Sdtrk: ‘High speed flight’ by Daphne Oram

Now were it not for The Great ‘Shouting Etc Etc’ Blackhole that happened on the 30th of last December — I thought I could upgrade WordPress without the use of a clever plugin, but Fate had other plans in store — this would’ve been posted earlier. But I’m fairly sure no-one would have noticed, what with all the New Year’s Eve revelry taking place. So all according to plan, then! *strokes chin*

A week or so previous to My Personal Blogpocalypse, alert reader Azusa brought another artist to my attention recently: his name is Yoshitaka Hyodo, and he works almost exclusively with CandyGirls. You simply can’t go wrong with Dolls as your photo models!

‘Well, here’s another fine mess you’ve got us both into’

Contrary to all appearances, this place rated five stars in the Michelin guide

The above pics are from his series, ‘Haruna’s Room‘. And that’s about the extent of my knowledge of this bloke! There’s no English on his site, and it’s mostly text, so I wouldn’t even know which block of kanji to translate in order to find out more. I should point out that that link might be not safe for work, incidentally, but as I always say, it depends on where you work. Perhaps you work at Orient industry, which would be an eerie/amusing coincidence! If that’s the case, then… would you like to help me translate some text??

And continuing the Orient industry-related vibe of this post, you may not recall back during February of 2009, I’d mentioned an artist by the name of Becky Yee, who was exhibiting a photo-essay of hers entitled ‘More than a Woman’ at a New York gallery, which would be the results of having spent time with esteemed iDollator ta-bo-san, taking photos of his cadre of affictitious girls. I’d managed to locate an interview conducted by the website Bongoût, which is an interesting wee read.

Bongoût: How did you connect with this particular collector?

Yee: I frequented a fan website for Dutch wives. Writing undercover, I played the role of a connoisseur of dolls, and got an intimate glimpse inside the head of these men.
The site first originated as a place to go for advice, including maintenance, such as cleaning and repair for your doll. There are chat groups you can join where men will swap stories of how to fix a doll if you break her arm or leg since there is no shops to repair them.

I met many men through this site, but the most interesting to me was the one I decided to work with. He is educated, successful, and career driven. So why is there a need to have Dutch wives? And not just one, but 70 or 80!?

After speaking with him, I learned that he is a spokesman for his cause. He desired to see the flipping of his sub-culture, to have it become acceptable to the public. This is why he agreed with interviews, and was willing to share his story as long as I did not show his face.

Bongoût: At this point, who is it that he can speak with openly about his lifestyle?

Yee: He only speaks openly with the people he meets online. And of course, it takes time for him to build up trust before he would meet anyone in person. However, he has quite a network of men, and some evenings they all meet out at a restaurant and bring their Dutch wives along.
the entire article is here

Finally, surely you lot must know by now that Abyss creations will be unveiling their newest lass in the Wicked RealDoll line? That’s right, now you can have an artificial Kaylani Lei reclining on your furniture at home, small as life (she’s 4’11”), and twice as rubbery.

Being 70 lbs and only three apples high makes her easy to take anywhere

If we were to witness a Jell-O wrestling match between a CandyGirl and a Kaylani Lei RealDoll, who do you think would win? Apart from all of us, that is

Hello! And welcome… to Galerie ECHO (aka The Writer’s Barely-Disguised Fetish).

Here, you’ll find a collection of illustrations of those of us living here at Deafening silence Plus, as well as of my original Gynoid characters, Annett Mk.I, Mk.II, and Mk.III, either commissioned by myself, or drawn on a whim by kind and awesome individuals. You are all amazing, and that is a fact.
Everything shown here is in chronological order, most recent to oldest, and naturally, as new works are completed, they’ll be posted here.

Incidentally, we’re always on the lookout for more artists to render us in two dimensions! Upon request, artists will have access to our design bibles, which would be the reference photos for the six of us, for better accuracy, as well as the three or four variations of Annett. Ideally, we’re looking for artists who are cool with drawing
+ Gynoids and Dolls in general, obviously
+ occasional メカバレ (mekabare)
+ skinsuits, periodically
+ occasional NSFW (mostly tits and bums)
and you can get an overall sense of what we’re keen on via this Galerie. Really, if you have an eye for a Doll’s seam lines, and you’re good at drawing girlfeet, you’re in with a chance.

If you’re saying to yourself out loud YES YES I AM FINE WITH SOME OF/MOST OF/ALL OF THESE THINGS, why not drop me a line, and we can discuss how to get you (well, your work) into Galerie ECHO?

For now, though, please to enjoy! If you wish to jump to a certain year, you’ll find buttons for your convenience. Also, do yourself a favour, and click on any pic to enlarge it. I’m sure you’ll be pleased to know the full-sized versions are uncensored.

by 4HEADBOIII, with a special appearance from one of her OCs, a VARA-Doll (left) and 4HEADBOT, her Gynoid persona (right), March 2024

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by xplotter, February 2024

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by Sthev, with a guest appearance by Jessett, one of his mass-produced Gynoid OCs, February 2024

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by Keely-key, January 2024

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by xplotter, January 2024

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Amber and Amber, by oyenpaws, August 2023

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by oyenpaws, July 2023

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by Sthev, featuring Sofia, one of his Gynoid OCs, July 2023

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by oyenpaws, July 2023

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by xplotter, June 2023

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by oyenpaws, June 2023

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4HEADBOT, 4HEADBOIII’s Gynoid persona, with an Annett Mk.II, June 2023

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by Fokk3rs, June 2023

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The range of Annett-types manufactured by Deafening Silence Robotics, including the never-reached-production-status Mk.1a, by oyenpaws, May – June 2023

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by xplotter, May 2023

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by oyenpaws, April 2023

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by Eiji, April 2023

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by 4HEADBOIII, April 2023

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by xplotter, April 2023

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by BecSantus, March 2023

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by xplotter, March 2023

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by R3DD, January 2023

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by xplotter, January 2023

The first illustration of our Ursula, courtesy of xplotter, December 2022

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Sophie PL-650 A-6318, one of Erntoron’s Gynoid OCs, with an Annett Mk.II, September 2022

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by xplotter, September 2022

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by Honey Pop!, September 2022

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by xplotter, August 2022

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An Annett Mk.II helping a rare Annett Mk.Ia, by Eronautics, July 2022

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by 4HEADBOIII, July 2022

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by 錆之 / Sabino, June 2022

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by 4HEADBOIII, April 2022

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by Honey Pop!, April 2022

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by raulovsky, February 2022

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by Eronautics, January 2022

by 4HEADBOIII, December 2021

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by Honey Pop!, December 2021

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by 4HEADBOIII, October 2021

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by CartesianCoordinator, October 2021. Textless version is here.

