Swagfest ’99, and a Question

typed for your pleasure on 3 March 2005, at 10.28 pm

Sdtrk: ‘L’enfer’ by Coralie Clément

Today, I ventured to the mythical and hazardous land known as Outsidemyhousevania, in order to run some errands. I was also expecting a call from an ex-coworker in order to see if we could get together on Friday, but as I more or less expected, she didn’t call back. :-\
So I filled the void in my heart with purchases! Hooray for Stuff!

+ the March issue of Newtype (woo hoo, ep.2 of Cromartie High school is on the free DVD! Now I can see if the series is worth buying)
+ Party of one: The Loners’ Manifesto, as suggested by Lily‘s lad, PBShelley
+ the Bye bye Beauté Cd by Coralie Clément. I’d never heard of her before, but there was some sort of sticker on the front that suggested that if you like Ivy, Stereolab or some other bands, that you might like this; plus the fact that I’m a sucker for Sixties-style French pop chanteuses forced me to pick it up. So far, not altogether bad, but the only similarity to Stereolab is that Coralie sings in French
+ the remastered version of The cure’s Three imaginary boys Cd (two disks, 20 extra tracks)
+ plus some sushi (eel & cucumber gunkan and one shrimp nigiri), five pieces of inari, and a can of UCC Coffee

So my question: When did BestBuy start ‘requiring’ your phone number whenever you make a purchase? I’m at the cashier’s desk, paying for the Cure Cd, and she asks me ‘Telephone number, staring with area code, please?’ I of course gave some number that doesn’t exist — or, at the very least, isn’t mine. And it wasn’t as if I a) made a large purchase over $200, or b) paid with a credit/debit card or cheque! It would be a little more understandable for them to ask for a phone number for verification *coughsolicitingcough* purposes, but this is a $16 Cd here! I remember when they started that bollocks, asking for ZIP codes at RadioShack years ago, and once again, I’d always lie, but that isn’t as ridiculous/invasive as asking someone’s phone number.

My other question: Does anyone actually give out their real number to these companies? If so, d’ya think they’d like to buy a bridge from me?

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the ‘chirashi’ approach to posting

typed for your pleasure on 3 March 2005, at 3.39 am

Sdtrk: ‘Music of spheres’ by Delia Derbyshire

Thought I’d catch up on some loose ends, blog- and news-wise..

For those of you who post comments, and don’t have a proper Gravatar, now you get one of my default ones, heh heh. 🙂 I think I might change them around once a month, so fair warning: if you don’t want to be represented as a member of SHADO (that’s March’s entry), or something ‘worse’, get your own smegging Gravatar..

Wednesday morn/afternoon, I was ambling round downtown Detroit with Wolfgang and Mike (of the RoToRs consortium), madly snapping photographs for about six hours, and cursing the bitter Northern winds. Apart from the cursing, it was fun! We took several shots in the John King building, as well as the RenCen/GM headquarters, the People Mover, and one of the finer examples of Art Deco architecture (there’s that word again), the Guardian building.


from the John King breakroom. Sound advice!

Actually, Wolfgang wrote up a pretty good summation of our adventures, which you can find right here.
O, I don’t think I’ve introduced you! RoToRs is, as it’s stated, the Online Journal of Vulne Pro, which is an art collective begun by Mike/aneamo several years ago, that I’m occasionally involved with. You may have seen Mike’s work on Sweetie’s site, or in various gaming books, or on the Vulne Pro site itself; now he and Wolfgang have a blog with which to show off new ideas, projects, etc.

Also, new notable blogs of note worth noting, so take notes, would be Undercover in Japan, a tale of a young Englishman trapped in a strange and futuristic world, where AIBOs run amok, and ninjas and magical schoolgirls in towering mecha fight against giant ramen-eating Yakuza lizards. Yes.
And there’s Nothing To Do With Arbroath, which is Silliness Compiled. See if I’m lying.

And I dinna get a chance to pick up Devil may cry 3 yet, as we were too busy running round for me to cash my cheque before the banks closed. Mnyeh. Perhaps tomorrow..

What the hell else was I gonna say?

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Slow day

typed for your pleasure on 1 March 2005, at 4.30 pm

Sdtrk: ‘All tomorrow’s parties’ by the Velvet underground and Nico

Just so you know, Sweetie’s site has been updated, for those of you who are into that sort of thing, of course..

