s no good for anyone. Besides, I’ve heard excerpts from Merzbear, and read reviews saying his Coma Berenices Cd is supposed to be quite ace. Don’t call it a comeback, he’s been here for years?

*We’re still waiting, by the way

Technorati tags: Noise music, Industrial music, Shoegazer, Motorik, Merzbow, Masami Akita, My bloody valentine, Throbbing gristle, Sun Ra, Masonna, Cosmic Coincidence Control Center, New order

Sdtrk: ‘Capsules’ by Cabaret Voltaire

D’ye hear that? That reverberating grey-black-and-neon-green sound of ‘apocalypse porn’, as the blog American Stranger amusingly has ‘Shouting etc etc’ categorised under? That is the sound of me being back online full-time. Woo! Woo.
The Missus, Tsukihime and I still aren’t entirely settled, and now that, thanks to the combined efforts of Comcast and SafeTinspector, The Series of Tubes is finally attached directly to our computers, we’ll probably get less work done. Heh. Although I have to say, Shi-chan and I are about entering negotiations concerning another television interview, so we’ve got to get to work in tidying up Deafening silence Plus…

Speaking of apocalypse porn, a concerned reader by the name of Rehka writes:

Haha, so I’m living in a dorm right now and through their internet services, I actually can’t access your blog because it has been filed under a sexual category and I go to a baptist university, haaha. How do you feel about that?

Heh, both offended and amused, really. I mean, moreso than usual. Although it’s occurred maybe once or twice, I try not to post any pics of Dolls exposing their rubbery jubbelys, cos I know I have a couple of readers that check my site out from their local public library (zszsz, I’m looking in your direction), but I always make the distinction that there’s a difference between seeing breasts in a pornographic context, and seeing them in a non-pornographic context, just as there’s a difference between nudity (fine art) and bein’ nekkid (pr0n). As you well know, I don’t merely see Dolls as sex toys, and I do realise that there may be some people that are fearful of seeing tits, as they may dredge up the entirely valid fear of death by smothering, but at a facility of higher learning, the staff could stand to be a little less draconian about their website censorship. You’re at a grade school? Sure, block ‘Shouting etc etc’, that’s entirely understandable. But one would hope that a person of college age would be more mature about these things. I mean, despite the fact that they’re in college and all.
Blah blah blah censorship, blah blah blah Doll tits. Where was I going with this? I could wave it off with a typical flippant line, such as Well, if the baptists are censoring me, then I’m clearly doing something right, but attacking the baptists’ withered dogma would be like attacking a withered, err… dog. With a Liston knife. I’m sorry, I’ve no idea where that came from, but it’s really making me giggle.
Sorry, Rekha! Maybe they’ll allow you to subscribe to my RSS feed?* It doesn’t display any pictures, which is of course half the fun, but it’s better than nowt, right?

And damn it all, the esteemed Amber Hawk Swanson and her equally lovely Synthetik bride had invited me to catch a Chicago-area screening of ‘Lars and the Real Girl‘**, but scheduling prevented it. Actually, it’s on a Saturday, but my (distasteful adjective) job requires me to work mornings to afternoons that day. Grr. Now that I’ve moved, I need to really start looking for a job that doesn’t siphon off discrete amounts of my soul every day I’m there… Well, a job that doesn’t siphon off as much of my soul, at any rate.

So there you have it! We now return you to the usual passel of retro architecture, eclectic news items, and more-than-slightly-biased lust for Synthetiks that passes for posts round here. Heigh ho!

*N.B.: please ask a qualified Internet CyberTechnician about RSS and Atom feeds, cos I haven’t a clue as to how that shit works

**In all honesty, she didn’t just invite me; she invited everyone in her mailing list. The sentiment still applies, though

Technorati tags: American Stranger, Amber Hawk Swanson, Lars and the Real Girl, Liston knife