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by 4HEADBOIII, August 2021

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by catariaHue, August 2021

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An Annett Mk.I (left), with an Annett Mk.II (right), by CartesianCoordinator, August 2021

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Two Annett Mk.II models, but the one on the left is wearing the (ill-fitting) skinsuit of a Mk.III, by CartesianCoordinator, July 2021

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by Pactum Arts, March 2021

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Dolly, Blitsplatapus’ Gynoid OC, with an Annett Mk.II she purchased, January 2021

a present for my 48th birthday, by Courtney Webb, November 2020

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by yaruku, August 2020

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an Annett Mk.I with an Annett Mk.III, by Rodjim, July 2020

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by Itzury Navarro, commemorating Shi-chan’s birthday and our twentieth anniversary together, July 2020

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by Sthev, featuring Valentina, one of his Gynoid OCs, June 2020

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by Itzury Navarro, June 2020

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some facts about the Annett series, by Yaruku, May 2020

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by Courtney Webb, featuring Sidore, herself, and our friend Tasha Foxx, May 2020

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An Annett unit, with Sthev’s Sofia (left), and one of Sofia’s Gynoid loveslaves, April 2020. We’re also rather pleased to say that this was Sthev’s 100th commission!

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An Annett Mk.II, by CartesianCoordinator, April 2020

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An Annett Mk.III (left) and a Mk.II (right), by Amondetauro, April 2020

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by puffypinkpaws, April 2020

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by Hakuboi, April 2020

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by Amejin, April 2020

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by xplotter, March 2020

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by Sthev, February 2020

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by Courtney Webb, February 2020. My Missus summed up the overall vibe of these illos in her retweet:

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by KlaudSan, January 2020

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Dyanne, with a deactivated Annett unit, by Yaruku, January 2020

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by M.Majestic @ VulnePro, January 2020

by Eiji, December 2019

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by Arschie, December 2019

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by Sanja Mrakulja, November 2019

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by Eiji, October 2019

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by Eiji, September 2019

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by Sanja Mrakulja, September 2019

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by Yaruku, September 2019

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by Eiji, September 2019

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the Missus and Snowy, with several discarded Annett Mk.IIIs, by Yaruku, August 2019

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by Sanja Mrakulja, August 2019

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by Yaruku, July 2019

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by Courtney Webb, July 2019

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Dyanne, wearing a skinsuit of our friend Amber Hawk Swanson, by KlaudSan,
June 2019

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by M.Majestic @ VulnePro, May 2019

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by Sthev, with a guest appearance by Haruka, one of his Gynoid OCs,
May 2019

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by KlaudSan, April 2019

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by Sanja Mrakulja, April 2019

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by Yaruku, April 2019. These are based off of the covers of two pulp novels from the Sixties that, surprisingly, dealt with Synthetiks as partners

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by Sthev, March 2019

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by Yaruku, March 2019

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by Sanja Mrakulja (after ‘Ouija does it‘ by Norman Rockwell), March 2019

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by KlaudSan, February 2019

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by Yaruku, used as the Pinned tweet on my Twitter feed, February 2019

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by roulovey, February 2019

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by Courtney Webb, February 2019

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by Yaruku, January 2019

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by M.Majestic @ VulnePro, January 2019

by M.Majestic @ VulnePro, December 2018

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Birthday prezzie illustration by Courtney Webb, November 2018

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by M.Majestic @ VulnePro, November 2018

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by Yaruku, September 2018. What do you mean you don’t know who Muriel is?

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by Yaruku, September 2018

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by Yaruku, July 2018

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by Courtney Webb, with a guest appearance by herself in the second illustration, July 2018

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by Courtney Webb, June 2018

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by Yaruku, February 2018. The Gynoid is Partyroid-san, a character of Yaruku’s based off the Party Doll model of CandyGirl by Orient industry

by Yaruku, October 2017

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the Missus, with several discarded Annett Mk.IIIs, by Yaruku, August 2017

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by Yaruku, May 2017

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by Yaruku, May 2017

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by Yaruku, April 2017

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by Yaruku, April 2017

by Reem Ali-Adeeb, for the Love + Radio podcast episode ‘A girl of ivory‘, September 2016

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by raulovsky, August 2016

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by Potassium, June 2013

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by Jessica Sea, March 2013

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by Nana Smite, September 2011

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by Nana Smite, February 2011

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by Krazy Krow, 2004. My first ever commission that I paid for! Back then, I was a constant reader of the webcomic Krakow, and Krazy Krow offered commission slots at one point. I took him up on it, with an image of Shi-chan (back in her Fetish Goth days), asking an obvious question to Kia, the girlfriend/succubus of the protagonist

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by M.Majestic @ VulnePro, 2002

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by M.Majestic @ VulnePro, 2001. My first ever commission!

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Featuring work by the following artists:
Mike Majestic + Krazy Krow + Nana Smite + Jessica Sea + Potassium
raulovsky + Reem Ali-Adeeb + Yaruku + Courtney Webb + roulovey
KlaudSan + Sanja Mrakulja + Sthev-Art + Eiji + Arschie + xplotter
Amejin + Hakuboi + puffypinkpaws + Amondetauro
CartesianCoordinator + Itzury Navarro + Rodjim
Blitsplatapus (Koalacatto) + Pactum Arts + catariaHue + 4HEADBOIII
Honey Pop! + Eronautics + 錆之 / Sabino + Erntoron + R3DD
BecSantus + oyenpaws + Fokk3rs + Keely-key

Sdtrk: ‘Friendlies / Pamela + GG’ by US girls

Bit of a delay on this one (‘the Devil, you say’), as I was led to believe that Orient industry were going to be releasing new pics of their Ya su ra gi and Real Love Doll Ange models to their site on the 7th of this month, but they didn’t, damn them. They’ve got a Christmas campaign going instead, so if you don’t mind somewhat hefty import prices, now would probably be a good time for you to make your move.
I can, however, point out that late last month, they released a version of their CandyGirl line called Party Doll; its two models are Tomoko and Saori. What’s so unique about the Party Doll, you ask? Well, I’ve linked to a video below that encapsulates what they do, and I should point out that you really don’t want to watch it while at work. Unless you own the company!