And isn’t Devil may cry 3 out today? What the hell am I doing at home??
*runs out door*

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Not at all architectural-related

typed for your pleasure on 28 February 2005, at 4.44 am

Sdtrk: ‘Love without sound’ by White noise

Saturday eve Jeff & I got round to Derek’s, for our usual festival of hullaballoo, chicanery and folderol. Jeff brought his copies of ‘Waking life‘ and ‘Infernal affairs‘ for viewing. (Might I add here that he didn’t just buy the domestic version with the shitty cover art; he sprung for the six-disk box set that includes all three films, a ‘Making of’ disk for each film, and a miniature binder that includes critical notes — all housed in a black plastic box protected with black bubble wrap. Most impressive) ‘Infernal affairs’ was rather good, and ‘Waking life’ was alright, but didn’t do a whole lot for me — it was a case of a lot of people presenting various points on lucid dreaming, the nature of reality, and social evolution, but the characters/points that didn’t interest me seemed to go on and on, whilst the people I wanted to hear didn’t get enough screentime.

But lemme tell ya, the highlight of the evening? SpikeTV’s Hey! Spring of trivia, the best psychotically-dubbed Japanese television show since Iron chef. The episode we caught was one wherein they attempted to judge how far the tortoise and the hare ran when they had their legendary marathon. The staffers went to a library in New York that contained the oldest known print versions of Aesop’s fables. Since the distance was never actually mentioned, they took a tortoise and a hare, and had them each run down a length of perspex tunnel. Then they calculated the distance each one of them moved in ten seconds’ time, and had a college professor multiply that, factoring in that the overconfident hare took a nap (which they closely monitored the length of as well, using a videocamera), to come up with the answer, which was 894km, if I remember correctly. It’s properly demented, which is how I like my television, but it’s fat-packed full of trivia, which makes it double-plus good. The show rules, pure and simple.
I cast a vote for it on TVShowsOnDVD.com, but between now and the time it’s actually released, I REQUIRE TORRENTS!!

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YES, it’s another architectural-related post

typed for your pleasure on 28 February 2005, at 3.39 am

Sdtrk: ‘Fuses’ by Stereolab

I must be in some sort of building rut. Perhaps long-dead architects are attempting to contact me from beyond the graaaave. You know, like the Ghost of Architectural Christmas Past That Was Designing Buildings For The Future or something.

Anyway! Do these photos look as creepy to you as they do to me?

It’s as if it’s 1982, and I’m flipping through an issue of OMNI, staring at those bizarre illustrations that graced the pages between the short works of science fiction.
I mean, I want to live in a high-rise apartment, but these are just slightly more colourful versions of the buildings in Terry Gilliam’s ‘Brazil’. There’s hardly any sky, it’s just walls.

Ace photography, but I mean, good lord. J.G Ballard characters would refuse to live in these structures

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The Curse of the Gmail’s Tomb (Hammer Films, 1962) / ‘Burton-esque’

typed for your pleasure on 25 February 2005, at 5.35 pm

Sdtrk: ‘Never understand’ by The Jesus and Mary chain

D’ye remember how I was exhorting people to take a Gmail invite from me cos Shi-chan & I had so many? Well, I gave away four, but since then I’ve discovered that even if you give them away, Gmail just sends you some new invites, thereby perpetually keeping you at ’50 invites left’. It’s like an Internet version of Sisyphus’ little problem! You give them away, they keep coming back! YOU GIVE THEM AWAY, THEY KEEP BUH HUH HUH *drops to knees, weeps openly*

And you have to check out this recent post that Penda’s scribed.

So I promised that I would scan and post some early journal entries from my childhood.

Scary, but a funny kind of scary. 🙂
I’d do something of a similar nature, but I kinda had a scorched-earth policy on any school-related documents prior to 9th grade. No, I mean, literally — I set them all ablaze

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This was the Future, Vol.06

typed for your pleasure on 25 February 2005, at 6.07 am

Sdtrk: ‘Sweet hit sherbet’ by Masonna

Instead of tackling architecture (sounds painful), this volume is about a really fab Danish designer by the name of Verner Panton. It’s still on topic!

Panton’s other great contribution to mid-century design is his ceaseless experimentation with lighting. His “Fun” series of shell lamps, his hanging “Globe” lamp and a wide variety of chandeliers introduced a new approach to lighting. He designed entire walls filled with lit panels and futuristic UFO shaped hanging lights. Panton’s designs were made to sway, spiral, create sounds and, most of all, to use color to create completely unique lighting systems for interiors.
quoted from this site

Verner’s designs exemplified a lot of the Euro-design from the mid-to-late Sixties. Back then, even if you didn’t know his name, more than likely you’d have seen one of his lamps, or sat in one of his chairs, or been lucky enough to wander around in one of his environments. You could argue that his style is ‘dated’ today, but that makes it all the better. These days, you’d be hard-pressed to find any contemporary styles that even come close to his uniqueness, and that’s what makes Verner’s futuristic Pop-art visions even more worthy of investigation

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