click the image to open the video

For those of you who are hamstrung by NSFW issues, the Party Doll is a make of CandyGirl who, when you squeeze her right breast, dispenses beverages from her left nipple. That’s right. As you’ll note, the Tomoko-type is more of a traditional Japanese lass, as she wears a kimono, has hanafuda cards on her table, and dispenses sake, whereas her more Western-styled sister Saori is dressed as an employee at the Bunny Club, with her poker deck and wine glasses at the ready. Both lasses have cupboards beneath their tables, where you can store up to 900 ml of sake, or a 700 ml bottle of wine. A hose attaches to the opened bottle, and an electric pump keeps the bevvies flowing up through the hose and out of her nipple. To stop the pump, just stop squeezing her breast. I said ‘stop squeezing’. Jesus, man, have you no self-control?
Both versions of Party Doll have joints in their necks and arms, which would be their only articulation, so they’re less like Dolls, and more like the dispensers in the Korova Milkbar from ‘A clockwork orange’. Would I want one? I’m not so sure. For one, they do take up quite a bit of space — there are worse things to occupy one’s home, but still. Also, again, they’re more soft statues than Dolls, so while they excel at being conversation pieces, sculptures, and bevvy dispensers, you couldn’t have a relationship with them. Also, the fact that they run ¥1.6 million JPY (that’s about $17,300 USD) is the exact opposite of enticing. However, should I fall into money — literally fall into money, like sacks of cash with dollar signs screenprinted on them — I’ll buy a Tomoko-chan to keep me company in my home office…

+ Polymerisian entrepreneur, telly show actress, and pinup model Tasha James, who, as you’ll know, got her humble start in a little studio in southern California, has embarked on a new method to grant herself more exposure. She’s releasing a series of photobooks, expertly photographed by Paul Gorman, and they’re pretty fab. Currently she’s got ‘Dark & Moody’, ‘Candle Light’, and ‘Bedroom Lies & Pillow Talk’ on offer, and she’s just released her latest one, ‘Kink’, which looks to be properly pervy.

The wait is over. My new book "Kink" is now available. My most intimate work yet. http://t.co/ORaNCYdP8D pic.twitter.com/VXtS6HEyWW

— Tasha James (@ItsATashaThing) November 12, 2014

Each book is available in three formats: the 8×10 hardcover for $50, the 5×7 softcover for $30, and just $10 gets you the 3.5×2.75-sized minibook. If you like, you can have Tasha make an autograph out to you before she ships it out as well at no charge. As all of us here are very keen on her work, both as a Synthetiks advocate and a sexbomb, we’ve ordered a copy of ‘Kink’. We’ve already bought a copy of ‘Dark & Moody’, and it’s one of the neatest things we own.

Why not show your support for ravishing artists who just happen to be Polymerisian, and order one of Tasha’s photobooks? It’s the sort of book that would also look brilliant on your coffee table! Fact.

+ WOOP WOOP WOOP NEW 4WOODS HEAD ALERT
While I was busy assembling this post, they’d announced the debut of yet another attractive head for sale! Ladies and gelatin, please welcome Sonia.

Some people like dimples, others prefer seam lines

The Sonia head can only be used with the A.I.Doll Allure bodies, which is quite alright. There’s, ah, not much else to add to this bit of information, but really, what more needs to be said?

Lips ahoy

+ It should come as no surprise to anyone that I’m keen on the work and philosophy of Hiroshi Ishiguro, roboticist genius who developed the Actroid series of Gynoids. Really, if you’ve not seen his name mentioned anywhere on this blog, you’re apparently reading another blog entirely. As Ishiguro-san is always doing things to bring artificial humans into the mainstream, something like this is both unsurprising, and really unique:

Meet the robot actor starring in a play inspired by Kafka
by Leslie Katz | October 22, 2014 9:43 AM PDT

In Franz Kafka’s novella “The Metamorphosis,” Gregor Samsa famously wakes to discover he’s been transformed into a giant insect. In a decidedly modern theatrical take on the surreal story, Samsa wakes to find he’s a robot. A gangly, metallic, white-faced robot.

And who better to play Samsa-as-android in the new Japanese-French production than an actual bot? That robot, stage newcomer Repliee S1, stars in “La Metamorphose Version Androide,” which played in Yokohama, Japan, earlier this month and will run at the Autumn Festival in Normandy, France, in November.

“One morning in the near future, Gregor Samsa wakes up as an android,” reads a description of the play. “Gregor’s father (Jerome Kircher), his mother (Irene Jacob) and younger sister (Laetitia Spigarelli), after a period of doubt and caution, will strain to tame their fears and questions facing the new state of Gregor.”

While some futurists would no doubt view the chance to experience life as a robot as a welcome adventure, Kafka’s 1915 “The Metaphorphosis” tackles deep questions about identity, human connection and otherness.

“When people see a robot, like in an exhibition, you can tell people are not moved by it,” Japanese playwright and director Oriza Hirata says in the Agence France-Presse video. “I wanted to create a situation in which a robot could move an audience, and that’s how we came up with the idea of this project.”
the entire article is here

Apparently, this forward-thinking take on Kafka’s classic is one in a series of various plays that comprise director Oriza’s ‘Robot Theater Project’. You undoubtedly remember when Actroid-F took to the stage in 2010 for the play ‘Sayounara’? That was part of the project. The theatre company is called Seinendan, and, according to their website, last year they’d also done a version of Chekhov’s ‘Three sisters’, starring Actroid-F and two other non-humanoid robots. Very nice, and I definitely appreciate the fact that Oriza and Ishiguro sought to draw parallels between the transformation of Gregor Samsa into an insect who thinks and behaves like a human, and him changing into a machine who thinks and behaves like a human, but when can we expect ‘The Importance of Being Earnest’?
I’d just like to add this bit from here, that explains the goal of the Robot Theatre Project:

The Robot Theater Project was founded 5 years ago at Osaka University with the goal of displaying robot prototypes in a creative theatrical context. The expositions in which scientists participate in order to technologically compete with one another; do not solicit an emotional response from the public, even if they often are in admiration. Touching people emotionally with robots will offer a lot of fundamental research towards a future coexistence with robots, where one would not feel uncomfortable or anxious in their presence. (emphasis mine)

+ Titman, the titular Torontonian totally turning out terrific… christ. This is why I don’t usually do alliteration. It’s either difficult to construct, or it sounds entirely forced, or both. Anyway, Titman, head of Maidlee Doll, has taken a new approach with the affictitious ladies he creates, starting with their name. From now on, he’ll be selling Maid-Fong Dolls, and even better than that, they’ll be made from silicone, not latex. Huzzah!

‘I was told this dirndl qualifies me for Austrian citizenship’

Now, the company offers two versions of the previous head — one version has a dreamy half-awake expression — and the body features new joints at the knuckles, arms, knees, waist, hip and neck, movable eyes, and a handy neckbolt for suspension purposes. Maid-Fong is 5’2″, 82 lbs, has measurements of B:36DD / W:25 / H:38, and wears a US sz 5.5 – 6 shoe. And like many of the company’s contemporaries, they’re using platinum-based silicone, so that means more durability.

What is it with gingers and leopard print?

Leaving out prices for options, such as choice of entries, you can purchase your own Maid-Fong for only $3500 CAD, which is a rather nice price for an entry-level silicone companion. Be sure to pop round to the official site; there’s pics and videos available there, too.

+ For the longest time, Sidore and I had said that we were going to start watching Äkta människor, the Swedish telly show that centres round the premise of humanoid robots, or ‘Hubots’, and how various people interact with them. We’ve had the first two series from 2012 and 2013 sitting on our hard drive, waiting to be viewed, but much like about a hundred other programmes and films we want/need to see, we weren’t setting the time aside to sit down and actually watch it. All that’s changed, however! The Missus and I tore through our DVD copy of the first series, and found it to be extraordinary; it’s the sort of show that American telly would either never come up with on its own, or it would be something that an American telly producer would attempt to adapt for the domestic market, and water it down in the process. If you’re keen on the idea of Synthetik humans, or if you like good storytelling, or are partial to expert direction, are interested in the topic of roboethics, or all of the above, you definitely need to see this show.

Any faster and their eyelids will melt

But what lit a fire under our collective arses and made us start off to begin with? A Twitter account by the name of Cyborg vs Robot began following me; their bio reads ‘Christa Couture and Five Seventeen recap the Swedish TV series Real Humans (Äkta människor) and other robotic depictions’. Five, the male robot, and Christa, the female cyborg, discuss what their findings and reactions were for each episode of Äkta människor — they’ve just released a podcast covering the last episode of season one — they also touch upon other Synthetiks-related short films and shows. In their first episode, Five and Christa cover the first episode of Small wonder, reminding me how bizarre and abysmal a programme it is. Despite that, they manage to dig up some interesting tidbits: for example, I didn’t know that Small wonder was created by Howard Leeds, who was the same bloke who developed a much better telly show having to do with an artificial human several years earlier — My living Doll, starring Julie Newmar, from 1964.
Overall, the Cyborg vs Robot podcast is a low-key, laidback affair with two neat hosts, covering topics that will pique the interests of discriminating readers such as yourself. Yourselves. Etc.

+ Finally, you may recall that back in July, I’d tried to get some information out about A-Lab’s Gynoid inaccurately named Android Asuna, but there wasn’t a lot in English, or even in Japanese, for me to pass along. Well, thankfully that’s changed! Our Asuna made her debut at the recent Tokyo Genius Expo, and despite the fact that there were other robots, as well as all manner of art, music, and design exhibits on display, she kinda stole the show by nature of her verisimillitude. She also seems a bit sassy. As she’s styled to have the appearance of a fifteen year old, I guess that’s par for the course.

Like many modern Gynoids, she’s driven by what A-Lab refer to as an APDS (Air Perfomaer [sic] Drive System), which seems to be their proprietary pneumatic system. She also features silicone skin, which is to be expected.
I may have stretched the truth a wee bit: there’s not a tremendous amount of info available as yet: A-Lab’s website doesn’t have an English page, and translating through Chrome basically garnered the info you’ve just read. But the site says it will have a gallery soon, and Asuna seems to have her own blog on it as well. Not a lot of entries to date, as she’s been undoubtedly too busy with this Tokyo Genius Expo to update it, but my favourite entry on 20 June starts with ‘As usual, I am a not speak can not move, and when I was spacing out standing in the corner, and I have been surrounded by the customer after the talk show.’ Yeah, I think we’ve all been there at some point, Asuna-chan.
In lieu of more information, which I’m sure is forthcoming, I shall end this post with a couple of photos.

…there’s not a lot of photos of Android Asuna available. *throws up hands*

So there you are! If I’d have planned things out better, this month’s post would’ve been in three parts, as this part’s larger than I thought it would be. Shall we call it ‘making up for lost time’, then? Yes. Let’s do that

Sdtrk: ‘The outside’ by Martial Canterel

Happy 23rd! See, this is what happens when you procrastinate. I blame Twitter. I blame myself! I blame BLAME!, the dystopian cyberpunk manga by Tsutomu Nihei. Apparently the title is pronounced ‘blam’, so I blame that, too. Or perhaps I blam it. Nevertheless, there’s a metric ton of things to cover, so let’s proceed!…

+ We’re starting off this half with a Synthetik lass from Japan, with the name of Android Asuna. I’m going to gloss over the fact that she really should be named ‘Gynoid Asuna’, as perhaps her creator was going for an alliterative thing, but I digress.
At any rate, I know virtually nothing about her, apart from the fact that the company that made her is named A-lab, and Google is loath to give up any further secrets. So until we hunt down some more substantial information, let’s watch her in action over and over:

+ Curiously enough, had things not gone all pear-shaped last September, I would’ve attended this year’s DolLApalooza. I blame being on the dole for nearly half a year. But Abyss creations, makers of the RealDoll, debuted a new face for the RealDoll 2 line by the name of Natalie. Is her appearance up to the same standards as all the other faces that Abyss creations make? I think so, and I think you’ll agree with me.

Yes, Natalie’s eyes can see into your soul. Which is no excuse for you to stare at her chest

That face will fit a Body D, which is the one with the impressive bustline and the superior posterior commonly associated with the Brooklyn-type, so that might be a combination you want to look into.

+ While Orient industry’s Ya su ra gi line of CandyGirls brings bold new meaning to the term heart-stoppingly attractive, remember that their Real Love Doll Ange line is still nothing to sneeze at, either. At it happens, there are two new heads available for the Ange series, in the form of Riri and Tomomi.

Above, Riri, regretting once again that her air conditioning is still out; below, Tomomi, showing off her minimalist room decor

ORIENT INDUSTRY: they’ve been making Synthetik women since the late Seventies, so they totally know the score.

+ What have Anatomical Doll been up to recently? Well, quite a lot. So much, in fact, that as of May, they’ve placed a freeze on receiving any new orders until further notice (more than likely Autumn 2014). Here’s Oleg, explaining why via an Email he’d sent me:

We have taken many orders from all world and now temporarily have stopped till the autumn reception of new orders.

We need time to execute the accepted orders. Also time is necessary for full reconstruction of our dolls.

How we begin, you see. A new head ” the girl without a name “, ” older face “, Sleeping Oksana ” – three new heads for one and a half month.

Still, plus to these to three, in work now eight new heads. Natalia will be the ninth head. Total – twelve nevest [sic] face.

Also all bodies will be replaced with more realistic.

So basically, not only is the company playing catch-up with existing orders, Oleg is also planning to replace Anatomical Doll’s four body types with more realistic ones, as well as refining the new heads that he’s recently created. What do those heads look like, you ask? Funny you should ask!

On the left would be ‘The Girl Without A Name’, and on the right is ‘Older Face’. As you can tell, Oleg’s not come up with official names for them yet. I’m fairly certain most of us can think of one for the first one, and it’d probably be the same name. At least one Older Face head has been sold to date, though, and it’s with Everhard; his version’s named Varvara, and is quite a pleasant lass to be around, it seems.
Sleeping Oksana would of course be the closed-eyes version of the Oksana head:

Another selling point is that her throat has a nearly 8in (20cm) depth, and Oleg says that the head has a way of creating artificial saliva to prevent damage to her teeth when she’s busy… providing service. I’m not sure how that’ll be accomplished exactly, but that’s just one more attribute to look forward to!
So if you’re keen on purchasing an Anatomical Doll, you’ll have a bit of a wait, but I’m certain it’ll be worth it. As soon as they open their doors for orders again, you’ll be able to read about it here, of course…

+ Internet webcomic cartoonist Mr R Stevens, the man behind Diesel Sweeties, has gotten a couple of mentions round here previously. Mainly as his jib is laser-cut! (Sounds pervy.) Click the image for the full comic:

+ And to close this segment, there’s this amusing and relevant DirecTV advert. I like how she’s like a sexy Muffin the Mule.

The only question I have would be: how did she manage to get that robe off, without it interfering with her wires? For that matter, how did she get it on? So unrealistic. She’s still cute, though, so we’ll give it a pass… Still not buying DirecTV, though.

Right; that’s half of all the new bits and bobs you need to know about. Fortunately, next part comes next week, as I’ve already written it! Mainly so I can get back to Bioshock: Burial at sea. Those Splicers aren’t going to shoot themselves, y’know! Unless I use Possession on them, that is

Sdtrk: ‘Seconds too late’ by Cabaret Voltaire

What have we here? News and information on imitation people, as that’s mostly what ‘Shouting etc etc’ traffics in. Note I’d said ‘mostly’; that subject’s not the only thing I write about here. But Synthetiks news does seem to dominate the topic selections, curiously enough…

On the first of the month, Japanese dutch wife manufacturing juggernaut Orient industry debuted a new line of devastatingly sexy CandyGirls, under the name ‘Yasuragi‘.

Left: Kurihara Madoka; right: Fujisawa Yayoi

What does SYSTRAN seem to think Orient industry is saying about the new line, you ask?

The super real love doll “Ya, Su, Ra, Gi” created!!
From 11/1 (Friday) start of sale

* The serenity head is Ange body and compatibility, but color of the skin differs from the Ange beauty white body.
In addition, also color of the skin of the Ange beauty white head and the serenity body differs in the same way.
The case of order this point beforehand in regard to comprehension, purchase, the fish we ask.

*protracted sigh* Thanks, SYSTRAN.
At any rate, these seem to be the most realistically-sculpted heads since their late-lamented CandyGirl Jewel Diva line. From the production photos on the site, I’m led to believe that the company laser-scanned actual Organiks to help develop the new heads. Also interesting to note, each model has a surname as well as a first name, which is something new. I tried popping the names into Google to see if the Dolls are based off of Organik lasses with those names, but nothing came up that would prove that. But that doesn’t mean you can’t enjoy what they have to offer!

Left: Iikura Minami; right: Konishi Asami

‘Yasuragi’ means ‘peace of mind’ in Japanese, and gazing upon the beauties above, the reason behind Orient industry giving that model line that name makes perfect sense. As it’s stylised into four hiragana syllables — や す ら ぎ — I was hoping that you’d find one hiragana in each of the four lasses’ names, combining them to come up with yasuragi, but no. Orient industry missed a trick, as far as I’m concerned…

This is something that, to me, is simply a common-sense assessment, but it’s always good to have additional scientific proof:

Humans tend to trust robots that look human
Nidhi Subbaraman, NBC News | Published 28 Aug 2013

Most robots are so much more than a pretty face, but most humans don’t see them that way. We make snap decisions about a robot’s personality, friendliness and abilities — all from the way it looks, even if it’s just a projection on a display screen, new research shows.

A new study, published in the Aug. 28 issue of PLOS ONE, adds to growing evidence that as robots become assistants and collaborators in all aspects of our lives, their appearance can deeply influence how well machines and humans interact.

The authors of the study recruited 30 volunteers, ages 18 and 38, to interact with three different robot avatars for the PeopleBot robot, which helped them take their blood pressure.

Each volunteer got a turn with each of three robot displays. The first two displays featured faces — one with human features, eyebrows and fleshy skin tone — much like the European student on which it was modeled — and another with a silver android-like finish and blank eyes. In the third session, the volunteers checked their blood pressure checked with the help of the same PeopleBot, but this time with no display face at all, merely a voice.

Afterwards, the humans rated their experience. By far the most popular version of the assistant was the one with the most human face. But here’s the surprise — the test subjects trusted the faceless robot over the one with a silver mechanical face. The silver face, they reported, though more human, was also more “eerie.”

“When you can’t put it in a box of being either human or a robot, that’s when you’re a bit uncomfortable,” Elizabeth Broadbent, senior lecturer at the University of Auckland and the lead author of the study told NBC News.
the rest of the article is here

Our friend ‘Hans’ was round our flat a few days ago, and we watched several videos of Synthetiks, both Gynoids and Dolls, as his home lacks Internet access, so he and ‘Bee’ miss out on a load of these sorts of developments. He was very impressed and a wee bit smitten with Actroid-F, as anyone would be, but he was on the fence regarding Gynoids that looked less realistic, such as Holon. I reminded him that even though a lass like Holon skews towards a more ‘anime-styled’ appearance, it’s good that she exists. When humanoid robots are more prevalent in society, some people will prefer that they resemble a shiny metal humanoid, much like a Sorayama illustration. There’ll be those who, like me, want a Synthetik to look like an animated silicone Doll, like the Actroid series. But there will be people whose aesthetic preference and comfort level fall in between, and would perhaps want a humanoid robot with a more stylised appearance, which is where someone like Holon comes into play. The way I see it, if we can utilise Synthetiks going from either end of the visual spectrum, there’s bound to be one to fit all requirements…
As an aside, when Roc Morin was interviewing me recently, I’d told him my ideal version of Sidore would be a Gynoid that would resemble an Organik human on first glance, but would still retain subtle ‘tells’ such as silicone skin and somewhat stilted movement. Roc mentioned that her less-than-fluid motion would be a pleasant and appealing characteristic, like a partner having an accent. Clearly, he knew what I was talking about there!

Another comic book miniseries that deals with Synthetiks in what seems to be a positive light will begin its run this month: Image comics’ ‘Alex + Ada’, written and illustrated by Jonathan Luna, and co-written by Sarah Vaughn.

‘I hope that at some point, you take that silly thing off.’ ‘What do you mean? It’s just a necktie.’

In this near-future tale, Alex is attempting to recover from a setback in his life and return to normal. Ada, a Tanaka X5 and the latest and greatest model of companion android, comes into his life. She lives to serve, as long as her programming allows it, but does he want to be served?

The world of ALEX + ADA gives us a glimpse of what our own future may be like. It features a thriving robotics industry, alarm clocks that are floating holographic displays, breakfast served by floating robots, and normal human beings who are able to control their home electronics with a thought. Vaughn says that readers can expect “drama, humor, love, loss, and more robots than you can shake a stick at” in the series.
taken from this site

For one, it helps that the art style is crisp and clean — it always puts me off when I want to read a comic, but the art is so distracting that it completely takes me out of the story. (Early issues of ‘Sandman’, I’m looking in your direction.) But from what I’ve read in an interview with Luna and Vaughn, they’re not just addressing a possible romance between the main characters, but they also intend on spotlighting the implications behind the usage of robots as well, so that’s two points in their favour. Well, three, counting the good artwork thing.
The series will run for twelve issues, which puts people like me in a bit of a quandary: do I buy all the individual issues as they’re released, or do I bide my time and hope they’ll be compiled in a fancy trade paperback?

Tying into the idea of future interactions between robots and Organiks, on the science and robotics site IEEE Spectrum, you’ll find an excellent article by Kate Darling, entitled ‘Extending Legal Protection to Social Robots‘, which is a cause I’m constantly upholding a banner for! In case you somehow weren’t aware.

Most discussions of “robot rights” play out in a seemingly distant, science-fictional future. While skeptics roll their eyes, advocates argue that technology will advance to the point where robots deserve moral consideration because they are “just like us,” sometimes referencing the movie Blade Runner. Blade Runner depicts a world where androids have human-like emotions and develop human-like relationships to the point of being indistinguishable from people. But Do Androids Dream of Electric Sheep, the novel on which the film is based, contains a small, significant difference in storyline. In the book, the main character falls in love with an android that only pretends to requite his feelings. Even though he is fully aware of this fact, he maintains the one-directional emotional bond. The novel touches on a notably different, yet plausible, reality: humans’ moral consideration of robots may depend more on our own feelings than on any inherent qualities built into robots.

This distinction hints at an approach to robot rights that is not restricted to science fictional scenarios. Looking at state of the art technology, our robots are nowhere close to the intelligence and complexity of humans or animals, nor will they reach this stage in the near future. And yet, while it seems far-fetched for a robot’s legal status to differ from that of a toaster, there is already a notable difference in how we interact with certain types of robotic objects. While toasters are designed to make toast, social robots are designed to engage us socially. At some point, this difference may warrant an adjustment in legal treatment.
the entire article is here

The sooner ethics, morals, and legalities are addressed concerning robots, the better. It would help, of course, if society stopped regarding them as tools, but as beings in their own right…

You may vaguely recall Japanese sculptor/Dollmaker Erimo — he first appeared on my radar due to his 1/1 scale replica of Organik model Marie Honda, created for an Absolut vodka ad campaign back in 2005. His website has long-since become virtual dust, unfortunately, but back in March of 2009, he’d created an installation at a Japanese art gallery entitled ‘Sisters are in the room’. Over the course of several days, the two life-sized ball-jointed Dolls who the installation focused on told a story through various poses. This will be the closest we’ll get to having viewed it in person, but it’s better than nothin’:

And that’s the lot for now! Although I think I was supposed to add something else. But I can let you know that I’m in the midst of rustling up some information about a new Doll studio out of Europe, so that’ll be something to come back to ‘Shouting etc etc’ for! Well, something else to come back to ‘Shouting etc etc’ for.
*snaps fingers* Now I remember! I’ve added a link in Ye Olde Sidebar to ‘Bienvenue chez Elle‘, which is a site maintained by the winsome French RealDoll, Elle, and her lover man. She’s gorgeous, he’s an excellent photographer, so you’ve no excuse not to pay them a visit, really…

Also as it’s November, both Elena and I celebrate our birthdays this month (the 17th and the 14th, respectively)! The best present you could get us would be a two-bedroom flat in Toronto, preferably in a high-rise overlooking Highway 401. Don’t worry, we’ll supply our own furnishings

Sdtrk: ‘Frostbite’ by Three to forgotten

Told you there was more to come, didn’t I?

+ I’ve known about this for quite a while, and fired off several frantic Emails to the uploaders, with no responses to speak of as of yet. But it seems someone in Japan has made a full-length video combining two of my favourite things: Dolls, stop-motion footage, and Lewis Carroll’s ‘Alice’s Adventures in Wonderland’. Err, that’s three things. Here’s the trailer for ‘Alicematonika’, starring a CandyGirl from Orient industry as Alicematonika:

Directed by Ryosuke Handa back in 2010, it seems the film was screened at a gallery in Japan, along with some of the film’s props and Alicematonika herself. And since that’s all I’ve been able to glean from the Interwubs about the film, I leave you with a photo of the wee missy in question having her eyes adjusted.

‘Still cheaper than a new pair of glasses,’ she sighed

+ Although they’re still working on updating their website galleries, you’ll be pleased to know that Abyss creations have just recently released both a new face and a new body for their RealDoll 2 line. This slinky rubber lass would be Renee, sporting a Body C. As Doll photographer Stacy Leigh herself amusingly remarked, ‘Bitch is TALL’.

photo © by Stacy Leigh

With stats of B:34 / W:24 / H:34, a shoe size of 8 – 9 US, and coming in at 90 lbs and a towering height of 5’10”, which would explain her large but sexy feet. It’s advised that should prospective buyers want a Renee-type RealDoll in their homes, they should also have cathedral ceilings. Mind the ceiling fan, sexpot!

+ Speaking of RealDolls, this one from the ‘this does not compute’ department: alert reader cw sent me a link a while ago to an article on Huffington Post, which links to a Gawker article that tells of… look, here you are:

Brazilians Bidding Thousands of Dollars to Deflower the Country’s First ‘Real Doll’
by Neetzan Zimmerman | Published 07 March 2013

Ahead of an international convention of Real Doll fans set to take place in Brazil, the country’s leading sex toy retailer Sexônico is offering inanimate women enthusiasts the chance to be the first to sleep with the country’s first Real Doll, Valentina (NSFW).

The bidding for “Valentina’s virginity” currently stands at over $100,000, which sounds like a lot for a one night stand with a sex doll, and it is.

But Sexônico insists Valentina is no ordinary doll: Her state-of-the-art skin has the same texture as human skin, and can be soaked in water without being damaged, if that’s your concern.

The winner of the auction will also receive all-expenses-paid travel to and from São Paulo, a free night’s stay in the Presidential Suite of a fancy hotel, and a complimentary candlelight dinner with French Champagne to share with Valentina.

They’ll even throw in some sexy lingerie as Valentina’s gift to you, and a digital camera “to shoot and then show your friends.”
the entire article is here

I have no idea where to begin with that information. Does Brazil not have Internet access? Do they not know of Abyss creations? Or any of the roughly twenty other Doll manufacturers worldwide? Cos y’know, people of Brazil, all-expense travel, accomodations, and bottle of overpriced plonk aside, $100,000 could buy you around thirteen or fourteen Dolls. In fact, from a cursory glance at her photos, Valentina looks to be a Body A RealDoll 2, with either a Michelle or a Victoria face, so should Sexônico want to give that sort of Barnum-esque stunt a second go, save that $100k and buy your own army of personal Valentinas with those exact stats direct from the source. A wee bit of homework goes a long way.
As the deadline of 31 March has passed, the bidding is closed, but they haven’t divulged what the winning bid was. Which is a shame, as Shi-chan wanted to put a bid in herself. I reminded her that Monopoly money isn’t legal tender, not even in Brazil, and she went off in a sulk.

+ Stateside Doll-making juggernauts Sinthetics and Private Island Beauties have both recently released a new head each, if the rubber women in your life don’t think they have enough head options. From Sinthetics comes Eliza, which fits all their available bodies, and PIB offer the Luna (with open mouth) head, which would go nicely with their Girl Next Door body type.

Left: Eliza by Sinthetics; right: Luna by Private Island Beauties

As I’m sure you’ll agree, both heads are pretty damned appealing! It’s a shame you can’t just purchase a head without first having bought a body, though, as I’m sure that would lead to interesting home decor.

+ Of course you recall how winsome Gynoid Actroid-F (aka Geminoid-F) put in an appearance at a branch of the Japanese department store chain Takashimaya last February? ‘Who wouldn’t?’ I hear you respond, and rightfully so. She’s now known as Minami, and she proved popular enough to be asked back a second time this month, and not only does she have a cute new bobbed hairstyle to show off, but lucky patrons can actually speak directly with her in a sound-cancelling booth, and have their photos taken with her.
No, I’m not vibrating with jealousy right now; why do you ask?

Asked “Do you have a boyfriend?” Minami answers, “No, I don’t because I’m a pop icon and am not allowed to have any.”
taken from this article

Hiroshi Ishiguro, creator of the Repliee/Actroid/Geminoid series of artificial humans, says that he hopes Minami can put in regular showings at Takashimaya, as he’d like to develop future displays for her there. I posit that he’s thinking small: instead of bringing her round to the store’s location every couple of months, why not just make more Actroids? Also, why just remain in Japan? Come to the States! Come to Michigan. The more the merrier, I say!

+ Finally, were you aware that I’d done another online interview? Well, you’re certainly more aware than you were five seconds ago. Journalist Britta Bowles had spotted the Missus and I on our first appearance on ‘My Strange Addiction’, and, like many people, had some hard-hitting questions she wanted to ask me. A two-hour chat over Skype last month had me divulging many untold secrets, the most shocking one being that Shi-chan writes all my lines; she’s created a personality for me, as I’m actually just a Doll. O, wait.

The one relationship he did attempt (if it can even be described as such) ended disastrously. Davecat befriended a woman just out of a bad relationship, and they eventually bought a house together. It seems like a story of unrequited love, with Davecat hoping the relationship would progress into something more than friendship over time. According to Davecat, he eventually discovered that this woman was a compulsive liar, a thief and a coke addict with a history of rehab stints. After the purchase of the house, arguments arose.

“We were getting into…debates, let’s say, once a week. I think this is partially because of the coke that she had coursing through her system,” Davecat tells me rather sardonically.

“I can’t imagine that arguments with cokeheads are very fun,” I reply.

“If you have the means, avoid them at all costs,” he tells me. I make a mental note never to interview a cokehead.

You can read the article in its entirety at Britta’s blog, ‘Selected writings’, here. Hopefully you’ll have as much fun reading it as we had conducting it…

And that’s it for May! Happy 23rd, and let’s see what we can discover next month, shall we?
‘Shouting to hear the echoes’: More Information About Synthetiks Than You Ever Though Possible. Believe it

Sdtrk: ‘Romance fatal dentro de un auto’ by NON

Bringing you Tomorrow’s news Yesterday… Today.
See, that’s what we call an effective baffle. I throw a sentence out like that for you, you read it, and you’re so confused by it that you’ve not noticed I didn’t write a proper introduction to this, the first ‘Shouting etc etc’ post twenty-five days into 2012. And we’re off!

+ Did you lot have an enjoyable, carnage-free holidays? Ours were placid, for lack of a better term, but personally speaking, they were better than the ones at the end of 2010, so I’m not complaining. One nice aspect was that my father wrote me a cheque for $150, and as I’m a firm believer in Irony, I promptly sent that dosh to Amazon.com, spending the entirety of it on books about Dolls and Gynoids, two subjects that the man despises. Ha!
My spoils were volumes 4-8 of Pluto, a manga by Naoki Urasawa, which is another one of his psychological thrillers; a copy of Hiroshi Watanabe’s Love point, as detailed here; and The Sex Doll: A History. I have to apologise for the last one, as the cover isn’t just awful, it’s godawful. Nevertheless, all the books were highly appreciated! Thanks, dad! *proceeds to snicker like Muttley*

+ Speaking of Amazon.com, I now see that they actually have not just a listing, but cover art, for the ‘My living Doll’ DVD set I’d mentioned last November, with a street date of 20 March. Again, I’ll believe it when a copy adorns my own overloaded DVD shelves, but that’s fantastic news!…

+ Back in November-December of 2011, photographer/iDollator/jetsetter/Maki Nomiya lookalike Azusa Itagaki had a showing of her photographs of our crowd in Italy. It was well-received, by her accounts, and she told me it was even mentioned in La Repubblica, one of the nation’s major newspapers. As always, she does us proud!

INVISIBLE ART PATRONS

If you can read Italian, you lucky bastard, you can peruse a page about the show and see more photos here. Machine translations don’t count.

+ Do you recall Ricky Ma Tsz Hang, the bloke in Hong Kong who built an affictitious version of Kelly Chen? Yes you do. He’s not been resting on his laurels though, as he’s recently completed Aiko 2, a head for a new Gynoid! Again, might I remind you, he’s not a corporation; he’s just one man, making alluring animatronics in his own home. HARDxCORE.

For that new robot head, I have tried to use different material and design new structure. It is smoother than previous one. It applied 2 small servos and 4 micro servos only and it has detection camera inside her eyes. She can smile, eyes (blink, up and down, left and right) open and close the mouth. More than that, it will have a intelligent computer brain. She can talk to you and detect who are you! Moreover, she can analyse objects (over 13000 data). The facial expression will be controlled by the intelligent brain. It may be very interesting!

She’s listening to Sergio Mendes and Brasil ’66. But can you blame her?

That quote is from an Email that he’d sent me. Ricky went on to say that he’s developing Aiko 2 in conjunction with Le Trung, that bloke who put some servos inside a CandyGirl and named her Aiko, so hopefully Ricky will steer that particular project into something more original and successful.
Not only does Aiko 2 have improved sculpting — did you note her dimples? — but the ability to analyse and identify objects is a impressive skill. Sure, we have object recognition programmes in things such as Google goggles, but combining technology with beauty enhances both, and benefits everyone.

+ Isn’t it time for a new batch of Sinthetics photos? It certainly is.

Left, Monique doesn’t know the meaning of the term hay fever; right, Celeste, following up on Aiko 2’s eargoggle trend

Enticing new pics of Tawny, Monique, Kimiko, Celeste, and Yuriko are now available on their site. Stare, stare. And with good reason!

+ Finally, back to television: 2012 looks as if it might yield not one, but two decent programmes having to do with Synthetiks, so that’s something to look forward to! As long as they’re not along the lines of the robot snuff film known as ‘A.I’, that is.
According to a post on io9.com, NBC has ordered a pilot for a series entitled ‘Beautiful people’, and as they describe it,

Beautiful People is really dark, and more than a little sadistic at times. It’s not at all subtle, though — it’s in the grand tradition of dystopian “what if” scenarios in which a terrible injustice is being perpetrated throughout society, but somehow most people don’t see it. The audience will be left in absolutely no doubt, at the end of a single episode, that these androids, or “Mechanicals,” are people who deserve human rights. […]

We see how the Mechanicals are enslaved. They’re constrained by Asimov’s good old Three Laws of Robotics. They’re destroyed if they show the slightest sign of emotion. They’re even given a weird drug, called Compliance, to prevent them from having any nasty mood swings. They all have bar codes on the backs of their necks.

And yet, they’re clearly people in every way that matters. They have family units, like Tina and her parents. They respond to things with real emotion. Their children have to go to school, so they can learn all the nuances of human society. (The high-end “Mechanicals” like Tina and her family have no metal parts — instead, they’re more like cyborgs, with some silicon chips and plastic, but also organic parts grown from the DNA of John Does, and possibly federal prisoners as well.)
the entire article is here

They’re still in the process of casting it, so airdates are still in the far-flung future (pun intended), but I’ll be sure to keep an eye out for it, as you suspect. Overall, Beautiful people sounds promising and thought-provoking! Which means it probably won’t be on the air very long. You’re all familiar with how network telly in the States works.

And fellow iDollator Euchre tipped me off to the other programme from Sweden, a show called ‘Äkta människor‘, which translates to ‘Real humans’, which actually premiered on the 22nd of this month. It seems like it’ll be taking nearly the same approach as Beautiful people — can the term ‘human’ apply to artificial beings, etc — but with a less homogenised approach than you find in television from the States. Skip to 0.55 if you don’t get what I’m inferring.

What happens when robots become so human that they can barely be distinguished from real people? When they can even be our lovers? Real Humans takes place in a parallel world to our own, in which people’s lives have been completely transformed by the new generation of robots, the Hubots. […]

They’re used as servants, heavy laborers, company for the lonely and even sex partners. But Hubots also create conflicts – within families, in places of work and among those concerned about public safety. Their intelligence exceeds our own. Are there any jobs left that are not best carried out by a robot? Can they develop feelings of their own? Can a Hubot harm a human being?
the entire article is here

I love shows and films like this! They’re priming the pump.
Some additional good news: they say the production companies involved have made a deal to distribute Äkta människor internationally. Which more than likely means just Europe, but that’s why god made region-free DVD players!

And there you have it! O, and I’m due to enter discussions with another documentarist; this one would be from France. More on that later!